Turkey Box Office for Deepwater Horizon: Büyük Felaket (2016)

← Go to main Deepwater Horizon page

Deepwater Horizon
Theatrical Performance (US$)
Turkey Box Office $296,328Details
Worldwide Box Office $122,359,309Details
Home Market Performance
North America DVD Sales $8,412,644 Details
North America Blu-ray Sales $7,518,706 Details
Total North America Video Sales $15,931,350
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Based on the true events that occurred on an oil rig in the Gulf of Mexico on April 20, 2010, the story chronicles the courage of those who worked on the Deepwater Horizon and the extreme moments of bravery and survival in the face of what would become one of the biggest man-made disasters in world history.

Metrics

Movie Details

Production Budget:$156,000,000
Turkey Releases: September 30th, 2016 (Wide), released as Deepwater Horizon: Büyük Felaket
Video Release: December 20th, 2016 by Lionsgate Home Entertainment
MPAA Rating: PG-13 for prolonged intense disaster sequences and related disturbing images, and brief strong language.
(Rating bulletin 2437 (Cert #50467), 8/10/2016)
Running Time: 107 minutes
Keywords: Disaster, Environment, Corporate Malfeasance, 2010s, IMAX: DMR, Action Thriller
Source:Based on Real Life Events
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Participant Media, di Bonaventura Pictures, Summit Entertainment, Closest to the Hole, Leverage
Production Countries: United States
Languages: English

2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!

February 26th, 2017

Moonlight

It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night. More...

2016 - Awards Season: Oscars - Nominations - Final Look

February 26th, 2017

La La Land

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. More...

2016 Awards Season: Oscar Nominations

January 24th, 2017

La La Land

The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record. More...

2016 - Awards Season: BAFTA - Nominations

January 11th, 2017

La La Land

The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece. More...

Home Market Releases for January 10th, 2017

January 9th, 2017

His Girl Friday

There’s a lull in the quality and quantity of releases on the home market, one that will continue until the holiday releases start coming out. That’s not to say there are no releases worth picking up. Under the Shadow is an amazing horror film and the DVD is a Contender for Pick of the Week. However, the winner of that honor is The Criterion Collection release for His Girl Friday oni Blu-ray. More...

Home Market Releases for December 20th, 2016

December 19th, 2016

Sully

It’s the final Tuesday before Christmas and there are a few big releases that are trying to become last minute gifts. Sully is the best of the big releases, but according to Amazon.com, Dolly Parton's Christmas of Many Colors: Circle of Love is the best-selling new release of the week. I guess a very recent Christmas TV special makes sense near the top, but appearing at the very top it is surprising. As for the Pick of the Week, it is a coin-toss between Sully and Hitchcock/Truffaut on DVD or Blu-ray. Sully won the coin-toss. More...

International Box Office: Fantastic has a Beast of an Opening with $143.3 million

November 24th, 2016

Fantastic Beasts and Where to Find Them

Fantastic Beasts and Where to Find Them opened in first place on the international chart with $143.3 million in 63 markets. The film had the biggest opening of the Harry Potter franchise in 16 of those 63 markets, but ironically not in the U.K., where it had its biggest opening. The film debuted in first place there with $18.90 million in 666 theaters. This is the third best in the franchise behind the two Deathly Hallows films. Some of the markets where Fantastic Beasts set the franchise record include South Korea, where it made $10.64 million on 1,431 screens over the weekend for a total opening of $14.15 million. It did the same in Russia with $10.29 million on 1,173 screens and in Brazil with $6.4 million. More...

Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost

November 6th, 2016

Doctor Strange

After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe). More...

Weekend Estimates: Madea Defeats Feeble Inferno

October 30th, 2016

Tyler Perry’s Boo! A Madea Halloween

What was meant to be the weekend that the Fall Season started in earnest has turned into a damp squib, with Inferno not just failing to hit expectations, but not even topping the chart. With just $15 million expected this weekend, according to Sony’s Sunday morning projection, the franchise has shown a dismal downward trajectory at the domestic box office. The Da Vinci Code opened with $77 million in 2006; Angels & Demons debuted with $46 million in 2009; and now Inferno will earn less on its opening weekend than either of its predecessors made on their opening days.

The weak opening for Inferno follows a string of so-so results for films over the past couple of months. Perhaps the reality show that is our presidential election is dragging down theatrical business? More...

Thursday Night Previews: Inferno Sparks, but Doesn’t Catch Fire with $800,000

October 28th, 2016

Inferno

Inferno got off to a slow start with midnight previews earning just $800,000. That’s well below the other thrillers that have opened this month. In fact, it is on par with Deepwater Horizon’s previews at the end of September. That film earned just over $20 million, which isn’t a bad opening, but it isn’t a great opening for a film that cost $75 million to make. Things get worse for Inferno, as it has terrible reviews and it is part of a franchise, so its legs will likely be shorter. At the moment, it is on pace for a sub-$20 million debut; however, that might change when we see Friday’s estimates. Maybe it will bounce back, or maybe things will get worse. More...

Weekend Wrap-Up: Accountant Wins with $24.71 million, but 2016 Goes Further in Debt

October 18th, 2016

The Accountant

The weekend box office was not good. The Accountant did beat expectations with $24.71 million, but the other wide releases missed expectations. As a result, the box office fell 6% from last weekend to $97 million. The weekend box office should never be below $100 million, outside of a few dead zones during the year. We’ve been below that mark too frequently this year. Worse still, this is 18% lower than the same weekend last year. Year-to-date, 2016 still has a substantial lead over 2015 at $8.78 billion to $8.43 billion. However, we are nearing the $325 million mark where we have reason to panic. Remember, The Force Awakens earned $650 million during 2015 and Rogue One is only expected to earn half that much this year. We need to maintain a lead that large, or else 2016 will likely lose in the year-over-year comparison in the end. More...

Weekend Predictions: Can Accountant be Counted On?

October 13th, 2016

The Accountant

Three wide releases are coming out this week, which is one more than expected. The Accountant is clearly the biggest of the three, but its reviews are falling into the danger zone. Kevin Hart: What Now? is hoping to be the biggest stand-up comedy movie since Eddie Murphy’s Raw. Finally there’s Max Steel, which I didn’t think was going to open truly wide. Then again, its theater count is 2,034, so it is opening barely wide. This weekend last year, Goosebumps led the way with $23.62 million. I really thought The Accountant would top that, but I no longer think that will be likely. Worse still, there were five films that earned more than $10 million last year, but there will only be three of them this week. 2016’s slump will continue. More...

Weekend Wrap-Up: Only Girl isn’t a Train Wreck earning $24.54 million

October 11th, 2016

The Girl on the Train

Over the weekend was Columbus Day, or as it is known in more and more places, Indigenous People’s Day. It’s also Thanksgiving Day up here in Canada and it would make more sense for Americans to celebrate Canadian Thanksgiving than Columbus Day. Canadian Thanksgiving is where you give thanks to all the Canadians that make your life better. For example, both Ryan Gosling and Ryan Reynolds are Canadian. Anyhoo... The weekend box office numbers were not buoyed by the semi-holiday on Monday as none of the new releases matched expectations. The Girl on the Train led the way by a wide margin with $24.54 million compared to $15.14 million for Miss Peregrine’s Home for Peculiar Children. Neither The Birth of a Nation nor Middle School: The Worst Years of My Life made it into the top five. The overall box office fell 9.5% from last weekend dropping to $103 million. That was 13% lower than the same weekend last year. Year-to-date, 2016 has earned $8.64 billion, putting it 4.4% / $370 million ahead of 2015. A couple of more weeks like this and we will have reason to hit the panic button. More...

Friday Estimates: The Girl on the Train Schools the Competition with $9.35 million

October 8th, 2016

Middle School: The Worst Years of My Life

As expected, The Girl on the Train led the way on Friday, albeit with a slightly smaller-than-expected figure of $9.35 million. This is a little more disappointing after the film’s previews, especially since films aimed at more mature women tend to have longer than average legs. We knew the reviews were not good and that wouldn’t help the film; however, the audience reaction was even worse, as the film earned a B- from CinemaScore. Anything below a B+ usually results in weak legs, and we are already seeing The Girl on the Train struggle in that regard. We originally predicted $27 million, but I think $26 million is now more likely. That’s not a bad opening weekend for a movie that cost $45 million to make, so Universal should still be happy. We also can’t be sure how much effect Hurricane Matthew had on the opening day, so business could yet pick up as the storm passes. More...

Weekend Predictions: Will Girl be the Rebirth of the Box Office?

October 6th, 2016

The Girl on the Train

October begins with a trio of wide releases, led by The Girl on the Train. The film’s reviews are mixed, which is not ideal, but also not fatal. The Birth of a Nation was looking to become an Awards Season player, but its reviews are not quite at that level. Finally there’s Middle School: The Worst Years of My Life. There are still no reviews and the buzz is as quiet as you can get for a wide release. This weekend last year, the only wide release was Pan and it bombed hard. However, The Martian remained on top with $37.01 million over the weekend. There’s almost no way The Girl on the Train will match that and last year had better depth as well. 2016’s slump will continue. More...

Contest: Dark Urges: Winning Announcement

October 5th, 2016

The Purge: Election Year

The winners of our Dark Urges contest were determined and the entrants with the closest predictions for Deepwater Horizon opening weekend were... More...

Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million

October 4th, 2016

Miss Peregrine’s Home for Peculiar Children

The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former. More...

Friday Estimates: Peregrine Soars on Friday with $9.0 million

October 1st, 2016

Miss Peregrine’s Home for Peculiar Children

Miss Peregrine’s Home for Peculiar Children took first place on Friday with $9.0 million. This is a little better than predicted and fine for a September release. The film’s reviews ticked up a couple of percentage points and now sit at 64% positive, while it earned a CinemaScore of B+. This is about on par with The Maze Runner. If the two films have the same internal multiplier, then Miss Peregrine’s Home for Peculiar Children will open with about $26 million over the weekend. More...

Thursday Night Previews: Peregrine Gets a Head Start on Maze Runner with $1.2 million - Update with Masterminds previews

September 30th, 2016

Miss Peregrine’s Home for Peculiar Children

Miss Peregrine’s Home for Peculiar Children earned $1.2 million during its Thursday previews, which is just ahead of the $1.1 million earned by The Maze Runner back in 2014. Unfortunately, there’s a question whether we should treat this as a young adult book adaptation, or whether we should treat it as a more gonzo Tim Burton offering. If we go that route, there are no really good comparisons. Dark Shadows earned $550,000, but that was just over four years ago when midnight screenings weren’t standard and far fewer people went overall. Regardless, this is a better start than expected and an opening weekend of $30 million is more likely than it was before. More...

Weekend Predictions: Will September end on a Disastrous Note?

September 29th, 2016

Deepwater Horizon

Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison. More...

Contest: Magnificent Prizes: Winning Announcement

September 29th, 2016

The Magnificent Seven

The winners of our Magnificent Prizes contest were determined and the entrants with the closest predictions for The Magnificent Seven opening weekend were... More...

Contest: Dark Urges

September 23rd, 2016

The Purge: Election Year

Three wide releases are coming out next week. Of the three, Masterminds is by far the weakest and has no real shot at first place. In fact, if it opens above fifth place, I will be surprised. Miss Peregrine’s Home for Peculiar Children is the widest, but the early reviews for Deepwater Horizon are excellent and I think that will give it the edge at the box office. Because of this, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Deepwater Horizon.

We have copies of The Purge: The Election as prizes. While the film hit VOD this past Tuesday, we have copies on Blu-ray Combo Pack as prizes.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of The Purge: The Election on Blu-ray Combo Pack. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win win a copy of The Purge: The Election on Blu-ray Combo Pack. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win The Purge: The Election on Blu-ray Combo Pack.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/09/30 7 $81,232   152 $534   $81,232 1
2016/10/07 9 $80,813 -1% 119 $679   $205,506 2
2016/10/14 16 $20,311 -75% 71 $286   $258,880 3
2016/10/21 19 $5,457 -73% 15 $364   $282,915 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/30/2016 $217,570 128 128 236 $613,239 11/30/2018
Australia 10/7/2016 $1,303,546 253 255 982 $3,102,595 9/19/2022
Brazil 11/11/2016 $532,963 279 279 469 $1,247,598 11/16/2018
Bulgaria 9/30/2016 $0 0 0 0 $97,077 2/26/2019
China 11/15/2016 $3,740,000 16669 16669 16669 $10,507,817 8/27/2018
Czech Republic 9/30/2016 $42,018 89 89 140 $93,795 12/31/2018
France 10/14/2016 $1,074,759 0 0 0 $2,281,364 8/17/2018
Germany 11/25/2016 $507,546 0 0 0 $959,291 8/19/2018
Italy 10/7/2016 $599,140 0 15 19 $1,058,198 11/13/2018
Japan 4/21/2017 $658,050 0 0 0 $2,020,160 7/4/2018
Lithuania 9/30/2016 $18,737 100 100 138 $40,194 10/19/2016
Mexico 9/30/2016 $984,049 0 0 0 $2,602,663 9/8/2018
Middle East Region 9/30/2016 $0 0 0 0 $4,100,000 10/10/2016
Netherlands 9/29/2016 $321,406 92 93 409 $1,036,067 11/19/2018
New Zealand 10/7/2016 $180,340 67 75 281 $445,991 10/31/2016
North America 9/30/2016 $20,223,544 3,259 3,403 16,674 $61,433,527 9/5/2017
Poland 9/30/2016 $142,197 0 0 0 $355,498 12/31/2018
Portugal 9/30/2016 $116,818 64 64 204 $316,633 11/10/2016
Russia (CIS) 9/30/2016 $1,110,755 1009 1009 2589 $2,336,411 12/31/2018
Slovakia 9/30/2016 $33,793 58 58 96 $78,322 11/17/2016
Slovenia 10/28/2016 $6,160 15 15 31 $21,090 11/23/2016
South Korea 1/17/2017 $0 0 400 516 $684,305 10/3/2017
Spain 11/25/2016 $257,341 305 305 712 $537,480 12/22/2016
Taiwan 10/7/2016 $1,400,000 0 0 0 $1,400,000 12/20/2018
Turkey 9/30/2016 $81,232 152 152 357 $296,328 2/26/2019
United Kingdom 9/30/2016 $2,582,767 487 487 1595 $6,800,092 9/8/2018
 
Rest of World $17,893,574
 
Worldwide Total$122,359,309 9/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Mark Wahlberg    Mike Williams
Kurt Russell    Jimmy Harrell
John Malkovich    Vidrine
Gina Rodriguez    Andrea Fleytas
Dylan O’Brien    Caleb Holloway

Supporting Cast

Kate Hudson    Felicia Williams
Douglas M. Griffin    Landry
James DuMont    O'Bryan
Joe Chrest    Sims
Brad Leland    Kaluza
Dave Maldonado    Kuchta
J.D. Evermore    Dewey A. Revette
Ethan Suplee    Jason Anderson
Jason Pine    Stephen Ray Curtis
Jason Kirkpatrick    Aaron Dale Burkeen
Robert Walker Branchaud    Doug Brown
Jonathan Angel    Gordon Jones
Bill McMullen    Halliburton Rep
Jeremy Sande    Adam Weise
Stella Allen    Sydney
Pete Berg*    Mr. Skip
Juston Street    Anthony Gervasio
Tony Centonze    Dan Barron/Roughneck #1
Zachary Guerra    Coast Guard Commander
Chris Ashworth    Coast Guard Officer #1
Graham McGinnis    Coast Guard Officer #2
Robert Nash    Coast Guard Officer #3
Henri Esteve    Andrea's Housemate
Sean Carter    ROV Operator
Elizabeth Carey    Frenchman/Schlumberger #1
Mustafa Harris    Bankston Crewman/Medic
Joel Allen    Old Man Carl
Henry Frost    Shane M. Roshto
Terry Milam    Keith Blair Manuel
Garrett Kruithof    Karl Kleppinger Jr.
Michael A Howell    Roy Wyatt Kemp
Ronald Weaver    Donald Clark
Deneen Tyler    Paula Walker
Jim Klock    Scared Crew Member
Leighton Gonzales    ROV Operator #2
Michael O'Brien    ROV Supervisor
Garrett Hines    Wyman Wheeler
Rob Steinberg    BP Rep
Trace Adkins    Massive Man
Kurt Peterson    Rescue Swimmer
Cierra Price    Counter Agent #1
Kenneth Billings    Crew Member
Ilan Srulovicz    Outgoing DPO
Wesley Figaro    Coast Guard Officer #4
Jennifer Tamminen    Coast Guard Officer #5
Carliene O’Connor    Coast Guard Officer #6
Craig Shellenberger    First Mate
Trent Zimmer    DP Officer
Ronnie Cupstid    Subsea Engineer
David William Donze    Still Photographer
Micah Le Blanc    Incoming Subsea Engineer
Patrick Arabie    Chief Mechanic
Brandt Allen    Aircraft Commander
Kelly Smith    Co-Pilot #1
Stephen Nicoll    Coast Guard Rescue Swimmer
Preston Brice    Roughneck #2
Randolph Perkins    Rig Worker #1
Cedric Gervais    Frenchman/Schlumberger #3
David Grutman    Frenchman/Schlumberger #3
Peter Trentacosta III    Life Boat Driver
Jenny Kubiak    Counter Agent #2
Steve Fisher    Transocean Employee
Tawnya Carr    Bristow Advisory
Tom Yura    Reporter #2
Sandra Santiago    Worried Mother
Scott Campbell    BP Escort
Barry Fallon    BP Personnel
Mark Schotz    Cowboy
Anthony Ace Thomas    Paula's Husband
Barker Carlock    Bankston Survivor #1
Tracy Mann    Bankston Survivor #2
Richard Williams    Pilot
Derek Thorsrud    Co-Pilot #2
Nick Litchfield    Deepwater Rescue Swimmer
Robert Lovett    Deck Hand
Fred North    Helicopter Pilot
Mayla Parker    Voice of Natalie

Narrator(s)

Meghan Gatto    Reporter #1

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Peter Berg    Director
Matthew Michael Carnahan    Screenwriter
Matthew Sand    Screenwriter
Matthew Sand    Screen Story
Lorenzo di Bonaventura    Producer
Mark Vahradian    Producer
Mark Wahlberg    Producer
Stephen Levinson    Producer
David Womark    Producer
Jeff Skoll    Executive Producer
Jonathan King    Executive Producer
Enrique Chediak    Director of Photography
Chris Seager    Production Designer
Colby Parker, Jr    Editor
Gabriel Fleming    Editor
Kasia Walicka Maimone    Costume Designer
Steve Jablonsky    Composer
Craig Hammack    Visual Effects Supervisor
Deborah Aquila    Casting Director
Tricia Wood    Casting Director
Todd Lewis    Unit Production Manager
Cliff Lanning    First Assistant Director
Rhys Summerhayes    Second Assistant Director
Donna Sloan    Executive in Charge of Production
Wylie Stateman    Sound Designer
Kevin Scott    Supervising Stunt Coordinator
Tim Trella    Stunt Coordinator
Todd Lewis    Co-Producer
Cliff Lanning    Co-Producer
Petra Holtorf-Stratton    Co-Producer
Tamara Bally    Associate Producer
J Lauren Downey    Associate Producer
Russell Allen    Production Supervisor
Marc Fisichella    Supervising Art Director
Scott Plauche    Art Director
Victor J. Zolfo    Set Decorator
Justin Yates    First Assistant Editor
Jason Wasserman    Additional First Assistant Editor
Alexander Johnson    Additional First Assistant Editor
Robert Malina    Additional First Assistant Editor
Steve Jacks    Assistant Editor
Kimaree Long    Assistant Editor
Adam Schaefer    Assistant Editor
Bryan H. Carroll    Post-Production Supervisor
Luca Borghese    Post-Production Supervisor
Dug Rotstein    Script Supervisor
David Wyman    Sound Mixer
Erik Haraldsted    Art Director
Tim Earls    Set Designer
Cosmas Demetriou    Set Designer
Tristan Parks Bourne    Set Designer
Walter Schneider    Set Designer
Noelle King    Set Designer
Ed Symon    Set Designer
Landon Lott    Set Designer
Burt Dalton    Special Effects Supervisor
Steve Cremin    Special Effects Coordinator
Dan Moore    Costume Supervisor
Howard Berger    Make up
Tami Lane    Make up
Johnny Villanueva    Hairstylist
Daina Daigle    Hairstylist
Laura Sode Matteson    Supervising Location Manager
Kevin Scott    Second Unit Director
Wylie Stateman    Supervising Sound Editor
Renée Tondelli    Co-Supervising Sound Editor
Branden Spencer    Dialogue Editor
Kris Fenske    Sound Effects Editor
Michael Feuser    Dialogue Editor
Mike Prestwood Smith    Re-recording Mixer
Dror Mohar    Re-recording Mixer
Michael Keller    Additional Sound Re-recording Mixer
Ron Bartlett    Additional Sound Re-recording Mixer
Doug Hemphill    Additional Sound Re-recording Mixer
Philippe Theroux    Visual Effects Supervisor
Jason Snell    Associate Visual Effects Supervisor
Jason Billington    VFX Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.