Final Portrait (2017)

Final Portrait
Theatrical Performance
Domestic Box Office $460,859Details
International Box Office $1,264,982Details
Worldwide Box Office $1,725,841
Home Market Performance
Est. Domestic DVD Sales $18,613 Details
Total Est. Domestic Video Sales $18,613
Further financial details...

Synopsis

In 1964, while on a short trip to Paris, the American writer and art-lover James Lord is asked by his friend, the world-renowned artist Alberto Giacometti, to sit for a portrait. The process, Giacometti assures Lord, will take only a few days. Flattered and intrigued, Lord agrees. So begins not only the story of a touching and offbeat friendship, but, seen through the eyes of Lord, a uniquely revealing insight into the beauty, frustration, profundity and, at times, downright chaos of the artistic process. Final Portrait is a portrait of a genius, and of a friendship between two men who are utterly different, yet increasingly bonded through a single, ever-evolving act of creativity.

Metrics

Opening Weekend:$25,472 (5.5% of total gross)
Legs:6.31 (domestic box office/biggest weekend)
Domestic Share:26.7% (domestic box office/worldwide)
Theater counts:3 opening theaters/100 max. theaters, 3.3 weeks average run per theater
Infl. Adj. Dom. BO $545,339

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: March 23rd, 2018 (Limited) by Sony Pictures Classics
International Releases: August 18th, 2017 (Wide), released as Son Portre (Turkey)
August 18th, 2017 (Wide) (United Kingdom)
September 29th, 2017 (Wide) (Australia)
October 6th, 2017 (Wide) (New Zealand)
December 8th, 2017 (Wide) (Netherlands)
... Show all releases
Video Release: July 31st, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for language, some sexual references and nudity.
(Rating bulletin 2484 (Cert #51137), 7/12/2017)
Running Time: 90 minutes
Comparisons: vs. Loving Vincent
Create your own comparison chart…
Keywords: 1960s, Set in Paris, Artists, Critic, Writing and Writers
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Riverstone Pictures, HanWay Films, Potboiler Productions, Olive Productions, Arsam Intl., Lowsun Productions
Production Countries: United Kingdom, United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 23, 2018 56 $25,472   3 $8,491   $25,472 1
Mar 30, 2018 46 $32,428 +27% 9 $3,603   $70,058 2
Apr 6, 2018 37 $54,243 +67% 21 $2,583   $140,399 3
Apr 13, 2018 39 $39,909 -26% 32 $1,247   $201,366 4
Apr 20, 2018 34 $73,078 +83% 100 $731   $294,457 5
Apr 27, 2018 39 $37,999 -48% 69 $551   $375,100 6
May 4, 2018 49 $19,548 -49% 40 $489   $417,880 7
May 11, 2018 62 $12,345 -37% 24 $514   $443,225 8
May 18, 2018 77 $4,222 -66% 14 $302   $453,123 9
May 25, 2018 92 $1,239 -71% 7 $177   $455,475 10
Jun 1, 2018 83 $1,972 +59% 4 $493   $457,952 11
Jun 8, 2018 81 $1,263 -36% 3 $421   $459,676 12
Jun 15, 2018 83 $602 -52% 4 $151   $460,859 13

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 23, 2018 57 $37,630   3 $12,543   $37,630 1
Mar 30, 2018 46 $48,526 +29% 9 $5,392   $86,156 2
Apr 6, 2018 38 $75,301 +55% 21 $3,586   $161,457 3
Apr 13, 2018 39 $59,922 -20% 32 $1,873   $221,379 4
Apr 20, 2018 33 $115,722 +93% 100 $1,157   $337,101 5
Apr 27, 2018 38 $61,231 -47% 69 $887   $398,332 6
May 4, 2018 48 $32,548 -47% 40 $814   $430,880 7
May 11, 2018 63 $18,021 -45% 24 $751   $448,901 8
May 18, 2018 81 $5,335 -70% 14 $381   $454,236 9
May 25, 2018 93 $1,744 -67% 7 $249   $455,980 10
Jun 1, 2018 86 $2,433 +40% 4 $608   $458,413 11
Jun 8, 2018 83 $1,844 -24% 3 $615   $460,257 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/29/2017 $1,267 4 52 330 $457,927 2/12/2018
France 6/8/2018 $55,825 0 0 0 $55,825 6/15/2018
Netherlands 12/8/2017 $20,173 31 31 62 $49,641 12/20/2017
New Zealand 10/6/2017 $12,427 12 14 47 $41,657 11/6/2017
Portugal 3/16/2018 $10,055 10 10 24 $23,123 4/3/2018
Russia (CIS) 1/12/2018 $24,969 54 54 55 $51,334 1/8/2019
South Korea 9/18/2018 $0 0 55 125 $127,475 10/26/2018
Spain 12/29/2017 $29,025 42 42 68 $78,500 1/12/2018
Turkey 8/18/2017 $4,648 13 13 13 $16,661 2/26/2019
United Kingdom 8/18/2017 $104,081 59 59 167 $362,839 10/25/2017
 
International Total$1,264,982 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Geoffrey Rush    Alberto Giacometti
Armie Hammer    James Lord

Supporting Cast

Clémence Poésy    Caroline
Tony Shalhoub    Diego Giacometti
Sylvie Testud    Annette Giacometti
James Faulkner    Pierre Matisse
Kerry Shale    Claude Martineau
Annabel Mullion    Anne-Marie Frenaud
Tim Dreisden    Cafe Waiter
Takatsuna Mukai    Annette’s Lover

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stanley Tucci    Director
Stanley Tucci    Screenwriter
James Lord    Story based on “A Giacometti Portrait” by
Gail Egan    Producer
Nik Bower    Producer
Ilann Girard    Producer
Deepak Nayar    Executive Producer
Fred Hogge    Executive Producer
Ted Blumberg    Executive Producer
Michael S. Constable*    Line Producer
Danny Cohen    Director of Photography
James Merifield    Production Designer
Camilla Toniolo    Editor
Evan Lurie    Composer
Liza Bracey    Costume Designer
Nina Gold    Casting Director

Home Market Releases for July 31st, 2018

August 1st, 2018

Avengers: Infinity War

This is one of the worst weeks on the home market I can remember. There’s nothing here that even remotely looks like a top-notch release, at least on physical medium. This is the week that Avengers: Infinity War hits Video on Demand and it is dominating the home market in that regard and has to be the Pick of the Week. The only other releases that were close are Star Blazers: Space Battleship Yamato 2199 on Blu-ray Combo Pack and Star Wars Rebels: Season Four. More...

Theater Averages: Isle Dogpiles the Competition

March 27th, 2018

Isle of Dogs

Isle of Dogs had the best theater average of the weekend and indeed the year with an average of $59,825 in 27 theaters. Technically Fantastic Mr. Fox had a better average with $66,475, but it was only playing on 4 theaters, so this is much more impressive. More...

Limited and VOD Releases: Limited Releases Have Gone to the Dogs

March 23rd, 2018

Isle of Dogs

There are over two dozen limited releases coming out this week, but many of them had only a handful of, if any, reviews. There are some that should find a receptive audience, whether its on Video on Demand like Pyewacket, or whether it has massive breakout success, like most think Isle of Dogs will manage. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

In 1964, while on a short trip to Paris, the American writer and art-lover James Lord is asked by his friend, the world-renowned artist Alberto Giacometti, to sit for a portrait. The process, Giacometti assures Lord, will take only a few days. Flattered and intrigued, Lord agrees. So begins not only the story of a touching and offbeat friendship, but, seen through the eyes of Lord, a uniquely revealing insight into the beauty, frustration, profundity and, at times, downright chaos of the artistic process. Final Portrait is a portrait of a genius, and of a friendship between two men who are utterly different, yet increasingly bonded through a single, ever-evolving act of creativity.

Metrics

Opening Weekend:$25,472 (5.5% of total gross)
Legs:6.31 (domestic box office/biggest weekend)
Domestic Share:26.7% (domestic box office/worldwide)
Theater counts:3 opening theaters/100 max. theaters, 3.3 weeks average run per theater
Infl. Adj. Dom. BO $545,339

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: March 23rd, 2018 (Limited) by Sony Pictures Classics
International Releases: August 18th, 2017 (Wide), released as Son Portre (Turkey)
August 18th, 2017 (Wide) (United Kingdom)
September 29th, 2017 (Wide) (Australia)
October 6th, 2017 (Wide) (New Zealand)
December 8th, 2017 (Wide) (Netherlands)
... Show all releases
Video Release: July 31st, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for language, some sexual references and nudity.
(Rating bulletin 2484 (Cert #51137), 7/12/2017)
Running Time: 90 minutes
Comparisons: vs. Loving Vincent
Create your own comparison chart…
Keywords: 1960s, Set in Paris, Artists, Critic, Writing and Writers
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Riverstone Pictures, HanWay Films, Potboiler Productions, Olive Productions, Arsam Intl., Lowsun Productions
Production Countries: United Kingdom, United States
Languages: English

Leading Cast

Geoffrey Rush    Alberto Giacometti
Armie Hammer    James Lord

Supporting Cast

Clémence Poésy    Caroline
Tony Shalhoub    Diego Giacometti
Sylvie Testud    Annette Giacometti
James Faulkner    Pierre Matisse
Kerry Shale    Claude Martineau
Annabel Mullion    Anne-Marie Frenaud
Tim Dreisden    Cafe Waiter
Takatsuna Mukai    Annette’s Lover

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stanley Tucci    Director
Stanley Tucci    Screenwriter
James Lord    Story based on “A Giacometti Portrait” by
Gail Egan    Producer
Nik Bower    Producer
Ilann Girard    Producer
Deepak Nayar    Executive Producer
Fred Hogge    Executive Producer
Ted Blumberg    Executive Producer
Michael S. Constable*    Line Producer
Danny Cohen    Director of Photography
James Merifield    Production Designer
Camilla Toniolo    Editor
Evan Lurie    Composer
Liza Bracey    Costume Designer
Nina Gold    Casting Director

Home Market Releases for July 31st, 2018

August 1st, 2018

Avengers: Infinity War

This is one of the worst weeks on the home market I can remember. There’s nothing here that even remotely looks like a top-notch release, at least on physical medium. This is the week that Avengers: Infinity War hits Video on Demand and it is dominating the home market in that regard and has to be the Pick of the Week. The only other releases that were close are Star Blazers: Space Battleship Yamato 2199 on Blu-ray Combo Pack and Star Wars Rebels: Season Four. More...

Theater Averages: Isle Dogpiles the Competition

March 27th, 2018

Isle of Dogs

Isle of Dogs had the best theater average of the weekend and indeed the year with an average of $59,825 in 27 theaters. Technically Fantastic Mr. Fox had a better average with $66,475, but it was only playing on 4 theaters, so this is much more impressive. More...

Limited and VOD Releases: Limited Releases Have Gone to the Dogs

March 23rd, 2018

Isle of Dogs

There are over two dozen limited releases coming out this week, but many of them had only a handful of, if any, reviews. There are some that should find a receptive audience, whether its on Video on Demand like Pyewacket, or whether it has massive breakout success, like most think Isle of Dogs will manage. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 23, 2018 56 $25,472   3 $8,491   $25,472 1
Mar 30, 2018 46 $32,428 +27% 9 $3,603   $70,058 2
Apr 6, 2018 37 $54,243 +67% 21 $2,583   $140,399 3
Apr 13, 2018 39 $39,909 -26% 32 $1,247   $201,366 4
Apr 20, 2018 34 $73,078 +83% 100 $731   $294,457 5
Apr 27, 2018 39 $37,999 -48% 69 $551   $375,100 6
May 4, 2018 49 $19,548 -49% 40 $489   $417,880 7
May 11, 2018 62 $12,345 -37% 24 $514   $443,225 8
May 18, 2018 77 $4,222 -66% 14 $302   $453,123 9
May 25, 2018 92 $1,239 -71% 7 $177   $455,475 10
Jun 1, 2018 83 $1,972 +59% 4 $493   $457,952 11
Jun 8, 2018 81 $1,263 -36% 3 $421   $459,676 12
Jun 15, 2018 83 $602 -52% 4 $151   $460,859 13

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Mar 23, 2018 57 $37,630   3 $12,543   $37,630 1
Mar 30, 2018 46 $48,526 +29% 9 $5,392   $86,156 2
Apr 6, 2018 38 $75,301 +55% 21 $3,586   $161,457 3
Apr 13, 2018 39 $59,922 -20% 32 $1,873   $221,379 4
Apr 20, 2018 33 $115,722 +93% 100 $1,157   $337,101 5
Apr 27, 2018 38 $61,231 -47% 69 $887   $398,332 6
May 4, 2018 48 $32,548 -47% 40 $814   $430,880 7
May 11, 2018 63 $18,021 -45% 24 $751   $448,901 8
May 18, 2018 81 $5,335 -70% 14 $381   $454,236 9
May 25, 2018 93 $1,744 -67% 7 $249   $455,980 10
Jun 1, 2018 86 $2,433 +40% 4 $608   $458,413 11
Jun 8, 2018 83 $1,844 -24% 3 $615   $460,257 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 9/29/2017 $1,267 4 52 330 $457,927 2/12/2018
France 6/8/2018 $55,825 0 0 0 $55,825 6/15/2018
Netherlands 12/8/2017 $20,173 31 31 62 $49,641 12/20/2017
New Zealand 10/6/2017 $12,427 12 14 47 $41,657 11/6/2017
Portugal 3/16/2018 $10,055 10 10 24 $23,123 4/3/2018
Russia (CIS) 1/12/2018 $24,969 54 54 55 $51,334 1/8/2019
South Korea 9/18/2018 $0 0 55 125 $127,475 10/26/2018
Spain 12/29/2017 $29,025 42 42 68 $78,500 1/12/2018
Turkey 8/18/2017 $4,648 13 13 13 $16,661 2/26/2019
United Kingdom 8/18/2017 $104,081 59 59 167 $362,839 10/25/2017
 
International Total$1,264,982 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.