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| Theatrical Performance (US$) | ||
| Australia Box Office | $270,888 | Details |
| Worldwide Box Office | $25,423,917 | Details |
| Further financial details... | ||
| Australia Releases: | March 10th, 2017 (Wide) |
| Video Release: | April 28th, 2023 by Netflix |
| MPAA Rating: | Not Rated |
| Running Time: | 139 minutes |
| Keywords: | Bollywood, Romance, Life in a Small Town |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Fox Star Studios |
| Production Countries: | India |
| Languages: | Hindi |
March 21st, 2017
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Beauty and the Beast had the best theater average of 2017, so far, at $41,508. This puts it just ahead of Kedi, which opened with $40,103 in its lone theater. The second best average of the week was earned by T2: Trainspotting at $34,115 in five theaters, which is the third best average of the year so far. Song to Song was the only other film to earn an average above $10,000 over the weekend, pulling in $12,640 in four theaters. While Frantz didn’t quite get into the $10,000 club over the weekend, it came close with an average of $9,373. Furthermore, it was a Wednesday release and earned a five-date average of $11,470.
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March 16th, 2017
Kong: Skull Island opened in first place on the international chart with $85.1 million in 65 markets, which is more than $3 million higher than Sunday’s estimates. The film’s biggest market was the U.K., where it earned $7.58 million in 567 theaters. It also did well in Mexico ($5.58 million); in Russia ($4.87 million on 1,283 screens); and in Australia ($3.55 million on 523). Impressively, the film broke the record for biggest opening in Vietnam with $2.2 million on 377 screens.
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March 15th, 2017
Personal Shopper had the best theater average this past weekend earning an average of $19,794 in four theaters. The overall box office champ, Kong: Skull Island, earned $15,867. Raw was the only other film in the $10,000 club with an average of $12,413 in two theaters. Meanwhile, The Sense of an Ending just missed the mark with an average of $9,923 in four theaters.
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March 10th, 2017
It is not a particularly busy week for limited releases, but there are a few that are earning good reviews and louder buzz. My Scientology Movie, Personal Shopper, and Raw all fit that description, but Personal Shopper probably has the best shot at box office success.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/03/10 | 12 | $125,953 | 20 | $6,298 | $125,953 | 1 | |
| 2017/03/17 | 18 | $64,045 | -49% | 19 | $3,371 | $246,875 | 2 |
| 2017/03/24 | - | $7,560 | -88% | 12 | $630 | $266,875 | 3 |
| 2017/03/31 | - | $1,019 | -87% | 1 | $1,019 | $270,888 | 4 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 3/10/2017 | $125,953 | 20 | 20 | 52 | $270,888 | 4/6/2017 |
| India | 3/10/2017 | $8,501,267 | 0 | 1250 | 1250 | $22,721,932 | 10/3/2018 |
| New Zealand | 3/10/2017 | $91,822 | 18 | 18 | 56 | $209,771 | 4/10/2017 |
| North America | 3/10/2017 | $862,008 | 152 | 156 | 439 | $1,993,259 | |
| United Kingdom | 3/10/2017 | $228,067 | 58 | 58 | 58 | $228,067 | 3/15/2017 |
| Worldwide Total | $25,423,917 | 10/3/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Varun Dhawan | Badrinath Bansal | |
| Alia Bhatt | Vaidehi Trivedi | |
| Sahil Vaid | Somdev | |
| Rituraj Singh | Ambernath Bansal | |
| Yash Sinha | Aloknath Bansal | |
| Shweta Basu Prasad | Urmila Aloknath Bansal | |
| Swanand Kirkire | Mr. Trivedi | |
| Kanupriya Pandit | Mrs. Trivedi | |
| Sukhmani Lamba | Kritika Trivedi | |
| Aparshakti Khurrana | Bhushan Kumar |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Shashank Khaitan | Director | |
| Shashank Khaitan | Screenwriter | |
| Hiroo Johar | Producer | |
| Karan Johar | Producer | |
| Apoorva Mehta | Producer | |
| Neha Parti Matiyani | Cinematographer | |
| Manan Sagar | Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
