Hunter Killer (2018)

Hunter Killer
Theatrical Performance
Domestic Box Office $15,767,460Details
International Box Office $13,544,661Details
Worldwide Box Office $29,312,121
Home Market Performance
Est. Domestic DVD Sales $4,017,771 Details
Est. Domestic Blu-ray Sales $3,957,660 Details
Total Est. Domestic Video Sales $7,975,431
Further financial details...

Synopsis

An untested American submarine captain teams with U.S. Navy Seals to rescue the Russian president, who has been kidnapped by a rogue general.

Metrics

Opening Weekend:$6,653,777 (42.2% of total gross)
Legs:2.37 (domestic box office/biggest weekend)
Domestic Share:53.8% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 0.7 times production budget)
Theater counts:2,720 opening theaters/2,720 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $18,657,873

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon 4K UHD VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: October 26th, 2018 (Wide) by Lionsgate
International Releases: October 19th, 2018 (Wide) (United Kingdom)
October 26th, 2018 (Wide) (Brazil)
October 26th, 2018 (Wide), released as Унищожителят (Bulgaria)
October 26th, 2018 (Wide) (Netherlands)
October 26th, 2018 (Wide) (Poland)
... Show all releases
Video Release: January 15th, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for violence and some language.
(Rating bulletin 2510 (Cert #51417), 1/17/2018)
Running Time: 121 minutes
Comparisons: vs. Hanna
Create your own comparison chart…
Keywords: Submarine, Navy Seals, Set in Russia, Betrayal, Kidnap, Political, Rescue, Military Coup, Posthumous Release, Action Thriller
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Original Film, Millennium Films, G-Base, Relativity Media, Millennium Media
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Halloween (All Movies, 3-Day) 101 $6,653,777 Oct 26, 2018 3
Halloween (All Movies, 3-Day, Inflation Adjusted) 201 $8,015,734 Oct 26, 2018 3
Halloween (Opening, 3-Day) 36 $6,653,777 Oct 26, 2018 3
Halloween (Opening, 3-Day, Inflation Adjusted) 59 $8,015,734 Oct 26, 2018 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 26, 2018 5 $6,653,777   2,720 $2,446   $6,653,777 1
Nov 2, 2018 9 $3,528,129 -47% 2,720 $1,297   $12,968,245 2
Nov 9, 2018 20 $726,230 -79% 957 $759   $15,202,381 3
Nov 16, 2018 32 $84,702 -88% 194 $437   $15,649,493 4
Nov 23, 2018 42 $42,471 -50% 101 $421   $15,746,315 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 25, 2018 P $420,000     0     $420,000  
Oct 26, 2018 4 $2,559,110     2,720 $941   $2,559,110 1
Oct 27, 2018 5 $2,454,422 -4%   2,720 $902   $5,013,532 2
Oct 28, 2018 5 $1,640,245 -33%   2,720 $603   $6,653,777 3
Oct 29, 2018 4 $621,605 -62%   2,720 $229   $7,275,382 4
Oct 30, 2018 4 $970,999 +56%   2,720 $357   $8,246,381 5
Oct 31, 2018 5 $666,682 -31%   2,720 $245   $8,913,063 6
Nov 1, 2018 4 $527,053 -21%   2,720 $194   $9,440,116 7
Nov 2, 2018 7 $1,067,163 +102% -58% 2,720 $392   $10,507,279 8
Nov 3, 2018 10 $1,493,234 +40% -39% 2,720 $549   $12,000,513 9
Nov 4, 2018 9 $967,732 -35% -41% 2,720 $356   $12,968,245 10
Nov 5, 2018 7 $343,823 -64% -45% 2,720 $126   $13,312,068 11
Nov 6, 2018 9 $555,396 +62% -43% 2,720 $204   $13,867,464 12
Nov 7, 2018 7 $351,793 -37% -47% 2,720 $129   $14,219,257 13
Nov 8, 2018 8 $256,894 -27% -51% 2,720 $94   $14,476,151 14
Nov 9, 2018 - $211,049 -18% -80% 957 $221   $14,687,200 15
Nov 10, 2018 - $305,346 +45% -80% 957 $319   $14,992,546 16
Nov 11, 2018 - $209,835 -31% -78% 957 $219   $15,202,381 17
Nov 12, 2018 - $126,560 -40% -63% 957 $132   $15,328,941 18
Nov 13, 2018 13 $108,188 -15% -81% 957 $113   $15,437,129 19
Nov 14, 2018 14 $76,455 -29% -78% 957 $80   $15,513,584 20
Nov 15, 2018 - $51,207 -33% -80% 957 $54   $15,564,791 21
Nov 16, 2018 - $23,965 -53% -89% 194 $124   $15,588,756 22
Nov 17, 2018 - $34,315 +43% -89% 194 $177   $15,623,071 23
Nov 18, 2018 - $26,422 -23% -87% 194 $136   $15,649,493 24
Nov 19, 2018 - $21,544 -18% -83% 194 $111   $15,671,037 25
Nov 20, 2018 - $17,007 -21% -84% 194 $88   $15,688,044 26
Nov 21, 2018 - $8,141 -52% -89% 101 $81   $15,696,185 27
Nov 22, 2018 - $7,659 -6% -85% 101 $76   $15,703,844 28
Nov 23, 2018 - $15,177 +98% -37% 101 $150   $15,719,021 29
Nov 24, 2018 - $16,752 +10% -51% 101 $166   $15,735,773 30
Nov 25, 2018 - $10,542 -37% -60% 101 $104   $15,746,315 31
Nov 26, 2018 - $4,683 -56% -78% 101 $46   $15,750,998 32
Nov 27, 2018 - $6,124 +31% -64% 101 $61   $15,757,122 33
Nov 28, 2018 - $5,294 -14% -35% 101 $52   $15,762,416 34
Nov 29, 2018 - $5,044 -5% -34% 101 $50   $15,767,460 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 26, 2018 4 $9,440,116   2,720 $3,471   $9,440,116 1
Nov 2, 2018 8 $5,036,035 -47% 2,720 $1,851   $14,476,151 2
Nov 9, 2018 18 $1,088,640 -78% 957 $1,138   $15,564,791 3
Nov 16, 2018 37 $139,053 -87% 101 $1,377   $15,703,844 4
Nov 23, 2018 43 $63,616 -54% 101 $630   $15,767,460 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/2/2018 $372,078 195 195 568 $850,995 11/26/2018
Brazil 10/26/2018 $416,089 396 396 708 $805,102 11/9/2018
Bulgaria 10/26/2018 $20,422 0 0 0 $115,430 2/26/2019
Czech Republic 11/23/2018 $22,286 81 81 107 $33,020 12/4/2018
France 12/14/2018 $323,646 126 126 126 $323,646 12/23/2018
Italy 11/8/2018 $459,429 0 13 13 $807,916 12/2/2018
Japan 4/12/2019 $813,100 0 0 0 $2,338,137 4/27/2019
Lithuania 11/2/2018 $6,703 0 0 0 $8,374 11/13/2018
Mexico 11/2/2018 $676,977 0 0 0 $1,236,046 11/13/2018
Netherlands 10/26/2018 $335,347 94 95 458 $1,111,926 12/11/2018
Poland 10/26/2018 $93,250 104 104 104 $93,250 1/1/2019
Portugal 10/26/2018 $88,311 63 63 146 $227,808 12/4/2018
Romania 11/27/2020 $0 0 1 2 $405,230 4/7/2021
Russia (CIS) 11/8/2018 $115,831 543 543 725 $188,030 12/11/2018
Slovakia 11/9/2018 $21,773 55 55 88 $37,064 11/27/2018
South Korea 11/27/2018 $0 0 220 272 $413,206 1/8/2019
Spain 11/2/2018 $242,508 187 187 435 $674,753 11/22/2018
Turkey 3/29/2019 $33,359 157 157 187 $55,912 4/12/2019
United Kingdom 10/19/2018 $480,149 356 356 570 $895,955 10/31/2018
 
Rest of World $2,922,861
 
International Total$13,544,661 4/7/2021

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 3, 2019173,538 73,538$1,100,128$1,100,1283
Feb 10, 2019830,454-59% 103,992$455,592$1,555,7204
Feb 17, 20191515,819-48% 119,811$236,652$1,792,3725
Mar 10, 20192516,804 156,063$251,388$2,334,7028

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 3, 2019387,506 87,506$1,831,837$1,831,8373
Feb 10, 2019528,773-67% 116,279$607,872$2,439,7094
Feb 17, 2019814,039-51% 130,318$292,421$2,732,1305
Feb 24, 20191511,144-21% 141,462$231,440$2,963,5706

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Gerard Butler    Captain Joe Glass
Gary Oldman    CJCS Charles Donnegan

Supporting Cast

Common    Rear Admiral John Fisk
Linda Cardellini    Jane Norquist
Toby Stephens    U.S. Navy SEAL Lieutenant Beaman
Ethan Baird    Sonar 3
Jacob Scipio    Sonar 2
Dempsey Bovell    Sonar 1
Corey Johnson    Captain
Adam James    Captain Forbes
Henry Goodman    Senator from Illinois
Colin Stinton    Senator from Iowa
Carter MacIntyre    Executive Officer Brian Edwards
Shane Taylor    TMC Turner
Kola Bokinni    McCaw
Mikey Collins    Brickowski
Will Attenborough    Kaplan
Kieron Bimpson    Nichols
David Gyasi    Chief of the Boat of U.S.S. Omaha
Michael Jibson    Reed
Christopher Goh    Park
Brian Kinney    Officer on the Deck
Sarah Middleton    Liddy
Taylor John Smith    Sonar Operator on U.S.S. Omaha
Gabriel Chavarria    U.S. Navy Seal
Cosmo Jarvis    Fathometer Operator
Michael Trucco    Devin Hall
Ryan McPartlin    Matt Johnstone
Zane Holtz    Martinelli
Richard Hills, Jr.    Medic Jones
Alexander Diachenko    President Zakarin
Yuri Kolokolnikov    Oleg
Michael Gor    Admiral Dmitri Durov
Igor Jijikine    Tretiak
Ilia Volok    Captain Vlade Sutrev
Hristo Mitskov    Volkov Sonarman
Stefan Nikolaev Ivanov    Volkov Captain
Michael Nyqvist    Captain Sergi Andropoyov
Caroline Goodall    United States President Dover
David Yelland    SECDEF
Stuart Milligan    Secretary of State

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Donovan Marsh    Director
Arne L. Schmidt    Screenwriter
Jamie Moss    Screenwriter
Don Keith    Story based on the novel “Firing Point” by
George Wallace    Story based on the novel “Firing Point” by
Toby Jaffe    Producer
Neal H. Moritz    Producer
Gerard Butler    Producer
Tucker Tooley    Producer
Alan Siegel    Producer
Mark Gill    Producer
John Thompson    Producer
Matt O'Toole    Producer
Les Weldon    Producer
Avi Lerner    Executive Producer
Trevor Short    Executive Producer
Boaz Davidson    Executive Producer
Yariv Lerner    Executive Producer
Douglas Urbanski    Executive Producer
Lati Grobman    Executive Producer
Christa Campbell    Executive Producer
Arne L. Schmidt    Executive Producer
Ryan Kavanaugh    Executive Producer
Kenneth Halsband    Executive Producer
Kevin King    Executive Producer
Christine Otal    Executive Producer
Samuel Hadida    Co-Executive Producer
Victor Hadida    Co-Executive Producer
Gisella Marengo    Co-Producer
Danielle Robinson    Co-Producer
Michael J. Duthie    Editor
Tom Marais    Director of Photography
Jon Henson    Production Designer
Caroline Harris    Costume Designer
Trevor Morris    Composer
Elaine Granger    Casting Director
Elena Melamed    Unit Production Manager
Suzie Shearer    Unit Production Manager
Elena Melamed    Line Producer
Suzie Shearer    Line Producer
Ben Burt    First Assistant Director
Oana Ene    Second Assistant Director
Diyan Hristov    Stunt Coordinator
Paul Herbert    Stunt Coordinator
Georgi Manchev    Fight Choreographer
Danail “Dundee” Hadzhiyski*    Visual Effects Producer
Dominic Gibbs    Supervising Sound Editor
Dominic Gibbs    Sound Designer
Jeanette Haley    Post-Production Supervisor
Andrew Munro    Supervising Art Director
Ben Collins    Supervising Art Director
Alexei Karagiaur    Art Director
Andrea Matheson    Art Director
Nic Pallace    Art Director
Chris Peterson    Art Director
Ivan Rangelov    Art Director
Vladimir Kaloyanov    Sound Mixer
Beverley Winston    Script Supervisor
Yosif Mladenov    Set Designer
Lidiya Burukova    Set Designer
Robert Wischhusen-Hayes    Set Decorator
Orlin Grozdanov    Set Decorator
Ina Damyanova    Costume Supervisor
Sian Evans    Costume Supervisor
Stefano Pepin    Special Effects Supervisor
Ivo Jivkov    Special Effects Supervisor
Elena Zhekova    Special Effects Coordinator
Laura Davison    Special Effects Coordinator
Elliott Meddings    Supervising Location Manager
Atanas Vulev    Location Manager
Thomas Bosanquet    Location Manager
Ivailo Genov    Location Manager
Yordan Peychev    Location Manager
Ian Cunningham    First Assistant Editor
Iain Thomson    First Assistant Editor
Beaumont Lowenthal    Second Assistant Editor
Ivan Todorov    Assistant Editor
Luke Gentry    Sound Designer
Kevin Penney    Sound Effects Editor
Timothy Siddall    Dialogue Editor
Adam Horley    ADR Editor
Glen Gathard    Foley Mixer
Jemma Riley-Tolch    Foley Editor
Tim Cavagin    Re-recording Mixer
Mark Taylor    Re-recording Mixer
Gord Hillier    Additional Sound Re-recording Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for January 29th, 2019

January 30th, 2019

The Wife

We are still stuck in the dead zone on the home market, as it is too late for summer blockbusters, but too early for the major fall hits. The biggest first-run release of the week is The Nutcracker and the Four Realms, which says a lot. The best is The Wife, which earns our Pick of the Week. However, The Night is Short, Walk on Girl was a close competitor. More...

Home Market Releases for January 15th, 2019

January 16th, 2019

Madeline’s Madeline

The big fall releases are starting to come out on the home market. This week we get Halloween, which was a $100 million domestic hit. However, it is not among the best films on this week’s list. There are three Pick of the Week contenders on the week’s list. There’s the award-nominated Indie film, Madeline’s Madeline, the classic Notorious, and Bad Times at the El Royale, for which I finally got the review done. It was a coin-toss, but in the end, Madeline’s Madeline on Blu-ray won. More...

Weekend Wrap-Up: Halloween Repeats on Top, New Releases are Barely Seen

October 30th, 2018

Hunter Killer

The month of October ends on a soft note with only one of the new releases we talked about in our prediction reached the top ten over the weekend. And even that film, Hunter Killer, didn’t quite reach our low expectations. Fortunately, Halloween came within a rounding error of predictions with $31.42 million and the overall box office wasn’t too bad at $104 million. Granted, this is 37% lower than last weekend, but this is to be expected for Halloween weekend. More importantly, the overall box office was 37% higher than the same weekend last year. Year-to-date, 2018 has pulled in $9.55 billion, putting it ahead of 2017’s running tally of $8.45 billion. At first glance, this looks like 2018 has a $1 billion lead, but it was actually $999 million, according to our numbers. It will certainly get there by the end of business on Monday. This is a fantastic result, but a short-lived one, as November and December won’t be able to maintain this lead. More...

Weekend Estimates: Halloween Holds on Strong, but Susparia Shines

October 28th, 2018

Halloween

Halloween’s weekend estimates are matching our predictions perfectly with $32.05 million. If this number holds, it will have $126.70 million after just ten days of release. Internationally, it is estimated to earn $25.6 million in 62 markets for a two-week total of $45.6 million. It won’t match its domestic run internationally, but it doesn’t have to do be a financial success. In fact, since the film only cost $10 million to make, if it had just $45.6 million worldwide at this point, it would still have a chance of breaking even, eventually. More...

Friday Estimates: Halloween Laps Competition with $10 million on Friday

October 27th, 2018

Halloween

As expected, Halloween earned first place on Friday. It was a little weaker than expected at $10.02 million and Universal’s estimate for the weekend is $30.05 million, compared to our prediction of $33 million. A $30 million sophomore stint is still fantastic for a film that cost just $10 million to make; in fact, it cracked $100 million domestically on Friday, which is more than enough to pay for its combined production / advertising budgets. More...

Thursday Night Previews: Hunter doesn’t have a Killer Opening

October 26th, 2018

Hunter Killer

Hunter Killer debuted with $420,000 during its previews, which is more or less what we expected it would make. Perhaps just over $8 million is more likely now. It depends on how much its reviews affect its legs. As always, we will have a better idea when Friday’s estimates come out. More...

Weekend Prediction: Will Halloween Boost Horror Holdovers?

October 26th, 2018

Hunter Killer

There’s only one true wide release of the weekend, Hunter Killer, which isn’t expected to make much of an impact at the box office. (Indivisible and Johnny English Strikes Again are both opening in several hundred theaters and one of them could reach the top ten, but probably not both.) This means Halloween will have no trouble repeating on top, while Venom could hold on better than most, thanks to Halloween being less than a week away. This weekend last year, Jigsaw opened in first place with $16.64 million, while Tyler Perry’s Boo 2 was the only other film to earn more than $10 million. Halloween should earn more than those two did giving 2018 yet another win. More...

2018 Preview: October

October 1st, 2018

First Man

September turned out to be a solid month. The Nun beat expectations to become a $100 million hit, while there were also several midlevel hits in the mix. Granted, it lost ground when compared to last September, but last September broke records, and this September held on better than expected. Hopefully this means October will be able to continue 2018’s winning ways. There are several potential $100 million hits, starting with Venom and A Star is Born, which open the first weekend. Meanwhile, both First Man and Halloween could break the century mark later in the month. By comparison, last October, no movie topped $100 million, with Blade Runner 2049 coming the closest. 2018 should extend its lead over 2017 during the full month, potentially by a significant margin. More...

Hunter Killer Trailer

August 21st, 2018

Action thriller starring Gerard Butler, Gary Oldman, Common, and Linda Cardellini opens October 26 ... Full Movie Details.

An untested American submarine captain teams with U.S. Navy Seals to rescue the Russian president, who has been kidnapped by a rogue general. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

An untested American submarine captain teams with U.S. Navy Seals to rescue the Russian president, who has been kidnapped by a rogue general.

Metrics

Opening Weekend:$6,653,777 (42.2% of total gross)
Legs:2.37 (domestic box office/biggest weekend)
Domestic Share:53.8% (domestic box office/worldwide)
Production Budget:$40,000,000 (worldwide box office is 0.7 times production budget)
Theater counts:2,720 opening theaters/2,720 max. theaters, 2.5 weeks average run per theater
Infl. Adj. Dom. BO $18,657,873

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD, Amazon 4K UHD VOD
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: October 26th, 2018 (Wide) by Lionsgate
International Releases: October 19th, 2018 (Wide) (United Kingdom)
October 26th, 2018 (Wide) (Brazil)
October 26th, 2018 (Wide), released as Унищожителят (Bulgaria)
October 26th, 2018 (Wide) (Netherlands)
October 26th, 2018 (Wide) (Poland)
... Show all releases
Video Release: January 15th, 2019 by Lionsgate Home Entertainment
MPAA Rating: R for violence and some language.
(Rating bulletin 2510 (Cert #51417), 1/17/2018)
Running Time: 121 minutes
Comparisons: vs. Hanna
Create your own comparison chart…
Keywords: Submarine, Navy Seals, Set in Russia, Betrayal, Kidnap, Political, Rescue, Military Coup, Posthumous Release, Action Thriller
Source:Based on Fiction Book/Short Story
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Original Film, Millennium Films, G-Base, Relativity Media, Millennium Media
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Halloween (All Movies, 3-Day) 101 $6,653,777 Oct 26, 2018 3
Halloween (All Movies, 3-Day, Inflation Adjusted) 201 $8,015,734 Oct 26, 2018 3
Halloween (Opening, 3-Day) 36 $6,653,777 Oct 26, 2018 3
Halloween (Opening, 3-Day, Inflation Adjusted) 59 $8,015,734 Oct 26, 2018 3

Leading Cast

Gerard Butler    Captain Joe Glass
Gary Oldman    CJCS Charles Donnegan

Supporting Cast

Common    Rear Admiral John Fisk
Linda Cardellini    Jane Norquist
Toby Stephens    U.S. Navy SEAL Lieutenant Beaman
Ethan Baird    Sonar 3
Jacob Scipio    Sonar 2
Dempsey Bovell    Sonar 1
Corey Johnson    Captain
Adam James    Captain Forbes
Henry Goodman    Senator from Illinois
Colin Stinton    Senator from Iowa
Carter MacIntyre    Executive Officer Brian Edwards
Shane Taylor    TMC Turner
Kola Bokinni    McCaw
Mikey Collins    Brickowski
Will Attenborough    Kaplan
Kieron Bimpson    Nichols
David Gyasi    Chief of the Boat of U.S.S. Omaha
Michael Jibson    Reed
Christopher Goh    Park
Brian Kinney    Officer on the Deck
Sarah Middleton    Liddy
Taylor John Smith    Sonar Operator on U.S.S. Omaha
Gabriel Chavarria    U.S. Navy Seal
Cosmo Jarvis    Fathometer Operator
Michael Trucco    Devin Hall
Ryan McPartlin    Matt Johnstone
Zane Holtz    Martinelli
Richard Hills, Jr.    Medic Jones
Alexander Diachenko    President Zakarin
Yuri Kolokolnikov    Oleg
Michael Gor    Admiral Dmitri Durov
Igor Jijikine    Tretiak
Ilia Volok    Captain Vlade Sutrev
Hristo Mitskov    Volkov Sonarman
Stefan Nikolaev Ivanov    Volkov Captain
Michael Nyqvist    Captain Sergi Andropoyov
Caroline Goodall    United States President Dover
David Yelland    SECDEF
Stuart Milligan    Secretary of State

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Donovan Marsh    Director
Arne L. Schmidt    Screenwriter
Jamie Moss    Screenwriter
Don Keith    Story based on the novel “Firing Point” by
George Wallace    Story based on the novel “Firing Point” by
Toby Jaffe    Producer
Neal H. Moritz    Producer
Gerard Butler    Producer
Tucker Tooley    Producer
Alan Siegel    Producer
Mark Gill    Producer
John Thompson    Producer
Matt O'Toole    Producer
Les Weldon    Producer
Avi Lerner    Executive Producer
Trevor Short    Executive Producer
Boaz Davidson    Executive Producer
Yariv Lerner    Executive Producer
Douglas Urbanski    Executive Producer
Lati Grobman    Executive Producer
Christa Campbell    Executive Producer
Arne L. Schmidt    Executive Producer
Ryan Kavanaugh    Executive Producer
Kenneth Halsband    Executive Producer
Kevin King    Executive Producer
Christine Otal    Executive Producer
Samuel Hadida    Co-Executive Producer
Victor Hadida    Co-Executive Producer
Gisella Marengo    Co-Producer
Danielle Robinson    Co-Producer
Michael J. Duthie    Editor
Tom Marais    Director of Photography
Jon Henson    Production Designer
Caroline Harris    Costume Designer
Trevor Morris    Composer
Elaine Granger    Casting Director
Elena Melamed    Unit Production Manager
Suzie Shearer    Unit Production Manager
Elena Melamed    Line Producer
Suzie Shearer    Line Producer
Ben Burt    First Assistant Director
Oana Ene    Second Assistant Director
Diyan Hristov    Stunt Coordinator
Paul Herbert    Stunt Coordinator
Georgi Manchev    Fight Choreographer
Danail “Dundee” Hadzhiyski*    Visual Effects Producer
Dominic Gibbs    Supervising Sound Editor
Dominic Gibbs    Sound Designer
Jeanette Haley    Post-Production Supervisor
Andrew Munro    Supervising Art Director
Ben Collins    Supervising Art Director
Alexei Karagiaur    Art Director
Andrea Matheson    Art Director
Nic Pallace    Art Director
Chris Peterson    Art Director
Ivan Rangelov    Art Director
Vladimir Kaloyanov    Sound Mixer
Beverley Winston    Script Supervisor
Yosif Mladenov    Set Designer
Lidiya Burukova    Set Designer
Robert Wischhusen-Hayes    Set Decorator
Orlin Grozdanov    Set Decorator
Ina Damyanova    Costume Supervisor
Sian Evans    Costume Supervisor
Stefano Pepin    Special Effects Supervisor
Ivo Jivkov    Special Effects Supervisor
Elena Zhekova    Special Effects Coordinator
Laura Davison    Special Effects Coordinator
Elliott Meddings    Supervising Location Manager
Atanas Vulev    Location Manager
Thomas Bosanquet    Location Manager
Ivailo Genov    Location Manager
Yordan Peychev    Location Manager
Ian Cunningham    First Assistant Editor
Iain Thomson    First Assistant Editor
Beaumont Lowenthal    Second Assistant Editor
Ivan Todorov    Assistant Editor
Luke Gentry    Sound Designer
Kevin Penney    Sound Effects Editor
Timothy Siddall    Dialogue Editor
Adam Horley    ADR Editor
Glen Gathard    Foley Mixer
Jemma Riley-Tolch    Foley Editor
Tim Cavagin    Re-recording Mixer
Mark Taylor    Re-recording Mixer
Gord Hillier    Additional Sound Re-recording Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for January 29th, 2019

January 30th, 2019

The Wife

We are still stuck in the dead zone on the home market, as it is too late for summer blockbusters, but too early for the major fall hits. The biggest first-run release of the week is The Nutcracker and the Four Realms, which says a lot. The best is The Wife, which earns our Pick of the Week. However, The Night is Short, Walk on Girl was a close competitor. More...

Home Market Releases for January 15th, 2019

January 16th, 2019

Madeline’s Madeline

The big fall releases are starting to come out on the home market. This week we get Halloween, which was a $100 million domestic hit. However, it is not among the best films on this week’s list. There are three Pick of the Week contenders on the week’s list. There’s the award-nominated Indie film, Madeline’s Madeline, the classic Notorious, and Bad Times at the El Royale, for which I finally got the review done. It was a coin-toss, but in the end, Madeline’s Madeline on Blu-ray won. More...

Weekend Wrap-Up: Halloween Repeats on Top, New Releases are Barely Seen

October 30th, 2018

Hunter Killer

The month of October ends on a soft note with only one of the new releases we talked about in our prediction reached the top ten over the weekend. And even that film, Hunter Killer, didn’t quite reach our low expectations. Fortunately, Halloween came within a rounding error of predictions with $31.42 million and the overall box office wasn’t too bad at $104 million. Granted, this is 37% lower than last weekend, but this is to be expected for Halloween weekend. More importantly, the overall box office was 37% higher than the same weekend last year. Year-to-date, 2018 has pulled in $9.55 billion, putting it ahead of 2017’s running tally of $8.45 billion. At first glance, this looks like 2018 has a $1 billion lead, but it was actually $999 million, according to our numbers. It will certainly get there by the end of business on Monday. This is a fantastic result, but a short-lived one, as November and December won’t be able to maintain this lead. More...

Weekend Estimates: Halloween Holds on Strong, but Susparia Shines

October 28th, 2018

Halloween

Halloween’s weekend estimates are matching our predictions perfectly with $32.05 million. If this number holds, it will have $126.70 million after just ten days of release. Internationally, it is estimated to earn $25.6 million in 62 markets for a two-week total of $45.6 million. It won’t match its domestic run internationally, but it doesn’t have to do be a financial success. In fact, since the film only cost $10 million to make, if it had just $45.6 million worldwide at this point, it would still have a chance of breaking even, eventually. More...

Friday Estimates: Halloween Laps Competition with $10 million on Friday

October 27th, 2018

Halloween

As expected, Halloween earned first place on Friday. It was a little weaker than expected at $10.02 million and Universal’s estimate for the weekend is $30.05 million, compared to our prediction of $33 million. A $30 million sophomore stint is still fantastic for a film that cost just $10 million to make; in fact, it cracked $100 million domestically on Friday, which is more than enough to pay for its combined production / advertising budgets. More...

Thursday Night Previews: Hunter doesn’t have a Killer Opening

October 26th, 2018

Hunter Killer

Hunter Killer debuted with $420,000 during its previews, which is more or less what we expected it would make. Perhaps just over $8 million is more likely now. It depends on how much its reviews affect its legs. As always, we will have a better idea when Friday’s estimates come out. More...

Weekend Prediction: Will Halloween Boost Horror Holdovers?

October 26th, 2018

Hunter Killer

There’s only one true wide release of the weekend, Hunter Killer, which isn’t expected to make much of an impact at the box office. (Indivisible and Johnny English Strikes Again are both opening in several hundred theaters and one of them could reach the top ten, but probably not both.) This means Halloween will have no trouble repeating on top, while Venom could hold on better than most, thanks to Halloween being less than a week away. This weekend last year, Jigsaw opened in first place with $16.64 million, while Tyler Perry’s Boo 2 was the only other film to earn more than $10 million. Halloween should earn more than those two did giving 2018 yet another win. More...

2018 Preview: October

October 1st, 2018

First Man

September turned out to be a solid month. The Nun beat expectations to become a $100 million hit, while there were also several midlevel hits in the mix. Granted, it lost ground when compared to last September, but last September broke records, and this September held on better than expected. Hopefully this means October will be able to continue 2018’s winning ways. There are several potential $100 million hits, starting with Venom and A Star is Born, which open the first weekend. Meanwhile, both First Man and Halloween could break the century mark later in the month. By comparison, last October, no movie topped $100 million, with Blade Runner 2049 coming the closest. 2018 should extend its lead over 2017 during the full month, potentially by a significant margin. More...

Hunter Killer Trailer

August 21st, 2018

Action thriller starring Gerard Butler, Gary Oldman, Common, and Linda Cardellini opens October 26 ... Full Movie Details.

An untested American submarine captain teams with U.S. Navy Seals to rescue the Russian president, who has been kidnapped by a rogue general. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 26, 2018 5 $6,653,777   2,720 $2,446   $6,653,777 1
Nov 2, 2018 9 $3,528,129 -47% 2,720 $1,297   $12,968,245 2
Nov 9, 2018 20 $726,230 -79% 957 $759   $15,202,381 3
Nov 16, 2018 32 $84,702 -88% 194 $437   $15,649,493 4
Nov 23, 2018 42 $42,471 -50% 101 $421   $15,746,315 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Oct 25, 2018 P $420,000     0     $420,000  
Oct 26, 2018 4 $2,559,110     2,720 $941   $2,559,110 1
Oct 27, 2018 5 $2,454,422 -4%   2,720 $902   $5,013,532 2
Oct 28, 2018 5 $1,640,245 -33%   2,720 $603   $6,653,777 3
Oct 29, 2018 4 $621,605 -62%   2,720 $229   $7,275,382 4
Oct 30, 2018 4 $970,999 +56%   2,720 $357   $8,246,381 5
Oct 31, 2018 5 $666,682 -31%   2,720 $245   $8,913,063 6
Nov 1, 2018 4 $527,053 -21%   2,720 $194   $9,440,116 7
Nov 2, 2018 7 $1,067,163 +102% -58% 2,720 $392   $10,507,279 8
Nov 3, 2018 10 $1,493,234 +40% -39% 2,720 $549   $12,000,513 9
Nov 4, 2018 9 $967,732 -35% -41% 2,720 $356   $12,968,245 10
Nov 5, 2018 7 $343,823 -64% -45% 2,720 $126   $13,312,068 11
Nov 6, 2018 9 $555,396 +62% -43% 2,720 $204   $13,867,464 12
Nov 7, 2018 7 $351,793 -37% -47% 2,720 $129   $14,219,257 13
Nov 8, 2018 8 $256,894 -27% -51% 2,720 $94   $14,476,151 14
Nov 9, 2018 - $211,049 -18% -80% 957 $221   $14,687,200 15
Nov 10, 2018 - $305,346 +45% -80% 957 $319   $14,992,546 16
Nov 11, 2018 - $209,835 -31% -78% 957 $219   $15,202,381 17
Nov 12, 2018 - $126,560 -40% -63% 957 $132   $15,328,941 18
Nov 13, 2018 13 $108,188 -15% -81% 957 $113   $15,437,129 19
Nov 14, 2018 14 $76,455 -29% -78% 957 $80   $15,513,584 20
Nov 15, 2018 - $51,207 -33% -80% 957 $54   $15,564,791 21
Nov 16, 2018 - $23,965 -53% -89% 194 $124   $15,588,756 22
Nov 17, 2018 - $34,315 +43% -89% 194 $177   $15,623,071 23
Nov 18, 2018 - $26,422 -23% -87% 194 $136   $15,649,493 24
Nov 19, 2018 - $21,544 -18% -83% 194 $111   $15,671,037 25
Nov 20, 2018 - $17,007 -21% -84% 194 $88   $15,688,044 26
Nov 21, 2018 - $8,141 -52% -89% 101 $81   $15,696,185 27
Nov 22, 2018 - $7,659 -6% -85% 101 $76   $15,703,844 28
Nov 23, 2018 - $15,177 +98% -37% 101 $150   $15,719,021 29
Nov 24, 2018 - $16,752 +10% -51% 101 $166   $15,735,773 30
Nov 25, 2018 - $10,542 -37% -60% 101 $104   $15,746,315 31
Nov 26, 2018 - $4,683 -56% -78% 101 $46   $15,750,998 32
Nov 27, 2018 - $6,124 +31% -64% 101 $61   $15,757,122 33
Nov 28, 2018 - $5,294 -14% -35% 101 $52   $15,762,416 34
Nov 29, 2018 - $5,044 -5% -34% 101 $50   $15,767,460 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Oct 26, 2018 4 $9,440,116   2,720 $3,471   $9,440,116 1
Nov 2, 2018 8 $5,036,035 -47% 2,720 $1,851   $14,476,151 2
Nov 9, 2018 18 $1,088,640 -78% 957 $1,138   $15,564,791 3
Nov 16, 2018 37 $139,053 -87% 101 $1,377   $15,703,844 4
Nov 23, 2018 43 $63,616 -54% 101 $630   $15,767,460 5

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/2/2018 $372,078 195 195 568 $850,995 11/26/2018
Brazil 10/26/2018 $416,089 396 396 708 $805,102 11/9/2018
Bulgaria 10/26/2018 $20,422 0 0 0 $115,430 2/26/2019
Czech Republic 11/23/2018 $22,286 81 81 107 $33,020 12/4/2018
France 12/14/2018 $323,646 126 126 126 $323,646 12/23/2018
Italy 11/8/2018 $459,429 0 13 13 $807,916 12/2/2018
Japan 4/12/2019 $813,100 0 0 0 $2,338,137 4/27/2019
Lithuania 11/2/2018 $6,703 0 0 0 $8,374 11/13/2018
Mexico 11/2/2018 $676,977 0 0 0 $1,236,046 11/13/2018
Netherlands 10/26/2018 $335,347 94 95 458 $1,111,926 12/11/2018
Poland 10/26/2018 $93,250 104 104 104 $93,250 1/1/2019
Portugal 10/26/2018 $88,311 63 63 146 $227,808 12/4/2018
Romania 11/27/2020 $0 0 1 2 $405,230 4/7/2021
Russia (CIS) 11/8/2018 $115,831 543 543 725 $188,030 12/11/2018
Slovakia 11/9/2018 $21,773 55 55 88 $37,064 11/27/2018
South Korea 11/27/2018 $0 0 220 272 $413,206 1/8/2019
Spain 11/2/2018 $242,508 187 187 435 $674,753 11/22/2018
Turkey 3/29/2019 $33,359 157 157 187 $55,912 4/12/2019
United Kingdom 10/19/2018 $480,149 356 356 570 $895,955 10/31/2018
 
Rest of World $2,922,861
 
International Total$13,544,661 4/7/2021

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 3, 2019173,538 73,538$1,100,128$1,100,1283
Feb 10, 2019830,454-59% 103,992$455,592$1,555,7204
Feb 17, 20191515,819-48% 119,811$236,652$1,792,3725
Mar 10, 20192516,804 156,063$251,388$2,334,7028

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Feb 3, 2019387,506 87,506$1,831,837$1,831,8373
Feb 10, 2019528,773-67% 116,279$607,872$2,439,7094
Feb 17, 2019814,039-51% 130,318$292,421$2,732,1305
Feb 24, 20191511,144-21% 141,462$231,440$2,963,5706

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.