The Beatles: Eight Days a Week (2016)

The Beatles: Eight Days a Week
Theatrical Performance
Domestic Box Office $2,934,445Details
International Box Office $7,156,512Details
Worldwide Box Office $10,090,957
Home Market Performance
Est. Domestic DVD Sales $1,800,248 Details
Est. Domestic Blu-ray Sales $4,532,092 Details
Total Est. Domestic Video Sales $6,332,340
Further financial details...

Synopsis

We all know the moment. February 9th, 1964, 8:12pm EST—after a brief commercial break—four young men from Liverpool step onto the Ed Sullivan stage, changing culture forever. Seventy-three million people watched The Beatles perform that night, the largest audience in television history. It was an event that united a nation and signaled the birth of youth culture as we know it today. But while this single performance introduced The Beatles to America, what the band did next would introduce them to the entire world, permanently transforming the music industry and forever engraining them into the fabric of popular culture…

Metrics

Opening Weekend:$785,336 (26.8% of total gross)
Legs:3.74 (domestic box office/biggest weekend)
Domestic Share:29.1% (domestic box office/worldwide)
Theater counts:85 opening theaters/155 max. theaters, 5.6 weeks average run per theater
Infl. Adj. Dom. BO $3,656,371

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,401-7,500) 7,408 $2,934,445
All Time International Box Office (Rank 5,501-5,600) 5,589 $7,156,512
All Time Worldwide Box Office (Rank 7,501-7,600) 7,577 $10,090,957
All Time Domestic Highest Grossing Limited Release Movies (Rank 801-900) 848 $2,934,445

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: September 16th, 2016 (Limited) by Abramorama Films, released as The Beatles: Eight Days a Week, The Touring Years
International Releases: September 16th, 2016 (Limited), released as Beatles Live, The: Eight Days A Week - The Touring Years (Australia)
September 16th, 2016 (Wide) (Czech Republic)
September 16th, 2016 (Wide) (Italy)
September 16th, 2016 (Limited), released as Beatles: Eight Days a Week - The Touring Years (New Zealand)
September 16th, 2016 (Wide) (Portugal)
... Show all releases
Video Release: November 18th, 2016 by Universal Home Entertainment, released as The Beatles: Eight Days a Week, The Touring Years
MPAA Rating: Not Rated
Running Time: 138 minutes
Comparisons: vs. Calendar Girls
Create your own comparison chart…
Keywords: Musicians, On Tour, 1960s, Hagiography, Rock 'n' Roll, Rockumentary
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: White Horse Pictures, Imagine Entertainment, Apple Corps Ltd., Diamond Docs
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Theater Average 17th Weekend 30 $6,108 Jan 6, 2017 115

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 16, 2016 21 $785,336   85 $9,239   $785,336 1
Sep 23, 2016 19 $413,373 -47% 151 $2,738   $1,478,310 2
Sep 30, 2016 21 $320,662 -22% 155 $2,069   $2,054,424 3
Oct 7, 2016 31 $168,563 -47% 141 $1,195   $2,384,746 4
Oct 14, 2016 37 $104,288 -38% 102 $1,022   $2,578,449 5
Oct 21, 2016 48 $69,267 -34% 82 $845   $2,686,786 6
Oct 28, 2016 49 $41,411 -40% 60 $690   $2,775,016 7
Nov 4, 2016 52 $26,201 -37% 40 $655   $2,811,228 8
Nov 11, 2016 53 $19,697 -25% 21 $938   $2,839,945 9
Nov 18, 2016 53 $21,992 +12% 12 $1,833   $2,871,621 10
Nov 25, 2016 56 $11,491 -48% 7 $1,642   $2,886,602 11
Dec 2, 2016 65 $5,769 -50% 5 $1,154   $2,896,214 12
Dec 9, 2016 75 $1,790 -69% 3 $597   $2,899,403 13
Dec 16, 2016 92 $340 -81% 3 $113   $2,903,332 14
Dec 30, 2016 54 $6,108   4 $1,527   $2,919,918 16
Jan 6, 2017 51 $6,108 n/c 1 $6,108   $2,934,445 17

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 16, 2016 - $274,868     85 $3,234   $274,868 1
Sep 17, 2016 - $267,014 -3%   85 $3,141   $541,882 2
Sep 18, 2016 - $243,454 -9%   85 $2,864   $785,336 3
Sep 19, 2016 - $69,894 -71%   85 $822   $855,230 4
Sep 20, 2016 - $73,510 +5%   85 $865   $928,740 5
Sep 21, 2016 - $64,825 -12%   85 $763   $993,565 6
Sep 23, 2016 - $110,537   -60% 151 $732   $1,175,475 8
Sep 24, 2016 - $177,454 +61% -34% 151 $1,175   $1,352,929 9
Sep 25, 2016 - $125,381 -29% -48% 151 $830   $1,478,310 10
Sep 26, 2016 - $45,694 -64% -35% 151 $303   $1,524,004 11
Sep 27, 2016 - $49,030 +7% -33% 151 $325   $1,573,034 12
Sep 28, 2016 13 $56,666 +16% -13% 151 $375   $1,629,700 13
Sep 29, 2016 12 $65,793 +16%   151 $436   $1,695,493 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 16, 2016 21 $1,064,937   85 $12,529   $1,103,205 1
Sep 23, 2016 18 $668,825 -37% 85 $7,869   $1,695,493 2
Sep 30, 2016 21 $482,421 -28% 155 $3,112   $2,216,183 3
Oct 7, 2016 30 $257,978 -47% 120 $2,150   $2,474,161 4
Oct 14, 2016 39 $143,358 -44% 102 $1,405   $2,617,519 5
Oct 21, 2016 45 $114,141 -20% 85 $1,343   $2,731,660 6
Oct 28, 2016 50 $51,422 -55% 60 $857   $2,785,027 7
Nov 4, 2016 52 $35,221 -32% 40 $881   $2,820,248 8
Nov 11, 2016 54 $29,381 -17% 21 $1,399   $2,849,629 9
Nov 18, 2016 58 $25,482 -13% 12 $2,124   $2,875,111 10
Nov 25, 2016 60 $15,424 -39% 7 $2,203   $2,890,535 11
Dec 2, 2016 71 $7,168 -54% 5 $1,434   $2,897,613 12
Dec 9, 2016 66 $5,379 -25% 3 $1,793   $2,902,992 13
Dec 16, 2016 67 $4,944 -8% 3 $1,648   $2,908,276 14
Dec 23, 2016 64 $5,534 +12% 3 $1,845   $2,913,810 15
Dec 30, 2016 52 $14,527 +163% 4 $3,632   $2,928,337 16

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/16/2016 $526,473 166 166 542 $1,795,688 7/27/2017
Czech Republic 9/16/2016 $13,665 40 40 63 $30,046 12/31/2018
Italy 9/16/2016 $649,935 0 0 0 $1,108,862 9/29/2016
Netherlands 10/20/2016 $35,164 41 41 107 $113,811 11/9/2016
New Zealand 9/16/2016 $67,368 70 70 197 $190,037 10/27/2020
Portugal 9/16/2016 $11,598 12 12 29 $32,547 10/13/2016
Slovakia 9/16/2016 $11,354 55 55 75 $19,473 9/30/2016
Slovenia 1/6/2017 $2,753 9 9 16 $11,680 2/6/2017
South Korea 10/10/2016 $0 0 150 177 $122,631 1/14/2017
Spain 9/16/2016 $194,034 114 114 152 $494,873 10/21/2016
United Kingdom 9/16/2016 $857,083 96 96 414 $1,452,386 3/29/2023
 
Rest of World $1,784,478
 
International Total$7,156,512 3/29/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 20, 20161511,375 11,375$236,394$236,3941

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 20, 2016638,168 38,168$1,064,720$1,064,7201

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

John Lennon    Himself
Paul McCartney    Himself
Ringo Starr    Himself
George Harrison    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ron Howard    Director
Nigel Sinclair    Producer
Scott Pascucci    Producer
Brian Grazer    Producer
Ron Howard    Producer
Jeff Jones    Executive Producer
Jonathan Clyde    Executive Producer
Michael Rosenberg    Executive Producer
Guy East    Executive Producer
Paul Crowder    Editor
Mark Monroe    Screenwriter
Marc Ambrose    Supervising Producer
Matthew White    Co-Producer
Stuart Samuels    Co-Producer
Bruce Higham    Co-Producer
Giles Martin    Music Producer

2016 - Awards Season: BAFTA - Nominations

January 11th, 2017

La La Land

The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece. More...

Home Market Releases for November 15th, 2016

November 15th, 2016

Game of Thrones: Season Six

There are several prime releases on this week’s Home Market report. This includes the biggest film of the week, Finding Dory, which was previously named Pick of the Week. I suspect a lot of people reading this have pre-ordered the Blu-ray already. Other contenders for Pick of the Week include Game of Thrones: Season Six and Rush: Time Stands Still on Blu-ray. I’m awarding Pick of the Week to Game of Thrones, while Rush gets Puck of the Week, for best Canadian release. More...

Theater Averages: Denial Denies American Honey Top Spot with $18,746

October 5th, 2016

American Honey

Denial and American Honey were the only two films in the $10,000 club on the theater average chart this week. Denial earned first place with an average of $18,746 in five theaters, while American Honey was relatively close behind with an average of $17,801 in four. More...

Theater Averages: The Week’s Best Average Money can Buy is $9,511

September 28th, 2016

The Best Democracy Money Can Buy

Like last week, no films joined the $10,000 club this past weekend. Two came close though. Firstly, The Best Democracy Money Can Buy earned $9,511 in its lone theater. That’s excellent for a documentary and hopefully this start will help it be seen by more. The number one overall film, The Magnificent Seven, was close behind with an average of $9,446. More...

Theater Averages: Yerevan Highlight of Dark Weekend with an Average of $9,748

September 21st, 2016

3 Weeks in Yerevan

No films made it into the $10,000 club this past weekend, but 3 Weeks in Yerevan came really close with an average of $9,748 in three theaters. Another film, The Beatles: Eight Days a Week, did well with an average of $7,322 in 85 theaters. Sort of. In addition to playing in 85 theaters, there were another 80 theaters that had one-time showings over the weekend, which is why its total haul for the weekend is $771,153. I really hope having a mixed of regular showings and one-time screenings doesn’t catch on, because it makes our job of tracking box office numbers more confusing. More...

Weekend Estimates: Sully Beats Trio of New Releases

September 18th, 2016

Sully

As expected, this weekend’s three new wide releases couldn’t budge Sully from the top of the chart with the Tom Hanks/Clint Eastwood drama down a very respectable 37% in its second weekend to $22 million, for a total of $70.5 million to date. Two films, Blair Witch and Bridget Jones’s Baby both had aspirations to challenge Sully for the title, but had to settle for second and third place. More...

Limited and VOD Releases: Waiting All Week for Limited Releases

September 16th, 2016

The Beatles: Eight Days a Week, The Working Years

There are almost 30 films opening in limited release this week, so obviously I won’t have time talk about all of them. I won’t have time to talk about half of them. The two films that stand out in this crowd are The Beatles: Eight Days a Week, The Working Years and Miss Stevens. Both are earning great reviews, but the former is a documentary and the latter debuts on VOD on Tuesday, so neither has a great shot at box office success. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

We all know the moment. February 9th, 1964, 8:12pm EST—after a brief commercial break—four young men from Liverpool step onto the Ed Sullivan stage, changing culture forever. Seventy-three million people watched The Beatles perform that night, the largest audience in television history. It was an event that united a nation and signaled the birth of youth culture as we know it today. But while this single performance introduced The Beatles to America, what the band did next would introduce them to the entire world, permanently transforming the music industry and forever engraining them into the fabric of popular culture…

Metrics

Opening Weekend:$785,336 (26.8% of total gross)
Legs:3.74 (domestic box office/biggest weekend)
Domestic Share:29.1% (domestic box office/worldwide)
Theater counts:85 opening theaters/155 max. theaters, 5.6 weeks average run per theater
Infl. Adj. Dom. BO $3,656,371

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 7,401-7,500) 7,408 $2,934,445
All Time International Box Office (Rank 5,501-5,600) 5,589 $7,156,512
All Time Worldwide Box Office (Rank 7,501-7,600) 7,577 $10,090,957
All Time Domestic Highest Grossing Limited Release Movies (Rank 801-900) 848 $2,934,445

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: September 16th, 2016 (Limited) by Abramorama Films, released as The Beatles: Eight Days a Week, The Touring Years
International Releases: September 16th, 2016 (Limited), released as Beatles Live, The: Eight Days A Week - The Touring Years (Australia)
September 16th, 2016 (Wide) (Czech Republic)
September 16th, 2016 (Wide) (Italy)
September 16th, 2016 (Limited), released as Beatles: Eight Days a Week - The Touring Years (New Zealand)
September 16th, 2016 (Wide) (Portugal)
... Show all releases
Video Release: November 18th, 2016 by Universal Home Entertainment, released as The Beatles: Eight Days a Week, The Touring Years
MPAA Rating: Not Rated
Running Time: 138 minutes
Comparisons: vs. Calendar Girls
Create your own comparison chart…
Keywords: Musicians, On Tour, 1960s, Hagiography, Rock 'n' Roll, Rockumentary
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: White Horse Pictures, Imagine Entertainment, Apple Corps Ltd., Diamond Docs
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Theater Average 17th Weekend 30 $6,108 Jan 6, 2017 115

Documentary Subject(s)

John Lennon    Himself
Paul McCartney    Himself
Ringo Starr    Himself
George Harrison    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Ron Howard    Director
Nigel Sinclair    Producer
Scott Pascucci    Producer
Brian Grazer    Producer
Ron Howard    Producer
Jeff Jones    Executive Producer
Jonathan Clyde    Executive Producer
Michael Rosenberg    Executive Producer
Guy East    Executive Producer
Paul Crowder    Editor
Mark Monroe    Screenwriter
Marc Ambrose    Supervising Producer
Matthew White    Co-Producer
Stuart Samuels    Co-Producer
Bruce Higham    Co-Producer
Giles Martin    Music Producer

2016 - Awards Season: BAFTA - Nominations

January 11th, 2017

La La Land

The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece. More...

Home Market Releases for November 15th, 2016

November 15th, 2016

Game of Thrones: Season Six

There are several prime releases on this week’s Home Market report. This includes the biggest film of the week, Finding Dory, which was previously named Pick of the Week. I suspect a lot of people reading this have pre-ordered the Blu-ray already. Other contenders for Pick of the Week include Game of Thrones: Season Six and Rush: Time Stands Still on Blu-ray. I’m awarding Pick of the Week to Game of Thrones, while Rush gets Puck of the Week, for best Canadian release. More...

Theater Averages: Denial Denies American Honey Top Spot with $18,746

October 5th, 2016

American Honey

Denial and American Honey were the only two films in the $10,000 club on the theater average chart this week. Denial earned first place with an average of $18,746 in five theaters, while American Honey was relatively close behind with an average of $17,801 in four. More...

Theater Averages: The Week’s Best Average Money can Buy is $9,511

September 28th, 2016

The Best Democracy Money Can Buy

Like last week, no films joined the $10,000 club this past weekend. Two came close though. Firstly, The Best Democracy Money Can Buy earned $9,511 in its lone theater. That’s excellent for a documentary and hopefully this start will help it be seen by more. The number one overall film, The Magnificent Seven, was close behind with an average of $9,446. More...

Theater Averages: Yerevan Highlight of Dark Weekend with an Average of $9,748

September 21st, 2016

3 Weeks in Yerevan

No films made it into the $10,000 club this past weekend, but 3 Weeks in Yerevan came really close with an average of $9,748 in three theaters. Another film, The Beatles: Eight Days a Week, did well with an average of $7,322 in 85 theaters. Sort of. In addition to playing in 85 theaters, there were another 80 theaters that had one-time showings over the weekend, which is why its total haul for the weekend is $771,153. I really hope having a mixed of regular showings and one-time screenings doesn’t catch on, because it makes our job of tracking box office numbers more confusing. More...

Weekend Estimates: Sully Beats Trio of New Releases

September 18th, 2016

Sully

As expected, this weekend’s three new wide releases couldn’t budge Sully from the top of the chart with the Tom Hanks/Clint Eastwood drama down a very respectable 37% in its second weekend to $22 million, for a total of $70.5 million to date. Two films, Blair Witch and Bridget Jones’s Baby both had aspirations to challenge Sully for the title, but had to settle for second and third place. More...

Limited and VOD Releases: Waiting All Week for Limited Releases

September 16th, 2016

The Beatles: Eight Days a Week, The Working Years

There are almost 30 films opening in limited release this week, so obviously I won’t have time talk about all of them. I won’t have time to talk about half of them. The two films that stand out in this crowd are The Beatles: Eight Days a Week, The Working Years and Miss Stevens. Both are earning great reviews, but the former is a documentary and the latter debuts on VOD on Tuesday, so neither has a great shot at box office success. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 16, 2016 21 $785,336   85 $9,239   $785,336 1
Sep 23, 2016 19 $413,373 -47% 151 $2,738   $1,478,310 2
Sep 30, 2016 21 $320,662 -22% 155 $2,069   $2,054,424 3
Oct 7, 2016 31 $168,563 -47% 141 $1,195   $2,384,746 4
Oct 14, 2016 37 $104,288 -38% 102 $1,022   $2,578,449 5
Oct 21, 2016 48 $69,267 -34% 82 $845   $2,686,786 6
Oct 28, 2016 49 $41,411 -40% 60 $690   $2,775,016 7
Nov 4, 2016 52 $26,201 -37% 40 $655   $2,811,228 8
Nov 11, 2016 53 $19,697 -25% 21 $938   $2,839,945 9
Nov 18, 2016 53 $21,992 +12% 12 $1,833   $2,871,621 10
Nov 25, 2016 56 $11,491 -48% 7 $1,642   $2,886,602 11
Dec 2, 2016 65 $5,769 -50% 5 $1,154   $2,896,214 12
Dec 9, 2016 75 $1,790 -69% 3 $597   $2,899,403 13
Dec 16, 2016 92 $340 -81% 3 $113   $2,903,332 14
Dec 30, 2016 54 $6,108   4 $1,527   $2,919,918 16
Jan 6, 2017 51 $6,108 n/c 1 $6,108   $2,934,445 17

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 16, 2016 - $274,868     85 $3,234   $274,868 1
Sep 17, 2016 - $267,014 -3%   85 $3,141   $541,882 2
Sep 18, 2016 - $243,454 -9%   85 $2,864   $785,336 3
Sep 19, 2016 - $69,894 -71%   85 $822   $855,230 4
Sep 20, 2016 - $73,510 +5%   85 $865   $928,740 5
Sep 21, 2016 - $64,825 -12%   85 $763   $993,565 6
Sep 23, 2016 - $110,537   -60% 151 $732   $1,175,475 8
Sep 24, 2016 - $177,454 +61% -34% 151 $1,175   $1,352,929 9
Sep 25, 2016 - $125,381 -29% -48% 151 $830   $1,478,310 10
Sep 26, 2016 - $45,694 -64% -35% 151 $303   $1,524,004 11
Sep 27, 2016 - $49,030 +7% -33% 151 $325   $1,573,034 12
Sep 28, 2016 13 $56,666 +16% -13% 151 $375   $1,629,700 13
Sep 29, 2016 12 $65,793 +16%   151 $436   $1,695,493 14

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 16, 2016 21 $1,064,937   85 $12,529   $1,103,205 1
Sep 23, 2016 18 $668,825 -37% 85 $7,869   $1,695,493 2
Sep 30, 2016 21 $482,421 -28% 155 $3,112   $2,216,183 3
Oct 7, 2016 30 $257,978 -47% 120 $2,150   $2,474,161 4
Oct 14, 2016 39 $143,358 -44% 102 $1,405   $2,617,519 5
Oct 21, 2016 45 $114,141 -20% 85 $1,343   $2,731,660 6
Oct 28, 2016 50 $51,422 -55% 60 $857   $2,785,027 7
Nov 4, 2016 52 $35,221 -32% 40 $881   $2,820,248 8
Nov 11, 2016 54 $29,381 -17% 21 $1,399   $2,849,629 9
Nov 18, 2016 58 $25,482 -13% 12 $2,124   $2,875,111 10
Nov 25, 2016 60 $15,424 -39% 7 $2,203   $2,890,535 11
Dec 2, 2016 71 $7,168 -54% 5 $1,434   $2,897,613 12
Dec 9, 2016 66 $5,379 -25% 3 $1,793   $2,902,992 13
Dec 16, 2016 67 $4,944 -8% 3 $1,648   $2,908,276 14
Dec 23, 2016 64 $5,534 +12% 3 $1,845   $2,913,810 15
Dec 30, 2016 52 $14,527 +163% 4 $3,632   $2,928,337 16

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/16/2016 $526,473 166 166 542 $1,795,688 7/27/2017
Czech Republic 9/16/2016 $13,665 40 40 63 $30,046 12/31/2018
Italy 9/16/2016 $649,935 0 0 0 $1,108,862 9/29/2016
Netherlands 10/20/2016 $35,164 41 41 107 $113,811 11/9/2016
New Zealand 9/16/2016 $67,368 70 70 197 $190,037 10/27/2020
Portugal 9/16/2016 $11,598 12 12 29 $32,547 10/13/2016
Slovakia 9/16/2016 $11,354 55 55 75 $19,473 9/30/2016
Slovenia 1/6/2017 $2,753 9 9 16 $11,680 2/6/2017
South Korea 10/10/2016 $0 0 150 177 $122,631 1/14/2017
Spain 9/16/2016 $194,034 114 114 152 $494,873 10/21/2016
United Kingdom 9/16/2016 $857,083 96 96 414 $1,452,386 3/29/2023
 
Rest of World $1,784,478
 
International Total$7,156,512 3/29/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 20, 20161511,375 11,375$236,394$236,3941

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 20, 2016638,168 38,168$1,064,720$1,064,7201

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.