Russia (CIS) Box Office for Amityville: The Awakening (2017)

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Amityville: The Awakening poster
Theatrical Performance (US$)
Russia (CIS) Box Office $1,535,665Details
Worldwide Box Office $7,701,908Details
Home Market Performance
North America DVD Sales $536,513 Details
North America Blu-ray Sales $331,987 Details
Total North America Video Sales $868,500
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Belle, her little sister Juliet, and her twin brother James move into a new house with their single mother Joan in order to save money to help pay for her brother’s expensive healthcare. But when strange phenomena begin to occur in the house including the miraculous recovery of her brother and Belle’s increasingly horrifying nightmares and visions, Belle begins to suspect her mother isn’t telling her everything and soon realizes that they’ve just moved into the infamous Amityville house, the location of dozens of brutal murders over the years.

Metrics

Movie Details

Russia (CIS) Releases: July 21st, 2017 (Wide)
Video Release: November 14th, 2017 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for disturbing horror violence and terror, suggestive images, brief language and thematic material.
(Rating bulletin 2414 (Cert #49720), 3/2/2016)
Running Time: 87 minutes
Franchise: Amityville
Keywords: Supernatural, Haunting, Haunted House, Possessed, Development Hell, Delayed Release, Coma, Medical and Hospitals, Nightmare, Early / Simultaneous Video-on-Demand release, Supernatural Horror
Source:Based on Fiction Book/Short Story
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Dimension Films, Blumhouse, Panic Films, Baron Films
Production Countries: United States
Languages: English

Home Market Releases for November 14th, 2017

November 13th, 2017

Kedi

It’s a bad week for screeners, as the screeners for both Atomic Blonde and Wind River are late. Both look like they are worth picking up, but not quite Pick of the Week material. There are a trio of contenders for this award: In This Corner of the World, Kedi, and Whose Streets? It was a close call, but in the end, Kedi came out on top. More...

Theater Averages: The Square Squirreled Away $18,558

November 1st, 2017

The Square

The Square was the only film in the $10,000 club this past weekend. The latest from Ruben Ostlund earned an average of $18,558 in four theaters. This is a better opening than his last film, Force Majeure, which earned more than $1 million domestically. Hopefully this one will do the same. More...

Limited and VOD Releases: Get Hip to these Square Releases

October 27th, 2017

God’s Own Country

We don’t have a long list of limited releases this week, but there are a few that stand out as worth checking out and might actually do well in theaters. These include Bill Nye: Science Guy, God’s Own Country, The Square. The Square has the advantage, at least for the opening weekend, but I would be surprised if any of them expanded significantly over the coming weeks. More...

2017 Preview: June

June 1st, 2017

Despicable Me 3

May was a really soft month with only one unqualified hit, Guardians of the Galaxy, Vol. 2, which is climbing towards $375 million domestically. The second biggest hit of the month will be Pirates of the Caribbean: Dead Men Tell No Tales and I would be surprised if it tops $150 million by any serious margin. June looks a lot more profitable. There are five weeks and every week there is at least one film with a great shot at $100 million or more. In fact, there are four films with at least a decent shot at $200 million and we could double the number of $300 million hits released so far this year. Wonder Woman is widely expected to start the month with an explosive debut and pulling in more than $100 million during its opening weekend is more and more likely. That said, Despicable Me 3 will probably end up being the biggest hit overall with over $300 million. Meanwhile, Cars 3 and Transformers: The Last Knight are both aiming for $200 million. Last June was not particularly strong, outside of one hit. Finding Dory earned nearly $500 million domestically, while the second best film, Central Intelligence, barely earned a quarter of that. I don’t think any film will come close to Finding Dory, but there’s a lot more depth this time around and I have high hopes 2017 will extend its lead. More...

Contest: Look Alive

March 25th, 2016

God's Not Dead 2

At one time, there were three films scheduled to open wide next week. However, Collide has been pushed back to the fall and Amityville: The Awakening's release has been pushed back to January of next year. This leaves only one real choice for the target film in this week's Box Office Prediction contest. ... oh no! God's Not Dead 2, a faith-based film. Faith-based films are notoriously difficult to predict, so entrants will have a difficult time getting this right. On the other hand, it means you could use a random number generator and have just as good of a shot of winning as someone who spends the next seven days researching the film. In order to win, one must simply predict the opening weekend box office number for God's Not Dead 2.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Casual: Season One on DVD. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Casual: Season One on DVD. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a copy of Casual: Season One on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/07/21 5 $580,911   830 $700   $580,911 1
2017/07/28 8 $245,857 -58% 650 $378   $1,138,220 2
2017/08/04 11 $100,040 -59% 320 $313   $1,383,537 3
2017/08/11 18 $12,790 -87% 80 $160   $1,461,317 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/6/2017 $220 0 0 0 $109,858 1/1/2019
Brazil 9/15/2017 $377,893 0 0 0 $712,926 6/26/2018
Czech Republic 9/29/2017 $58,183 62 62 147 $131,786 1/1/2019
Italy 8/23/2017 $336,569 0 0 0 $1,170,752 10/23/2018
Lithuania 7/28/2017 $14,893 116 116 213 $58,445 8/22/2017
Mexico 8/3/2017 $362,720 0 0 0 $1,033,731 10/12/2018
North America 10/28/2017 $742 10 10 10 $742
Russia (CIS) 7/21/2017 $580,911 830 830 1880 $1,535,665 1/1/2019
Slovakia 9/29/2017 $22,197 30 41 86 $58,144 10/18/2017
Spain 2/2/2018 $263,096 165 167 332 $443,481 2/15/2018
Taiwan 11/3/2017 $129,556 0 0 0 $237,061 10/28/2018
 
Rest of World $2,209,317
 
Worldwide Total$7,701,908 1/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Bella Thorne    Belle

Supporting Cast

Jennifer Jason Leigh    Joan
Cameron Monaghan    James
Thomas Mann    Terrence
Jennifer Morrison    Candice
Kurtwood Smith    Dr. Milton
Mckenna Grace    Juliet
Taylor Spreitler    Marissa
Cleopatra Coleman    Annie

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Franck Khalfoun    Director
Franck Khalfoun    Screenwriter
Jason Blum    Producer
Daniel Farrands    Producer
Bob Weinstein    Executive Producer
Harvey Weinstein    Executive Producer
Casey La Scala    Producer
David Glasser    Executive Producer
Matthew Signer    Executive Producer
Keith Levine    Executive Producer
Alix Taylor    Executive Producer
Matthew Stein    Executive Producer
Mark Moran    Executive Producer
Steven B. Harris    Executive Producer
Jeanette Volturno-Brill    Executive Producer
Couper Samuelson    Executive Producer
Randall Emmett    Executive Producer
George Furla    Executive Producer
Avi Lerner    Executive Producer
Paul Mason    Executive Producer
Steve Whitney    Executive Producer
Ted Fox    Executive Producer
Jeff Rice    Executive Producer
Steven Poster    Director of Photography
David Lazan    Production Designer
Patrick McMahon    Editor
Rob*    Composer
Mairi Chisholm    Costume Designer
Terri Taylor    Casting Director