Australia Box Office for Dangal (2016)

← Go to main Dangal page

Dangal
Theatrical Performance (US$)
Australia Box Office $2,016,277Details
Worldwide Box Office $305,149,461Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

An ex-wrestler is forced to give up his dreams of winning gold for India in international wrestling due to lack of financial support. He resolves to train his future son to one-day represent India in his passion sport. But destiny had other plans. Over two decades, Mahavir’s faith in his dream dwindles as he is blessed with four children, all girls. But when his eldest daughter Geeta, aged 14 and his second daughter Babita, aged 12, bash up a group of boys from the neighborhood during an eve-teasing incident, Mahavir realizes his girls have the same talent he was born with. With hope restored, Mahavir relentlessly pursues his goal of transforming his daughters into world-class wrestlers. Forcing them to train with the village boys, Mahavir inspires them to fight to win despite the odds and to go for gold, no matter what.

Metrics

Movie Details

Production Budget:$9,500,000
Australia Releases: December 23rd, 2016 (Wide)
Video Release: June 21st, 2017 by Netflix
MPAA Rating: Not Rated
Running Time: 201 minutes
Keywords: Inspirational Sports, Inspirational Coach, Wrestling, Father’s Footsteps, Bollywood, Biography, Sports Action
Source:Based on Real Life Events
Genre:Action
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Aamir Khan Productions
Production Countries: India
Languages: Hindi

International Box Office: The Mummy Comes Alive Internationally with $140.76 million

June 14th, 2017

The Mummy

The Mummy debuted in first place on the international chart with $140.76 million on 19,078 screens in 63 markets. The film’s biggest market was China, no surprise there. It earned $52.4 million on 7,364 screens, which is better than Wonder Woman’s opening there last weekend. The film did even better in South Korea, relatively speaking, with an opening weekend of $8.61 million on 1,254 screens over the weekend for a total opening of $17.80 million. This includes a record for opening day in that market of $6.6 million, while the total opening was the best for Universal. On the downside, the film struggled in the U.K. earning second place with $4.2 million in 563 theaters. That’s weaker than its performance here, relative to the size of the two markets. Furthermore, the film only has two major markets left to open in, France and Japan, while its reviews will likely really hurt its legs. It will earn enough worldwide to pay for its production budget, assuming the $125 million reports are accurate. More...

International Box Office: Wonder Woman Opens Above Century Mark with $122.5 million

June 7th, 2017

Wonder Woman

Wonder Woman opened in first place on the international chart with $122.5 million in 55 markets for a global opening weekend of $225.8 million. Unsurprisingly, the film’s biggest market was China, where it opened in first place with $38.96 million. This is about $10 million less than Guardians of the Galaxy Vol 2 opened with recently, but then again, that was a sequel, so it is not an entirely fair comparison. Should Wonder Woman have better legs there, then it could still hit $100 million in that market. Other big markets for the movie include South Korea, where it earned $6.40 million on 1,034 screens over the weekend for a total opening of $8.41 million. This is better than Suicide Squad managed in that market, but behind Batman v Superman: Dawn of Justice. Brazil and Mexico were close behind with $8.3 million and $8.22 million respectively. This is better than Guardians of the Galaxy Vol 2, but not as good as BvS or Suicide Squad. On the other hand, the film struggled somewhat in the U.K earning $8.00 million in 599 screens, which was still enough for first place. It only managed second place in Russia with $3.99 million on 1,194 screens. Overall, the studio should be happy with these results and I bet there’s a sequel already in early stages of development. More...

International Box Office: Pirates Sail International Waters with $208.4 million

June 1st, 2017

Pirates of the Caribbean: Dead Men Tell No Tales

Pirates of the Caribbean: Dead Men Tell No Tales dominated the international box office earning five times more than the rest of the top five combined. The film pulled in $208.4 million in 54 markets and had $271.4 million worldwide by the end of its first weekend. Its biggest single market was China, where it earned $68.55 million over the weekend. This is bigger than its domestic opening. While this is impressive, it is only the third biggest opening in China for a Disney film, behind Avengers: Age of Ultron and Captain America: Civil War. On the other hand, the film had a big opening in Russia with $19.10 million, which is the biggest opening weekend in that market of all time. However, it wasn’t all good news, as the only market left to open in is Japan, so it will have to rely on long legs to continue its run. More...

International Box Office: Dangal Dominates China in Groundbreaking Run

May 25th, 2017

Dangal

Dangal became the first Indian film to have its biggest single market not be India. It earned first place in China with $34.22 million over the weekend for totals of $113.55 million in China, $185.6 million internationally, and $198.0 million worldwide. It will shortly become the second Indian film to earn more than $200 million worldwide. More...

International Box Office: Guardians Completes the Hat Trick with $52.2 million

May 17th, 2017

Guardians of the Galaxy Vol 2

For the third weekend in a row, Guardians of the Galaxy Vol 2 led the international box office chart, earning $52.2 million in 56 markets for totals of $384.4 million internationally and $632.8 million worldwide. This pushes it into seventh place on the MCU chart. The film opened in second place in Japan, where it pulled in $3.0 million, which is 15% better than the original Guardians of the Galaxy did. On the downside, this is the film’s last market to open in, so it will be coasting on holdovers from now on. Speaking of holdovers, the film’s biggest market is China, where it added $15.16 million over the weekend for a total of $80.56 million. This is the film’s biggest single market and it could hit $100 million there shortly. More...

Theater Averages: The New Year has a Patriotic Start

January 10th, 2017

Patriots Day

The theater average chart was dominated by holdovers, as is the norm this time of year. The top film was Patriots Day with an average of $14,972 in seven theaters. This bodes very well for its wide expansion next weekend. 20th Century Women is becoming a sleeper hit earning an average of $13,047 in ten theaters. This is one of those films that should be earning more Awards Season buzz, but I fear it has slipped between the cracks. Toni Erdmann and Paterson were neck-and-neck with averages of $10,472 and $10,205 respectively. More...

Theater Averages: Hidden Stands Out with Average of $34,329

January 4th, 2017

Hidden Figures

Hidden Figures rose to first place during its first full weekend of release with an average of $34,329 in 25 theaters. It already has more than $2 million and it expands wide on Friday. 20th Century Women was next with an average of $27,800 in four theaters. It isn’t a major player during Awards Season, but it is picking up enough nominations to help it stick around in theaters. Patriots Day was down just 8% earning an average of $21,117 in seven theaters. Last week’s winner, Silence, fell to an average of $20,827 in four theaters. If it has a similar drop next week, it will put its wide release in jeopardy. The best limited release of the week was Paterson, which earned an average of $17,334 in four theaters. Toni Erdmann earned an average of $14,000 in three theaters during its first full week of release. La La Land continues to expand, but remained in the $10,000 club with an average of $12,738. The overall number one film, Rogue One: A Star Wars Story, was next with an average of $11,934, while the second place film, Sing, was right behind with an average of $10,647. More...

International Box Office: Rogue Remains in First with $135.5 million, While International Films Flourish

December 29th, 2016

Rogue One: A Star Wars Story

Rogue One: A Star Wars Story remained in first place with $47.1 million in 54 markets for totals of $237.4 million internationally and $523.4 million worldwide. The film “struggled” over the weekend, but mainly due to the holidays. Christmas Eve is as big of a dead zone in most of Europe as it is here; in fact, a lot of theaters close on Christmas Eve. Likewise, a lot of theaters in the U.K. and Australia are closed on Christmas day. Even so, the film has already cracked $10 million in a number of major markets, starting with the the U.K., where it has $42.1 million. Germany and France are neck-and-neck with $21.8 million and $19.6 million respectively. The film has pulled in $17.84 million in Australia and $16.7 million in Japan. Next week we will have a better picture where the film is heading, as the holidays will be over in most places. I think $1 billion worldwide is a safe bet. More...

Limited and VOD Releases: Which Releases will Make some Noise?

December 23rd, 2016

Silence

There are a number of limited releases coming out this week spread from Wednesday through Sunday. This includes several that are aiming for Awards Season glory: 20th Century Women, Hidden Figures, Silence, and others. There might be too many great films on this week's list, which means some will not live up to their box office potential. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/12/23 3 $527,839   39 $13,534   $527,839 1
2016/12/30 12 $371,750 -30% 32 $11,617   $1,457,129 2
2017/01/06 15 $130,968 -65% 27 $4,851   $1,790,448 3
2017/01/13 26 $35,526 -73% 20 $1,776   $1,921,879 4
2017/01/20 26 $15,333 -57% 7 $2,190   $1,969,181 5
2017/01/27 - $3,509 -77% 4 $877   $1,978,244 6
2017/02/03 - $873 -75% 3 $291   $2,015,739 7
2017/02/10 - $203 -77% 1 $203   $2,016,277 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 12/23/2016 $527,839 39 39 133 $2,016,277 2/13/2017
China 5/5/2017 $12,560,000 35887 70263 288373 $193,050,864 10/12/2018
India 12/23/2016 $15,408,314 4250 4250 4250 $77,213,907 8/18/2017
New Zealand 12/23/2016 $129,659 17 17 65 $462,011 1/23/2017
North America 12/21/2016 $3,248,481 331 338 1,109 $12,391,761 1/2/2020
South Korea 4/18/2018 $5,519 0 252 538 $805,704 9/10/2018
Taiwan 3/17/2017 $0 0 0 0 $5,460,424 8/18/2017
Turkey 8/18/2017 $56,405 160 160 642 $428,201 2/26/2019
United Kingdom 12/23/2016 $0 0 149 235 $2,825,469 1/11/2017
 
Rest of World $10,494,843
 
Worldwide Total$305,149,461 1/2/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Aamir Khan    Mahavir Singh Phogat

Supporting Cast

Zaira Wasim    Child Geeta
Suhani Bhatnagar    Child Babita
Rajkumar Yadav    Krishna Singh Phogat
Aparshakti Khurrana    Omkar
Girish Kulkarni    Coach
Ritvik Sahore    Young Omkar
Vivan Bhatena    Mahavir’s Office Colleague
Shishir Sharma    Head of Department of the NSA
Badrul Islam    Chicken Shop Owner

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nitesh Tiwari    Director
Nitesh Tiwari    Screenwriter
Piyush Gupta    Screenwriter
Shreyas Jain    Screenwriter
Nikhil Mehrotra    Screenwriter
Aamir Khan    Producer
Kiran Rao    Producer
Siddharth Roy Kapur    Producer
Alan McAlex    Executive Producer
Pritam    Composer
Amitabh Bhattacharya    Song Writer