At age 98, director Arnon Goldfinger's grandmother passed away, leaving him the task of clearing out the Tel Aviv flat that she and her husband shared for decades since immigrating from Nazi Germany in the 1930s. Sifting through a dense mountain of photos, letters, files, and objects, Goldfinger begins to uncover clues that seem to point to a greater mystery and soon a complicated family history unfolds before his camera. What starts to take shape reflects nothing less than the troubled and taboo story of three generations of Germans - both Jewish and non-Jewish - trying to piece together the puzzle of their lives in the aftermath of the terrible events of World War II.
||October 19th, 2012 (Limited) by IFC Films|
||Jewish, Holocaust, World War II, Directing Yourself, Screenplay Written By the Star, Nazis|
|Source:||Based on Real Life Events|
|Production Method:||Live Action|
||Zero One Film, Arnon Goldfinger, ZDF, SWRL Films, Noga Communications, Channel 8, Arte, FFA, Medienbourd Berlin-Brandenburg, DFFF, New Israeli Foundation for Cinema and Television|
There are not many first run releases coming out on the home market this week, but two of them, Life of Pi and Rise of the Guardians, rose to Pick of the Week status. For that honor, we have to turn to an older release, Who Framed Roger Rabbit?, which celebrated its 25th Anniversary by coming out on Blu-ray for the first time. Yes, it is shovelware, but it is still the best movie on this week's list. If you don't have the DVD already and really don't like Pan & Scan, you might want to wait till Disney fixes the mix-up with the DVD portion of the Combo Pack.
The Sessions was one of two films to top $10,000 over the weekend on the Per Theater Chart. It managed an average of $28,367 in four theaters. Puella Magi Madoka Magica: The Movie - Part 1: Beginnings / Part 2: Eternal earned an average of $12,468 in five theaters.
It's a slower week for limited releases, but there are a couple that are earning overwhelmingly positive reviews. Holy Motors is one of them, but while it should do well in art house theaters, its chances at mainstream success is a lot more limited. The Sessions reviews are even better and it has a lot more mainstream appeal. It is never easy for a limited release, but of all of the film's on this week's list, this one has the best shot at the box office.
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