New Zealand Box Office for Goosebumps (2015)

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Goosebumps poster
Theatrical Performance (US$)
New Zealand Box Office $513,116Details
Worldwide Box Office $158,952,243Details
Home Market Performance
North America DVD Sales $12,384,561 Details
North America Blu-ray Sales $8,211,390 Details
Total North America Video Sales $20,595,951
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Upset about moving from a big city to a small town, teenager Zach Cooper finds a silver lining when he meets the beautiful girl, Hannah, living right next door. But every silver lining has a cloud, and Zach’s comes when he learns that Hannah has a mysterious dad who is revealed to be R. L. Stine, the author of the bestselling Goosebumps series. It turns out that there is a reason why Stine is so strange… he is a prisoner of his own imagination—the monsters that his books made famous are real, and Stine protects his readers by keeping them locked up in their books. When Zach unintentionally unleashes the monsters from their manuscripts and they begin to terrorize the town, it’s suddenly up to Stine, Zach, and Hannah to get all of them back in the books where they belong.

Metrics

Movie Details

Production Budget:$58,000,000
New Zealand Releases: December 4th, 2015 (Wide)
Video Release: January 12th, 2016 by Sony Pictures Home Entertainment
MPAA Rating: PG for scary and intense creature action and images, and for some rude humor.
(Rating bulletin 2380, 7/1/2015)
Running Time: 103 minutes
Franchise: Goosebumps
Keywords: Writing and Writers, Young Adult Book Adaptation, Creature Feature, Werewolf, Killer Inanimate Objects, Bigfoot, Fiction / Reality Crossover, Monster, 3-D, 3-D - Post-production Conversion, Kids Horror
Source:Based on Fiction Book/Short Story
Genre:Horror
Production Method:Animation/Live Action
Creative Type:Kids Fiction
Production/Financing Companies: Columbia Pictures, Sony Pictures Animation, LStar Capital, Village Roadshow Productions, Original Film, Scholastic Entertainment Inc.
Production Countries: United States
Languages: English

Home Market Releases for January 26th, 2016

January 26th, 2016

Goosebumps

It is a really slow week on the home market this week. Not only are there very few releases, none of them are top-tier. The biggest release of the week is Goosebumps, but it is only good and not great. There are plenty of films worth picking up (The Assassin, Chi-raq, The Wrong Man, etc.) but none truly rise to Pick of the Week level. More...

Home Market Releases for January 12th, 2016

January 12th, 2016

David Bowie: Blackstar

It is a busy week for first run releases with four of them on this week's list. Of these, The Martian is the biggest and the best. It would have been the Pick of the Week except for two things. One, the screener is late. Two, David Bowie passed away over the weekend. He died after an 18-month battle with cancer and just two days after his last album came out. This is the the most poignant Rock'n'Roll death since Freddie Mercury and it seems fitting to give Blackstar the title of Pick of the Week. More...

Weekend Wrap-Up: Spectre Doesn't Break Records, but Earns More Than Just Peanuts

November 9th, 2015

The Peanuts Movie

It was a good weekend at the box office, but not a great weekend. Both Spectre and The Peanuts Movie opened well enough to be considered hits, but didn't quite reach the high marks I had expected. Call it irrational exuberance. Even though Spectre didn't break the record for the Bond franchise, it still did almost as well as all of the box office did last weekend. Additionally, The Peanuts Movie opened with more than $40 million, which is a great start, while its target audience should help its legs. The overall box office was $162 million, which is 115% more than last weekend. It was also 3.0% more than the same weekend last week, so the slump we've been in is officially over. Year-to-date, 2015 is now ahead of 2014 by a 4.9% margin at $8.89 billion to $8.48 billion. A $415 million lead with less than two months to go seems really safe, especially with a few more potential monster hits on the way. More...

Weekend Predictions: Will the New Releases do Good, or is There More Grief for the Box Office?

November 5th, 2015

Spectre

I've been working at The Numbers for 13 years. The past two weekends were worst back-to-back weekends that I can recall and the numbers back that up. So thank goodness October is over and November has officially begun and with that, the Holiday Box Office season has begun. There are two potential monster hits opening wide this week: Spectre and The Peanuts Movie. Both are the latest installments of long running franchises. Spectre is the 26th Bond movie (not all of which are part of the official Bond franchise). The Peanuts Movie is based on a comic strip that started officially in the 1950s and has been turned into countless TV cartoons and a handful of TV specials over the years, but it hasn't had a theatrical release for decades. These two films should dominate the market and combined they might earn twice as much as all of the films last weekend earned. There should be huge growth compared to last year, when Big Hero 6 and Interstellar earned just over $100 million combined. We've had a really bad couple of weeks, but things should really turn around this weekend. More...

International Box Office: Spectre has Spectacular Start

November 5th, 2015

Spectre

Spectre opened in first place with $80.4 million during its seven-day opening weekend. That doesn't seem like a huge amount, especially considering some of the opening weekends we've seen on the international stage this year. However, there is a mitigating factor. It was only playing in six markets. This includes the U.K., where the film broke records with $62.82 million in 651 theaters. This is equivalent to a $300 million opening week here, which would be the record for a seven-day box office here. We shouldn't get too ahead of ourselves, as Bond films have a natural affinity for that market. It does mean Spectre has a real shot at a $100 million opening weekend here. More...

Weekend Wrap-Up: Box Office is in Crisis Mode

November 2nd, 2015

Our Brand is Crisis

Most people expected the box office to be really weak this past weekend, but I don't think anyone anticipated this. How bad was this past weekend? All three new releases missed the Mendoza line* and there were no new releases in the top five. The overall box office was just $75 million, which was the lowest for the year and the fourth worst weekend in the past decade. This represents a 28% drop-off from last week and a 21% drop-off from the same weekend last year. 2015's overall lead over 2014 shrunk from 5.2% to 4.7%. The overall lead fell by $40 million at $8.69 billion to $8.31 billion. This is reason to panic, or it would be if Spectre wasn't opening on Friday. The film is breaking records in the U.K. and should be an explosive hit here. Hopefully it will do well enough that we can pretend the past two weeks never happened. More...

Weekend Estimates: Martian Avoids the Burnt Zombie Crisis

November 1st, 2015

The Martian

Halloween is a horror show for new releases, with none of them able to break a $2,000 theater average and The Martian enjoying a fourth weekend at the top of the chart. The sci-fi movie will earn about $11.4 million this weekend, for a total of $182.8 million, per Fox’s Sunday morning projection—down 28% from last weekend. The adult-skewing audience for the film meant it wasn’t badly affected by Halloween on Saturday, with its daily gross up 32% from Friday. In comparison, Goosebumps was up just 9% on Saturday, which leaves it too much to do to steal top spot. Sony projects the family adventure-horror film will end the weekend with $10.25 million over three days and $57.1 million in total. The new wide releases, meanwhile, will barely earn $10 million between them. More...

Friday Estimates: Halloween Haunts the Box Office

October 31st, 2015

Scouts Guide to the Zombie Apocalypse

Because Halloween is a dead zone for the box office when it lands during the weekend, it has a major effect on the box office. Therefore, it is important for box office analysts to compare weekends where the holiday lands on the same day. This is a problem, because the last time Halloween landed on a Saturday was 2009. The only film to open wide that weekend was Michael Jackson's This is It, which is in no way similar to any of the movies that opened wide this weekend. The previous similar weekend was in 1998, but while Vampires is a closer match to Scouts Guide to the Zombie Apocalypse, the box office has changed too much to compare the films. We're flying blind this weekend. Fortunately, even flying blind, it is easy to make one declaration: All three wide releases bombed. More...

Weekend Predictions: Halloween Horrors

October 29th, 2015

Our Brand is Crisis

Halloween is a dead zone for the box office, for the most part, and this year it lands on Saturday. Unless we are dealing with a horror film, it's going to be a bad weekend. There are two truly wide openings this weekend, Burnt and Our Brand is Crisis, neither of which are horror films. There is also one semi-wide release, Scouts Guide to the Zombie Apocalypse, which is a horror movie, but the buzz is so quiet I don't think it will matter. All three movies are earning bad reviews and it looks like the top three this weekend will be the same as they were last weekend. (There's a chance Goosebumps gets a big enough Halloween boost to climb into first place.) This weekend last year, there was only one new release in the top ten, Nightcrawler, which earned second place with just over $10 million. That's better than any one of the new releases will do this year; however, there's better depth this year, so I think 2015 will come out on top on the year-over-year comparison. More...

Contest: On the Hunt: Winning Announcement

October 27th, 2015

The Last Witch Hunter

The winners of our On the Hunt contest were determined and the entrants with the closest predictions for The Last Witch Hunter opening weekend were... More...

Weekend Wrap-Up: New Releases were Hunted Down

October 26th, 2015

The Last Witch Hunter

Most of the new releases were not expected to do well at the box office. ... Almost no one saw this coming. We had some near-record bombs this weekend and even the best of the new releases were terrible. This left The Martian in first place; in fact, the top three spots and four of the top five were held by holdovers. The best new release, The Last Witch Hunter, barely cracked the $10 million mark. The overall box office fell 14% from last weekend to $105 million. This was also 9.5% lower than the same weekend last year. Midweek numbers were better this year than last year, so the year-over-year actually improved and 2015 now has a 5.2% lead over 2014 at $8.60 billion to $8.18 billion. More...

Weekend Estimates: Martian Avoids the Wreckage

October 25th, 2015

The Martian

Dismal is about the politest word that can be applied to the box office performance of new releases this weekend. None of the five films new in wide release managed to make the top three on the chart, and two of them didn’t even crack the top ten. That leaves The Martian and Goosebumps to battle it out for first place, and a fourth-week decline of just 25% for The Martian looks virtually certain to give it the win. Fox projects it will make $15.9 million for a total by the end of the weekend of $166 million or so. Its performance to date falls neatly between that of Interstellar and Gravity, which puts the sci-fi adventure on course for a final domestic box office of $230 million (see full comps here). More...

Friday Estimates: Rock Bottom

October 24th, 2015

Rock the Kasbah

Where to start? There are so many new releases to talk about and none of them did well. Some did so poorly that talking about them seems mean. So, let’s start by saying that Friday’s box office chart was led by The Martian, while Goosebumps has a shot at repeating on top of the chart, with each film earning about $14 million to $15 million. Meanwhile, Bridge of Spies should earn third place over the weekend with between $11 million and $12 million. More...

Weekend Predictions: Moviegoers Should be Scared to See a New Release this Weekend

October 22nd, 2015

Jem and the Holograms

The box office prediction contests for the past few weeks have had a horror / "horror" theme. That is to say, two people won horror movies and the third won movies that were so bad it is scary they exist. There are four new releases this weekend and they all epitomize the latter. Paranormal Activity: The Ghost Dimension has a review embargo, which is never a good sign, while the other three wide releases are all earning less than 20% positive reviews. Does that mean there's nothing worth seeing this week? Nope. Fortunately, Steve Jobs is expanding wide and should earn first place at the box office. It is the only film on this week's list with a shot at $20 million. This weekend last year, Ouija nearly reached $20 million and five other films earned $10 million. I don't think we will match that this year. It could be close and any gain or loss in the year-over-year comparison should be in single digits, so there's no reason to be overly concerned. More...

Contest: Cutis Anserina: Winning Announcement

October 21st, 2015

Goosebumps

The winners of our Cutis Anserina contest were determined and the entrants with the closest predictions for Goosebumps opening weekend were... More...

Weekend Wrap-Up: Goosebumps Leads Unstimulating Weekend

October 20th, 2015

Bridge of Spies

It is hard to get excited about the weekend box office results, as the top four films all missed predictions. (Granted, Bridge of Spies came within a rounding error of expectations.) Goosebumps did well for a live-action family film, but still not great. The Martian fell faster than anticipated, but it was Crimson Peak that was the biggest disappointment. Overall, the box office rose 2.5% from last weekend to $121 million. However, this was 7.6% lower than the same weekend last year. Had every film in the top five matched expectations, then this gap would have been reduced to just a percent or two. Despite this, 2015 is still ahead of 2014 by more than $400 million at $8.46 billion to $8.05 billion. It would take a few more weeks of year-over-year declines before I would be concerned. More...

Weekend Estimates: Goosebumps Set to Win Tight Race

October 18th, 2015

Goosebumps

A slightly-softer-than-expected (but still good) opening for Goosebumps will be enough to take the film to the top of the box office chart this weekend, according to studio projections released on Sunday morning. Sony expects the family horror adventure to come in with $23.5 million on opening weekend, which is a solid enough start, and sets the film up for a good run, helped by strong reviews and Halloween coming up in a couple of weeks. The Martian will land in second with a projected $21.5 million as of this morning, a slightly steeper-than-expected 42% decline from last weekend, and a total to date around $144 million. In general, we’re looking at quite a few steep drops from last weekend thanks to an unfavorable comparison with the Columbus Day long weekend and a batch of new releases. More...

Friday Estimates: Close Race for First makes for Interesting Weekend

October 17th, 2015

Bridge of Spies

It looks like it will be a very interesting weekend, as Goosebumps and The Martian appear to be in a close race for first place. Goosebumps led the way on Friday with $7.35 million. This is 40% more than Pan’s opening day last weekend. Add in the film’s better reviews and its family-friendly target audience and it should have a solid internal multiplier, perhaps in the vacinity of Alexander and the Blah, Blah, Blah. That puts Goosebumps on track for a $25 million opening. That’s a little lower than I would have liked and the film will need solid legs and a reasonable international run to break even. I wouldn’t bet against it breaking even, but I don't think it will be turned into a franchise. More...

Midnight Box Office: Crimson Peak Scares Goosebumps

October 16th, 2015

Crimson Peak

Two scary films started their box office runs last night with Crimson Peak earning $855,000, putting it ahead of Goosebumps, which pulled in $600,000. By comparison, Sinister 2 earned $800,000 during its midnight showings on its way to a $10.54 million opening weekend. Sinister 2 had ... issues with its reviews, unlike Crimson Peak, which is earning 68% positive reviews. Perhaps Ouija, which opened this time last year, would be a better comparison. It earned $911,000 during its midnight shows on its way to a $19.88 million opening weekend. It too struggled with critics, but I think the release date makes it a better comparison. Crimson Peak could reach $20 million over the weekend. More...

Weekend Predictions: Will Goosebumps Bump Off the Competition?

October 15th, 2015

Goosebumps

We are getting closer to Halloween and there are two scary movies opening wide this weekend. Goosebumps is a live-action family film and as we saw with Pan, those are rarely big hits. On the other hand, this film is earning great reviews and cost about 60% less to make, so even if it just matches Pan's opening, it will still have a shot at profitability. Crimson Peak is an old-fashioned Haunted House horror film, similar to The Woman in Black, but with a $55 million production budget. That might be too much to recoup. Finally there's Bridge of Spies, a Cold War era Spy Thriller. Its reviews are the best for this week, but its target audience isn't known for rushing out to see a movie opening weekend. This weekend last year, there were five films with more than $10 million, but only one with more than $20 million. This year, we should have the same number of $10 million movies, but at least two $20 million movies and perhaps even a $30 million movie. I think 2015 has the edge in the year-over-year comparison, but unless the new releases are bigger hits than most anticipate, it could be close. More...

Contest: Out of the Frying Pan: Winning Announcement

October 14th, 2015

Pan

The winners of our Out of the Frying Pan contest were determined and the entrants with the closest predictions for Pan opening weekend were... More...

Contest: Cutis Anserina

October 9th, 2015

Goosebumps

There are three wide releases coming out next weekend. None are expected to become $100 million hits, but none are expected to bomb either. There are two horror films coming out, which fits the theme of the prizes. Goosebumps is the bigger of these two films and is earning surprisingly strong early reviews. As such, it is the best choice for the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Goosebumps.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays. There is a difference this time. Two people will earn Frankenprizes consisting of two horror movies. The other winner will earn a Frankprize consisting of two "horror" movies, that is to say movies so bad that it will fill you with horror. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2015 Preview: October

October 1st, 2015

The Martian

September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/12/04 4 $98,432   125 $787   $98,432 1
2015/12/11 3 $91,414 -7% 125 $731   $272,605 2
2015/12/18 6 $63,269 -31% 83 $762   $385,528 3
2015/12/25 13 $14,523 -77% 77 $189   $458,221 4
2016/01/01 19 $15,081 +4% 35 $431   $497,000 5
2016/01/08 23 $3,731 -75% 12 $311   $490,895 6
2016/01/15 29 $1,417 -62% 7 $202   $455,699 7
2016/01/22 26 $1,813 +28% 7 $259   $459,114 8
2016/01/29 29 $1,388 -23% 4 $347   $461,440 9
2016/02/05 29 $1,761 +27% 5 $352   $463,251 10
2016/02/12 34 $807 -54% 4 $202   $464,971 11
2016/02/19 29 $2,225 +176% 14 $159   $467,196 12
2016/02/26 36 $1,715 -23% 2 $858   $468,935 13
2016/03/04 33 $1,940 +13% 4 $485   $470,851 14
2016/03/11 35 $1,806 -7% 4 $452   $524,536 15
2016/03/18 36 $1,521 -16% 3 $507   $475,459 16
2020/10/30 - $472   8 $59   $513,116 257

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/29/2015 $471,783 141 141 416 $1,225,023 12/31/2018
Aruba 10/15/2015 $1,007 2 3 8 $12,948 12/30/2018
Australia 1/15/2016 $1,983,466 331 331 1787 $7,406,748 10/20/2022
Austria 2/5/2016 $127,941 91 92 364 $371,347 6/9/2016
Bahrain 10/29/2015 $66,530 8 8 28 $198,319 12/30/2018
Belgium 1/27/2016 $142,458 65 73 234 $458,130 6/9/2016
Bolivia 10/22/2015 $67,148 33 33 116 $323,190 12/30/2018
Brazil 10/22/2015 $654,670 470 470 1279 $1,856,393 11/13/2018
Bulgaria 10/23/2015 $19,325 38 39 138 $89,488 12/30/2018
Cambodia 10/16/2015 $43,507 15 15 27 $85,847 12/30/2018
Central America 10/22/2015 $275,019 156 156 414 $863,792 12/16/2015
Chile 10/29/2015 $157,613 86 86 262 $510,804 12/30/2018
Colombia 10/29/2015 $511,173 182 184 604 $1,612,045 12/30/2018
Croatia 12/3/2015 $14,764 32 32 105 $46,895 12/31/2018
Curacao 10/15/2015 $2,939 4 4 13 $10,745 12/30/2018
Czech Republic 11/12/2015 $115,875 156 156 380 $279,720 12/30/2018
Dominican Republic 10/29/2015 $17,309 26 26 58 $51,485 12/30/2018
Ecuador 10/23/2015 $177,955 84 84 353 $769,045 12/30/2018
Egypt 10/29/2015 $36,921 11 11 53 $145,359 12/31/2018
Estonia 12/4/2015 $7,228 11 11 24 $15,538 12/21/2015
France 2/10/2016 $915,348 410 410 1347 $2,287,165 6/9/2016
Germany 2/4/2016 $919,224 801 801 2772 $2,487,869 6/9/2016
Ghana 10/23/2015 $0 0 2 4 $4,295 12/30/2018
Greece 12/10/2015 $34,406 31 31 68 $86,197 9/5/2016
Hong Kong 10/22/2015 $359,023 105 105 225 $820,855 12/16/2015
Hungary 10/29/2015 $65,251 74 74 258 $167,868 12/30/2018
India 10/30/2015 $458,307 409 409 706 $839,982 12/16/2015
Indonesia 10/14/2015 $1,241,820 266 266 733 $2,384,961 12/30/2018
Iraq 10/29/2015 $11,129 5 5 15 $35,128 12/30/2018
Israel 10/15/2015 $43,961 23 23 133 $209,356 12/31/2018
Italy 1/21/2016 $476,280 180 200 575 $1,128,744 6/9/2016
Jamaica 10/21/2015 $4,993 1 6 18 $42,451 12/30/2018
Jordan 10/29/2015 $20,860 5 6 27 $84,707 12/30/2018
Kenya 10/23/2015 $6,830 11 12 29 $34,230 12/30/2018
Kuwait 10/29/2015 $173,394 16 16 36 $386,904 12/30/2018
Latvia 12/4/2015 $12,882 9 9 21 $29,537 12/31/2018
Lebanon 10/29/2015 $45,595 17 18 65 $133,255 12/30/2018
Lithuania 12/4/2015 $11,822 11 11 23 $22,480 12/21/2015
Malaysia 10/14/2015 $912,077 153 162 665 $2,549,874 12/16/2015
Mexico 10/23/2015 $2,913,233 1850 1850 3634 $7,105,137 12/21/2015
Netherlands 2/11/2016 $103,742 72 73 263 $292,614 6/9/2016
New Zealand 12/4/2015 $98,432 125 125 519 $513,116 10/19/2022
Nigeria 10/23/2015 $17,628 17 17 61 $95,221 12/30/2018
North America 10/16/2015 $23,618,556 3,501 3,618 20,942 $80,069,458 6/24/2017
Norway 11/27/2015 $55,675 187 187 381 $168,632 12/21/2015
Oman 10/29/2015 $41,052 8 10 21 $90,988 12/30/2018
Peru 10/29/2015 $418,339 135 135 451 $1,523,924 12/30/2018
Philippines 10/21/2015 $602,246 147 147 365 $1,432,853 12/30/2018
Poland 2/5/2016 $52,333 98 98 219 $146,981 12/31/2018
Portugal 1/28/2016 $31,154 27 27 67 $72,683 6/9/2016
Qatar 10/29/2015 $111,484 8 8 22 $249,875 12/30/2018
Romania 11/13/2015 $113,663 55 55 170 $245,060 12/30/2018
Russia (CIS) 12/3/2015 $1,266,147 1460 1460 3690 $2,560,057 11/20/2018
Serbia and Montenegro 12/3/2015 $3,972 14 14 34 $11,505 12/31/2018
Singapore 10/29/2015 $380,298 18 26 100 $1,080,066 12/16/2015
Slovakia 10/29/2015 $20,264 46 46 91 $35,946 11/25/2015
Slovenia 12/3/2015 $4,340 11 11 26 $12,982 6/9/2016
South Africa 10/30/2015 $131,357 107 107 440 $646,554 9/5/2016
South Korea 1/14/2016 $12,273 0 514 797 $1,876,174 9/7/2018
Spain 1/29/2016 $1,094,079 352 352 1838 $3,186,689 6/9/2016
Suriname 10/22/2015 $3,199 1 2 6 $9,855 12/30/2018
Switzerland 1/21/2016 $0 0 34 91 $145,035 6/9/2016
Syria 10/29/2015 $1,114 1 1 3 $4,537 12/30/2018
Taiwan 12/31/2015 $538,765 95 95 279 $1,187,877 6/9/2016
Thailand 12/24/2015 $325,266 136 136 369 $1,379,766 6/9/2016
Trinidad 10/21/2015 $74,427 17 17 62 $190,215 12/30/2018
Turkey 11/27/2015 $55,546 108 108 150 $93,766 12/30/2018
Ukraine 12/31/2015 $123,794 218 218 457 $309,541 12/31/2018
United Arab Emirates 10/29/2015 $572,136 71 71 189 $1,238,306 12/30/2018
United Kingdom 2/5/2016 $3,886,147 510 526 4229 $12,978,418 6/9/2016
Uruguay 10/22/2015 $29,322 15 17 109 $172,786 12/31/2018
Venezuela 10/30/2015 $882,664 72 72 755 $9,129,508 6/9/2016
Vietnam 10/16/2015 $180,144 103 103 267 $627,399 12/30/2018
 
Worldwide Total$158,952,243 10/20/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jack Black    Stine/Voice of "Slappy"/"Invisible Boy"
Dylan Minette    Zach
Odeya Rush    Hannah

Supporting Cast

Amy Ryan    Gale
Ryan Lee    Champ
Jillian Bell    Lorraine
Ken Marino    Coach Carr
Timothy Simons    Officer Stevens
Halston Sage    Taylor
Steven Krueger    Davidson
Keith Arthur Bolden    Principal Garrison
Amanda Lund    Officer Brooks
Karan Soni    Mr. Rooney
R.L. Stine    Hallway Player
Caleb Emery    Dumb Jock
Gabriela Fraile    Screaming Girl
Nate Andrade    Monster
Sheldon Brown    Monster
Marshall Choka    Monster
Melissa Brewer    Monster
Melissa Cowan    Monster
John Deifer    Monster
Evertt Dixon    Monster
Brian Gabriel    Monster
Kevin Galbraith    Monster
MaryAnne Gorka    Monster
Devin Hampton    Monster
Clare Halstead    Monster
Rory Healy    Monster
Drew Lampkins    Monster
Charlie Leach    Monster
Vivian Kyle    Monster
Katie Lumpkin    Monster
Larry Mainland    Monster
Justin Natic    Monster
Lucky Mangione    Monster
Josh Philips    Monster
Mickie Pollock    Monster
Steve Quinn    Monster
Ashleigh Sizemore    Monster
Jeff Tenny    Monster
Jennifer Trudung    Monster
Ashton Woolen    Monster
Coleman Youmans    Monster

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Rob Letterman    Director
Deborah Forte    Producer
Neal H. Moritz    Producer
Darren Lemke    Screenwriter
R.L. Stine    Based on the Goosebumps Books Written By
Scott Alexander    Story Creator
Larry Karaszewski    Story Creator
Tania Landau    Executive Producer
Bill Bannerman    Executive Producer
Ben Waisbren    Executive Producer
Bruce Berman    Executive Producer
Greg Basser    Executive Producer
Javier Aguirresarobe    Director of Photography
Sean Haworth    Production Designer
Jim May    Editor
Judianna Makovsky    Costume Designer
Danny Elfman    Composer
Bill Bannerman    Unit Production Manager
Justin Muller    First Assistant Director
Dawn Massaro-Adams    Second Assistant Director
Greg Baxter    Co-Producer
Haley Sweet    Production Supervisor
Dawn Snyder    Art Director
Patrick Sullivan    Art Director
Andrew White    Art Director
Frank Galline    Set Decorator
Valeria Migliassi Collins    Script Supervisor
Nick Scarano    Costume Supervisor
Fionagh Cush    Make up
Phyllis Temple    Make up
Adruitha Lee    Hairstylist
Elizabeth Robinson    Hairstylist
Mary H. Ellis    Sound Mixer
John Frazier    Special Effects Coordinator
Eric Rylander    Special Effects Supervisor
Carlos Huante    Creature Designer
Neville Page    Creature Designer
Justin Fields    Creature Designer
Maida Morgan    Location Manager
Marco Rubeo    Set Designer
Thomas Minton    Set Designer
Vincent Bates    Set Designer
G. A. Aguilar    Second Unit Director
Debbie Tennant    Additional Editor
Joshua Kirchmer    Assistant Editor
Kevin O'Connell    Re-recording Mixer
Beau Borders    Re-recording Mixer
Ethan Van der Ryn    Supervising Sound Editor
John Marquis    Supervising Sound Editor
John Marquis    Sound Designer
Jason W. Jennings    Sound Designer
Bob Kellough*    Sound Effects Editor
Nancy Nugent Title    Supervising Dialogue Editor
Bill Abbott    Music Editor
Denise Okimoto    Music Editor
Terry Wilson    Music Editor
Chris Bacon    Additional Music
T.J. Lindgren    Additional Music
Paul Mounsey    Additional Music
Jason Snyman    Animation Supervisor
Omar Morsy    Animation Supervisor
Ravi Bansal    Art Director
Avery Lee Jones    Puppeteer-Slappy Puppeteer
Jake McKinnon    Puppeteer-Slappy Puppeteer
Stephen Pope    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.