Charlotte Rampling: The Look (2011)

Charlotte Rampling: The Look poster
Theatrical Performance
Domestic Box Office $19,988Details
Further financial details...

Synopsis

A biographical study of actress Charlotte Rampling, told through her own conversations with some of her closest friends and collaborators, including Peter Lindbergh, Paul Auster, and Juergen Teller. Intercut with footage from some of Rampling's most celebrated films—including Liliana Cavani’s The Night Porter, Woody Allen’s Stardust Memories, Sidney Lumet’s The Verdict, and François Ozon's Swimming Pool—this “self-portrait through others” is a look at one of the most iconic screen stars.

Metrics

Opening Weekend:$5,905 (29.5% of total gross)
Legs:3.38 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/2 max. theaters, 7.0 weeks average run per theater
Infl. Adj. Dom. BO $27,122

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 15,401-15,500) 15,484 $19,988
All Time Worldwide Box Office (Rank 30,201-30,300) 30,232 $19,988
All Time Domestic Highest Grossing Limited Release Movies (Rank 6,901-7,000) 6,957 $19,988

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: November 4th, 2011 (Limited) by Kino Lorber
Video Release: April 10th, 2012 by Kino Video, released as Charlotte Rampling The Look
MPAA Rating: Not Rated
Running Time: 94 minutes
Comparisons: Create your own comparison chart…
Keywords: Performing Arts, Biography, Foreign Language
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: TAG/TRAUM Filmproduktion, Prounen Film, Les Films d'Ici, ZDF, 3Sat, ARTE France
Production Countries: France, Germany
Languages: English, French, German

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 4, 2011 83 $5,905   2 $2,953   $5,905 1
Nov 11, 2011 106 $502 -91% 1 $502   $10,226 2
Dec 9, 2011 97 $943   1 $943   $11,673 6
Dec 16, 2011 91 $645 -32% 1 $645   $12,664 7
Jan 13, 2012 92 $641   2 $321   $13,466 11
Jan 20, 2012 97 $198 -69% 2 $99   $14,222 12
Feb 3, 2012 74 $1,968   2 $984   $16,190 14
Feb 10, 2012 100 $322 -84% 2 $161   $17,580 15
Mar 2, 2012 94 $1,340   1 $1,340   $18,920 18

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 4, 2011 78 $9,724   2 $4,862   $9,724 1
Nov 11, 2011 101 $1,006 -90% 1 $1,006   $10,730 2
Dec 9, 2011 93 $1,289   1 $1,289   $12,019 6
Dec 16, 2011 85 $1,152 -11% 1 $1,152   $13,171 7
Dec 30, 2011 88 $161   1 $161   $12,825 9
Jan 13, 2012 91 $1,199   2 $600   $14,024 11
Jan 20, 2012 95 $198 -83% 2 $99   $14,222 12
Feb 3, 2012 74 $3,036   2 $1,518   $17,258 14
Mar 2, 2012 93 $2,033   1 $2,033   $19,613 18
Mar 9, 2012 113 $375 -82% 1 $375   $19,988 19

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Charlotte Rampling    Herself

Interviewee(s)

Peter Linbergh    Himself
Paul Auster    Himself
Juergen Teller    Himself
Barnaby Southcombe    Himself
Franckie Diago    Herself
Anthony Pallser    Himself
Joy Fleury    Herself
Cynthia Fleury    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Angelina Maccarone    Screenwriter
Angelina Maccarone    Director
Gerd Haag    Producer
Serge Lalou    Producer
Charlotte Uzu    Producer
Michael Trabitsch    Executive Producer
Bernd Meiners    Cinematographer
Judith Kaufmann    Cinematographer
Bettina Bohler    Editor

DVD and Blu-ray Releases for April 10th, 2012

April 10th, 2012

It is a really slow week on the home market. The biggest theatrical release coming out is The Iron Lady. The film did extremely well for a limited release, but that's not saying a whole lot. The only other wide release is The Darkest Hour, but that film bombed quite badly, so it likely won't have much of an impact on the home market. As for the best of the best, A Trip to the Moon Blu-ray is at the top of the list and is the Pick of the Week. There are a couple runner-ups, namely Astonishing X-Men: Dangerous on DVD and Into the Abyss on Blu-ray More...

Per Theater Chart Still Feeling Crazy

November 8th, 2011

Like last week, Like Crazy was the only film to reach the $10,000 on the per theater chart. It expanded from four to sixteen theaters, while its per theater average remained strong at $16,657. The only new release that came close to $10,000 was The Other F Word and it was well back with an average of $6,643 in two theaters. More...

Limited Releases are Worth a Look

November 4th, 2011

It's the first week of November, which should be the start of Awards Season. However, there are not a lot of films that are really wowing critics. In fact, there are more films missing the overall positive level than there are earning award-worthy reviews. The Last Rites of Joe May is the best bet and, if you don't live in New York, try and catch it on Video on Demand. And, if you live up north in Canada, try and get to a showing of Billy Bishop Goes to War. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A biographical study of actress Charlotte Rampling, told through her own conversations with some of her closest friends and collaborators, including Peter Lindbergh, Paul Auster, and Juergen Teller. Intercut with footage from some of Rampling's most celebrated films—including Liliana Cavani’s The Night Porter, Woody Allen’s Stardust Memories, Sidney Lumet’s The Verdict, and François Ozon's Swimming Pool—this “self-portrait through others” is a look at one of the most iconic screen stars.

Metrics

Opening Weekend:$5,905 (29.5% of total gross)
Legs:3.38 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:2 opening theaters/2 max. theaters, 7.0 weeks average run per theater
Infl. Adj. Dom. BO $27,122

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 15,401-15,500) 15,484 $19,988
All Time Worldwide Box Office (Rank 30,201-30,300) 30,232 $19,988
All Time Domestic Highest Grossing Limited Release Movies (Rank 6,901-7,000) 6,957 $19,988

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: November 4th, 2011 (Limited) by Kino Lorber
Video Release: April 10th, 2012 by Kino Video, released as Charlotte Rampling The Look
MPAA Rating: Not Rated
Running Time: 94 minutes
Comparisons: Create your own comparison chart…
Keywords: Performing Arts, Biography, Foreign Language
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: TAG/TRAUM Filmproduktion, Prounen Film, Les Films d'Ici, ZDF, 3Sat, ARTE France
Production Countries: France, Germany
Languages: English, French, German

Documentary Subject(s)

Charlotte Rampling    Herself

Interviewee(s)

Peter Linbergh    Himself
Paul Auster    Himself
Juergen Teller    Himself
Barnaby Southcombe    Himself
Franckie Diago    Herself
Anthony Pallser    Himself
Joy Fleury    Herself
Cynthia Fleury    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Angelina Maccarone    Screenwriter
Angelina Maccarone    Director
Gerd Haag    Producer
Serge Lalou    Producer
Charlotte Uzu    Producer
Michael Trabitsch    Executive Producer
Bernd Meiners    Cinematographer
Judith Kaufmann    Cinematographer
Bettina Bohler    Editor

DVD and Blu-ray Releases for April 10th, 2012

April 10th, 2012

It is a really slow week on the home market. The biggest theatrical release coming out is The Iron Lady. The film did extremely well for a limited release, but that's not saying a whole lot. The only other wide release is The Darkest Hour, but that film bombed quite badly, so it likely won't have much of an impact on the home market. As for the best of the best, A Trip to the Moon Blu-ray is at the top of the list and is the Pick of the Week. There are a couple runner-ups, namely Astonishing X-Men: Dangerous on DVD and Into the Abyss on Blu-ray More...

Per Theater Chart Still Feeling Crazy

November 8th, 2011

Like last week, Like Crazy was the only film to reach the $10,000 on the per theater chart. It expanded from four to sixteen theaters, while its per theater average remained strong at $16,657. The only new release that came close to $10,000 was The Other F Word and it was well back with an average of $6,643 in two theaters. More...

Limited Releases are Worth a Look

November 4th, 2011

It's the first week of November, which should be the start of Awards Season. However, there are not a lot of films that are really wowing critics. In fact, there are more films missing the overall positive level than there are earning award-worthy reviews. The Last Rites of Joe May is the best bet and, if you don't live in New York, try and catch it on Video on Demand. And, if you live up north in Canada, try and get to a showing of Billy Bishop Goes to War. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 4, 2011 83 $5,905   2 $2,953   $5,905 1
Nov 11, 2011 106 $502 -91% 1 $502   $10,226 2
Dec 9, 2011 97 $943   1 $943   $11,673 6
Dec 16, 2011 91 $645 -32% 1 $645   $12,664 7
Jan 13, 2012 92 $641   2 $321   $13,466 11
Jan 20, 2012 97 $198 -69% 2 $99   $14,222 12
Feb 3, 2012 74 $1,968   2 $984   $16,190 14
Feb 10, 2012 100 $322 -84% 2 $161   $17,580 15
Mar 2, 2012 94 $1,340   1 $1,340   $18,920 18

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 4, 2011 78 $9,724   2 $4,862   $9,724 1
Nov 11, 2011 101 $1,006 -90% 1 $1,006   $10,730 2
Dec 9, 2011 93 $1,289   1 $1,289   $12,019 6
Dec 16, 2011 85 $1,152 -11% 1 $1,152   $13,171 7
Dec 30, 2011 88 $161   1 $161   $12,825 9
Jan 13, 2012 91 $1,199   2 $600   $14,024 11
Jan 20, 2012 95 $198 -83% 2 $99   $14,222 12
Feb 3, 2012 74 $3,036   2 $1,518   $17,258 14
Mar 2, 2012 93 $2,033   1 $2,033   $19,613 18
Mar 9, 2012 113 $375 -82% 1 $375   $19,988 19

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.