James owes his life to his older brother, Frankie after taking the rap for a crime they committed together. While Frankie served time, James worked to turn his life around, got a steady job and began courting his former girlfriend Emily. Now, Frankie is released and back on the streets with no money and no place to go. He turns to his underworld connections and convinces James to join him in hopes that one last job will be the solution to change both their lives.
||July 24th, 2015 (Limited) by Lionsgate|
||July 21st, 2015 by Lionsgate Home Entertainment|
||R for strong violence, pervasive language, some sexual material and brief drug use.|
(Rating bulletin 2368, 4/8/2015)
||vs. Mad Max: Fury Road|
Create your own comparison chart…
||Early / Simultaneous Video on Demand release, Heist, One Last Job, Life on the Outside, Going Legit, Organized Crime|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
||Glacier Films, Maple Leaf Capital, LLC Primeredian Entertainment, NGN Productions|
October 6th, 2015
A lot of new releases from the week of September 8th reached the top 30 on the combined DVD and Blu-ray chart for September 13th, but none were able to overtake Mad Max: Fury Road. The film sold 342,000 units / $8.29 million over the week for a two-week total of 1.34 million units / $30.99 million.
July 28th, 2015
None of the wide releases earned a spot in the $10,000 club, but at least we had a couple of limited releases that found their way there. The number one film was Phoenix with an average of $15,148 in two theaters. Samba was next with an average of $12,294, also in two theaters.
July 24th, 2015
Every once and a while, I feel the need to apologize for the pun in the headline. This is one of those weeks. It is also one of those weeks where I can't find a limited release that has a good chance at earning some mainstream success. Unexpected is the biggest release, but its reviews suggest it will do better on Video on Demand than in theaters. There are a few documentaries that might do well on the art house circuit, but it is unlikely that any have what it takes to find mainstream success.
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