Spain Box Office for Florence Foster Jenkins (2016)

← Go to main Florence Foster Jenkins page

Florence Foster Jenkins
Theatrical Performance (US$)
Spain Box Office $985,225Details
Worldwide Box Office $56,000,339Details
Home Market Performance
North America DVD Sales $1,552,959 Details
North America Blu-ray Sales $502,705 Details
Total North America Video Sales $2,055,664
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The true story of the legendary New York heiress and socialite who obsessively pursued her dream of becoming a great singer. The voice she heard in her head was beautiful, but to everyone else it was hilariously awful. Her "husband" and manager, St. Clair Bayfield, an aristocratic English actor, was determined to protect his beloved Florence from the truth. But when Florence decided to give a public concert at Carnegie Hall, St. Clair knew he faced his greatest challenge.

Metrics

Movie Details

Production Budget:$29,000,000
Spain Releases: September 23rd, 2016 (Wide)
Video Release: November 29th, 2016 by Paramount Home Video
MPAA Rating: PG-13 for brief suggestive material.
(Rating bulletin 2435 (Cert #50258), 7/27/2016)
Running Time: 110 minutes
Keywords: Opera, Singers, Biography, Set in New York City, Celebrity Worship, Biographical Drama, 1940s, Relationships Gone Wrong, Infidelity
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Pathe, Paramount Pictures, BBC Films, Canal Plus, Cine Plus, Qwerty Films
Production Countries: United States
Languages: English

2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!

February 26th, 2017

Moonlight

It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night. More...

2016 - Awards Season: Oscars - Nominations - Final Look

February 26th, 2017

La La Land

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. More...

2016 Awards Season: Oscar Highlight: Best Leading Actress

February 17th, 2017

La La Land

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Leading Actress, which is not competitive. There’s an overwhelming favorite, a long shot with a shot, and then everyone else. More...

2016 - Awards Season: BAFTA - Winners - La La Lands on Top, Again

February 12th, 2017

La La Land

The BAFTA winners were announced on Sunday and there were very few surprises to talk about. La La Land again won the most awards with five, while only two other films, Lion and Manchester by the Sea, earned more than one award. They each won two. More...

2016 Awards Season: Oscar Nominations

January 24th, 2017

La La Land

The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record. More...

2016 - Awards Season: BAFTA - Nominations

January 11th, 2017

La La Land

The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece. More...

2016 - Awards Season: SAG - Nominations

December 14th, 2016

Manchester by the Sea

The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. This could mean the Oscar race will be a lot closer than in past years. This time around Manchester by the Sea led the way with four nominations. More...

2016 - Awards Season: Golden Globes - Nominations

December 12th, 2016

La La Land

The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season. More...

Home Market Releases for December 13th, 2016

December 12th, 2016

The Twilight Zone

This is a strange week on the home market. We have one of the biggest domestic hits of the year, Suicide Squad, but it is one of the worst movies I’ve seen this year. (Granted, I’ve done fewer reviews this year and skipped a lot of terrible looking movies, like Independence Day: Resurgence, Warcraft, Gods of Egypt, Allegiant... Ben Hur, The Huntsman, The Legend of Tarzan. I could keep going. Wow! It was a bad year for $100 million movies.) After Suicide Squad, the next biggest release according to Amazon is the Chicago Cubs 2016 World Series Collector's Edition Blu-ray. That’s a huge drop in sales. As far as quality is concerned, I have to give a shout out to that World Series Blu-ray. Real fans want full games and this one provides them. On the other hand, I personally find baseball boring to watch. Unfortunately, there’s no one release that stands out as an obvious Pick of the Week, but instead we have a lot of releases that are close, but wouldn’t be close enough during a good week. The Twilight Zone: The Complete Series on Blu-ray is the best, assuming you didn’t grab the individual seasons when they came out. More...

Home Market Releases for November 29th, 2016

November 28th, 2016

Don’t Breathe

Last week was the week of Black Friday / Cyber Monday, so the massive sales scared away top-notch releases. This week is the week after Black Friday / Cyber Monday and the new releases are even worse. There are a few midlevel releases, like Don’t Breathe or Pete’s Dragon, but the the size of the release quickly drops from there. Fortunately, both of those releases are very good and on even really busy weeks would be contenders for Pick of the Week. It was a close pick between the two, but in the end, I went with Don’t Breathe as Pick of the Week. More...

Weekend Estimates: Newcomers Can’t Dislodge Suicide Squad

August 21st, 2016

Suicide Squad

Three even-matched debutants proved to be no match for the incumbents at the box office this weekend, with Suicide Squad taking a third straight victory at the box office with $20.71 million, according to Warner Bros.’ Sunday morning projection. Sausage Party stays in second with $15.3 million, and that leaves the new entrants in 3rd, 4th and 5th. This was a weekend where diversity isn’t the problem, but novelty is. More...

Weekend Wrap-Up: Suicide Slumps to $43.54 million, Sausage Soars with $34.26 million

August 16th, 2016

Sausage Party

The overall box office was a little weaker than expected with Suicide Squad falling nearly as fast as Batman v Superman: Dawn of Justice did. On the other hand, Sausage Party opened better than expected earning a solid second place. Overall, the box office pulled in $172 million over the weekend, which is 25% smaller than last weekend. Compared to the same weekend last year, the box office was 16% higher and that’s the most important number. Year-to-date, 2016 has pulled in $7.43 billion, putting it 5.3% ahead of last year’s pace. The box office just needs to maintain its $380 million lead throughout the rest of the summer to be considered a success. More...

Weekend Estimates: Pete’s Dragon and Suicide Squad Soft, Sausage Party Firm

August 14th, 2016

Suicide Squad

A precipitous drop from last weekend won’t be enough to knock Suicide Squad off its perch at the top of the box office chart, according to studio estimates released on Friday. But a 67% fall is steep, even by modern standards. On the bright side, it is less than Batman v Superman’s 69% decline in its second weekend earlier this year, at least according to the estimates. A weak Sunday would put the two films basically neck-and-neck on that front, and it looks increasingly likely that Suicide Squad will end with less than $300 million domestically. More...

Friday Estimates: Sausage Squad

August 13th, 2016

Sausage Party

Sausage Party actually earned first place on Friday with $13.5 million, putting it just ahead of Suicide Squad. That lead won’t last, as new releases almost never has an internal multiplier as big as holdovers do. The film does have excellent reviews, but only earned a B CinemaScore. This could mean critics liked the film more than its target audience and it will have short legs. Or it could mean it is a more niche market release and it will be a cult classic in a few years. Regardless, a $33 million opening is in the works, which is excellent for a film that cost $19 million to make. More...

Thursday Night Previews: Sausages get the Drop on the Dragon

August 12th, 2016

Sausage Party

Sausage Party got off to a fast start with $3.25 million in previews. By comparison, Bad Moms earned $2 million during its previews two weeks ago, on its way to a $23.82 million opening weekend. If the two films had the same legs for their opening weekends, then we would be looking at a $38 million debut. Sausage Party does have better reviews that Bad Moms earned, but Bad Moms is aimed at a female demographic and generally speaking, women are less likely to rush out to see a movie during previews. So I think it is wise to be a little more cautious, but an opening weekend of over $30 million is still reason to celebrate. More...

Weekend Predictions: Party Time

August 11th, 2016

Sausage Party

Before we talk about the weekend predictions... If you can read this, it means my transfer worked well enough and I can do work from my parents house while pet-sitting. I will be at my parents place for three weeks looking after their dog and cat. I was at their house for less than 30 minutes before stepping into a puddle of dog drool. It is going to be a very long three weeks. ... As for the releases for the week, they are all amazing. The film earning the weakest reviews at the moment is Sausage Party, which is earning 82% positive reviews. 82% positive is the weakest of the three wide releases. That's amazing. On the other hand, it won't be the biggest release of the week. Pete’s Dragon has a better than 50/50 chance at reaching $100 million in total; however, as a family film, it will start relatively slow, but have good legs. Finally, there’s Florence Foster Jenkins, which is an early Oscar contender. It is not opening in a lot of theaters, so it is going to need great word-of-mouth to thrive. None of these new releases will match last year’s number one film, Straight Outta Compton, so it will be up to Suicide Squad to keep 2016 on the winning track. I think it will collapse by more than 60%, but 2016 has a lot better depth than 2015 and it will come out on top. More...

Contest: For Pete’s Sake

August 5th, 2016

Pete’s Dragon

Next week is likely going to be the last weekend of summer, as Pete’s Dragon is the last film coming out this summer with a realistic shot at $100 million at the box office. The other two releases, Florence Foster Jenkins and Sausage Party, are pure counter-programming. If they make $100 million combined, then at least one of them will be seen as a success. Pete’s Dragon might not earn first place over the weekend, but it is the only real choice for the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Pete’s Dragon.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the third Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: August

August 1st, 2016

Suicide Squad

July did reasonably well, thanks mostly to The Secret Life of Pets, which will top $300 million shortly and could earn double its nearest competitor when all is said and done. That said, there were also a quartet of $100 million hits as well, so the month had good depth as well. August isn’t as lucky. There is one film that is expected to earn $100 million during its opening weekend, Suicide Squad, and one more that is expected to reach $100 million in total, Pete’s Dragon. There could be a surprise hit among the rest of the releases, (my long shot with a shot is Sausage Party) but for the most part, the rest of the wide releases would be happy with just $50 million at the box office. Last August was a disaster and Straight Outta Compton was the only hit of the month. Unless Suicide Squad bombs compared to expectations, 2016 will come out ahead in the year-over-year comparison. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/09/23 7 $281,341   184 $1,529   $281,341 1
2016/09/30 8 $212,049 -25% 207 $1,024   $646,283 2
2016/10/07 12 $96,687 -54% 146 $662   $836,751 3
2016/10/14 16 $41,506 -57% 64 $649   $942,889 4
2016/10/21 25 $16,686 -60% 36 $464   $972,396 5
2016/10/28 33 $5,514 -67% 9 $613   $999,681 6
2016/11/04 43 $2,328 -58% 7 $333   $1,025,442 7
2017/01/13 - $1,314   1 $1,314   $985,225 17

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 7/8/2016 $228,644 65 65 184 $680,353 11/30/2018
Australia 4/29/2016 $3,734 40 283 1497 $2,721,717 8/1/2016
Brazil 7/8/2016 $183,452 0 0 0 $639,762 11/16/2018
Bulgaria 12/2/2016 $9,564 0 0 0 $26,220 2/26/2019
Czech Republic 8/26/2016 $36,846 83 83 180 $130,691 12/31/2018
France 7/15/2016 $329,250 0 0 0 $813,868 8/17/2018
Germany 11/25/2016 $372,487 0 0 0 $1,390,529 8/19/2018
Italy 12/23/2016 $423,149 0 0 0 $2,904,113 1/24/2017
Japan 12/2/2016 $332,725 0 0 0 $1,326,331 8/20/2018
Lithuania 8/12/2016 $9,278 60 60 113 $31,131 1/13/2017
Netherlands 9/22/2016 $95,594 61 63 494 $946,140 11/30/2016
New Zealand 5/6/2016 $129,808 92 98 567 $703,035 10/3/2016
North America 8/12/2016 $6,601,313 1,528 1,528 7,905 $27,383,770 2/8/2018
Poland 8/19/2016 $249,892 0 0 0 $1,333,260 11/18/2018
Portugal 9/2/2016 $78,218 27 30 119 $254,999 1/19/2017
Russia (CIS) 10/18/2018 $67,825 288 717 1087 $149,834 1/15/2019
Slovakia 8/26/2016 $10,417 33 33 56 $34,146 9/15/2016
Slovenia 9/23/2016 $2,677 10 11 39 $23,011 11/7/2016
South Korea 8/16/2016 $0 0 378 531 $960,948 5/24/2017
Spain 9/23/2016 $281,341 184 207 654 $985,225 1/20/2017
Turkey 12/23/2016 $32,461 24 24 45 $81,067 2/26/2019
United Kingdom 5/6/2016 $1,029,308 556 574 1900 $4,174,829 7/20/2016
 
Rest of World $8,305,360
 
Worldwide Total$56,000,339 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Meryl Streep    Florence Foster Jenkins
Hugh Grant    St. Clair Bayfield
Simon Helberg    Cosme McMoon

Supporting Cast

Rebecca Ferguson    Kathleen
Nina Arianda    Agnes Stark
Brid Brennan    Kitty
John Kavanagh    Arturo Toscanini
John Sessions    Dr. Hermann
Stanley Townsend    Phineas Stark
Mark Arnold    Cole Porter
David Haig    Carlo Edwards
Christian McKay    Earl Wilson
Allan Corduner    John Totten
Danny Mahoney    Clifford B. Thornton III
David Menkin    Carlton Smith
Paola Dionisott    Baroness Le Feyre
Neve Gachev    Friend of Florence
Josh O’Connor    Donaghy

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stephen Frears    Director
Nicholas Martin    Screenwriter
Michael Kuhn    Producer
Tracey Seaward    Producer
Cameron McCracken    Executive Producer
Christine Langan    Executive Producer
Malcolm Ritchie    Executive Producer
Danny Cohen    Director of Photography
Alan MacDonald    Production Designer
Valerio Bonelli    Editor
Alexandre Desplat    Composer
Consolata Boyle    Costume Designer
Daniel Phillips    Make-up and Hair Designer
Leo Davis    Casting Director
Lissy Holm    Casting Director
Kathleen Chopin    Casting Director
Karen Elliott    Music Supervisor
Patrick Rolfe    Supervising Art Director
Caroline Smith    Set Decorator
Peter Lindsay    Sound Mixer
Becki Ponting    Supervising Sound Editor
Ian Wilson    Supervising Sound Editor
Mike Dowson    Re-recording Mixer
Dafydd Archard    Re-recording Mixer
Adam Gascoyne    Visual Effects Supervisor
Nicholas Martin    Associate Producer
Nichola Martin    Associate Producer
George Walker    Associate Producer
Eunice Huthart    Stunt Coordinator
Jo McLaren    Stunt Coordinator
Mark Holt    Special Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.