Though no one can see him, Hollow Face lurks in the corners, desperately desiring love but only knowing how to spread fear and hate. He creeps into the life of John Farrow after Farrow’s beloved 13-year-old daughter Mia is assaulted in their home. The line between the real and the imaginary blurs as fissures start to open within the family unit. It seems that no security measure can keep Hollow Face out.
||March 30th, 2012 (Limited) by Millennium Entertainment|
||July 17th, 2012 by Millennium Entertainment|
||R for terror, horror violence, some sexuality/nudity and language.|
(Rating bulletin 2205, 1/11/2012)
||Dream Sequence, Surprise Twist, Religious, Demons, Possessed, Hallucinations, Mute|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
||Universal Pictures International, Apaches Entertainment, Antena 3 Films , Canal Plus, ICAA, Ministerio de Culture|
It's broken record time. As is usual for this time of year, it is a slow week on the home market. There are two first run releases coming out, Lockout and The Three Stooges, but neither film was a box office hit. On the other hand, there are a number of catalogue titles (Singin' In the Rain); limited releases (Salmon Fishing in the Yemen); and TV on DVD releases (Sanctuary: The Complete Fourth Season). All three of those releases are contenders for Pick of the Week, but in the end I went with Leverage: Season Four.
The ratings controversy didn't hurt Bully, which topped the per theater chart with an average of $23,294 in five theaters. It is always difficult for a documentary to expand significantly, but this start will certainly help. The overall box office leader, The Hunger Games, was next with an average of $14,153 in more than 4,000 theaters.
There are a number of films opening in limited release this week, including a few documentaries. The biggest of these is Bully, which earned a boost in its publicity thanks to a ratings fight with the MPAA. The Island President is another documentary worth checking out. Meanwhile, Goon makes its theatrical debut in the States and it deserves to find an audience south of the border.
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