The Goldfinch (2019)

The Goldfinch
Theatrical Performance
Domestic Box Office $5,332,621Details
International Box Office $4,097,289Details
Worldwide Box Office $9,429,910
Further financial details...

Synopsis

Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day… a painting of a tiny bird chained to its perch. The Goldfinch.

Metrics

Opening Weekend:$2,679,027 (50.2% of total gross)
Legs:1.99 (domestic box office/biggest weekend)
Domestic Share:56.6% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 0.2 times production budget)
Theater counts:2,542 opening theaters/2,542 max. theaters, 2.3 weeks average run per theater
Infl. Adj. Dom. BO $6,275,728

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: September 13th, 2019 (Wide) by Warner Bros.
International Releases: September 12th, 2019 (Wide), released as ЩЕГОЛ (Russia (CIS))
September 13th, 2019 (Wide), released as Щиглецът (Bulgaria)
September 13th, 2019 (Wide), released as O Pintassilgo (Portugal)
September 13th, 2019 (Wide), released as The Goldfinch: Iluzia Libertății (Romania)
September 13th, 2019 (Wide), released as Stehlík (Slovakia)
... Show all releases
Video Release: November 19th, 2019 by Warner Home Video
MPAA Rating: R for drug use and language.
(Rating bulletin 2553 (Cert #51907), 11/14/2018)
Running Time: 149 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Young Child Dealing with the Death of a Parent, Dysfunctional Family, Child Abuse, Gambling, Addiction, Artists, Forgery, Set in New York, Set in New York City, Terrorism, Narcotics, Organized Crime, Unrequited Love, Coming of Age, Crime Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Warner Bros., Color Force, Amazon Studios
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 13, 2019 8 $2,679,027   2,542 $1,054   $2,679,027 1
Sep 20, 2019 15 $760,014 -72% 2,542 $299   $4,540,117 2
Sep 27, 2019 21 $152,511 -80% 442 $345   $5,129,636 3
Oct 4, 2019 38 $38,237 -75% 86 $445   $5,259,303 4
Oct 11, 2019 48 $21,659 -43% 86 $252   $5,300,261 5
Oct 18, 2019 53 $11,141 -49% 40 $279   $5,327,383 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 13, 2019 5 $868,127     2,542 $342   $868,127 1
Sep 14, 2019 8 $1,106,662 +27%   2,542 $435   $1,974,789 2
Sep 15, 2019 8 $704,238 -36%   2,542 $277   $2,679,027 3
Sep 16, 2019 5 $257,133 -63%   2,542 $101   $2,936,160 4
Sep 17, 2019 5 $419,867 +63%   2,542 $165   $3,356,027 5
Sep 18, 2019 6 $248,019 -41%   2,542 $98   $3,604,046 6
Sep 19, 2019 8 $176,057 -29%   2,542 $69   $3,780,103 7
Sep 20, 2019 15 $219,156 +24% -75% 2,542 $86   $3,999,259 8
Sep 21, 2019 - $314,814 +44% -72% 2,542 $124   $4,314,073 9
Sep 22, 2019 - $226,044 -28% -68% 2,542 $89   $4,540,117 10
Sep 23, 2019 14 $91,892 -59% -64% 2,542 $36   $4,632,009 11
Sep 24, 2019 12 $146,350 +59% -65% 2,542 $58   $4,778,359 12
Sep 25, 2019 11 $107,343 -27% -57% 2,542 $42   $4,885,702 13
Sep 26, 2019 13 $91,423 -15% -48% 2,542 $36   $4,977,125 14
Sep 27, 2019 - $42,531 -53% -81% 442 $96   $5,019,656 15
Sep 28, 2019 - $62,168 +46% -80% 442 $141   $5,081,824 16
Sep 29, 2019 - $47,812 -23% -79% 442 $108   $5,129,636 17
Sep 30, 2019 - $23,528 -51% -74% 442 $53   $5,153,164 18
Oct 1, 2019 - $30,132 +28% -79% 442 $68   $5,183,296 19
Oct 2, 2019 - $21,896 -27% -80% 442 $50   $5,205,192 20
Oct 3, 2019 - $15,874 -28% -83% 442 $36   $5,221,066 21
Oct 4, 2019 - $10,392 -35% -76% 86 $121   $5,231,458 22
Oct 5, 2019 - $16,029 +54% -74% 86 $186   $5,247,487 23
Oct 6, 2019 - $11,816 -26% -75% 86 $137   $5,259,303 24
Oct 7, 2019 - $5,138 -57% -78% 86 $60   $5,264,441 25
Oct 8, 2019 - $5,573 +8% -82% 86 $65   $5,270,014 26
Oct 9, 2019 - $5,061 -9% -77% 86 $59   $5,275,075 27
Oct 10, 2019 - $3,527 -30% -78% 86 $41   $5,278,602 28
Oct 11, 2019 - $6,127 +74% -41% 86 $71   $5,284,729 29
Oct 12, 2019 - $9,241 +51% -42% 86 $107   $5,293,970 30
Oct 13, 2019 - $6,291 -32% -47% 86 $73   $5,300,261 31
Oct 14, 2019 - $4,098 -35% -20% 86 $48   $5,304,359 32
Oct 15, 2019 - $3,456 -16% -38% 86 $40   $5,307,815 33
Oct 16, 2019 - $4,041 +17% -20% 86 $47   $5,311,856 34
Oct 17, 2019 - $4,386 +9% +24% 86 $51   $5,316,242 35
Oct 18, 2019 - $2,961 -32% -52% 40 $74   $5,319,203 36
Oct 19, 2019 - $3,987 +35% -57% 40 $100   $5,323,190 37
Oct 20, 2019 - $4,193 +5% -33% 40 $105   $5,327,383 38
Oct 21, 2019 - $1,533 -63% -63% 40 $38   $5,328,916 39
Oct 22, 2019 - $1,117 -27% -68% 40 $28   $5,330,033 40
Oct 23, 2019 - $1,312 +17% -68% 40 $33   $5,331,345 41
Oct 24, 2019 - $1,276 -3% -71% 40 $32   $5,332,621 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 13, 2019 7 $3,780,103   2,542 $1,487   $3,780,103 1
Sep 20, 2019 15 $1,197,022 -68% 2,542 $471   $4,977,125 2
Sep 27, 2019 25 $243,941 -80% 442 $552   $5,221,066 3
Oct 4, 2019 40 $57,536 -76% 86 $669   $5,278,602 4
Oct 11, 2019 47 $37,640 -35% 86 $438   $5,316,242 5
Oct 18, 2019 53 $16,379 -56% 40 $409   $5,332,621 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/20/2019 $4,272 30 30 30 $6,004 9/30/2019
Australia 9/27/2019 $74,938 40 54 195 $239,923 11/7/2019
Bulgaria 9/13/2019 $5,017 0 0 0 $13,525 10/2/2019
Czech Republic 10/11/2019 $7,202 66 66 66 $7,202 10/19/2022
France 9/20/2019 $151,276 240 240 240 $151,276 9/30/2019
Netherlands 10/11/2019 $79,511 63 63 124 $199,043 10/19/2022
New Zealand 9/26/2019 $16,005 18 30 123 $74,641 11/26/2019
Portugal 9/13/2019 $19,906 36 36 79 $45,202 10/1/2019
Romania 9/13/2019 $17,873 59 59 120 $40,138 10/21/2019
Russia (CIS) 9/12/2019 $553,081 783 783 2,074 $1,199,721 10/19/2022
Slovakia 9/13/2019 $8,481 66 66 85 $14,211 9/24/2019
Turkey 9/27/2019 $15,578 84 84 95 $24,865 10/19/2022
United Kingdom 9/27/2019 $395,037 515 515 515 $395,037 10/2/2019
 
Rest of World $1,686,501
 
International Total$4,097,289 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Ansel Elgort    Theodore “Theo” Decker

Supporting Cast

Oakes Fegley    Young Theodore
Aneurin Barnard    Boris
Finn Wolfhard    Young Boris
Sarah Paulson    Xandra
Luke Wilson    Larry Decker
Jeffrey Wright    Hobie
Nicole Kidman    Mrs. Barbour
Willa Fitzgerald    Adult Kitsey Barbour
Ashleigh Cummings    Adult Pippa
Aimee Laurence    Young Pippa
Robert Joy    Welton “Welty” Blackwell
Boyd Gaines    Mr. Barbour
Carly Connors    Young Kitsey Barbour
Luke Kleintank    Platt Barbour
Hailey Wist    Theo’s Mother
Ryan Foust    Young Andy Barbour
Jack DiFalco    Young Platt Barbour
Austin Weyant    Adult Toddy Barbour
Collin Shea Schirramacher    Young Toddy Barbour
Denis O'Hare    Lucius Reeve
Angela Cove    Female Social Worker
Alton Fitzgerald White    Male Social Worker
Joey Slotnick    Dave (Theo’s Psychiatrist)
Dylan Boyd    Student
Gordon Winarick    Adult Tom Cable
Nicky Torchia    Young Tom Cable
Don Castro    Detective #1
Robert Turano    Detective #2
Alma Cuervo    Store Owner
Hank Rogerson    Vegas Teacher
Ryan Katherine Stearns    First Student
Tiana Youtzy    Second Student
Peter Jacobson    Mr. Silver
Caroline Day    Em
Kevin Owen McDonald    Boris’ Father
Karl Jacob    Man
Raphael Corkhill    Barman
Matteo van der Grijn    Gyuri
Gerson Oratmangoen    Indonesian Man
Mark Kingsford    Grozdan
Bill Barberis    Martin
Milan Sekeris    Frits
Brandon Chen    Chinese Teen
Sandy Lopez    Janet
Misha Osherovich    Shirley T
Puja Desai Mehta    Optometrist
David Makman    Forrest Longstreet
Harry Smith    Everett

Narrator(s)

James Donahower    Mr. Beaman

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Crowley    Director
Nina Jacobson    Producer
Brad Simpson    Producer
Peter Straughan    Screenwriter
Donna Tartt    Story based on the novel by
Mari Jo Winkler-Ioffreda    Executive Producer
Kevin McCormick    Executive Producer
Sue Kroll    Executive Producer
Courtenay Valenti    Executive Producer
Roger Deakins    Director of Photography
K.K. Barrett    Production Designer
Kelley Dixon    Editor
Kasia Walicka Maimone    Costume Designer
Susan Jacobs    Music Supervisor
Trevor Gureckis    Composer
Ellen Chenoweth    Casting Director
Maggie G. Engelhardt    Unit Production Manager
Mari Jo Winkler-Ioffreda    Unit Production Manager
Christopher Surgent    First Assistant Director
Takahide Kawakami    Second Assistant Director
Margaret Chernin    Co-Producer
Lesley Robson-Foster    Visual Effects Supervisor
Samantha Dyer    Production Supervisor
Deb Jensen    Supervising Art Director
Rena DeAngelo    Set Decorator
Mary Bailey    Script Supervisor
Drew Kunin    Sound Mixer
J. Kevin Draves    Costume Supervisor
Evelyne Noraz    Make up
Mandy Lyons    Hairstylist
Lauri Pitkus    Location Manager
Mark Bero    Special Effects Coordinator
Brad Rohrer    Post-Production Supervisor
Eric Kench    First Assistant Editor
Skip Lievsay    Re-recording Mixer
Paul Urmson    Re-recording Mixer
Skip Lievsay    Supervising Sound Editor
Paul Urmson    Supervising Sound Editor
Blake Leyh    Sound Designer
Larry Zipf    Sound Designer
Wyatt Sprague    Sound Effects Editor
Patrick Cicero    Sound Effects Editor
Michael Feuser    Dialogue Editor
Lidia Tamplenizza    Dialogue Editor
Igor Nikolic    Foley Editor
Matthew Kay    Foley Recordist
Nancy Allen    Music Editor
Parker Chehak    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for December 3rd, 2019

December 4th, 2019

Big Trouble in Little China

Tuesday is the day after Cyber Monday, also know as, “One of the worst days of the year to release something on the home market.” There’s not a lot to talk about, while the biggest release of the week is also one of the biggest disappointments of the year, but the less said about that, the better. As for Pick of the Week contenders, we have Big Trouble in Little China: Collector’s Edition and that’s it. There are a few other releases that are close to that level, but none that reach it. More...

Home Market Releases for November 19th, 2019

November 19th, 2019

Rock ‘n’ Roll High School

It is not a prime week on the home market with Dora and the Lost City of Gold being the biggest first run release. It is worth picking up, but not a contender for Pick of the Week. There were a lot of contenders for that title, including Cold War: The Criterion Collection, Fruits Basket: Season One, Part One, and Rock ‘n’ Roll High School: 40th Anniversary Edition. In the end, I went with Rock ‘n’ Roll High School, but all three will end up in my Blu-ray collection before long. More...

Weekend Wrap-Up: Downton Opens High with New Focus Features Record

September 23rd, 2019

Downton Abbey

It was a strong weekend with almost every film in the top five topping predictions. Downton Abbey dominated the chart with $31.03 million, breaking the record for an opening weekend by a Focus Features film in the process. Both Ad Astra and Rambo: Last Blood also beat expectations, albeit by much, much smaller margins. This helped the overall box office grow 12% from last weekend to $123 million. More importantly, this is 34% higher than the same weekend last year. I was expecting substantial growth, but not this much growth. Granted, 2019 is still behind 2018, but the lead has been cut to 5.5% or $470 million at $8.14 billion to $8.61 billion. Furthermore, if we have a few more good weeks, then optimism will actually return to the box office analysis. More...

Weekend Wrap-Up: Hustlers Helps Box Office Thrive

September 17th, 2019

Hustlers

It: Chapter Two and Hustlers both topped expectations by large margins over the weekend and that helped the overall box office earn $110 million. Granted, this is 20% lower than last weekend; however, this was also 2.2% higher than the same weekend last year and that is by far the more important detail. 2019 is still behind 2018, but the gap closed by a little bit and is now at 5.9% or $500 million at $7.98 billion to $8.48 billion. Fortunately, the international box office is doing better and overall 2019 is merely mediocre and it still has time to improve. More...

Weekend Estimates: Hustlers and It Both Surprise Over Weekend

September 15th, 2019

Hustlers

It is shaping up to be a great weekend at the box office with both Hustlers and It: Chapter Two topping expectations. It: Chapter Two is going to repeat on top, with an estimated sophomore stint of $40.74 million for a running tally of $153.80 million. This represents a 55% decline, which is certainly fantastic for a horror sequel. It still likely means $250 million domestically is out of the question, but even $200 million is amazing for a movie that cost less than $70 million to make. Internationally, the film pulled in another $47 million in 78 markets for a two-week total of $169.5 million. It has already made over $300 million worldwide, which might be enough to break even, depending on its advertising budget and exact share of the box office. If not, it will break even very shortly. More...

Friday Estimates: Hustlers Helps the Box Office Get Lucky on Friday the 13th

September 14th, 2019

Hustlers

Hustlers did surprisingly well to earn first place on Friday with an estimated $13.1 million. This puts it on pace for $32 million over the full weekend, which is more than enough for the biggest opening in STX Entertainment’s history and the biggest live-action opening in Jennifer Lopez’s career. It is not that far behind Crazy Rich Asians’ five-day opening and will also be Constance Wu’s best opening. There’s more good news: The film’s reviews are the best in the top ten at 87% positive and STX Entertainment has tended to have a lot of success giving their films long legs. The Bad Moms franchise is evidence of that. On the downside, the movie only managed a B minus from CinemaScore, but it is a dark comedy and those can be divisive. Additionally, while it earned first place on Friday, it won’t stay there for long. More...

Thursday Night Previews: Hustlers Grab $2.5 million From Eager Costumers

September 13th, 2019

Hustlers

Hustlers started its box office run with $2.5 million in previews last night. This is a faster start than other comparable releases, including the $2 million earned by Bad Moms in 2016. There is some bad news, but only for analysts like myself. There are not a lot of films like this released each year, so there is still a lot of uncertainty going forward. On the positive side, its reviews remain just shy of 90% positive, so the word-of-mouth should be phenomenal. Meanwhile, its target audience isn’t the kind that rushes out to see a movie opening night, so it should do even better during the rest of the weekend. On the low end, it will open with $20 million, which is very close to its $20.7 million production budget. On the high end, it could reach $30 million and break records for both the studio, STX Entertainment, and the lead actress, Jennifer Lopez. (Although in the latter case, it would be her live-action record.) I think the higher end is more likely, which means the movie should top our $24 million prediction. More...

Weekend Predictions: Can Hustle Con Its Way Past It?

September 12th, 2019

It: Chapter Two

There are only two wide releases this weekend, Hustlers and The Goldfinch. The buzz surrounding Hustlers has grown at the perfect time, but it has a non-zero chance of topping It: Chapter Two for top spot on the weekend box office chart. On the other hand, The Goldfinch is seen as busted Oscar-bait and will only open in the top five due to extremely weak competition. This weekend last year, The Predator earned first place with close to $25 million, while the other two wide releases earned about that combined. This means last year’s three new releases will be more potent than this year’s two new releases, but I think 2019 will earn a comfortable win, in part thanks to this year’s much better depth. More...

The Goldfinch Trailer

September 3rd, 2019

Drama starring Ansel Elgort opens September 13 ... Full Movie Details.

Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day… a painting of a tiny bird chained to its perch. The Goldfinch. More...

2019 Preview: September

September 1st, 2019

It: Chapter Two

Summer ended on a thoroughly mediocre note, with more August releases missing expectations than topping them. That said, it wasn’t a complete mess, with Hobbs and Shaw doing extremely well internationally, and some others heading towards profitability, if not becoming spectacular hits. September, on the other hand, should be one of the best months in the year, at least on the year-over-year competition. The month starts with It: Chapter Two, which could open with more than $100 million. By comparison, last September, only one film, The Nun, earned more than $100 million in total. Additionally, Abominable has a slim but realistic chance at reaching the $100 million milestone, so it should be a great month on the year-over-year comparison. 2019 isn’t going to catch up to 2018, but it should narrow the gap considerably. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day… a painting of a tiny bird chained to its perch. The Goldfinch.

Metrics

Opening Weekend:$2,679,027 (50.2% of total gross)
Legs:1.99 (domestic box office/biggest weekend)
Domestic Share:56.6% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 0.2 times production budget)
Theater counts:2,542 opening theaters/2,542 max. theaters, 2.3 weeks average run per theater
Infl. Adj. Dom. BO $6,275,728

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu

Movie Details

Domestic Releases: September 13th, 2019 (Wide) by Warner Bros.
International Releases: September 12th, 2019 (Wide), released as ЩЕГОЛ (Russia (CIS))
September 13th, 2019 (Wide), released as Щиглецът (Bulgaria)
September 13th, 2019 (Wide), released as O Pintassilgo (Portugal)
September 13th, 2019 (Wide), released as The Goldfinch: Iluzia Libertății (Romania)
September 13th, 2019 (Wide), released as Stehlík (Slovakia)
... Show all releases
Video Release: November 19th, 2019 by Warner Home Video
MPAA Rating: R for drug use and language.
(Rating bulletin 2553 (Cert #51907), 11/14/2018)
Running Time: 149 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: Young Child Dealing with the Death of a Parent, Dysfunctional Family, Child Abuse, Gambling, Addiction, Artists, Forgery, Set in New York, Set in New York City, Terrorism, Narcotics, Organized Crime, Unrequited Love, Coming of Age, Crime Drama
Source:Based on Fiction Book/Short Story
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Warner Bros., Color Force, Amazon Studios
Production Countries: United States
Languages: English

Leading Cast

Ansel Elgort    Theodore “Theo” Decker

Supporting Cast

Oakes Fegley    Young Theodore
Aneurin Barnard    Boris
Finn Wolfhard    Young Boris
Sarah Paulson    Xandra
Luke Wilson    Larry Decker
Jeffrey Wright    Hobie
Nicole Kidman    Mrs. Barbour
Willa Fitzgerald    Adult Kitsey Barbour
Ashleigh Cummings    Adult Pippa
Aimee Laurence    Young Pippa
Robert Joy    Welton “Welty” Blackwell
Boyd Gaines    Mr. Barbour
Carly Connors    Young Kitsey Barbour
Luke Kleintank    Platt Barbour
Hailey Wist    Theo’s Mother
Ryan Foust    Young Andy Barbour
Jack DiFalco    Young Platt Barbour
Austin Weyant    Adult Toddy Barbour
Collin Shea Schirramacher    Young Toddy Barbour
Denis O'Hare    Lucius Reeve
Angela Cove    Female Social Worker
Alton Fitzgerald White    Male Social Worker
Joey Slotnick    Dave (Theo’s Psychiatrist)
Dylan Boyd    Student
Gordon Winarick    Adult Tom Cable
Nicky Torchia    Young Tom Cable
Don Castro    Detective #1
Robert Turano    Detective #2
Alma Cuervo    Store Owner
Hank Rogerson    Vegas Teacher
Ryan Katherine Stearns    First Student
Tiana Youtzy    Second Student
Peter Jacobson    Mr. Silver
Caroline Day    Em
Kevin Owen McDonald    Boris’ Father
Karl Jacob    Man
Raphael Corkhill    Barman
Matteo van der Grijn    Gyuri
Gerson Oratmangoen    Indonesian Man
Mark Kingsford    Grozdan
Bill Barberis    Martin
Milan Sekeris    Frits
Brandon Chen    Chinese Teen
Sandy Lopez    Janet
Misha Osherovich    Shirley T
Puja Desai Mehta    Optometrist
David Makman    Forrest Longstreet
Harry Smith    Everett

Narrator(s)

James Donahower    Mr. Beaman

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

John Crowley    Director
Nina Jacobson    Producer
Brad Simpson    Producer
Peter Straughan    Screenwriter
Donna Tartt    Story based on the novel by
Mari Jo Winkler-Ioffreda    Executive Producer
Kevin McCormick    Executive Producer
Sue Kroll    Executive Producer
Courtenay Valenti    Executive Producer
Roger Deakins    Director of Photography
K.K. Barrett    Production Designer
Kelley Dixon    Editor
Kasia Walicka Maimone    Costume Designer
Susan Jacobs    Music Supervisor
Trevor Gureckis    Composer
Ellen Chenoweth    Casting Director
Maggie G. Engelhardt    Unit Production Manager
Mari Jo Winkler-Ioffreda    Unit Production Manager
Christopher Surgent    First Assistant Director
Takahide Kawakami    Second Assistant Director
Margaret Chernin    Co-Producer
Lesley Robson-Foster    Visual Effects Supervisor
Samantha Dyer    Production Supervisor
Deb Jensen    Supervising Art Director
Rena DeAngelo    Set Decorator
Mary Bailey    Script Supervisor
Drew Kunin    Sound Mixer
J. Kevin Draves    Costume Supervisor
Evelyne Noraz    Make up
Mandy Lyons    Hairstylist
Lauri Pitkus    Location Manager
Mark Bero    Special Effects Coordinator
Brad Rohrer    Post-Production Supervisor
Eric Kench    First Assistant Editor
Skip Lievsay    Re-recording Mixer
Paul Urmson    Re-recording Mixer
Skip Lievsay    Supervising Sound Editor
Paul Urmson    Supervising Sound Editor
Blake Leyh    Sound Designer
Larry Zipf    Sound Designer
Wyatt Sprague    Sound Effects Editor
Patrick Cicero    Sound Effects Editor
Michael Feuser    Dialogue Editor
Lidia Tamplenizza    Dialogue Editor
Igor Nikolic    Foley Editor
Matthew Kay    Foley Recordist
Nancy Allen    Music Editor
Parker Chehak    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for December 3rd, 2019

December 4th, 2019

Big Trouble in Little China

Tuesday is the day after Cyber Monday, also know as, “One of the worst days of the year to release something on the home market.” There’s not a lot to talk about, while the biggest release of the week is also one of the biggest disappointments of the year, but the less said about that, the better. As for Pick of the Week contenders, we have Big Trouble in Little China: Collector’s Edition and that’s it. There are a few other releases that are close to that level, but none that reach it. More...

Home Market Releases for November 19th, 2019

November 19th, 2019

Rock ‘n’ Roll High School

It is not a prime week on the home market with Dora and the Lost City of Gold being the biggest first run release. It is worth picking up, but not a contender for Pick of the Week. There were a lot of contenders for that title, including Cold War: The Criterion Collection, Fruits Basket: Season One, Part One, and Rock ‘n’ Roll High School: 40th Anniversary Edition. In the end, I went with Rock ‘n’ Roll High School, but all three will end up in my Blu-ray collection before long. More...

Weekend Wrap-Up: Downton Opens High with New Focus Features Record

September 23rd, 2019

Downton Abbey

It was a strong weekend with almost every film in the top five topping predictions. Downton Abbey dominated the chart with $31.03 million, breaking the record for an opening weekend by a Focus Features film in the process. Both Ad Astra and Rambo: Last Blood also beat expectations, albeit by much, much smaller margins. This helped the overall box office grow 12% from last weekend to $123 million. More importantly, this is 34% higher than the same weekend last year. I was expecting substantial growth, but not this much growth. Granted, 2019 is still behind 2018, but the lead has been cut to 5.5% or $470 million at $8.14 billion to $8.61 billion. Furthermore, if we have a few more good weeks, then optimism will actually return to the box office analysis. More...

Weekend Wrap-Up: Hustlers Helps Box Office Thrive

September 17th, 2019

Hustlers

It: Chapter Two and Hustlers both topped expectations by large margins over the weekend and that helped the overall box office earn $110 million. Granted, this is 20% lower than last weekend; however, this was also 2.2% higher than the same weekend last year and that is by far the more important detail. 2019 is still behind 2018, but the gap closed by a little bit and is now at 5.9% or $500 million at $7.98 billion to $8.48 billion. Fortunately, the international box office is doing better and overall 2019 is merely mediocre and it still has time to improve. More...

Weekend Estimates: Hustlers and It Both Surprise Over Weekend

September 15th, 2019

Hustlers

It is shaping up to be a great weekend at the box office with both Hustlers and It: Chapter Two topping expectations. It: Chapter Two is going to repeat on top, with an estimated sophomore stint of $40.74 million for a running tally of $153.80 million. This represents a 55% decline, which is certainly fantastic for a horror sequel. It still likely means $250 million domestically is out of the question, but even $200 million is amazing for a movie that cost less than $70 million to make. Internationally, the film pulled in another $47 million in 78 markets for a two-week total of $169.5 million. It has already made over $300 million worldwide, which might be enough to break even, depending on its advertising budget and exact share of the box office. If not, it will break even very shortly. More...

Friday Estimates: Hustlers Helps the Box Office Get Lucky on Friday the 13th

September 14th, 2019

Hustlers

Hustlers did surprisingly well to earn first place on Friday with an estimated $13.1 million. This puts it on pace for $32 million over the full weekend, which is more than enough for the biggest opening in STX Entertainment’s history and the biggest live-action opening in Jennifer Lopez’s career. It is not that far behind Crazy Rich Asians’ five-day opening and will also be Constance Wu’s best opening. There’s more good news: The film’s reviews are the best in the top ten at 87% positive and STX Entertainment has tended to have a lot of success giving their films long legs. The Bad Moms franchise is evidence of that. On the downside, the movie only managed a B minus from CinemaScore, but it is a dark comedy and those can be divisive. Additionally, while it earned first place on Friday, it won’t stay there for long. More...

Thursday Night Previews: Hustlers Grab $2.5 million From Eager Costumers

September 13th, 2019

Hustlers

Hustlers started its box office run with $2.5 million in previews last night. This is a faster start than other comparable releases, including the $2 million earned by Bad Moms in 2016. There is some bad news, but only for analysts like myself. There are not a lot of films like this released each year, so there is still a lot of uncertainty going forward. On the positive side, its reviews remain just shy of 90% positive, so the word-of-mouth should be phenomenal. Meanwhile, its target audience isn’t the kind that rushes out to see a movie opening night, so it should do even better during the rest of the weekend. On the low end, it will open with $20 million, which is very close to its $20.7 million production budget. On the high end, it could reach $30 million and break records for both the studio, STX Entertainment, and the lead actress, Jennifer Lopez. (Although in the latter case, it would be her live-action record.) I think the higher end is more likely, which means the movie should top our $24 million prediction. More...

Weekend Predictions: Can Hustle Con Its Way Past It?

September 12th, 2019

It: Chapter Two

There are only two wide releases this weekend, Hustlers and The Goldfinch. The buzz surrounding Hustlers has grown at the perfect time, but it has a non-zero chance of topping It: Chapter Two for top spot on the weekend box office chart. On the other hand, The Goldfinch is seen as busted Oscar-bait and will only open in the top five due to extremely weak competition. This weekend last year, The Predator earned first place with close to $25 million, while the other two wide releases earned about that combined. This means last year’s three new releases will be more potent than this year’s two new releases, but I think 2019 will earn a comfortable win, in part thanks to this year’s much better depth. More...

The Goldfinch Trailer

September 3rd, 2019

Drama starring Ansel Elgort opens September 13 ... Full Movie Details.

Theodore “Theo” Decker was 13 years old when his mother was killed in a bombing at the Metropolitan Museum of Art. The tragedy changes the course of his life, sending him on a stirring odyssey of grief and guilt, reinvention and redemption, and even love. Through it all, he holds on to one tangible piece of hope from that terrible day… a painting of a tiny bird chained to its perch. The Goldfinch. More...

2019 Preview: September

September 1st, 2019

It: Chapter Two

Summer ended on a thoroughly mediocre note, with more August releases missing expectations than topping them. That said, it wasn’t a complete mess, with Hobbs and Shaw doing extremely well internationally, and some others heading towards profitability, if not becoming spectacular hits. September, on the other hand, should be one of the best months in the year, at least on the year-over-year competition. The month starts with It: Chapter Two, which could open with more than $100 million. By comparison, last September, only one film, The Nun, earned more than $100 million in total. Additionally, Abominable has a slim but realistic chance at reaching the $100 million milestone, so it should be a great month on the year-over-year comparison. 2019 isn’t going to catch up to 2018, but it should narrow the gap considerably. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 13, 2019 8 $2,679,027   2,542 $1,054   $2,679,027 1
Sep 20, 2019 15 $760,014 -72% 2,542 $299   $4,540,117 2
Sep 27, 2019 21 $152,511 -80% 442 $345   $5,129,636 3
Oct 4, 2019 38 $38,237 -75% 86 $445   $5,259,303 4
Oct 11, 2019 48 $21,659 -43% 86 $252   $5,300,261 5
Oct 18, 2019 53 $11,141 -49% 40 $279   $5,327,383 6

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Sep 13, 2019 5 $868,127     2,542 $342   $868,127 1
Sep 14, 2019 8 $1,106,662 +27%   2,542 $435   $1,974,789 2
Sep 15, 2019 8 $704,238 -36%   2,542 $277   $2,679,027 3
Sep 16, 2019 5 $257,133 -63%   2,542 $101   $2,936,160 4
Sep 17, 2019 5 $419,867 +63%   2,542 $165   $3,356,027 5
Sep 18, 2019 6 $248,019 -41%   2,542 $98   $3,604,046 6
Sep 19, 2019 8 $176,057 -29%   2,542 $69   $3,780,103 7
Sep 20, 2019 15 $219,156 +24% -75% 2,542 $86   $3,999,259 8
Sep 21, 2019 - $314,814 +44% -72% 2,542 $124   $4,314,073 9
Sep 22, 2019 - $226,044 -28% -68% 2,542 $89   $4,540,117 10
Sep 23, 2019 14 $91,892 -59% -64% 2,542 $36   $4,632,009 11
Sep 24, 2019 12 $146,350 +59% -65% 2,542 $58   $4,778,359 12
Sep 25, 2019 11 $107,343 -27% -57% 2,542 $42   $4,885,702 13
Sep 26, 2019 13 $91,423 -15% -48% 2,542 $36   $4,977,125 14
Sep 27, 2019 - $42,531 -53% -81% 442 $96   $5,019,656 15
Sep 28, 2019 - $62,168 +46% -80% 442 $141   $5,081,824 16
Sep 29, 2019 - $47,812 -23% -79% 442 $108   $5,129,636 17
Sep 30, 2019 - $23,528 -51% -74% 442 $53   $5,153,164 18
Oct 1, 2019 - $30,132 +28% -79% 442 $68   $5,183,296 19
Oct 2, 2019 - $21,896 -27% -80% 442 $50   $5,205,192 20
Oct 3, 2019 - $15,874 -28% -83% 442 $36   $5,221,066 21
Oct 4, 2019 - $10,392 -35% -76% 86 $121   $5,231,458 22
Oct 5, 2019 - $16,029 +54% -74% 86 $186   $5,247,487 23
Oct 6, 2019 - $11,816 -26% -75% 86 $137   $5,259,303 24
Oct 7, 2019 - $5,138 -57% -78% 86 $60   $5,264,441 25
Oct 8, 2019 - $5,573 +8% -82% 86 $65   $5,270,014 26
Oct 9, 2019 - $5,061 -9% -77% 86 $59   $5,275,075 27
Oct 10, 2019 - $3,527 -30% -78% 86 $41   $5,278,602 28
Oct 11, 2019 - $6,127 +74% -41% 86 $71   $5,284,729 29
Oct 12, 2019 - $9,241 +51% -42% 86 $107   $5,293,970 30
Oct 13, 2019 - $6,291 -32% -47% 86 $73   $5,300,261 31
Oct 14, 2019 - $4,098 -35% -20% 86 $48   $5,304,359 32
Oct 15, 2019 - $3,456 -16% -38% 86 $40   $5,307,815 33
Oct 16, 2019 - $4,041 +17% -20% 86 $47   $5,311,856 34
Oct 17, 2019 - $4,386 +9% +24% 86 $51   $5,316,242 35
Oct 18, 2019 - $2,961 -32% -52% 40 $74   $5,319,203 36
Oct 19, 2019 - $3,987 +35% -57% 40 $100   $5,323,190 37
Oct 20, 2019 - $4,193 +5% -33% 40 $105   $5,327,383 38
Oct 21, 2019 - $1,533 -63% -63% 40 $38   $5,328,916 39
Oct 22, 2019 - $1,117 -27% -68% 40 $28   $5,330,033 40
Oct 23, 2019 - $1,312 +17% -68% 40 $33   $5,331,345 41
Oct 24, 2019 - $1,276 -3% -71% 40 $32   $5,332,621 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Sep 13, 2019 7 $3,780,103   2,542 $1,487   $3,780,103 1
Sep 20, 2019 15 $1,197,022 -68% 2,542 $471   $4,977,125 2
Sep 27, 2019 25 $243,941 -80% 442 $552   $5,221,066 3
Oct 4, 2019 40 $57,536 -76% 86 $669   $5,278,602 4
Oct 11, 2019 47 $37,640 -35% 86 $438   $5,316,242 5
Oct 18, 2019 53 $16,379 -56% 40 $409   $5,332,621 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/20/2019 $4,272 30 30 30 $6,004 9/30/2019
Australia 9/27/2019 $74,938 40 54 195 $239,923 11/7/2019
Bulgaria 9/13/2019 $5,017 0 0 0 $13,525 10/2/2019
Czech Republic 10/11/2019 $7,202 66 66 66 $7,202 10/19/2022
France 9/20/2019 $151,276 240 240 240 $151,276 9/30/2019
Netherlands 10/11/2019 $79,511 63 63 124 $199,043 10/19/2022
New Zealand 9/26/2019 $16,005 18 30 123 $74,641 11/26/2019
Portugal 9/13/2019 $19,906 36 36 79 $45,202 10/1/2019
Romania 9/13/2019 $17,873 59 59 120 $40,138 10/21/2019
Russia (CIS) 9/12/2019 $553,081 783 783 2,074 $1,199,721 10/19/2022
Slovakia 9/13/2019 $8,481 66 66 85 $14,211 9/24/2019
Turkey 9/27/2019 $15,578 84 84 95 $24,865 10/19/2022
United Kingdom 9/27/2019 $395,037 515 515 515 $395,037 10/2/2019
 
Rest of World $1,686,501
 
International Total$4,097,289 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.