Spain Box Office for Un golpe con estilo (2017)

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Going in Style
Theatrical Performance (US$)
Spain Box Office $1,513,161Details
Worldwide Box Office $80,812,424Details
Home Market Performance
North America DVD Sales $5,936,508 Details
North America Blu-ray Sales $2,414,858 Details
Total North America Video Sales $8,351,366
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Lifelong buddies Willie, Joe and Al, decide to buck retirement and step off the straight-and-narrow for the first time in their lives when their pension fund becomes a corporate casualty Desperate to pay the bills and come through for their loved ones, the three risk it all by embarking on a daring bid to knock off the very bank that absconded with their money.

Metrics

Movie Details

Production Budget:$24,000,000
Spain Releases: April 14th, 2017 (Wide), released as Un golpe con estilo
Video Release: July 11th, 2017 by Warner Home Video
MPAA Rating: PG-13 for drug content, language and some suggestive material.
(Rating bulletin 2423 (Cert #50396), 5/4/2016)
Running Time: 96 minutes
Keywords: Remake, Heist, Money Troubles, White Collar Crime, Revenge, Autumn Years, Retirement, Crime Comedy, Crime Caper
Source:Remake
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: New Line Cinema, Village Roadshow Productions, De Line Pictures, RatPac Entertainment, Dune Entertainment
Production Countries: United States
Languages: English

Home Market Releases for August 1st, 2017

August 2nd, 2017

Colossal

There is no monster hit coming out this week, but that doesn’t mean there are no new DVD / Blu-rays worth picking up. In fact, there are six Pick of the Week contenders. This includes Slither: Collector's Edition, which took home the title in a close race. There are also two co-winners of the Puck of the Week for best Canadian release, Colossal on Blu-ray Combo Pack and I am the Blues on DVD. More...

Home Market Releases for July 11th, 2017

July 11th, 2017

Underground: Season Two

This week, the home market is led by The Fate of the Furious, which is the number one film both in terms of worldwide box office and alphabetically. It earned well over $1 billion worldwide, but it is losing the charm the franchise thrived on during the past few installments. As for the Pick of the Week, I’m going with Underground, Season Two, or the Two-Season box set. More...

Weekend Predictions: April Circles the Drain

April 27th, 2017

The Circle

The last weekend in April is usually a terrible weekend and this year is no different. There is only one truly wide release this week, The Circle, although How to be a Latin Lover has a shot at the top five. There are also two films opening in approximately 500 theaters hoping to sneak into the top ten: Sleight and Baahubali 2: The Conclusion. However, while it seems like a busy week for new releases, The Fate of the Furious will easily remain in first place. In fact, the top five this week could be nearly identical to the top five last week, with The Circle being the only nearly guaranteed new addition. This weekend last year, The Jungle Book led the way with $44 million, while the biggest new release was Keanu with just under $10 million. The new releases might be stronger this time around, but there’s almost no way 2017 will be able to compete with The Jungle Book. More...

Weekend Wrap-Up: Furious Slows and New Releases Stall, Leaving Box Office short by $60 million

April 25th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated the weekend box office chart. It held up a little better than expected with $38.41 million over the weekend; however, this was still over 60% lower than its opening weekend and the overall weekend fell over $60 million or 36% from last weekend for a total of $107 million. A lot of the blame can be pushed onto the new releases, as none of them earned a spot in the top five. Born in China was the best of the new releases earning sixth place with $4.79 million. Year-over-year, 2017 was 16% lower than 2016, but fortunately, 2017 still has an impressive $200 million lead over 2016 at $3.53 billion to $3.33 billion. More...

Friday Estimates: Furious Falls 75%, Still Dominates Friday with $11.2 million

April 22nd, 2017

The Fate of the Furious

The Fate of the Furious dominated the box office chart on Friday with $11.2 million. This could be more than any other film will earn during the entire weekend. That’s the good news. The bad news is this still represents a decline of just over 75% from its opening Friday. This is not good by any stretch of the word, but it is also not unexpected. The film will rebound on Saturday, and earn about $35.5 million over the weekend, according to Universal, which is close to our prediction and will lift the film’s running tally to $160 million. This keeps The Fate of the Furious on pace for $200 million and the film should become the third film released in 2017 to get to that milestone. It might overtake Logan on the yearly chart, but Guardians of the Galaxy, Vol. 2 will probably get there first. More...

Weekend Estimates: Baby Continues to Boss at the Box Office

April 9th, 2017

The Boss Baby

The Boss Baby will score another win at the box office this weekend, with Fox predicting a total of $26.3 million for the weekend, down 48% from its debut, and $89.4 million to date. That’s a remarkably strong second weekend, considering that Beauty and the Beast will be down virtually the same proporation—45%—in its fourth weekend. Disney’s blockbuster will do $25 million for a cume of $432 million so far domestically. With $545.1 million internationally, the film now has $977.4 million worldwide, and will pass the billion dollar mark this week. More...

Weekend Predictions: Will it be Smurfs and the New Releases Get Lost in the Crowd?

April 6th, 2017

Smurfs: The Lost Village

It is the first weekend of April and there are two and a half films opening wide this week. The widest of these is Smurfs: The Lost Village, but direct competition is going to hurt it at the box office. Going in Style is aiming to be a sleeper hit, but its reviews will likely get in the way of that. Meanwhile, The Case for Christ is opening in barely more than 1,000 theaters and it is aiming for the churchgoing crowd and no one else. On the positive side, it is Easter next weekend, so it should have good legs. Unfortunately for the new releases, it looks like The Boss Baby will have a relatively easy time repeating in first place, while Beauty and the Beast will be close behind in second. This weekend last year, The Boss opened in first place with $23.59 million, while Batman v Superman: Dawn of Justice was right behind with $23.36 million. This week we should have at least two films top that, perhaps even three if Smurfs: The Lost Village is on the high end of expectations. 2017 should continue to add to its lead over 2016. More...

2017 Preview: April

April 1st, 2017

The Fate of the Furious

March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016. More...

Contest: Smurf to the Smurf

March 31st, 2017

Smurfs: The Lost Village

There are three wide releases opening next weekend, but only Smurfs: The Lost Village has a shot at topping the chart. Going in Style would be happy with a total of $50 million domestically, while The Case for Christ might not even open truly wide. Because of this, Smurfs: The Lost Village is the best choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Smurfs: The Lost Village.

April 1st is on Saturday, so we are starting our April Fools contests this week. Two of our winners will get movies from our prize pool, while one will be chosen at random to be the fool and receive an HD-DVD release.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win one of two previously reviewed movies, or be the winner of the Fool’s Prize. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also be a potential winner of two previously reviewed movies, or the winner of the Fool’s Prize. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win either the final of two previously reviewed movies, or be the winner of the Fool’s Prize.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Going in Style Trailer

February 16th, 2017

Heist comedy starring Morgan Freeman, Michael Caine, and Alan Arkin opens April 7, 2017 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/04/14 6 $343,479   158 $2,174   $494,116 1
2017/04/21 7 $203,051 -41% 175 $1,160   $873,203 2
2017/04/28 11 $188,460 -7% 171 $1,102   $1,182,809 3
2017/05/05 19 $41,321 -78% 124 $333   $1,334,066 4
2017/05/12 22 $26,771 -35% 69 $388   $1,421,316 5
2017/05/19 25 $13,912 -48% 41 $339   $1,482,219 6
2017/05/26 29 $6,167 -56% 24 $257   $1,492,216 7
2017/06/02 33 $5,918 -4% 16 $370   $1,515,113 8
2017/06/09 - $2,459 -58% 8 $307   $1,513,161 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/7/2017 $254,000 0 0 0 $532,592 1/1/2019
Australia 4/21/2017 $953,495 230 255 1251 $3,656,635 6/22/2017
Brazil 4/7/2017 $243,000 0 0 0 $65,700 5/8/2017
Bulgaria 4/7/2017 $28,158 0 0 0 $106,899 2/26/2019
Czech Republic 4/21/2017 $53,938 79 79 174 $153,865 1/1/2019
France 5/5/2017 $830,000 0 0 0 $2,895,174 6/27/2018
Germany 4/14/2017 $958,000 0 0 0 $3,600,000 5/15/2017
Italy 5/5/2017 $311,965 0 0 0 $485,590 5/18/2017
Lithuania 4/7/2017 $16,204 67 67 118 $51,697 5/12/2017
Mexico 4/20/2017 $868,250 0 0 0 $2,503,480 5/25/2017
Netherlands 4/5/2017 $278,121 79 79 663 $1,928,473 6/14/2017
New Zealand 4/21/2017 $153,564 67 75 429 $736,500 6/12/2017
North America 4/7/2017 $11,932,330 3,061 3,076 17,204 $45,018,541 7/2/2020
Poland 6/30/2017 $244,345 0 0 0 $816,552 1/1/2019
Portugal 4/7/2017 $123,992 56 56 278 $659,361 6/29/2017
Russia (CIS) 4/7/2017 $751,345 614 614 1302 $1,475,556 1/1/2019
Slovakia 4/7/2017 $47,461 53 53 139 $148,637 7/13/2017
Spain 4/14/2017 $343,479 158 175 786 $1,513,161 6/15/2017
Switzerland 4/13/2017 $0 0 0 0 $837,000 5/8/2017
Turkey 4/21/2017 $41,101 44 44 56 $112,680 1/1/2019
United Arab Emirates 4/6/2017 $0 0 0 0 $1,000,000 1/1/2019
United Kingdom 4/7/2017 $705,916 454 454 1539 $3,800,000 5/15/2017
 
Rest of World $8,714,331
 
Worldwide Total$80,812,424 7/2/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Morgan Freeman    Willie
Michael Caine    Joe
Alan Arkin    Albert

Supporting Cast

John Ortiz    Jesus
Jorge Chapa    Bank Security Guard
Joey King    Brooklyn
Maria Dizzia    Rachel Harding
Christopher Lloyd    Milton
Anthony Chisholm    Knights Grandmaster Paul
Jeremy Bobb    Donald Lewis
Siobhan Fallon Hogan    Mitzi
Matt Dillon    Hamer
Seth Barrish    Dr. Helton
Ashley Aufderheide    Kanika
Gillian Glasco    Maya
Jeremy Shinder    Ezra Bronkowski
Ann-Margret    Annie Santori
Nick Cordero    Butcher
Barbara Ann Davison    Lady in Electric Shopping Cart
Jojo Gonzalez    Male Security Guard
Precious Sipin    Female Security Guard
Kenan Thompson    Manager Keith Schonfeld
Peter Serafinowicz    Murphy
Meredith Antoian    Teller
Annabelle Chow    Lucy
Nancy Sun    Mandy
Jessica Perez    Waitress at Steakhouse
Marlon Perrier    Agent Cooper
Kenneth Maharaj    FBI Crime Tech
Lulu Picart    Nurse
Anthony Arrigo    Tony
Kieran Clark    Line-Up Agent
Lolita Foster    O.R. Nurse

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Zach Braff    Director
Theodore Melfi    Screenwriter
Martin Brest    Based on “Going in Style” by
Donald DeLine    Producer
Tony Bill    Executive Producer
Toby Emmerich    Executive Producer
Samuel J. Brown    Executive Producer
Michael Disco    Executive Producer
Steven Mnuchin    Executive Producer
Andrew Haas    Executive Producer
Jonathan McCoy    Executive Producer
Bruce Berman    Executive Producer
Anne Ross    Production Designer
Myron Kerstein    Editor
Rob Simonsen    Composer
Rodney Charters    Director of Photography
Gary Jones    Costume Designer
Jeffrey Lee Gibson    Stunt Coordinator
Avy Kaufman    Casting Director
Andrea von Foerster    Music Supervisor
Jonathan McCoy    Unit Production Manager
Alyson Latz    Unit Production Manager
Christopher Surgent    First Assistant Director
Takahide Kawakami    Second Assistant Director
Frank Murray    Production Supervisor
Laura Ballinger Gardner    Art Director
Ann Bartek    Assistant Art Director
Maite Perez-Nievas    Assistant Art Director
Katya Blumenberg    Assistant Art Director
Sara Parks    Set Decorator
Danny Michael    Sound Mixer
Tricia Miles Tharp    Post-Production Supervisor
Annie Guidice    First Assistant Editor
Zach Wolf    Assistant Editor
Anthony Smedile    Assistant Editor
Ron Bartlett    Re-recording Mixer
Dean A. Zupancic    Re-recording Mixer
Michael J. Benavente    Supervising Sound Editor
Ben Wilkins    Supervising Sound Editor
Adam Kopald    Sound Effects Editor
Susan Dudeck    Dialogue Editor
Andrew Silver    Music Editor
Antony Zeller    Foley Mixer
David Jobe    Foley Mixer
Michael Kriaris    Location Manager
Jessica Lichtner    Script Supervisor
Tim McKelvey    Costume Supervisor
Fionnuala M. Lynch    Costume Supervisor
Donald Kozma    Make up
Bernadette Mazur    Make up
Kerrie Smith    Hairstylist
Kat Percy    Hairstylist
Harrison Nesbit    Casting Associate
Conrad Brinks, Jr.    Special Effects Supervisor
Jeff Brink    Special Effects Coordinator
Nathaniel Brotherhood    Special Effects
Doug Faccipointi    Special Effects
Atsushi Nishijima    Still Photographer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.