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China Box Office for Geostorm (2017)

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Geostorm
Theatrical Performance (US$)
China Box Office $65,000,000Details
Worldwide Box Office $205,116,733Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

After an unprecedented series of natural disasters threatened the planet, the world’s leaders came together to create an intricate network of satellites to control the global climate and keep everyone safe. But now, something has gone wrong—the system built to protect the Earth is attacking it, and it’s a race against the clock to uncover the real threat before a worldwide geostorm wipes out everything…and everyone along with it.

Metrics

Movie Details

Production Budget:$100,000,000
China Releases: October 26th, 2017 (Wide)
MPAA Rating: PG-13 for destruction, action and violence.
(Rating bulletin 2471 (Cert #50332), 4/12/2017)
Running Time: 109 minutes
Keywords: Extreme Weather, Outer Space, Space Program, Assassination, Political Assassination, Delayed Release, Development Hell, Near Future
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production Companies: Skydance Productions, Electric Entertainment
Production Countries: United States

Cast

Gerard Butler    Jake Lawson
Jim Sturgess    Max Lawson
Abbie Cornish    Sarah Wilson
Ed Harris    Secretary Leonard Dekkom
Andy Garcia    President Andrew Palma
Alexandra Maria Lara    Ute Fassbinder
Daniel Wu    Cheng Long
Eugenio Derbez    Al Hernandez
Amr Waked    Ray Dussette
Adepero Oduye    Eni Adisa
Robert Sheehan    Duncan Taylor
Richard Schiff    Senator Cross
Mare Winningham    Dr. Cassandra Jennings
Zazie Beetz    Dana
Talitha Bateman    Hannah Lawson
Danielle Garcia    Mickey
Ritchie Montgomery    Mike
David S. Lee    Rico
Billy Slaughter    Karl
Gregalan Williams    General Montgraff
Richard Regan Paul    Makmoud Habib
David Jensen    Dr. Brackish Quigley
Derek Roberts    Major Collner
Nathan Moore    NASA Techie #1
Blake Burt    U.N. Private
Corey Parker    Lammy
Catherine Ashton    British Tech
Arnold Chun    Japanese Tech
Randall Newsome    Vice President Miller
Sean Paul Braud    Dixon
Aidan Kumar Singh    Little Mumbai Boy
Douglas M. Griffin    NASA Tech (Mission Control)
Eric John Ukleja    Secret Service Agent
Joe Drago    Senior NASA Tech
Asher McCleary    Boyfriend
Evgeny V. Krutov    Russian Man
Anastasiya Rul    Russian Woman
Adam Stephenson    Coms Tech
Carlos Antonio    Uniformed Guard
Julia Denton    Hannah’s Mom

Production and Technical Credits

Director    Dean Devlin
Screenwriter    Dean Devlin
Screenwriter    Paul Guyot
Producer    Dean Devlin
Producer    David Ellison
Producer    Dana Goldberg
Executive Producer    Marc Roskin
Executive Producer    Herbert W. Gains
Executive Producer    Don Granger
Production Designer    Kirk M. Petruccelli
Editor    Ron Rosen
Editor    Chris Lebenzon
Editor    John Refoua
Composer    Lorne Balfe
Director of Photography    Roberto Schaefer
Visual Effects Supervisor    Jeffrey A. Okun
Casting Director    Ronna Kress
Costume Designer    Susan Matheson
Unit Production Manager    Sara Flamm
Unit Production Manager    Herbert W. Gains
First Assistant Director    Cliff Lanning
Second Assistant Director    Rhys Summerhayes
Visual Effects Supervisor    Chris Watts
Co-Producer    Cliff Lanning
Co-Producer    Rachel Olschan
Supervising Art Director    Page Buckner
Art Director    Vlad Bina
Art Director    Scott Plauche
Art Director    Domenic Silvestri
Assistant Art Director    Lauren Abiouness
Assistant Art Director    Gary Warshaw
Set Decorator    Anne Kuljian
Script Supervisor    Suzanne Bingham
Post-Production Supervisor    Lumi Docan
Post-Production Supervisor    Richard Mirisch
Additional Editor    Joseph Kirkland
First Assistant Editor    Christine Kim
Second Assistant Editor    Elaine Walrath
Costume Supervisor    Tom MacDonald
Make up    Francisco X. Perez
Hairstylist    Kimberley Spiteri
Hairstylist    Marie Elena
Sound Mixer    Pud Cusack
Special Effects Supervisor    Mike Meinardus
Special Effects    Roy K. Cancino
Special Effects    Robert Alidon
Special Effects    Michael John Clarke
Special Effects    Lawrence Decker
Special Effects    Steven Kline
Special Effects    Bruce Y. Kuroyama
Special Effects    Ryan Meinardus
Special Effects    Jose A. Paramo
Special Effects    Mark Sheaffer
Special Effects    Daniel J. Yates
Special Effects    John Ziegler
Special Effects    Douglas D. Ziegler
Location Manager    Elston James Howard
Second Unit Director    Marc Roskin
Second Unit Director of Photography    Gary Capo
Sound Designer    Cameron Frankley
Sound Supervisor    Cameron Frankley
Supervising Sound Editor    Jon Michaels
Supervising Sound Editor    Hugh Waddell
Re-recording Mixer    Tim LeBlanc
Re-recording Mixer    Cameron Frankley
Re-recording Mixer    Patrick Cyccone
Re-recording Mixer    Myron Nettinga
Supervising Dialogue Editor    Harrison Meyle
Dialogue Editor    Sean Heissinger
Dialogue Editor    Michael Hertlein
Sound Designer    Dan Kenyon
Sound Effects Editor    Roland Thai
Sound Effects Editor    Greg ten Bosch
Sound Effects Editor    D. Chris Smith
Sound Effects Editor    Mark Hailstone
Sound Effects Editor    James Gallavan
Sound Effects Editor    Csaba Wagner
Foley Mixer    Darrin Mann
Music Editor    Richard Ziegler
Music Editor    Sally Boldt
Music Editor    Del Spiva
Music Editor    Scott Francisco
Music Editor    Philip Tallman
Score Producer    Lorne Balfe
Score Producer    Steffen Thum
Score Mixer    Daniel Kresco
Score Recordist    Jason LaRocca

International Box Office: With $428.7 million, Ragnarok Races to Catch up to Thor

November 9th, 2017

Thor: Ragnarok

As expected, Thor: Ragnarok remained in first place on the international chart dominating the competition with $151.4 million in 55 markets during its second weekend of release for a two-week total of $306.0 million internationally and $428.7 million worldwide. After just two weeks of release, the film is within striking distance of the original Thor at the worldwide box office and by this time next week, it might surpass The Dark World. As for this past weekend’s highlights, the box office was led by China, where it earned first place with $53.42 million over the weekend for a total opening of $54.53 million. This is the biggest November opening in that market and the biggest total for a Thor film. It had to settle for second place in Mexico, but was still impressive with $7.34 million over the weekend for a total opening of $10.52 million. It also did well in Germany with $5.5 million over the weekend for a total opening of $8.9 million, which is 70% higher than Doctor Strange’s opening there last year. The best holdover came from South Korea, where it was down 47% to $6.39 million on 1,047 screens over the weekend for a two-week total of $25.88 million. The only market left to open in is Trinidad, but even with no major markets, the film will have no trouble getting to $500 million internationally and $800 million worldwide. More...

Weekend Wrap-Up: Thor Hammers Competition with $122.74 million

November 7th, 2017

Thor: Ragnarok

Thor: Ragnarok beat predictions by a substantial margin earning the fourth biggest opening weekend of the year. Its opening weekend haul of $122.74 million helped this weekend rise 135% compared to last weekend hitting $179 million. Unfortunately, while Thor: Ragnarok was a monster hit, the rest of the box office wasn’t able to make much of an impact, leaving the overall box office down 6.6% from this weekend last year. Year-to-date, 2017 has pulled in $8.77 billion, putting it behind 2016's pace at 4.9% or $450 million. More...

Weekend Predictions: Will Thor Rule, or is it the End of World for the Box Office?

November 2nd, 2017

Jigsaw

November begins with Thor: Ragnarok and A Bad Moms Christmas. Thor: Ragnarok is widely expected to be the sixth film of 2017 to open with $100 million. On the other hand, A Bad Moms Christmas opened yesterday and when I started writing this in the early hours of Thursday morning, there were still no reviews on Rotten Tomatoes. Oh boy. That’s not a good sign. Worse still, no other new release it going to come close to $10 million over the weekend. This weekend last year, there were three wide releases that earned more than $10 million, led by Doctor Strange with $85 million. Thor: Ragnarok will top that, but this year's depth is terrible compared to last year and we will very likely see yet another loss in the year-over-year comparison. More...

International Box Office: Thor Hits Century Mark with $107.6 million

November 2nd, 2017

Thor: Ragnarok

Thor: Ragnarok got its international start off with a bang dominating the market with $107.6 million in 36 markets during its opening weekend of release. The film’s biggest opening came in the U.K. where it dominated the market with $16.22 million in 611 theaters, which is 27% higher than Doctor Strange opened with in that market. This film also dominated South Korea earning $12.00 million on 1,639 screens over the weekend for a total opening of $15.87 million. This total is 12% lower than Doctor Strange, but that was an aberration, because overall, Thor: Ragnarok’s debut was 22% ahead of Doctor Strange’s debuts in the same market. If Thor can have similar legs, it will finish with more than $500 million internationally and possibly even $800 million worldwide. More...

Weekend Wrap-Up: Box Office is Cut to Pieces, Earning Just $75 million

October 31st, 2017

Jigsaw

It was a terrible weekend at the box office with only two films cracking $10 million, Jigsaw and Tyler Perry’s Boo 2: A Madea Halloween. Geostorm earned third place with just $5.90 million. Overall, the box office fell 21% from last weekend to just $75 million. More importantly, this is 15% lower than the same weekend last year. Year-to-date, 2017 continues to struggle with a running tally of $8.57 billion. This is $470 million or $5.2% below last year’s pace, meaning we fell behind last year’s pace by a further 0.2 percentage points. The box office really needed to be eating into the deficit during the month of October, but that hasn’t been the case. More...

Friday Estimates: Jigsaw Cuts Its Way to the Top with $7.17 million

October 28th, 2017

Jigsaw

As predicted, Jigsaw led the way on Friday. However, it didn’t do as well as previews suggested, as it earned $7.17 million during its opening day. I don’t expect its legs to improve during the rest of the weekend, as its reviews are just 37% positive, and it earned a B from CinemaScore. It will still do better than our $14 million prediction, but not by as much as we thought it would yesterday. Look for $17 million over the weekend, which is the second weakest opening in the franchise and the weakest in terms of ticket sales. I really think Lionsgate will end this franchise, at least for a while. Perhaps, in ten years or so, we will get a remake. More...

Weekend Predictions: Can Jigsaw Still Fit at the Box Office?

October 26th, 2017

Jigsaw

There are three wide releases coming out this week, although only Jigsaw is expected to make any real impact at the box office. The other two, Suburbicon and Thank You for Your Service, are opening in barely more than 2,000 theaters and neither of them are expected to do well at the box office. Meanwhile, Tyler Perry’s Boo 2: A Madea Halloween, has an actual shot at repeating in first place, mostly because of the weak competition. This is terrible news for the overall box office, as it means we are going to have a hard time matching last year’s box office, even though last year there was only one wide release, Inferno. More...

International Box Office: Kingsman Retakes Gold with $48.7 million

October 26th, 2017

Kingsman: The Golden Circle

Kingsman: The Golden Circle returned to top spot with $48.7 million in 61 markets for totals of $250.3 million internationally and $344.9 million worldwide. Nearly all of the film’s weekend haul came from China, where the movie earned $39.15 million over the weekend for a total opening of $39.83 million. This is almost double what the original opened with in this market, meaning Kingsman: The Golden Circle could top the original’s international numbers making a third film in the franchise almost a sure thing. More...

Weekend Wrap-Up: By earning $21.23 million, Boo 2 is the only Non-Disaster Film of the Weekend

October 24th, 2017

Tyler Perry’s Boo 2: A Madea Halloween

The weekend box office was weaker than expected with only one of the new releases topping predictions. Tyler Perry’s Boo 2: A Madea Halloween wasn’t that one film, but it still led the way with $21.23 million. The only other film to top $10 million was Geostorm with $13.71 million, but it lived up to its disaster genre due to its $100 million production budget. Overall, the box office fell 6.5% from last week to $95 million. That decline is positively glowing compared to the year-over-year comparison. Compared to this weekend last year, 2017 was down 25%. Year-to-date, 2017 is now behind last year’s pace by 5.0% or $440 million at $8.46 billion to $8.90 billion. Unless November and December are stellar, there’s no way 2017 is going to catch up to 2017. More...

Weekend Estimates: Boo Too Much for the Competition

October 22nd, 2017

Tyler Perry’s Boo 2: A Madea Halloween

Boo! 2 is arguably slightly under-performing this weekend, with Lionsgate projecting a weekend total of $21.6 million as of Sunday morning, a figure that is down about $7 million from the debut of Boo! A Madea Halloween. But, in the bigger picture, it represents the continuation of a remarkable run for the Madea franchise that stretches now to eight films, all but one of which have opened with more than $20 million, and which have all topped $50 million, so far. Boo! 2 will be helped by Halloween, which should be just enough to take it over $50 million, and put the franchise close to $500 million at the box office. The only other comedy franchises with close to this longevity at the box office are The Pink Panther, and The Muppets, although neither of those have relied on a single actor (take a bow, Tyler Perry) for the entirety of their run. More...

Friday Estimates: Boo 2 Scares Up $7.47 Million, Other New Releases are just Scared

October 21st, 2017

Tyler Perry’s Boo 2: A Madea Halloween

As expected, Tyler Perry’s Boo 2: A Madea Halloween led the way on Friday with $7.37 million. Granted, its reviews are terrible, as its Tomatometer Score has fallen into the single-digit range. On the other hand, it earned a A minus from CinemaScore, which is the same score its predecessor earned. If this film has the same legs as the original did, then it will earn $22.4 million during the opening weekend. However, it is a sequel, so it will likely miss that mark with about $22 million. That’s approximately 10% below our prediction, so I’m happy with that result. It is also likely more than the film cost to make, so Lionsgate should also be happy. More...

Thursday Night Previews: Boo 2 Misses Boo’s Debut with $760,000

October 20th, 2017

Tyler Perry’s Boo 2: A Madea Halloween

Tyler Perry’s Boo 2: A Madea Halloween earned $760,000 during its previews last night, which is lower than the $855,000 the first Boo! managed last year. Its early reviews are lower than the original’s reviews were, so that will also likely mean lower legs. This will make it difficult to match our $25 million prediction, but it should come relatively close. More...

Weekend Predictions: Will Moviegoers Want to View Boo 2?

October 20th, 2017

Tyler Perry’s Boo 2: A Madea Halloween

There are five films opening wide or semi-wide this week, but only one of them, Tyler Perry’s Boo 2: A Madea Halloween, has a real shot at top spot. The best-reviewed new release of the week is Only the Brave, while the Geostorm is the widest release. Then there are the two semi-wide releases, The Snowman and Same Kind of Different as Me. Because there are so many new releases coming out this week, one or two of them are practically guaranteed to slip between the cracks. This weekend last year, the box office was led by the original Boo! with $28.50 million, while the new releases made just over $70 million combined. That seems out of reach for this year’s crop, so 2017 will likely lose in the year-over-year comparison. More...

2017 Preview: October

October 1st, 2017

Blade Runner 2049

September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic. More...

Geostorm Trailer

August 29th, 2017

Disaster movie starring Gerard Butler, written and directed by Dean Devlin, opens October 20 ... Full Movie Details. More...

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/10/27 1 $33,740,000   93,027 $363   $34,060,000 1
2017/11/03 2 $7,720,000 -77% 34,406 $224   $57,570,000 2
2017/11/10 8 $1,720,000 -78% 8,268 $208   $63,760,000 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 10/20/2017 $1,202,390 324 324 967 $2,348,437 11/20/2017
Brazil 10/20/2017 $0 0 0 0 $4,300,000 11/19/2017
Bulgaria 10/20/2017 $96,226 0 0 0 $271,973 11/13/2017
China 10/26/2017 $33,740,000 93027 93027 135701 $65,000,000 11/19/2017
Czech Republic 10/20/2017 $108,643 99 99 157 $189,129 11/8/2017
France 11/3/2017 $1,700,000 303 303 598 $3,000,000 11/19/2017
Germany 10/20/2017 $1,218,245 440 440 440 $3,000,000 11/19/2017
Hong Kong 10/13/2017 $1,300,000 0 0 0 $2,700,000 11/7/2017
Indonesia 10/13/2017 $1,300,000 0 0 0 $2,900,000 11/13/2017
Italy 11/3/2017 $831,116 258 258 507 $1,682,480 11/15/2017
Lithuania 10/20/2017 $0 0 61 93 $155,954 11/13/2017
Malaysia 10/13/2017 $1,400,000 400 400 400 $3,600,000 11/19/2017
Mexico 10/20/2017 $3,427,985 0 0 0 $8,800,000 11/19/2017
Netherlands 10/20/2017 $832,868 87 89 432 $1,923,028 11/20/2017
New Zealand 10/20/2017 $193,138 94 94 297 $402,433 11/13/2017
North America 10/20/2017 $13,707,376 3246 3246 11345 $32,669,328
Philippines 10/13/2017 $1,200,000 0 0 0 $1,200,000 10/23/2017
Portugal 10/20/2017 $209,369 78 78 262 $586,310 11/16/2017
Russia (CIS) 10/20/2017 $5,208,076 1321 1368 4222 $10,100,000 11/19/2017
Slovakia 10/20/2017 $78,598 63 63 117 $169,404 11/15/2017
South Korea 10/16/2017 $4,639,249 854 854 1490 $7,758,980 11/21/2017
Spain 10/20/2017 $996,624 278 289 1028 $2,468,797 11/16/2017
Taiwan 10/13/2017 $2,100,000 190 190 190 $7,800,000 11/19/2017
Thailand 10/13/2017 $1,300,000 0 0 0 $1,300,000 10/23/2017
Turkey 10/20/2017 $294,194 314 314 663 $672,743 11/13/2017
United Arab Emirates 10/20/2017 $0 0 0 0 $3,200,000 11/19/2017
United Kingdom 10/20/2017 $2,142,719 477 494 1522 $5,700,000 11/19/2017
 
Rest of World $31,217,737
 
Worldwide Total$205,116,733 11/21/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


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