Germany Box Office for The Grand Seduction (2014)

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The Grand Seduction poster
Theatrical Performance (US$)
Germany Box Office $163,162Details
Worldwide Box Office $3,669,858Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A small fishing village must procure a local doctor to secure a lucrative business contract. When unlikely candidate and big city doctor Paul Lewis lands in their lap for a trial residence, the townsfolk rally together to charm him into staying. As the doctor's time in the village winds to a close, acting mayor Murray French has no choice but to pull out all the stops and begin The Grand Seduction.

Metrics

Movie Details

Germany Releases: July 10th, 2014 (Wide)
Video Release: July 1st, 2016 by Sony Pictures Home Entertainment
MPAA Rating: PG-13 for some suggestive material and drug references.
(Rating bulletin 2319, 4/23/2014)
Running Time: 115 minutes
Keywords: Doctors, Life in a Small Town, Poverty, Remake, Foreign-Language Remake, Comedy Drama, Newfoundland
Source:Based on Movie
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Max Films, Morag Loves Company, Telefilm Canada
Production Countries: Canada
Languages: English

Per Theater Chart: A Little Magic at the Box Office

July 29th, 2014

Magic in the Moonlight poster

Magic in the Moonlight led the way on the per theater chart with an average of $24,241 in 17 theaters, which is great for most films, but not as strong as some of Woody Allen's more recent releases. Arguably, Boyhood's weekend was much stronger, as it earned an average of $16,466 in 107 theaters. At this point, I'm not sure how long it will last in theaters, but it has already earned at least a measure of mainstream success. The overall number one film, Lucy, was the only other film in the $10,000 club with an average of $13,835. More...

Per Theater Chart: Beginning on Top

July 1st, 2014

Begin Again poster

Despite there being a $100 million hit on the box office this weekend, Begin Again still led the way on the per theater chart with an average of $26,813 in five theaters. This bodes well for its expansion on Wednesday. The overall number one film, Transformers: Age of Extinction, was next with an average of $23,633 in more than 4,000 theaters. Snowpiercer was the third film to earn a per theater average over $20,000 with an average of $20,266 in eight theaters. America: Imagine a World Without Her was next with an average of $12,869 million in three theaters. Yves Saint Laurent was a surprise entry in the $10,000 club with an average of $12,104 in two theaters. It managed this despite earning weak reviews and opening on the Wednesday. The final film in the $10,000 club was Code Black, which climbed into the $10,000 club during its second weekend of release with $10,953 in two theaters. It is rare for a documentary to do this well, and it is even rarer for a film to see its per theater average grow. More...

Per Theater Chart: Jumping over the Competition

June 18th, 2014

22 Jump Street poster

There were three films in the $10,000 club, including the top two on the overall chart. 22 Jump Street led the way with an average of $17,263. The Rover was wedged between the two wide releases with an average of $13,860 in five theaters. Next up was How to Train Your Dragon 2 with an average of $11,627. This is good, but lower than expected. More...

Per Theater Chart: Maleficent Holds Off Trio of Limited Releases

June 3rd, 2014

Maleficent poster

The overall box office leader, Maleficent, also led the way on the per theater chart with an average of $17,586 in nearly 4,000 theaters. Korengal was the best of the limited releases earning $14,630 in one lone theater. Night Moves was close behind with an average of $12,050 in two theaters. The final $10,000 film was Elena with $10,341 in one theater. More...

Limited Releases are the Best

May 30th, 2014

Vi ar bast! poster

It's a mixed bag for limited releases with a number of movies earning weak reviews or that have almost no chance at the box office. There are also some that are good enough to thrive, like Elena - Reviews or Lucky Them - Reviews. But the best movie according to critics is We are the Best! - Reviews. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2014/07/11 13 $54,144   56 $967   $90,780 1
2014/07/18 13 $17,711 -67% 56 $316   $133,424 2
2014/07/25 18 $13,807 -22% 44 $314   $163,162 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Austria 7/11/2014 $28,909 26 31 86 $97,392 12/17/2015
Germany 7/10/2014 $54,144 56 56 156 $163,162 12/17/2015
North America 5/30/2014 $323,743 94 124 836 $3,409,304
 
Worldwide Total$3,669,858 12/17/2015

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Brendan Gleeson    Murray French
Taylor Kitsch    Dr. Paul Lewis

Supporting Cast

Liane Balaban    Kathleen
Gordon Pinsent    Simon
Mark Critch    Henry Tilly
Anna Hopkins    Helen
Matt Watts    Frank Dalton
Pete Soucy    Bob Mahoney
Margaret Killingbeck    Ellie
Mary Walsh    Vera

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Don McKellar    Director
Michael Dowse    Screenwriter
Ken Scott    Screenwriter
Roger Frappier    Producer
Barbara Doran    Producer
Jeff Sackman    Executive Producer
Joe Iacono    Executive Producer
Mark Slone    Executive Producer
Guy Lalande    Production Designer