The Girl in the Spider’s Web (2018)

The Girl in the Spider’s Web
Theatrical Performance
Domestic Box Office $14,828,555Details
International Box Office $20,154,787Details
Worldwide Box Office $34,983,342
Home Market Performance
Est. Domestic DVD Sales $2,304,999 Details
Est. Domestic Blu-ray Sales $1,727,380 Details
Total Est. Domestic Video Sales $4,032,379
Further financial details...

Synopsis

Lisbeth Salander may not need the world, but the world needs Lisbeth Salander. The look. That tattoo. Those skills. That determination. The fierce vigilante star Lisbeth Salander is everything we need in a modern hero: smart, resourceful, driven by demons but not defined by them, and possessing a me-against-the-universe attitude that has been more than enough to take down abusive men, hidden killers, and anyone foolish enough to go up against her.

Metrics

Opening Weekend:$7,810,112 (52.7% of total gross)
Legs:1.90 (domestic box office/biggest weekend)
Domestic Share:42.4% (domestic box office/worldwide)
Production Budget:$43,000,000 (worldwide box office is 0.8 times production budget)
Theater counts:2,929 opening theaters/2,929 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $17,546,843

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 4,501-4,600) 4,522 $14,828,555
All Time International Box Office (Rank 3,401-3,500) 3,490 $20,154,787
All Time Worldwide Box Office (Rank 3,901-4,000) 3,910 $34,983,342
All Time Domestic Box Office for R Movies (Rank 1,501-1,600) 1,552 $14,828,555
All Time International Box Office for R Movies (Rank 901-1,000) 930 $20,154,787
All Time Worldwide Box Office for R Movies (Rank 1,101-1,200) 1,191 $34,983,342

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD (4K UHD), Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 9th, 2018 (Wide) by Sony Pictures
International Releases: October 25th, 2018 (Wide) (Netherlands)
October 26th, 2018 (Wide) (Poland)
October 26th, 2018 (Wide) (Sweden)
October 31st, 2018 (Wide), released as Millennium - Quello che non uccide (Italy)
October 31st, 2018 (Wide) (Switzerland)
... Show all releases
Video Release: January 22nd, 2019 by Sony Pictures Home Entertainment
MPAA Rating: R for violence, language and some sexual content/nudity.
(Rating bulletin 2551 (Cert #51437), 10/31/2018)
Running Time: 117 minutes
Franchise: Millennium (English)
Comparisons: vs. The Sixth Sense
Create your own comparison chart…
Keywords: Delayed Sequel, Sequel With Lead Character Recast, Hackers, Revenge, Weapons of Mass Destruction, Internet, Cyber Warfare, Government Corruption, Action Thriller
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Cantillon Company, Yellow Bird, Scott Rudin Productions, Pascal Pictures, Columbia Pictures, Metro-Goldwyn-Mayer Pictures, Regency Enterprises, Rose Line Productions Limited, Studio Babelsberg
Production Countries: Sweden, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Veterans Day (All Movies, 3-Day) 121 $7,810,112 Nov 9, 2018 3
Veterans Day (All Movies, 3-Day, Inflation Adjusted) 181 $9,408,764 Nov 9, 2018 3
Veterans Day (Opening, 3-Day) 58 $7,810,112 Nov 9, 2018 3
Veterans Day (Opening, 3-Day, Inflation Adjusted) 69 $9,408,764 Nov 9, 2018 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 4,501-4,600) 4,522 $14,828,555
All Time Domestic Inflation Adjusted Box Office (Rank 5,101-5,200) 5,172 $17,546,843
All Time Domestic Non-Sequel Box Office (Rank 3,801-3,900) 3,842 $14,828,555
Top 2018 Movies at the Domestic Box Office (Rank 101-200) 118 $14,828,555
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 901-1,000) 942 $14,828,555
All Time Domestic Box Office for Live Action Movies (Rank 3,901-4,000) 3,994 $14,828,555
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 2,301-2,400) 2,385 $14,828,555
All Time Domestic Box Office for Thriller/Suspense Movies (Rank 401-500) 426 $14,828,555
All Time Domestic Box Office for R Movies (Rank 1,501-1,600) 1,552 $14,828,555
All Time Domestic Box Office for Sony Pictures Movies (Rank 501-600) 579 $14,828,555

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 9, 2018 6 $7,810,112   2,929 $2,666   $7,810,112 1
Nov 16, 2018 9 $2,501,616 -68% 2,929 $854   $13,292,139 2
Nov 23, 2018 21 $356,485 -86% 983 $363   $14,391,281 3
Nov 30, 2018 30 $87,605 -75% 196 $447   $14,666,252 4
Dec 7, 2018 41 $52,037 -41% 152 $342   $14,777,868 5
Dec 14, 2018 45 $20,417 -61% 83 $246   $14,828,555 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 9, 2018 4 $3,037,438     2,929 $1,037   $3,037,438 1
Nov 10, 2018 7 $2,845,776 -6%   2,929 $972   $5,883,214 2
Nov 11, 2018 6 $1,926,898 -32%   2,929 $658   $7,810,112 3
Nov 12, 2018 6 $950,262 -51%   2,929 $324   $8,760,374 4
Nov 13, 2018 4 $1,039,337 +9%   2,929 $355   $9,799,711 5
Nov 14, 2018 5 $574,529 -45%   2,929 $196   $10,374,240 6
Nov 15, 2018 5 $416,283 -28%   2,929 $142   $10,790,523 7
Nov 16, 2018 9 $726,916 +75% -76% 2,929 $248   $11,517,439 8
Nov 17, 2018 9 $1,095,058 +51% -62% 2,929 $374   $12,612,497 9
Nov 18, 2018 9 $679,642 -38% -65% 2,929 $232   $13,292,139 10
Nov 19, 2018 10 $265,739 -61% -72% 2,929 $91   $13,557,878 11
Nov 20, 2018 9 $303,522 +14% -71% 2,929 $104   $13,861,400 12
Nov 21, 2018 - $83,975 -72% -85% 983 $85   $13,945,375 13
Nov 22, 2018 - $89,421 +6% -79% 983 $91   $14,034,796 14
Nov 23, 2018 - $128,615 +44% -82% 983 $131   $14,163,411 15
Nov 24, 2018 - $141,973 +10% -87% 983 $144   $14,305,384 16
Nov 25, 2018 - $85,897 -39% -87% 983 $87   $14,391,281 17
Nov 26, 2018 - $41,780 -51% -84% 983 $43   $14,433,061 18
Nov 27, 2018 - $58,935 +41% -81% 983 $60   $14,491,996 19
Nov 28, 2018 - $46,607 -21% -44% 983 $47   $14,538,603 20
Nov 29, 2018 - $40,044 -14% -55% 983 $41   $14,578,647 21
Nov 30, 2018 - $25,892 -35% -80% 196 $132   $14,604,539 22
Dec 1, 2018 - $36,351 +40% -74% 196 $185   $14,640,890 23
Dec 2, 2018 - $25,362 -30% -70% 196 $129   $14,666,252 24
Dec 7, 2018 - $15,659   -40% 152 $103   $14,741,490 29
Dec 8, 2018 - $21,859 +40% -40% 152 $144   $14,763,349 30
Dec 9, 2018 - $14,519 -34% -43% 152 $96   $14,777,868 31
Dec 10, 2018 - $7,125 -51%   152 $47   $14,784,993 32
Dec 11, 2018 - $9,348 +31%   152 $62   $14,794,341 33
Dec 12, 2018 - $7,227 -23%   152 $48   $14,801,568 34
Dec 13, 2018 - $6,570 -9%   152 $43   $14,808,138 35
Dec 14, 2018 - $6,079 -7% -61% 83 $73   $14,814,217 36
Dec 15, 2018 - $8,531 +40% -61% 83 $103   $14,822,748 37
Dec 16, 2018 - $5,807 -32% -60% 83 $70   $14,828,555 38

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 9, 2018 6 $10,790,523   2,929 $3,684   $10,790,523 1
Nov 16, 2018 12 $3,244,273 -70% 983 $3,300   $14,034,796 2
Nov 23, 2018 20 $543,851 -83% 983 $553   $14,578,647 3
Nov 30, 2018 29 $147,184 -73% 196 $751   $14,725,831 4
Dec 7, 2018 42 $82,307 -44% 152 $541   $14,808,138 5

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 11/22/2018 $29,086 77 77 100 $42,213 12/11/2018
Aruba 11/8/2018 $3,493 4 4 8 $6,537 11/27/2018
Australia 11/9/2018 $562,723 314 314 866 $1,246,836 1/15/2019
Austria 11/23/2018 $58,787 62 62 172 $126,841 12/27/2018
Bahrain 11/29/2018 $15,853 9 9 9 $15,853 12/4/2018
Belgium 11/21/2018 $68,987 49 49 113 $106,455 12/27/2018
Bolivia 11/8/2018 $8,488 16 16 21 $14,942 11/20/2018
Brazil 11/8/2018 $433,571 206 206 386 $867,884 12/27/2018
Bulgaria 11/9/2018 $15,547 55 55 88 $37,654 2/26/2019
Cambodia 11/9/2018 $10,277 69 69 118 $17,698 12/4/2018
Central America 11/8/2018 $83,258 123 123 172 $140,973 11/28/2018
Chile 11/15/2018 $32,812 27 27 35 $49,250 12/4/2018
Colombia 11/8/2018 $129,855 185 185 215 $217,887 11/20/2018
Croatia 11/8/2018 $27,148 43 43 89 $65,589 12/4/2018
Curacao 11/8/2018 $2,363 4 4 8 $6,005 12/6/2018
Czech Republic 11/8/2018 $45,752 104 104 166 $78,643 12/4/2018
Denmark 11/1/2018 $97,386 79 79 185 $219,479 12/4/2018
Dominican Republic 11/8/2018 $8,799 18 18 40 $17,555 12/4/2018
Ecuador 11/9/2018 $26,117 36 36 98 $64,087 12/4/2018
Egypt 11/8/2018 $13,061 19 19 30 $20,381 11/20/2018
Estonia 11/9/2018 $16,679 14 14 38 $52,463 12/27/2018
Finland 11/9/2018 $48,092 64 64 113 $98,695 12/4/2018
France 11/14/2018 $565,330 331 331 819 $1,126,596 12/4/2018
Germany 11/22/2018 $442,817 424 424 1,259 $923,073 1/10/2019
Ghana 11/9/2018 $1,188 4 4 12 $2,927 12/4/2018
Greece 11/8/2018 $142,744 119 119 192 $285,147 11/27/2018
Hong Kong 11/22/2018 $164,540 103 103 132 $235,134 12/27/2018
Hungary 11/8/2018 $57,411 52 62 182 $141,109 12/11/2018
Iceland 11/9/2018 $4,741 8 8 14 $11,832 12/4/2018
India 11/23/2018 $113,067 758 758 762 $159,006 12/6/2018
Indonesia 11/16/2018 $172,647 200 200 315 $317,037 12/11/2018
Iraq 11/29/2018 $5,080 8 8 15 $9,066 12/27/2018
Israel 11/8/2018 $72,874 32 32 73 $146,321 11/27/2018
Italy 10/31/2018 $400,217 0 150 157 $663,293 12/6/2018
Jamaica 11/7/2018 $0 0 2 2 $22,994 11/28/2018
Japan 1/11/2019 $208,526 69 69 240 $811,100 3/19/2019
Jordan 11/29/2018 $7,092 5 5 6 $9,654 12/11/2018
Kenya 11/9/2018 $9,204 19 19 39 $20,155 1/10/2019
Kuwait 11/29/2018 $27,212 11 11 14 $41,917 12/11/2018
Latvia 11/9/2018 $9,701 9 9 21 $20,788 12/11/2018
Lebanon 11/8/2018 $18,436 17 17 24 $28,519 11/20/2018
Lithuania 11/9/2018 $10,314 49 49 56 $16,407 11/27/2018
Malaysia 11/6/2018 $57,374 130 130 328 $145,220 11/27/2018
Mexico 11/9/2018 $672,244 801 801 1,021 $1,500,024 12/27/2018
Netherlands 10/25/2018 $225,967 87 87 365 $595,974 12/4/2018
New Zealand 11/8/2018 $93,205 87 87 159 $214,136 12/27/2018
Nigeria 11/9/2018 $11,014 40 40 101 $26,396 12/11/2018
Norway 11/9/2018 $57,349 163 163 240 $109,598 12/4/2018
Oman 11/29/2018 $9,950 10 10 10 $9,951 12/6/2018
Pakistan 11/9/2018 $3,153 11 11 11 $3,153 1/1/2019
Paraguay 12/13/2018 $2,987 11 11 11 $2,987 12/27/2018
Peru 11/8/2018 $67,136 75 75 82 $99,847 11/20/2018
Philippines 11/21/2018 $42,270 128 128 129 $49,618 12/4/2018
Poland 10/26/2018 $191,178 138 138 361 $522,429 12/4/2018
Portugal 11/8/2018 $105,539 72 72 197 $221,687 12/11/2018
Qatar 11/29/2018 $14,637 11 11 14 $19,860 12/11/2018
Romania 11/9/2018 $92,946 77 77 218 $236,362 12/27/2018
Russia (CIS) 11/8/2018 $1,326,882 1,138 1,138 2,965 $2,337,335 12/11/2018
Serbia and Montenegro 11/8/2018 $6,752 22 22 44 $15,394 11/27/2018
Singapore 11/6/2018 $89,511 34 34 69 $180,250 12/4/2018
Slovakia 11/8/2018 $24,767 66 66 96 $43,771 12/4/2018
Slovenia 11/8/2018 $6,953 15 15 31 $14,611 12/4/2018
South Africa 11/9/2018 $37,399 67 74 167 $114,244 12/6/2018
South Korea 11/21/2018 $0 0 313 332 $220,006 12/23/2018
Spain 11/9/2018 $496,810 338 338 989 $1,078,510 1/3/2019
Suriname 11/8/2018 $594 1 1 3 $1,434 11/27/2018
Sweden 10/26/2018 $226,885 187 187 342 $575,316 12/11/2018
Switzerland 10/31/2018 $2,015 4 57 142 $167,704 1/16/2019
Syria 11/29/2018 $1,355 1 1 1 $1,355 12/4/2018
Taiwan 11/9/2018 $185,692 90 90 219 $388,447 12/4/2018
Thailand 11/8/2018 $122,572 107 107 198 $372,744 11/28/2018
Trinidad 11/7/2018 $33,210 20 20 40 $67,734 11/28/2018
Turkey 11/30/2018 $60,785 115 115 186 $113,690 12/21/2018
Ukraine 11/8/2018 $202,532 251 251 555 $344,673 12/27/2018
United Arab Emirates 11/29/2018 $81,482 61 61 65 $115,665 12/11/2018
United Kingdom 11/21/2018 $713,704 439 439 890 $1,383,054 1/29/2019
Uruguay 11/8/2018 $13,703 18 18 47 $32,705 12/27/2018
Venezuela 11/9/2018 $21,295 57 57 129 $73,848 12/11/2018
Vietnam 11/9/2018 $136,305 205 205 340 $249,060 11/27/2018
 
International Total$20,154,787 3/19/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 3,401-3,500) 3,490 $20,154,787
All Time International Non-Sequel Box Office (Rank 2,801-2,900) 2,839 $20,154,787
Top 2018 Movies at the International Box Office (Rank 101-200) 182 $20,154,787
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 601-700) 632 $20,154,787
All Time International Box Office for Live Action Movies (Rank 2,801-2,900) 2,869 $20,154,787
All Time International Box Office for Contemporary Fiction Movies (Rank 1,601-1,700) 1,676 $20,154,787
All Time International Box Office for Thriller/Suspense Movies (Rank 301-400) 325 $20,154,787
All Time International Box Office for R Movies (Rank 901-1,000) 930 $20,154,787
All Time International Box Office for Sony Pictures Movies (Rank 301-400) 332 $20,154,787

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 3,901-4,000) 3,910 $34,983,342
All Time Worldwide Non-Sequel Box Office (Rank 3,201-3,300) 3,220 $34,983,342
Top 2018 Movies at the Worldwide Box Office (Rank 101-200) 156 $34,983,342
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 701-800) 756 $34,983,342
All Time Worldwide Box Office for Live Action Movies (Rank 3,301-3,400) 3,338 $34,983,342
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 1,901-2,000) 1,981 $34,983,342
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 301-400) 364 $34,983,342
All Time Worldwide Box Office for R Movies (Rank 1,101-1,200) 1,191 $34,983,342
All Time Worldwide Box Office for Sony Pictures Movies (Rank 401-500) 443 $34,983,342

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Feb 10, 2019434,947 34,947$631,492$631,4923
Feb 17, 20192013,906-60% 48,853$259,625$891,1174

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Feb 10, 2019347,973 47,973$958,988$958,9883
Feb 17, 2019912,215-75% 60,188$246,128$1,205,1164

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Claire Foy    Lisbeth Salander

Supporting Cast

Sverrir Gudnason    Mikael Blomkvist
LaKeith Stanfield*    Alona Casales
Sylvia Hoeks    Camilla Salander
Stephen Merchant    Frans Balder
Claes Bang    Jan Holster
Christopher Convery    August Balder
Vicky Krieps    Erika Berger
Beau Gadsdon    Young Lisbeth Salander
Carlotta von Falkenhayn    Young Camilla Salander
Andreja Pejic    Sofia
Synnøve Macody Lund    Gabriella Grane
Cameron Britton    Plague
Mikael Persbrandt    Alexander Zalachenko
Thomas Wingrich    Grane’s Home Security
Andreas Tietz    Camilla’s Driver
Paula Schramm    Malin Erikson
Anja Karmanski    Landlord
Saskia Sophie Rosendahl*    Linda Ahlgren
Pal Sverre Hagen    Ove Levin
Christian Serritiello    NSA Officer
Damien Murphy    Cop
Asuka Tovazzi    Cop
Daniel Stockhorst    Holster’s Driver
Béla Gabor Lenz    Seedy Looking Punk
Maddy Savage    Reporter
Lea Fassbender    August’s Mother
Tomas Jester    Huge Skinhead
Hendrik Heutmann    Milos Meer
Volkram Zschiesche    Dark Haired SAPO Agent
Sonja Chan    Naked Asian Woman
Felix Quinton    Camilla’s Henchman
Alois Knapps    Camilla’s Henchman
Wolfgang Lindner    Gabriella Grane’s Driver
Sebastian Stielke    Uniformed Cop 4
Sinha Melina Gierke    Airport Employee
Michael Bornhutter    Airport Policeman
Oliver Juhrs    Airport Policeman
Steffen Jung    Airport Policeman
Christian Zagia    Detention Room Blonde Cop
Amalia Holm Bjelke    Waitress

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Fede Álvarez    Director
Steven Knight    Screenwriter
Fede Álvarez    Screenwriter
Jay Basu    Screenwriter
David Lagercrantz    Story based on the novel by
Amy Pascal    Producer
Elizabeth Cantillon    Producer
Scott Rudin    Producer
Eli Bush    Producer
Søren Stærmose    Producer
Ole Sondberg    Producer
Berna Levin    Producer
Line Winther Skyum Funch    Executive Producer
Johannes Jensen    Executive Producer
Anni Faurbye Fernandez    Executive Producer
Arnon Milchan    Executive Producer
Robert J. Dohrmann    Executive Producer
David Fincher    Executive Producer
Pedro Luque    Director of Photography
Eve Stewart    Production Designer
Tatiana S. Riegel    Editor
Roque Banos    Composer
Carlos Rosario    Costume Designer
Carmen Cuba    Casting Director
Florian Hotz    Stunt Coordinator
Cha-Lee Yoon    Fight Coordinator
Robert J. Dohrmann    Unit Production Manager
Arno Neubauer    Unit Production Manager
Alexander Oakley    First Assistant Director
James Manning    Second Assistant Director
Zoe Liang    Second Assistant Director
Henning Molfenter    Co-Producer
Charlie Woebcken    Co-Producer
Christoph Fisser    Co-Producer
Denis Schnegg    Supervising Art Director
Daniel Chour    Art Director
Sabine Engelberg    Art Director
Tarnia Nicol    Art Director
Susannah Brough    Art Director
Yesim Zolan    Set Decorator
Aria Harrison    Script Supervisor
Yasemin Kascioglu    Costume Supervisor
Roland Winke    Sound Mixer
Gerd Nefzer    Special Effects Supervisor
Bernd Rautenberg    Special Effects Supervisor
Klaus grosse Darrelmann    Location Manager
Nikolas Korda    Unit Production Manager
Nick Laurence    Second Assistant Director
Lisa Hauss    Second Assistant Director
Klemens Becker    Second Unit Director
Klemens Becker    Second Unit Director of Photography
Dan Boccoli    First Assistant Editor
Pablo Prietto    Assistant Editor
Kevin O'Connell    Re-recording Mixer
Julian Slater    Re-recording Mixer
Mandell Winter    Supervising Sound Editor
Julian Slater    Supervising Sound Editor
Hamilton Sterling    Sound Designer
Ryan Collins    Sound Effects Editor
Karen Vassar Triest*    Sound Effects Editor
Robert Stambler    Sound Effects Editor
Robert Esparza    Sound Effects Editor
Will Digby    Sound Effects Editor
Ando Johnson    Sound Effects Editor
Micah Loken    Dialogue Editor
Nerses Gezalyan    Foley Mixer
Kyle Arzt    Re-recording Mixer
Tom Y. Burns    Re-recording Mixer
Tony Lamberti    Additional Sound Re-recording Mixer
Jeremy B. Davis    Additional Sound Re-recording Mixer
Maarten Hofmeijer    Music Editor
Del Spiva    Music Editor
Vanessa Garde    Additional Music
Stephen Lipson    Score Mixer
Maarten Hofmeijer    Score Mixer
Bernd Mazagg    Score Recordist
Thilo Ewers    Visual Effects Supervisor
Sebastian Meszmann    Visual Effects Producer
Henrik Fett    Visual Effect Senior Executive Producer
Christoph Malessa    Visual Effects Executive Producer
Sabrina Christoforidis    Visual Effects Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 5th, 2019

February 5th, 2019

Widows

We are finally getting to the massive fall hits on the home market, as Dr. Seuss’ The Grinch hits the home market this week. It is the biggest release, but not the best. The Pick of the Week was a coin toss between Maquia: When The Promised Flower Blooms and Widows. In the end, the latter won, but both are worth buying. More...

Home Market Releases for January 22nd, 2019

January 24th, 2019

The Hate U Give

We’re getting close to the monster hits from fall finally coming out on the home market. Closer, but we are not quite there yet. This week’s biggest release is First Man, but it is not the best. The race for Pick of the Week came down to three contenders: Dirty Rotten Scoundrels, The Hate U Give, and JoJo’s Bizarre Adventure: Set Three. It was a close race, but in the end The Hate U Give won out. More...

Weekend Wrap-Up: Grindelwald Debuts on Top, but Pales Compared to Harry Potter

November 19th, 2018

Fantastic Beasts: The Crimes of Grindelwald

As expected, Fantastic Beasts: The Crimes of Grindelwald topped the weekend box office chart; however, it failed to meet expectations by about 10%. Additionally, neither Instant Family nor Widows matched expectations and this hurt the overall box office, which fell 2.9% from last weekend to $172 million. More importantly, this is 14% lower than the same weekend last year. Year-to-date, 2018 has reached $10 billion and now has a running tally of $10.18 billion. This is 11% or $1.01 billion ahead of last year’s pace. More...

Weekend Wrap-Up: Grinch Matches Expectations, Incredibles’ Record Safe for Now

November 12th, 2018

The Grinch

The weekend box office had a few success stories and a couple of misses. Dr Seuss’ The Grinch was one of the success stories with $67.57 million, which matches predictions perfectly. The other two new wide releases were less successful. Overlord did okay, but it will need a lot of help to break even any time soon. On the other hand, The Girl in the Spider’s Web likely won’t break even. The overall box office rose 15% from last weekend hitting $167 million. This is 11% more from the same weekend last year. I really wasn’t expecting 2018’s losing streak to end after just one weekend. This is great news. 2018’s lead over 2017 is practically the same as it was last weekend at $1.01 billion or 11% at $9.95 billion to $8.94 billion. More...

Weekend Estimates: Grinch Grabs First Place, Bohemian Sings a Long Note

November 11th, 2018

The Grinch

The Weekend box office is on par with expectations, for the most part. Dr Seuss’ The Grinch is dominating the box office chart with an estimated $66.0 million debut. This isn’t the record for biggest November weekend for an animated film, but it is reasonably close. Its reviews and its A minus from CinemaScore suggest reasonably long legs at the box office. In fact, with the holidays coming up, it has an outside chance at $200 million. Internationally, its start is a little more muted at $12.7 million in 23 markets, including $6.53 in 559 theaters in the U.K. That’s equivalent to a $35 million opening here, given the relative size of the two markets. More...

Friday Estimates: Grinch Steals Top Spot, but Doesn’t have Incredible Start

November 10th, 2018

The Grinch

Dr Seuss’ The Grinch debuted in first place on Friday with $18.67 million. This is not quite as good as we were originally expecting, but better than its previews would indicate. This is good news for the film’s long term chances. Its reviews having fallen below the overall positive level. It did earn an A minus from CinemaScore, which is good for a family film, but not great. Universal expects the film to earn $67 million over the weekend, which is close enough to our $68 million prediction to be a success. It is also very close to its $75 million production budget. More...

Thursday Night Previews: Grinch Grabs $2.2 million on Thursday Night

November 9th, 2018

The Grinch

Dr Seuss’ The Grinch started its box office run with previews in 3,200 theaters earning $2.2 million. By comparison, Smallfoot, the most recent computer animated film, earned $850,000 during its previews. If The Grinch has the same legs, then it would make $60 million during its opening weekend, which is a little lower than our prediction, but still a great start for a film that cost $75 million to make. On the other hand, this film’s reviews are not as good as Smallfoot’s reviews are, which could lead to weaker word-of-mouth. Additionally, it is based on a well-known book, so that could front-load the film’s box office numbers. Hopefully this won’t be an issue and the film will top $60 million with ease. We will know more by this time tomorrow when the Friday Estimates show up. More...

Weekend Prediction: Will Grinch Spread the Holiday Cheer?

November 8th, 2018

The Grinch

Dr Seuss’ The Grinch could be the biggest hit of the month, if it gets off to a fast start this weekend. There is some good news, as it could break The Incredibles’ record for November weekend for an animated film. This weekend, The Girl in the Spider’s Web and Overlord are both aiming to become midlevel hits. I’m not sure either will get there. Their buzz hasn’t grown as their release date has neared, which is troubling. This does mean Bohemian Rhapsody will very likely earn a solid second place, while The Nutcracker and the Four Realms has a shot at third. This weekend last year, Thor: Ragnarok earned more than $57 million during its second weekend of release, while the combined openings of Daddy’s Home 2 and Murder on the Orient Express were even better. 2018 should be better on top, but it won’t have the same depth leading to a loss in the year-over-year comparison. More...

2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

The Girl in the Spider’s Web Trailer

September 19th, 2018

Thriller starring Claire Foy opens November 9 ... Full Movie Details. More...

The Girl in the Spider’s Web Trailer

June 8th, 2018

Thriller starring Claire Foy opens November 9 ... Full Movie Details. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Lisbeth Salander may not need the world, but the world needs Lisbeth Salander. The look. That tattoo. Those skills. That determination. The fierce vigilante star Lisbeth Salander is everything we need in a modern hero: smart, resourceful, driven by demons but not defined by them, and possessing a me-against-the-universe attitude that has been more than enough to take down abusive men, hidden killers, and anyone foolish enough to go up against her.

Metrics

Opening Weekend:$7,810,112 (52.7% of total gross)
Legs:1.90 (domestic box office/biggest weekend)
Domestic Share:42.4% (domestic box office/worldwide)
Production Budget:$43,000,000 (worldwide box office is 0.8 times production budget)
Theater counts:2,929 opening theaters/2,929 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $17,546,843

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 4,501-4,600) 4,522 $14,828,555
All Time International Box Office (Rank 3,401-3,500) 3,490 $20,154,787
All Time Worldwide Box Office (Rank 3,901-4,000) 3,910 $34,983,342
All Time Domestic Box Office for R Movies (Rank 1,501-1,600) 1,552 $14,828,555
All Time International Box Office for R Movies (Rank 901-1,000) 930 $20,154,787
All Time Worldwide Box Office for R Movies (Rank 1,101-1,200) 1,191 $34,983,342

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD (4K UHD), Amazon VOD
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: November 9th, 2018 (Wide) by Sony Pictures
International Releases: October 25th, 2018 (Wide) (Netherlands)
October 26th, 2018 (Wide) (Poland)
October 26th, 2018 (Wide) (Sweden)
October 31st, 2018 (Wide), released as Millennium - Quello che non uccide (Italy)
October 31st, 2018 (Wide) (Switzerland)
... Show all releases
Video Release: January 22nd, 2019 by Sony Pictures Home Entertainment
MPAA Rating: R for violence, language and some sexual content/nudity.
(Rating bulletin 2551 (Cert #51437), 10/31/2018)
Running Time: 117 minutes
Franchise: Millennium (English)
Comparisons: vs. The Sixth Sense
Create your own comparison chart…
Keywords: Delayed Sequel, Sequel With Lead Character Recast, Hackers, Revenge, Weapons of Mass Destruction, Internet, Cyber Warfare, Government Corruption, Action Thriller
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Cantillon Company, Yellow Bird, Scott Rudin Productions, Pascal Pictures, Columbia Pictures, Metro-Goldwyn-Mayer Pictures, Regency Enterprises, Rose Line Productions Limited, Studio Babelsberg
Production Countries: Sweden, United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Veterans Day (All Movies, 3-Day) 121 $7,810,112 Nov 9, 2018 3
Veterans Day (All Movies, 3-Day, Inflation Adjusted) 181 $9,408,764 Nov 9, 2018 3
Veterans Day (Opening, 3-Day) 58 $7,810,112 Nov 9, 2018 3
Veterans Day (Opening, 3-Day, Inflation Adjusted) 69 $9,408,764 Nov 9, 2018 3

Leading Cast

Claire Foy    Lisbeth Salander

Supporting Cast

Sverrir Gudnason    Mikael Blomkvist
LaKeith Stanfield*    Alona Casales
Sylvia Hoeks    Camilla Salander
Stephen Merchant    Frans Balder
Claes Bang    Jan Holster
Christopher Convery    August Balder
Vicky Krieps    Erika Berger
Beau Gadsdon    Young Lisbeth Salander
Carlotta von Falkenhayn    Young Camilla Salander
Andreja Pejic    Sofia
Synnøve Macody Lund    Gabriella Grane
Cameron Britton    Plague
Mikael Persbrandt    Alexander Zalachenko
Thomas Wingrich    Grane’s Home Security
Andreas Tietz    Camilla’s Driver
Paula Schramm    Malin Erikson
Anja Karmanski    Landlord
Saskia Sophie Rosendahl*    Linda Ahlgren
Pal Sverre Hagen    Ove Levin
Christian Serritiello    NSA Officer
Damien Murphy    Cop
Asuka Tovazzi    Cop
Daniel Stockhorst    Holster’s Driver
Béla Gabor Lenz    Seedy Looking Punk
Maddy Savage    Reporter
Lea Fassbender    August’s Mother
Tomas Jester    Huge Skinhead
Hendrik Heutmann    Milos Meer
Volkram Zschiesche    Dark Haired SAPO Agent
Sonja Chan    Naked Asian Woman
Felix Quinton    Camilla’s Henchman
Alois Knapps    Camilla’s Henchman
Wolfgang Lindner    Gabriella Grane’s Driver
Sebastian Stielke    Uniformed Cop 4
Sinha Melina Gierke    Airport Employee
Michael Bornhutter    Airport Policeman
Oliver Juhrs    Airport Policeman
Steffen Jung    Airport Policeman
Christian Zagia    Detention Room Blonde Cop
Amalia Holm Bjelke    Waitress

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Fede Álvarez    Director
Steven Knight    Screenwriter
Fede Álvarez    Screenwriter
Jay Basu    Screenwriter
David Lagercrantz    Story based on the novel by
Amy Pascal    Producer
Elizabeth Cantillon    Producer
Scott Rudin    Producer
Eli Bush    Producer
Søren Stærmose    Producer
Ole Sondberg    Producer
Berna Levin    Producer
Line Winther Skyum Funch    Executive Producer
Johannes Jensen    Executive Producer
Anni Faurbye Fernandez    Executive Producer
Arnon Milchan    Executive Producer
Robert J. Dohrmann    Executive Producer
David Fincher    Executive Producer
Pedro Luque    Director of Photography
Eve Stewart    Production Designer
Tatiana S. Riegel    Editor
Roque Banos    Composer
Carlos Rosario    Costume Designer
Carmen Cuba    Casting Director
Florian Hotz    Stunt Coordinator
Cha-Lee Yoon    Fight Coordinator
Robert J. Dohrmann    Unit Production Manager
Arno Neubauer    Unit Production Manager
Alexander Oakley    First Assistant Director
James Manning    Second Assistant Director
Zoe Liang    Second Assistant Director
Henning Molfenter    Co-Producer
Charlie Woebcken    Co-Producer
Christoph Fisser    Co-Producer
Denis Schnegg    Supervising Art Director
Daniel Chour    Art Director
Sabine Engelberg    Art Director
Tarnia Nicol    Art Director
Susannah Brough    Art Director
Yesim Zolan    Set Decorator
Aria Harrison    Script Supervisor
Yasemin Kascioglu    Costume Supervisor
Roland Winke    Sound Mixer
Gerd Nefzer    Special Effects Supervisor
Bernd Rautenberg    Special Effects Supervisor
Klaus grosse Darrelmann    Location Manager
Nikolas Korda    Unit Production Manager
Nick Laurence    Second Assistant Director
Lisa Hauss    Second Assistant Director
Klemens Becker    Second Unit Director
Klemens Becker    Second Unit Director of Photography
Dan Boccoli    First Assistant Editor
Pablo Prietto    Assistant Editor
Kevin O'Connell    Re-recording Mixer
Julian Slater    Re-recording Mixer
Mandell Winter    Supervising Sound Editor
Julian Slater    Supervising Sound Editor
Hamilton Sterling    Sound Designer
Ryan Collins    Sound Effects Editor
Karen Vassar Triest*    Sound Effects Editor
Robert Stambler    Sound Effects Editor
Robert Esparza    Sound Effects Editor
Will Digby    Sound Effects Editor
Ando Johnson    Sound Effects Editor
Micah Loken    Dialogue Editor
Nerses Gezalyan    Foley Mixer
Kyle Arzt    Re-recording Mixer
Tom Y. Burns    Re-recording Mixer
Tony Lamberti    Additional Sound Re-recording Mixer
Jeremy B. Davis    Additional Sound Re-recording Mixer
Maarten Hofmeijer    Music Editor
Del Spiva    Music Editor
Vanessa Garde    Additional Music
Stephen Lipson    Score Mixer
Maarten Hofmeijer    Score Mixer
Bernd Mazagg    Score Recordist
Thilo Ewers    Visual Effects Supervisor
Sebastian Meszmann    Visual Effects Producer
Henrik Fett    Visual Effect Senior Executive Producer
Christoph Malessa    Visual Effects Executive Producer
Sabrina Christoforidis    Visual Effects Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for February 5th, 2019

February 5th, 2019

Widows

We are finally getting to the massive fall hits on the home market, as Dr. Seuss’ The Grinch hits the home market this week. It is the biggest release, but not the best. The Pick of the Week was a coin toss between Maquia: When The Promised Flower Blooms and Widows. In the end, the latter won, but both are worth buying. More...

Home Market Releases for January 22nd, 2019

January 24th, 2019

The Hate U Give

We’re getting close to the monster hits from fall finally coming out on the home market. Closer, but we are not quite there yet. This week’s biggest release is First Man, but it is not the best. The race for Pick of the Week came down to three contenders: Dirty Rotten Scoundrels, The Hate U Give, and JoJo’s Bizarre Adventure: Set Three. It was a close race, but in the end The Hate U Give won out. More...

Weekend Wrap-Up: Grindelwald Debuts on Top, but Pales Compared to Harry Potter

November 19th, 2018

Fantastic Beasts: The Crimes of Grindelwald

As expected, Fantastic Beasts: The Crimes of Grindelwald topped the weekend box office chart; however, it failed to meet expectations by about 10%. Additionally, neither Instant Family nor Widows matched expectations and this hurt the overall box office, which fell 2.9% from last weekend to $172 million. More importantly, this is 14% lower than the same weekend last year. Year-to-date, 2018 has reached $10 billion and now has a running tally of $10.18 billion. This is 11% or $1.01 billion ahead of last year’s pace. More...

Weekend Wrap-Up: Grinch Matches Expectations, Incredibles’ Record Safe for Now

November 12th, 2018

The Grinch

The weekend box office had a few success stories and a couple of misses. Dr Seuss’ The Grinch was one of the success stories with $67.57 million, which matches predictions perfectly. The other two new wide releases were less successful. Overlord did okay, but it will need a lot of help to break even any time soon. On the other hand, The Girl in the Spider’s Web likely won’t break even. The overall box office rose 15% from last weekend hitting $167 million. This is 11% more from the same weekend last year. I really wasn’t expecting 2018’s losing streak to end after just one weekend. This is great news. 2018’s lead over 2017 is practically the same as it was last weekend at $1.01 billion or 11% at $9.95 billion to $8.94 billion. More...

Weekend Estimates: Grinch Grabs First Place, Bohemian Sings a Long Note

November 11th, 2018

The Grinch

The Weekend box office is on par with expectations, for the most part. Dr Seuss’ The Grinch is dominating the box office chart with an estimated $66.0 million debut. This isn’t the record for biggest November weekend for an animated film, but it is reasonably close. Its reviews and its A minus from CinemaScore suggest reasonably long legs at the box office. In fact, with the holidays coming up, it has an outside chance at $200 million. Internationally, its start is a little more muted at $12.7 million in 23 markets, including $6.53 in 559 theaters in the U.K. That’s equivalent to a $35 million opening here, given the relative size of the two markets. More...

Friday Estimates: Grinch Steals Top Spot, but Doesn’t have Incredible Start

November 10th, 2018

The Grinch

Dr Seuss’ The Grinch debuted in first place on Friday with $18.67 million. This is not quite as good as we were originally expecting, but better than its previews would indicate. This is good news for the film’s long term chances. Its reviews having fallen below the overall positive level. It did earn an A minus from CinemaScore, which is good for a family film, but not great. Universal expects the film to earn $67 million over the weekend, which is close enough to our $68 million prediction to be a success. It is also very close to its $75 million production budget. More...

Thursday Night Previews: Grinch Grabs $2.2 million on Thursday Night

November 9th, 2018

The Grinch

Dr Seuss’ The Grinch started its box office run with previews in 3,200 theaters earning $2.2 million. By comparison, Smallfoot, the most recent computer animated film, earned $850,000 during its previews. If The Grinch has the same legs, then it would make $60 million during its opening weekend, which is a little lower than our prediction, but still a great start for a film that cost $75 million to make. On the other hand, this film’s reviews are not as good as Smallfoot’s reviews are, which could lead to weaker word-of-mouth. Additionally, it is based on a well-known book, so that could front-load the film’s box office numbers. Hopefully this won’t be an issue and the film will top $60 million with ease. We will know more by this time tomorrow when the Friday Estimates show up. More...

Weekend Prediction: Will Grinch Spread the Holiday Cheer?

November 8th, 2018

The Grinch

Dr Seuss’ The Grinch could be the biggest hit of the month, if it gets off to a fast start this weekend. There is some good news, as it could break The Incredibles’ record for November weekend for an animated film. This weekend, The Girl in the Spider’s Web and Overlord are both aiming to become midlevel hits. I’m not sure either will get there. Their buzz hasn’t grown as their release date has neared, which is troubling. This does mean Bohemian Rhapsody will very likely earn a solid second place, while The Nutcracker and the Four Realms has a shot at third. This weekend last year, Thor: Ragnarok earned more than $57 million during its second weekend of release, while the combined openings of Daddy’s Home 2 and Murder on the Orient Express were even better. 2018 should be better on top, but it won’t have the same depth leading to a loss in the year-over-year comparison. More...

2018 Preview: November

November 1st, 2018

Ralph Breaks the Internet

October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office. More...

The Girl in the Spider’s Web Trailer

September 19th, 2018

Thriller starring Claire Foy opens November 9 ... Full Movie Details. More...

The Girl in the Spider’s Web Trailer

June 8th, 2018

Thriller starring Claire Foy opens November 9 ... Full Movie Details. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 4,501-4,600) 4,522 $14,828,555
All Time Domestic Inflation Adjusted Box Office (Rank 5,101-5,200) 5,172 $17,546,843
All Time Domestic Non-Sequel Box Office (Rank 3,801-3,900) 3,842 $14,828,555
Top 2018 Movies at the Domestic Box Office (Rank 101-200) 118 $14,828,555
All Time Domestic Box Office for Based on Fiction Book/Short Story Movies (Rank 901-1,000) 942 $14,828,555
All Time Domestic Box Office for Live Action Movies (Rank 3,901-4,000) 3,994 $14,828,555
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 2,301-2,400) 2,385 $14,828,555
All Time Domestic Box Office for Thriller/Suspense Movies (Rank 401-500) 426 $14,828,555
All Time Domestic Box Office for R Movies (Rank 1,501-1,600) 1,552 $14,828,555
All Time Domestic Box Office for Sony Pictures Movies (Rank 501-600) 579 $14,828,555

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 9, 2018 6 $7,810,112   2,929 $2,666   $7,810,112 1
Nov 16, 2018 9 $2,501,616 -68% 2,929 $854   $13,292,139 2
Nov 23, 2018 21 $356,485 -86% 983 $363   $14,391,281 3
Nov 30, 2018 30 $87,605 -75% 196 $447   $14,666,252 4
Dec 7, 2018 41 $52,037 -41% 152 $342   $14,777,868 5
Dec 14, 2018 45 $20,417 -61% 83 $246   $14,828,555 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Nov 9, 2018 4 $3,037,438     2,929 $1,037   $3,037,438 1
Nov 10, 2018 7 $2,845,776 -6%   2,929 $972   $5,883,214 2
Nov 11, 2018 6 $1,926,898 -32%   2,929 $658   $7,810,112 3
Nov 12, 2018 6 $950,262 -51%   2,929 $324   $8,760,374 4
Nov 13, 2018 4 $1,039,337 +9%   2,929 $355   $9,799,711 5
Nov 14, 2018 5 $574,529 -45%   2,929 $196   $10,374,240 6
Nov 15, 2018 5 $416,283 -28%   2,929 $142   $10,790,523 7
Nov 16, 2018 9 $726,916 +75% -76% 2,929 $248   $11,517,439 8
Nov 17, 2018 9 $1,095,058 +51% -62% 2,929 $374   $12,612,497 9
Nov 18, 2018 9 $679,642 -38% -65% 2,929 $232   $13,292,139 10
Nov 19, 2018 10 $265,739 -61% -72% 2,929 $91   $13,557,878 11
Nov 20, 2018 9 $303,522 +14% -71% 2,929 $104   $13,861,400 12
Nov 21, 2018 - $83,975 -72% -85% 983 $85   $13,945,375 13
Nov 22, 2018 - $89,421 +6% -79% 983 $91   $14,034,796 14
Nov 23, 2018 - $128,615 +44% -82% 983 $131   $14,163,411 15
Nov 24, 2018 - $141,973 +10% -87% 983 $144   $14,305,384 16
Nov 25, 2018 - $85,897 -39% -87% 983 $87   $14,391,281 17
Nov 26, 2018 - $41,780 -51% -84% 983 $43   $14,433,061 18
Nov 27, 2018 - $58,935 +41% -81% 983 $60   $14,491,996 19
Nov 28, 2018 - $46,607 -21% -44% 983 $47   $14,538,603 20
Nov 29, 2018 - $40,044 -14% -55% 983 $41   $14,578,647 21
Nov 30, 2018 - $25,892 -35% -80% 196 $132   $14,604,539 22
Dec 1, 2018 - $36,351 +40% -74% 196 $185   $14,640,890 23
Dec 2, 2018 - $25,362 -30% -70% 196 $129   $14,666,252 24
Dec 7, 2018 - $15,659   -40% 152 $103   $14,741,490 29
Dec 8, 2018 - $21,859 +40% -40% 152 $144   $14,763,349 30
Dec 9, 2018 - $14,519 -34% -43% 152 $96   $14,777,868 31
Dec 10, 2018 - $7,125 -51%   152 $47   $14,784,993 32
Dec 11, 2018 - $9,348 +31%   152 $62   $14,794,341 33
Dec 12, 2018 - $7,227 -23%   152 $48   $14,801,568 34
Dec 13, 2018 - $6,570 -9%   152 $43   $14,808,138 35
Dec 14, 2018 - $6,079 -7% -61% 83 $73   $14,814,217 36
Dec 15, 2018 - $8,531 +40% -61% 83 $103   $14,822,748 37
Dec 16, 2018 - $5,807 -32% -60% 83 $70   $14,828,555 38

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Nov 9, 2018 6 $10,790,523   2,929 $3,684   $10,790,523 1
Nov 16, 2018 12 $3,244,273 -70% 983 $3,300   $14,034,796 2
Nov 23, 2018 20 $543,851 -83% 983 $553   $14,578,647 3
Nov 30, 2018 29 $147,184 -73% 196 $751   $14,725,831 4
Dec 7, 2018 42 $82,307 -44% 152 $541   $14,808,138 5

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Argentina 11/22/2018 $29,086 77 77 100 $42,213 12/11/2018
Aruba 11/8/2018 $3,493 4 4 8 $6,537 11/27/2018
Australia 11/9/2018 $562,723 314 314 866 $1,246,836 1/15/2019
Austria 11/23/2018 $58,787 62 62 172 $126,841 12/27/2018
Bahrain 11/29/2018 $15,853 9 9 9 $15,853 12/4/2018
Belgium 11/21/2018 $68,987 49 49 113 $106,455 12/27/2018
Bolivia 11/8/2018 $8,488 16 16 21 $14,942 11/20/2018
Brazil 11/8/2018 $433,571 206 206 386 $867,884 12/27/2018
Bulgaria 11/9/2018 $15,547 55 55 88 $37,654 2/26/2019
Cambodia 11/9/2018 $10,277 69 69 118 $17,698 12/4/2018
Central America 11/8/2018 $83,258 123 123 172 $140,973 11/28/2018
Chile 11/15/2018 $32,812 27 27 35 $49,250 12/4/2018
Colombia 11/8/2018 $129,855 185 185 215 $217,887 11/20/2018
Croatia 11/8/2018 $27,148 43 43 89 $65,589 12/4/2018
Curacao 11/8/2018 $2,363 4 4 8 $6,005 12/6/2018
Czech Republic 11/8/2018 $45,752 104 104 166 $78,643 12/4/2018
Denmark 11/1/2018 $97,386 79 79 185 $219,479 12/4/2018
Dominican Republic 11/8/2018 $8,799 18 18 40 $17,555 12/4/2018
Ecuador 11/9/2018 $26,117 36 36 98 $64,087 12/4/2018
Egypt 11/8/2018 $13,061 19 19 30 $20,381 11/20/2018
Estonia 11/9/2018 $16,679 14 14 38 $52,463 12/27/2018
Finland 11/9/2018 $48,092 64 64 113 $98,695 12/4/2018
France 11/14/2018 $565,330 331 331 819 $1,126,596 12/4/2018
Germany 11/22/2018 $442,817 424 424 1,259 $923,073 1/10/2019
Ghana 11/9/2018 $1,188 4 4 12 $2,927 12/4/2018
Greece 11/8/2018 $142,744 119 119 192 $285,147 11/27/2018
Hong Kong 11/22/2018 $164,540 103 103 132 $235,134 12/27/2018
Hungary 11/8/2018 $57,411 52 62 182 $141,109 12/11/2018
Iceland 11/9/2018 $4,741 8 8 14 $11,832 12/4/2018
India 11/23/2018 $113,067 758 758 762 $159,006 12/6/2018
Indonesia 11/16/2018 $172,647 200 200 315 $317,037 12/11/2018
Iraq 11/29/2018 $5,080 8 8 15 $9,066 12/27/2018
Israel 11/8/2018 $72,874 32 32 73 $146,321 11/27/2018
Italy 10/31/2018 $400,217 0 150 157 $663,293 12/6/2018
Jamaica 11/7/2018 $0 0 2 2 $22,994 11/28/2018
Japan 1/11/2019 $208,526 69 69 240 $811,100 3/19/2019
Jordan 11/29/2018 $7,092 5 5 6 $9,654 12/11/2018
Kenya 11/9/2018 $9,204 19 19 39 $20,155 1/10/2019
Kuwait 11/29/2018 $27,212 11 11 14 $41,917 12/11/2018
Latvia 11/9/2018 $9,701 9 9 21 $20,788 12/11/2018
Lebanon 11/8/2018 $18,436 17 17 24 $28,519 11/20/2018
Lithuania 11/9/2018 $10,314 49 49 56 $16,407 11/27/2018
Malaysia 11/6/2018 $57,374 130 130 328 $145,220 11/27/2018
Mexico 11/9/2018 $672,244 801 801 1,021 $1,500,024 12/27/2018
Netherlands 10/25/2018 $225,967 87 87 365 $595,974 12/4/2018
New Zealand 11/8/2018 $93,205 87 87 159 $214,136 12/27/2018
Nigeria 11/9/2018 $11,014 40 40 101 $26,396 12/11/2018
Norway 11/9/2018 $57,349 163 163 240 $109,598 12/4/2018
Oman 11/29/2018 $9,950 10 10 10 $9,951 12/6/2018
Pakistan 11/9/2018 $3,153 11 11 11 $3,153 1/1/2019
Paraguay 12/13/2018 $2,987 11 11 11 $2,987 12/27/2018
Peru 11/8/2018 $67,136 75 75 82 $99,847 11/20/2018
Philippines 11/21/2018 $42,270 128 128 129 $49,618 12/4/2018
Poland 10/26/2018 $191,178 138 138 361 $522,429 12/4/2018
Portugal 11/8/2018 $105,539 72 72 197 $221,687 12/11/2018
Qatar 11/29/2018 $14,637 11 11 14 $19,860 12/11/2018
Romania 11/9/2018 $92,946 77 77 218 $236,362 12/27/2018
Russia (CIS) 11/8/2018 $1,326,882 1,138 1,138 2,965 $2,337,335 12/11/2018
Serbia and Montenegro 11/8/2018 $6,752 22 22 44 $15,394 11/27/2018
Singapore 11/6/2018 $89,511 34 34 69 $180,250 12/4/2018
Slovakia 11/8/2018 $24,767 66 66 96 $43,771 12/4/2018
Slovenia 11/8/2018 $6,953 15 15 31 $14,611 12/4/2018
South Africa 11/9/2018 $37,399 67 74 167 $114,244 12/6/2018
South Korea 11/21/2018 $0 0 313 332 $220,006 12/23/2018
Spain 11/9/2018 $496,810 338 338 989 $1,078,510 1/3/2019
Suriname 11/8/2018 $594 1 1 3 $1,434 11/27/2018
Sweden 10/26/2018 $226,885 187 187 342 $575,316 12/11/2018
Switzerland 10/31/2018 $2,015 4 57 142 $167,704 1/16/2019
Syria 11/29/2018 $1,355 1 1 1 $1,355 12/4/2018
Taiwan 11/9/2018 $185,692 90 90 219 $388,447 12/4/2018
Thailand 11/8/2018 $122,572 107 107 198 $372,744 11/28/2018
Trinidad 11/7/2018 $33,210 20 20 40 $67,734 11/28/2018
Turkey 11/30/2018 $60,785 115 115 186 $113,690 12/21/2018
Ukraine 11/8/2018 $202,532 251 251 555 $344,673 12/27/2018
United Arab Emirates 11/29/2018 $81,482 61 61 65 $115,665 12/11/2018
United Kingdom 11/21/2018 $713,704 439 439 890 $1,383,054 1/29/2019
Uruguay 11/8/2018 $13,703 18 18 47 $32,705 12/27/2018
Venezuela 11/9/2018 $21,295 57 57 129 $73,848 12/11/2018
Vietnam 11/9/2018 $136,305 205 205 340 $249,060 11/27/2018
 
International Total$20,154,787 3/19/2019

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 3,401-3,500) 3,490 $20,154,787
All Time International Non-Sequel Box Office (Rank 2,801-2,900) 2,839 $20,154,787
Top 2018 Movies at the International Box Office (Rank 101-200) 182 $20,154,787
All Time International Box Office for Based on Fiction Book/Short Story Movies (Rank 601-700) 632 $20,154,787
All Time International Box Office for Live Action Movies (Rank 2,801-2,900) 2,869 $20,154,787
All Time International Box Office for Contemporary Fiction Movies (Rank 1,601-1,700) 1,676 $20,154,787
All Time International Box Office for Thriller/Suspense Movies (Rank 301-400) 325 $20,154,787
All Time International Box Office for R Movies (Rank 901-1,000) 930 $20,154,787
All Time International Box Office for Sony Pictures Movies (Rank 301-400) 332 $20,154,787

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 3,901-4,000) 3,910 $34,983,342
All Time Worldwide Non-Sequel Box Office (Rank 3,201-3,300) 3,220 $34,983,342
Top 2018 Movies at the Worldwide Box Office (Rank 101-200) 156 $34,983,342
All Time Worldwide Box Office for Based on Fiction Book/Short Story Movies (Rank 701-800) 756 $34,983,342
All Time Worldwide Box Office for Live Action Movies (Rank 3,301-3,400) 3,338 $34,983,342
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 1,901-2,000) 1,981 $34,983,342
All Time Worldwide Box Office for Thriller/Suspense Movies (Rank 301-400) 364 $34,983,342
All Time Worldwide Box Office for R Movies (Rank 1,101-1,200) 1,191 $34,983,342
All Time Worldwide Box Office for Sony Pictures Movies (Rank 401-500) 443 $34,983,342

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Feb 10, 2019434,947 34,947$631,492$631,4923
Feb 17, 20192013,906-60% 48,853$259,625$891,1174

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Feb 10, 2019347,973 47,973$958,988$958,9883
Feb 17, 2019912,215-75% 60,188$246,128$1,205,1164

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.