In all seriousness, this film has to be considered an early favorite for a number of Oscars including Best
Picture, directing, adapted screenplay, along with technical awards such as best sound, editing... and more.
If we were to place money on which film will be the big winner February 25, 2007, this would be the film.
The Re-Emergence of World War II Movies
As the chart below shows, World War II movies have enjoyed two periods of popularity.
They were especially popular in the 1960s and 1970s, with several huge hits and a string of movies
(The Bridge on the River Kwai
and The Great Escape, for example) that didn't make quite as much money, but are still
considered classics.
The genre almost completely disappeared in the 1980s though, and it wasn't until
Schindler's List was released that
World War II movies became fashionable again.
The second era of World War II movies has capitalized to some extent on the improvements in special
effects in the intervening years.
But, while the first era was dominated by action/adventure movies, the successful movies in the genre today
tend to look for more dramatic themes.
Flags of our Fathers certainly falls into that category, and that bodes well for its box office
prospects.
Top Grossing World War II Movies in the United States
While Steven Spielberg is best known for
his directing, he started producing his films years ago with hits like
E.T..
He has also produced films for some of the biggest directors as well, including
Robert Zemeckis
(Who Framed Roger Rabbit? and
Back to the Future), and
Richard Donner
(The Goonies), and others).
Add in his numerous writing credits, and the man can do it all, and do it well.
He is a proven commodity when it comes to box office draw, critical acclaim and Oscar glory.
Steven Spielberg has personally earned 11 Oscar
nominations as well as 3 wins, not to mention the untold number of wins and nominations his films have earned in
total.
This means simply adding his name to a film will raise its box office potential and make it worthy of note when
it comes to award season.
Clint Eastwood first came to prominence in the TV
western,
Rawhide, and from there quickly cemented his
reputations as one of the best in the genre by starring in films like
The Good, The Bad, and the Ugly.
His box office drawing power grew throughout the
70s and
80s thanks to films like the
Dirty Harry franchise.
In the meantime, he was also proving himself to be a skillful
director with highly rated films like
The Outlaw Josey Wales and
High Plains Drifter.
But while he was a clearly established box office draw and starred and directed some of the best movies being
made, what he never seemed to obtain was the accolades.
That all changed with Unforgiven.
That film not only earned Clint Eastwood his first Oscar
nomination for acting, but he won for Best Director and Best Picture and the film earned a total of 9 nominations
and 4 wins.
Then in back-to-back years, Mystic River and
Million Dollar Baby were big winners come Oscar
night with a combined 6 wins and 13 nominations.
Now every project he touches becomes an instant Oscar contender.
Paul Haggis
Nominations and Awards for Crash and Million Dollar Baby
Award
Crash
Million Dollar Baby
Noms
Wins
Noms
Wins
Academy Awards
6
3
7
4
Golden Globes
2
0
5
2
DGA
1
0
1
1
SGA
3
1
3
2
PGA
1
0
1
0
WGA
1
1
1
0
Spirit
2
2
n/a
n/a
Totals
16
7
18
9
Paul Haggis started his career in TV writing
episodes for such series as The Love Boat and
Facts of Life.
He moved on to producing and directing the critically acclaimed thirtysomething as well as returning
home (sort of) to create
Due South,
which was the highest rated Canadian show ever on
American TV.
His movie career has been really short so far with only four writing credits starting with Watchers and Red Hot,
neither of which will appear on many Best of lists.
(In fact, Paul Haggis had his name removed from
Watcher after there was extensive re-writes during the WGA strike).
However, with Million Dollar Baby and then
Crash, he became the first screenwriter in history to
writer two Best Picture Oscar winners in back-to-back years.
Now, like the men above, any project he's attached to instantly increases its box office chances and its standing
come award season.
If there is one weakness with this film, it is the cast.
This is not to say they are bad actors (although some would argue that is exactly what
Paul Walker is).
But the six main cast members are all young, lack name recognition to one extent or another, don't have much box
office drawing power, and have no experience when it comes to Oscar night.
The film's supporting cast is a little more seasoned, but in the end it will have to rely on the talent of the
three men profiled above to draw people into theatres.
This shouldn't be a problem.