Australia Box Office for Kingsglaive: Final Fantasy Xv (2016)
← Go to main Final Fantasy XV: Kingsglaive page
| Theatrical Performance (US$) |
| Australia Box Office |
$185,527 | Details |
| Worldwide Box Office |
$6,479,980 | Details |
| Home Market Performance |
| North America DVD Sales |
$928,349 |
Details |
| North America Blu-ray Sales |
$4,943,802 |
Details |
| Total North America Video Sales |
$5,872,151 | |
| Further financial details... |
- Summary
- News
- Box Office
- Worldwide
- Full Financials
- Cast & Crew
- Trailer
Synopsis
The magical kingdom of Lucis is home to the sacred Crystal, and the menacing empire of Niflheim is determined to steal it. King Regis of Lucis commands an elite force of soldiers called the Kingsglaive. Wielding their king’s magic, Nyx and his fellow soldiers fight to protect Lucis. As the overwhelming military might of the empire bears down, King Regis is faced with an impossible ultimatum—to marry his son, Prince Noctis to Princess Lunafreya of Tenebrae, captive of Niflheim, and surrender his lands to the empire’s rule. Although the king concedes, it becomes clear that the empire will stop at nothing to achieve their devious goals, with only the Kingsglaive standing between them and world domination.
Metrics
Movie Details
| Australia Releases: |
August 26th, 2016 (Wide), released as Kingsglaive: Final Fantasy Xv |
| Video Release: |
August 30th, 2016 by Sony Pictures Home Entertainment |
| MPAA Rating: |
PG-13 for fantasy violence and action throughout.
(Rating bulletin 2430 (Cert #50229), 6/22/2016) |
| Running Time: |
115 minutes |
| Franchise: |
Final Fantasy |
| Keywords: |
Video Game, Anime, War, Arranged Marriage, Royalty, Good vs. Evil, Magical Technology, Betrayal, Motion Capture Performance |
| Source: | Based on Game |
| Genre: | Adventure |
| Production Method: | Digital Animation |
| Creative Type: | Fantasy |
| Production/Financing Companies: |
Visual Works, Square Enix Business |
| Production Countries: |
Japan |
| Languages: |
English, Japanese |
October 4th, 2016
-1-News.jpg)
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August 24th, 2016
Natalie Portman’s feature-length directorial debut, A Tale of Love and Darkness, was the only film in the $10,000 club earning an average of $18,585 in two theaters.
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August 19th, 2016
There are a number of interesting limited releases on this week’s list, including Lo And Behold, Reveries Of The Connected World, Morris from America, Imperium, and Closet Monster. Unfortunately, while all of them are earning good reviews, none of them are likely to be hits in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2016/08/26 |
- |
$176,105 |
|
64 |
$2,752 |
$176,105 |
1 |
| 2016/09/02 |
- |
$10,740 |
-94% |
16 |
$671 |
$185,527 |
2 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| Australia |
8/26/2016 |
$176,105 |
64 |
64 |
80 |
$185,527 |
9/6/2016 |
| China |
3/10/2017 |
$3,030,000 |
44405 |
44405 |
44405 |
$4,169,821 |
8/13/2018 |
| Japan |
7/8/2016 |
$353,433 |
0 |
0 |
0 |
$907,524 |
8/20/2018 |
| New Zealand |
8/26/2016 |
$44,236 |
16 |
16 |
21 |
$45,632 |
9/6/2016 |
| North America |
8/19/2016 |
$119,801 |
24 |
26 |
68 |
$269,980 |
|
| South Korea |
8/25/2016 |
$10,866 |
3 |
3 |
3 |
$14,782 |
10/3/2016 |
| Turkey |
8/19/2016 |
$66,488 |
200 |
200 |
341 |
$142,841 |
2/26/2019 |
| |
| Rest of World |
$743,873 |
|
| |
| Worldwide Total | $6,479,980 |
2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
