Downfall

Theatrical Performance
Domestic Box Office $5,501,940Details
International Box Office $88,129,802
Worldwide Box Office $93,631,742
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Video Sales
  5. Full Financials
  6. Cast & Crew
  7. Trailer
  8. Buy

Metrics

Rotten Tomatoes
Critics Certified FreshAudience Upright
Critics
91% - Certified Fresh
Audience
94% - Upright

Movie Details

Production Budget:$13,500,000
Theatrical Release: February 18th, 2005 (Limited) by Newmarket Films
MPAA Rating: R for strong violence, disturbing images and some nudity
Keywords: War, Epilogue, Foreign Language, World War II
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization

DVD Releases for January 27, 2009 - Part I

One of the longest lists in a while this week, but there's a lack of quality at the top. There are a number that are of interest, like Zodiac on Blu-ray, The Bourne Trilogy on Blu-ray, and others, none rise to the level of DVD Pick of the Week. The list was long enough that it has to be split up, and the second part can be found here. More...

Brothers are not so Grimm

The Brothers Grimm dropped just 35% during its second weekend in France adding $2.1 million to its $5.7 million total there. In Germany, the film performed a nearly the same level falling 36% to $950,000 over the weekend and $2.9 million during its run. Overall the film made $4 million for a $27.8 million runny tally and that places it fourth on this week's charts. While the film struggled domestically, it is doing quite a bit better on the international scene, and could show a profit sometime during its home market run. More...

Internationl Round-up: Company Nine Reaches $14 Million

Company 9 remained in first place in Russia, its home market, down just 13% to $4.3 million for a running total of $14.3 million, which is well ahead of Revenge of the Sith's final box office in the market (which was just shy of $10 million). More...

The Russians are Coming, The Russians are Coming!

Company 9 opened in its native market of Russia with a stunning $5.0 million over the weekend and $6.25 million including the midweek numbers, which is better than Revenge of the Sith's opening in that market. This also means there were two films that did so well in their local markets that they managed to place in the top five overall. More...

International Round-up: Red Eye Takes Off

Red Eye added another $3.7 million on 2,057 screens in 37 markets to its $22 million international total. The film opened in second place in both Spain with $850,000 on 215 screens and in the Netherlands with $250,000 on 59 ($300,000 including previews). More...

Mafia Sequel Squeezes into Top Five Again

Marrying the Mafia 2 again led its native market of South Korean with $4.81 million over the weekend and $12.78 million during its two-week run. And like last week, this was enough for the film to secure a place in the top five overall just beating out Pride and Prejudice. More...

Mafia Rubs Out Competition

Marrying the Mafia 2 is the latest local film to lead the South Korean box office as it opened with $5.555 million on 449 screens, $7.515 million including Thursday. Not only was that easily enough for first place in its home market, but also put the film in third place on the overall international box office charts. More...

U.K. is Virgin Territory

The 40-Year Old Virgin topped the U.K. marked with an impressive $3.26 million on 394 screens in the U.K., but this is probably not indicative of its potential in other international markets. The film should do well in the U.K., Australia, and New Zealand, but will likely struggle in non-English speaking markets. (Germany may be an exception.) More...

Guess Who Won the Weekly Race on the Home Market

There was a bit of a surprise on top of the Home Market this week as Guess Who led all releases and earned top spot with $8.67 million in DVD rentals, $750,000 in VHS rentals for a $9.42 million total. The film also led the DVD sales chart, but as usual no numbers were released. More...

DVD Releases for August 2, 2005

It's another slow week for first-run releases, but that shouldn't surprise anyone since it's been that way for quite a while now. The best bet is the Foreign Language film, Downfall - Buy from Amazon. More...

The Largest Yard

The Longest Yard opened in second place in Australia with $2.5 million. On the other hand, the film could only manage $750,000 on 260 screens in Mexico, not surprising since Adam Sandler has never been a big draw internationally, especially outside English speaking markets. More...

Kingdom\'s Reign Cruel to Competition

The summer got off to a really, really slow start international this week and while Kingdom of Heaven didn't wasn't quite the blockbuster most people were looking for, it did cannibalized what little box office there was. There were a few local films to make noise, including Negotiator: Bayside Shakedown 3, which easily topped the Japanese market with $5,275,685 on just 280 for a huge $18,842 per screen average. More...

Mysterious Beginnings

Mysterious Skin opened with $17,425 in its lone theater to lead the Per Theater Charts this weekend. The only other film to make it into the $10,000 club was last week's winner, Holy Girl which added $21,069 in 2 theaters for a $10,535 average. More...

Slow Dancing to $100 million

Golden Week helped Shall We Dance? climb 19% to $2,250,195 for the weekend and $7,270,348 during its run. The film now has $90.3 million internationally and could break $100 million if it continues to show strong legs in Japan. More...

International: Constantine Continues to Climb

It was a good news, bad news kind of weekend for Constantine. The film remained in top spot in Japan with $2,330,027 on 349 screens for a $9,011,671 running tally in the market. Bad news, it dropped 37% during its second weekend in the market, which is really steep for Japan. Overall the film brought in $3 million on 1,200 screens in 40 markets for a international box office of $136.4 million. More...

Hitch still Connecting with Moviegoers

Hitch is just coasting on holdovers now, and will be until it opens in Japan at the beginning of June. This week it added $5.1 million from 3000 screens in 55 markets to its already impressive $170.4 million international total and with soft week to week drop-offs and a good showing in Japan and it will have a $200 million future. This week the film added $643,359 in its fifth weekend in France for a $12,785,670 total in the market, $110,000 in its second weekend in Argentina, (rising to first place in the meantime) as well as other, smaller markets. More...

Everybody was Still Kung-Fu Fighting

Last week's winner on the per theater chart, Kung Fu Hustle, was able to repeat on top of the charts. The film dropped a mere 8% to $35,373, and this bodes very well for its wide release this Friday. Next on the list was the new film It's All Gone Pete Tong, which earned $19,717 in its lone theater, and was slightly ahead of the average for House of D at $18,186 average in two theaters. Rounding out the $10,000 club was the long-term release, Short Cut to Nirvana: Kumbh Mela, which has been in theaters for half-a-year and earned $11,102 in its lone theater this week. More...

International Box Office Busier than Weekend Before

The Pacifier finally debut across Australia after playing in Queensland and Victoria for the past two weeks; the massive expansion allowed the film to climb to first place with $1.125 million on 267 screens. That lifted its total in the market to $3.41 million so far and the film should have strong legs. Add to that its $1.75 million opening in Spain and $590,000 in Belgium and the film managed $4.1 million over the weekend, which doubled its early total to $8.1 million. More...

Cool Reception

It was a slow week at the international box office, the slowest of the year, and without much activity at the box office hit there were little in the way of details published by the studios. Therefore this week's column is much shorter than usual. Leading the best of the rest was Be Cool with an estimated $5 million for a disappointing $12.7 million international tally. Its best single market was the U.K. where the film finished second with $2.2 million on 336 screens after an exclusive engagement last weekend. The film also did well in the Netherlands with $190,000 on 43 screens but really struggles in Germany opening in fifth place with just $930,000 on 321 screens, a result mirrored in Austria, (fifth place, $165,948.) More...

Looking out for Number One

Look at Me was the lone film to top $10,000 on the per theater charts this week. The French film took in nearly $70,000 on 6 screens for a $11,598 average. More...

France\'s $5 Million Baby

Million Dollar Baby performed brilliantly this week earning $8.8 million for an international total of $60 million, placing fourth on the international box office charts. In France the film dominated the marketplace with $4.94 million on 450 screens and in Germany the film earned $760,000 in semi-limited release (120 screens) for the best per screen average in the market. On the other hand, the film flopped in Slovakia where it missed the top ten in its debut. On the holdover front, the multi-Oscar winning front saw its weekend haul climb by 20% in Spain to $980,000 and it's still doing well in Australia, Italy and South Korea. More...

Ballad of the Per Theater Charts

The Ballad of Jack and Rose topped the per theater charts by earning just shy of $60,000 in its 5 theaters, for an average of $14,865. And while it was the only film to hit $10,000, Mondovino came close with $9,840 over the weekend and $13,060 since it opened on Thursday, all in one theater. More...

Baby Still Earning Millions

Million Dollar Baby has again slipped off the radar screen, but we do know it hit $52 million internationally, which means it made $9 million during the week. The film didn't earn $1 million in any single market, but is still doing strong in South Korea, ($970,000), Spain, ($840,000), Italy, ($600,000) and Australia, ($350,000.) Best estimate has the film earning just shy of $5 million of that over the weekend and taking sixth place on the international box office charts. More...

Tie at the Top of Per Theater Chart

There was a tie this weekend atop the Per Theater Chart between Melinda and Melinda, both of which were directed by the team of Woody and Allen. Melinda and Melinda earned an amazing $74,238 in its lone theater, which is the best per theater average ever for a Fox Searchlight film over a three-day weekend. More...

Swimming with Sharks

Shark Tale finished its international run with a second place $2.08 million opening in Japan on 485 screens. Its $4,296 per screen average it quite low for the market and generally means the film won't have the usual legs films in Japan have. The film performed much better in Italy where it finished first again with $3.0 million, down just 23% during its sophomore stint. Overall it took in $5.2 million to raise its international total to $181 million, but without any more openings it might struggle to hit $200 million. More...

Close Race on Per Theater Charts, But Both Films Fall Short

No film was able to reach the $10,000 club on the per theater charts this week, but at least two films were close. Leading the way was the overall box office leader, The Pacifier, which opened with an average of $9,758. In second place with $9,020 was last week's winner, Downfall. More...

The Aviator Soars Higher than Before

The Aviator beat weekend estimates by a substantial margin leading to a $5.9 million box office on 3000 screens in 34 markets. The multi-Oscar winning movie has hit $86.2 million internationally and will cross $200 million worldwide before too long. The film dropped a spot to fifth place in South Korea with $834,660 for the week and slipped to second in Australia with $798,000. The only market the film opened it was Argentina, where it easily took top spot with $232,000. More...

Down Stays Up on Per Theater Charts

Last week's winner remained the per theater chart champion, as Downfall earned and average of $15,704. That's down just 13.7%, despite it being a post holiday weekend and seeing its theater count quadruple; this bodes very well for the film's long-term success. The only other film to crack the top 10 was overall box office champ, Diary of a Mad Black Woman, which averaged $14,771 in its 1,483 theaters. More...

Twelve Tops the Best of the Rest

Ocean's Twelve may have dropped out of the top five, but it is still going strong with $4.5 million on 1400 screens in 35 markets for an international box office of $225.8 million so far. No new openings means the heist film had to rely on holdovers likes its $2.5 million during its third weekend in the U.K. and $1.4 million during its fifth week of release in Japan, finishing second in both those markets. More...

Per Theater Charts Fall Down

Only two films were able to crack the $10,000 club this week, at least if you only count the three day weekend. The charts were led by the German Oscar contender, Downfall, which opened in only one theater and earned $18,195 over the 3-day weekend, and $24,220 if you add in the holiday Monday. In second place was Bride and Prejudice with a per theater average of $10,047 / $12,015. More...

Competition Going Down

Oscar Nominees go against porn stars as another eclectic group of films vie for moviegoers' attention in the competitive limited release market. More...

Movie Website Launches for February 11 - February 17

During the past week promotional websites for several movies were launched and some older ones added additional content. Here the list of this week's releases, a couple of new sites and a few updates, including this week's winner, Sin City - Official Site. If you know of any new movie websites not on this list feel free to e-mail me with the details. More...

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2005/02/21 55 $6,025   1 $6,025   $24,220 4
2005/05/30 36 $11,678   50 $234   $5,438,771 102

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2005/02/18 68 $18,195   1 $18,195   $18,195 3
2005/02/25 47 $62,817 +245% 4 $15,704   $102,207 10
2005/03/04 42 $81,179 +29% 9 $9,020   $219,419 17
2005/03/11 23 $329,539 +306% 46 $7,164   $582,198 24
2005/03/18 17 $590,498 +79% 87 $6,787   $1,387,295 31
2005/03/25 16 $553,538 -6% 128 $4,325   $2,207,036 38
2005/04/01 15 $531,980 -4% 168 $3,167   $3,051,911 45
2005/04/08 17 $371,125 -30% 174 $2,133   $3,646,687 52
2005/04/15 19 $327,930 -12% 174 $1,885   $4,159,168 59
2005/04/22 24 $242,983 -26% 168 $1,446   $4,546,279 66
2005/04/29 23 $208,462 -14% 148 $1,409   $4,874,303 73
2005/05/06 30 $119,521 -43% 131 $912   $5,093,990 80
2005/05/13 32 $86,503 -28% 98 $883   $5,246,856 87
2005/05/20 38 $59,542 -31% 82 $726   $5,355,525 94
2005/05/27 43 $35,685 -40% 50 $714   $5,427,093 101
2005/06/03 48 $21,615 -39% 37 $584   $5,475,810 108
2005/06/10 60 $10,181 -53% 23 $443   $5,501,940 115

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.