Brazil Box Office for 45 Years (2015)

← Go to main 45 Years page

45 Years poster
Theatrical Performance (US$)
Brazil Box Office $138,503Details
Worldwide Box Office $14,275,594Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

While preparing for their 45th anniversary, Kate and Geoff’s marriage is shaken with a discovery that calls into question the life they’ve built together.

Metrics

Movie Details

Brazil Releases: October 29th, 2015 (Wide)
Video Release: June 7th, 2016 by Paramount Home Video
MPAA Rating: R for language and brief sexuality.
(Rating bulletin 2399 (Cert #50142), 11/11/2015)
Running Time: 95 minutes
Keywords: Wedding Anniversary, The Past Catching up with You, Romance, Set in Norfolk, Romantic Drama, Death of a Girlfriend / Boyfriend, Relationships Gone Wrong
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Film4, BFI, Creative England, The Bureau
Production Countries: United Kingdom
Languages: English

Home Market Releases for June 14th, 2016

June 14th, 2016

Hello, My Name is Doris

It is a much slower week than it was last time. In fact, the only two reviews this week were for releases that came out last week. That doesn't mean we don't have any good releases and there are a few contenders for Pick of the Week. Of these, Hello, My Name is Doris is the one I'm most interested in buying and the Blu-ray, while not loaded with extras, is the Pick of the Week. I'm also giving an honorary Puck of the Week to Dark Matter: Season 1, which is a Canadian Sci-fi series.

(On a side note, Amazon's list of new releases is a mess with a bunch of Game of Thrones and Star Trek titles, most of which don't even have images. This made sorting through the new releases a lot harder.) More...

Home Market Releases for June 7th, 2016

June 8th, 2016

Zootopia

The list of new home market releases isn't particularly long, but it includes Zootopia the best movie of the year, so it feels like an amazing week. It isn't the only contender for Pick of the Week this week, as Anomalisa, Star Trek II: The Wrath of Khan: Director's Cut, and others are also worth considering. The Martian: Extended Edition is also a must have, if you don't own it yet. More...

Theater Averages: Eye has Sky-High Opening with $22,761

March 16th, 2016

Eye in the Sky

Eye in the Sky opened on first place on the per theater chart with an average of $22,761 in five theaters. This opening, plus its reviews, suggest it could do well in wider release. Likewise, Hello, My Name is Doris earned an average of $21,246 in four theaters while its Tomatometer Score is 90% positive. It could also earn some measure of mainstream success. City of Gold did very well for a documentary with an average of $15,740, also in four theaters. The overall number one film, Zootopia, earned an average of $13,415. Remember was the latest A24 to do well with an average of $10,245 in two theaters. More...

2015 Awards Season: Oscar Preview

February 28th, 2016

The Revenant

It’s Oscar day and, if all goes to plan, I will be live-blogging the ceremony tonight. Here is the list of nominees marked according to predictions from our readers, and my personal wishes. Nominees in Bold are the ones predicted to win by our readers (we’ll have a full rundown of the predictions at noon, after the contest ends). If I am predicting a different film, those are in Italics. Meanwhile, the nominees I want to win, but don’t think will win, are Underlined. There are a few categories where the film I really think deserves the award was not even nominated, plus a few I don’t have a real opinion on.

If you haven’t done so already, it’s not too late to enter our Oscar competition, and win all Best Picture nominees on Blu-ray or DVD. More...

2015 Awards Season: Oscar Highlight: Best Lead Actress

February 26th, 2016

Room

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. The Best Lead Actress is not generating a lot of buzz, but one actress has been constantly winning and is the overwhelming favorite. More...

Theater Averages: Mermaid Nearly Cracks $1,000,000

February 24th, 2016

The Mermaid

The Mermaid led the way as far as limited releases were concerned with $985,000 in 35 theaters for an average of $28,144. The film has broken records in China, which we will talk about more tomorrow with the international top five. The Embrace of the Serpent was next with an average of $16,985 in three theaters over the weekend, while it earned an average of $20,721 during its five-day opening. The only other film in the $10,000 club was Deadpool with an average of $15,172. On a related note, Warner Bros. has announced an R-rated Blu-ray for Batman v. Superman. The is the wrong lesson to learn from the success of Deadpool. More...

Theater Averages: Panda Eats the Competition with an average of $10,438

February 3rd, 2016

Kung Fu Panda

There was only one film in the $10,000 this week, Kung Fu Panda 3, which earned an average of $10,438. The best limited release was Rabin The Last Day, which opened with $7,940 in one theater. More...

Weekend Estimates: The Revenant wins chilly weekend with $16 million

January 24th, 2016

The Revenant

With the weekend jam-packed with new releases and Oscar hopefuls, and thrown off course by Winter Storm Jonas, it’s perhaps fitting that a tale of battles against the elements will come out on top. The Revenant will be down 50% from last weekend’s MLK Holiday-inflated number to $16 million, but that will be enough to leapfrog over Ride Along 2 and into first place. The Leonardo DiCaprio film, which remains a good bet for a fistful of Oscars, although perhaps not the major prize, has $119 million to date. Also overtaking Ride Along 2 to move back to second place is Star Wars: The Force Awakens with $14.26 million for a weekend and $879.3 million in total to date. With $1.06 billion internationally, the film is drawing close to becoming the third film to earn over $2 billion worldwide. More...

2015 Awards Season: Oscars - Nominations

January 15th, 2016

The Revenant

The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in. More...

2015 - Awards Season: BAFTA - Nominations

January 9th, 2016

Bridge of Spies

The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies. More...

Theater Averages: Revenant Remains Potent with Average of $111,957

January 5th, 2016

The Revenant

The Revenant remained on top of the theater average chart dipping just 6% to an average of $111,957 in four theaters. That's amazing and it bodes very well for its chances during its wide expansion this weekend. Furthermore, there are some major Awards Season events this week that could boost ticket sales even more. Anomalisa was well back in second place, but it still had an impressive opening with an average of $33,806 over the weekend and an average of $52,658 during its five-day opening. Star Wars: The Force Awakens was next with an average of $21,829. Chimes at Midnight earned $20,480 in one theater during its re-release, while Only Yesterday earned $14,970, also in one theater. The latter film is yet another success for GKIDS; this is the only studio that routinely has success with animated films in limited release. 45 Years remained in the $10,000 club with an average of $14,588 in six theaters. It doubled its theater count, but the average only fell 33% and that's a great sign for further expansion. Mr. Six is the fourth holdover in the $10,000 club earning an average of $10,406 in 28 theaters. More...

Theater Averages: Revenant Arrives with a Lively Debut of $118,640

December 29th, 2015

Star Wars: The Revenant

The Revenant had the best theater average of the week and the second best opening theater average of the year with $474,560 in four theaters for an average of $118,640. The only film to open in 2015 with a better theater average was Steve Jobs with an average of $130,381. It struggled during its wide expansion. Hopefully that won't happen here. The Hateful Eight was next with an average of $46,107 in 100 theaters. The overall number one film, Star Wars: The Force Awakens, was next with an average of $36,092. This would have been the fourth best opening weekend average for a wide release all year. 45 Years opened with an average of $21,925 in three theaters over the weekend and an average of $30,119 over its five-day opening. Daddy's Home was the second wide release in the $10,000 club with an average of $11,844. Mr. Six just missed the $10,000 club over the weekend with an average of $9,562 in 30 theaters; however, it earned an average of $12,500 over its four-day opening. More...

Limited and VOD Releases: Eight Reasons to Love Limited Releases

December 25th, 2015

The Hateful Eight

While there are a massive number of wide releases / wide expansions this week, there are very few limited releases. Generally by this time of year, the competition from previously released Awards Season contenders is just too much. The only type of film that can truly thrive is one that has a lot of pre-release buzz. This year, this includes The Hateful Eight, which has the widest opening on this week's list and expands truly wide next week, as well as The Revenant, which expands wide early in January. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/10/30 - $17,457   7 $2,494   $17,457 1
2015/11/06 - $23,657 +36% 17 $1,392   $61,289 2
2015/11/27 - $4,324   10 $432   $110,682 5
2015/12/04 - $2,886 -33% 7 $412   $115,176 6
2015/12/25 - $717   2 $359   $119,910 9
2016/01/01 - $754 +5% 1 $754   $121,263 10
2016/01/08 - $1,807 +140% 4 $452   $123,882 11
2016/01/15 - $1,398 -23% 5 $280   $126,193 12
2016/01/22 - $506 -64% 1 $506   $127,457 13
2016/01/29 - $525 +4% 1 $525   $128,648 14
2016/02/12 - $1,635   3 $545   $132,293 16
2016/02/19 - $493 -70% 1 $493   $133,288 17
2016/02/26 - $1,098 +123% 3 $366   $134,997 18
2016/03/04 - $571 -48% 2 $286   $136,037 19
2016/03/11 - $286 -50% 1 $286   $136,583 20
2016/03/18 - $446 +56% 2 $223   $137,419 21
2016/03/25 - $334 -25% 1 $334   $138,010 22
2016/04/01 58 $118 -65% 1 $118   $138,405 23
2016/04/08 51 $71 -40% 1 $71   $138,503 24

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/13/2016 $43,836 14 16 80 $135,142 11/30/2018
Australia 2/19/2016 $146,970 41 49 299 $662,852 6/9/2016
Austria 9/18/2015 $0 0 25 86 $148,882 11/10/2015
Brazil 10/29/2015 $17,457 7 17 103 $138,503 6/9/2016
Croatia 11/12/2015 $1,849 4 4 4 $1,849 12/30/2018
Denmark 10/8/2015 $0 0 12 12 $190,835 11/10/2015
Finland 12/18/2015 $32,936 27 28 178 $335,313 6/9/2016
France 1/27/2016 $415,630 105 118 223 $827,543 6/9/2016
Germany 9/10/2015 $202,430 74 110 537 $1,044,405 11/3/2015
Hong Kong 4/14/2016 $18,025 2 2 2 $24,050 6/9/2016
Hungary 10/1/2015 $8,295 0 0 0 $8,295 12/30/2018
Italy 11/5/2015 $143,341 20 82 250 $835,212 6/9/2016
Lebanon 2/18/2016 $2,108 2 2 7 $9,379 12/31/2018
Lithuania 3/4/2016 $0 0 22 41 $2,145 6/9/2016
Mexico 12/25/2015 $23,961 14 14 26 $82,493 6/9/2016
Netherlands 9/24/2015 $126,262 39 72 486 $1,187,111 12/1/2015
New Zealand 3/18/2016 $45,370 28 30 173 $291,150 6/9/2016
North America 12/23/2015 $65,775 3 251 1,308 $4,250,507
Portugal 12/31/2015 $9,030 5 5 27 $78,760 6/9/2016
Russia (CIS) 12/4/2015 $3,952 16 16 35 $8,365 12/31/2018
Slovenia 9/3/2015 $3,580 1 3 10 $22,395 10/16/2015
South Korea 5/5/2016 $40,549 42 42 100 $160,234 6/29/2016
Spain 12/18/2015 $93,582 29 42 214 $600,934 6/9/2016
Sweden 12/4/2015 $0 0 27 89 $357,526 6/9/2016
Switzerland 10/1/2015 $61,970 18 21 39 $164,655 10/13/2015
Taiwan 1/15/2016 $7,006 5 5 23 $38,698 6/9/2016
Thailand 1/21/2016 $5,624 10 10 15 $11,493 6/9/2016
Turkey 9/25/2015 $3,144 8 8 32 $14,627 12/31/2018
United Arab Emirates 2/18/2016 $2,926 2 2 2 $2,926 12/31/2018
United Kingdom 8/28/2015 $508,750 68 103 574 $2,639,315 6/9/2016
 
Worldwide Total$14,275,594 12/31/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Charlotte Rampling    Kate Mercer
Tom Courtenay    Geoff Mercer

Supporting Cast

Geraldine James    Lena
Dolly Wells    Charlotte
David Sibley    George
Sam Alexander    Chris the Postman
Richard Cunningham    Mr. Watkins
Hannah Chambers    Travel Agent
Camille Ucan    Cafe Waitress
Rufus Wright    Jake

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Andrew Haigh    Director
Andrew Haigh    Screenwriter
Tristan Goligher    Producer
Christopher Collins    Executive Producer
Lizzie Francke    Executive Producer
Tessa Ross    Executive Producer
Sam Lavender    Executive Producer
Richard Holmes    Executive Producer
Vincent Gadelle    Executive Producer
Kahleen Crawford    Casting Director
Joakim Sundstrom    Supervising Sound Editor
Nicole Stafford    Make-up and Hair Designer
Suzie Harman    Costume Designer
Rachel Dargavel    Line Producer
Sarah Finlay    Production Designer
Jonathan Alberts    Editor
Lol Crawley    Director of Photography