The Numbers - Box Office Data, Movie Stars, Idle Speculation

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Saturday, May 17, 2008

The Top Movies of Monday, August 16, 1999

  MovieDistributorGenreGrossChangeThtrs.Per Thtr.Total GrossDays
1 (1) The Sixth Sense Buena Vista Thriller/Suspense $3,545,869 -55.63% 2,395 $1,481 $73,207,523 11
2 (2) Bowfinger Universal Comedy $1,853,610 -63.37% 2,706 $685 $19,916,160 4
3 (3) The Blair Witch Project Artisan Horror $1,616,086 -59.66% 2,412 $670 $108,895,868 34
4 (4) Runaway Bride Paramount Pictures Romantic Comedy $1,472,225 -58.58% 3,212 $458 $99,412,849 18
5 (5) The Thomas Crown Affair MGM Drama $975,007 -65.14% 2,427 $402 $31,943,403 11
6 (6) Deep Blue Sea Warner Bros. Action $716,507 -65.15% 2,710 $264 $57,810,334 20
7 (7) Inspector Gadget Buena Vista Comedy $680,428 -62.26% 2,591 $263 $76,617,215 25
8 (8) The Mystery Men Universal Comedy $610,470 -56.14% 2,142 $285 $19,933,140 11
9 (10) Brokedown Palace 20th Century Fox Drama $587,639 -49.08% 1,740 $338 $4,459,255 4
10 (9) The Iron Giant Warner Bros. Adventure $412,942 -65.84% 2,179 $190 $12,961,450 13
11 (12) American Pie Universal Comedy $380,045 -53.77% 1,382 $275 $90,998,560 39
12 (11) The Haunting Dreamworks SKG Horror $367,764 -59.98% 2,239 $164 $84,004,353 25
13 (13) Detroit Rock City New Line Comedy $262,327 -54.85% 1,802 $146 $2,267,839 4
14 (14) Star Wars: Phantom Menace 20th Century Fox Adventure $214,544 -54.64% 771 $278 $415,859,856 90
15 (16) Tarzan Buena Vista Adventure $152,377 -58.71% 944 $161 $164,224,287 62
16 (15) Austin Powers: The Spy Who Shagged Me New Line Comedy $119,776 -70.57% 953 $126 $201,457,899 68
17 (17) Dick Sony Pictures Comedy $117,985 -47.56% 1,522 $78 $5,656,502 13
18 (18) Big Daddy Sony Pictures Romantic Comedy $88,376 -60.37% 1,011 $87 $157,789,455 53
19 (20) Eyes Wide Shut Warner Bros. Drama $79,718 -48.57% 732 $109 $53,580,375 32
20 (19) The Wood Paramount Pictures Comedy $63,729 -62.29% 564 $113 $23,791,481 32
Statistical industry information provided by and copyright © Exhibitor Relations Co., Inc
For full information on how our charts are constructed see our sources.


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