United Kingdom Box Office for Jane Got a Gun (2015)

← Go to main Jane Got a Gun page

Jane Got a Gun poster
Theatrical Performance (US$)
United Kingdom Box Office $45,255Details
Worldwide Box Office $3,771,345Details
Home Market Performance
North America DVD Sales $1,272,498 Details
North America Blu-ray Sales $532,413 Details
Total North America Video Sales $1,804,911
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Jane Hammond has built a life on the rugged western plains with her husband Bill “Ham” Hammond and young daughter. When Ham stumbles home riddled with bullets after a run-in with the relentless John Bishop and his gang, she knows they will not stop until her family is dead. In desperation, Jane turns to Dan Frost, a man from her past, for help. Haunted by old memories, Jane’s past meets the present in a battle for survival.

Metrics

Movie Details

Production Budget:$25,000,000
United Kingdom Releases: April 22nd, 2016 (Wide)
Video Release: April 15th, 2016 by Anchor Bay Home Entertainment
MPAA Rating: R for violence and some language.
(Rating bulletin 2405 (Cert #49540), 12/23/2015)
Running Time: 98 minutes
Keywords: Development Hell, Delayed Release, Relationships Gone Wrong, Gangs
Source:Original Screenplay
Genre:Western
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Boies/Schiller, 1821 Pictures, Handsomecharlie Films, Stone Village, Weathervane Productions
Production Countries: United States
Languages: English

Home Market Releases for April 26th, 2016

April 26th, 2016

Phoenix

We are in Q2, which is historically the slowest time of the year on the home market. The last of the monster Christmas hits were released weeks ago and none of the yearly year hits have come out yet. Ironically, the biggest release of the week is actually a Christmas film, Krampus, and its Blu-ray Combo Pack is a contender for Pick of the Week. (It is admittedly a slow week.) Its two biggest competitors are both foreign-language films: Phoenix: Criterion Collection - Buy from Amazon: DVD or Blu-ray and Son of Saul - Buy from Amazon: DVD or Blu-ray. Son of Saul won the Oscar this year for Best Foreign-Language Film, but I'm going with Phoenix instead. More...

Weekend Wrap-Up: Broncos Biggest Winners, but Pandas still earn $21.24 million

February 8th, 2016

Hail, Caesar!

Super Bowl weekend was not a good weekend at the box office. The competition usually takes its toll at the box office, but this year it was particularly bad. Kung Fu Panda 3 led the way with just $21.24 million, while Hail, Caesar! was the only other film to earn more than $10 million. In fact, the weekend was so bad that Star Wars: The Force Awakens remained in third place during its eighth weekend of release. The overall box office took a massive hit, down 31% to just $95 million. This was 37% lower than the same weekend last year, but miraculously, 2016 maintained its lead over 2015, by the tiniest of margins, $1.34 billion to $1.33 billion. With a difference of 0.5% or $6 million, the lead will likely disappear during the week, but 2016 should get it back when Deadpool debuts this Friday. More...

Weekend Wrap-Up: Kung Fu Wins with $41.28 million lifting Box Office Along the Way

February 2nd, 2016

Kung Fu Panda 3

Kung Fu Panda 3 led the way during the weekend with $41.28 million over the weekend. This was below admittedly optimistic predictions, but still great for this time of year. The rest of the new releases were not as strong and it is likely all three will lose money in the end. Fortunately, Kung Fu Panda 3 was strong enough to help the overall box office grow. The overall box office rose 22% to $139 million. More impressively, and more importantly, the box office was 38% higher than the same weekend last year. Year-to-date, 2016 has pulled in $1.01 billion, reaching the $1 billion mark faster than last year. It wasn't the fastest year to get there, as 2010 holds that record thanks to Avatar. 2016 has regained the lead over 2015 at 1.9% or $19 million. Obviously the usually caveats apply here: It is far too early and that lead is far too small to be of real significance. That said, it is always better to be ahead than to be behind, no matter how small that lead it. More...

Weekend estimates: Kung Fu Panda posts solid $41 million

January 31st, 2016

Kung Fu Panda 3

Kung Fu Panda 3 is making a solid start domestically this weekend with Fox projecting a $41 million debut. That’s the weakest start for any film in the franchise, behind the $47.7 million opening of Kung Fu Panda 2, and Kung Fu Panda’s $60.2 million back in 2008. The downward trend is in large part explained by the January release of the third movie, compared to June and May for the previous two. In fact, it still technically has a shot at having the best first weekend for a film in January, a record currently held by Ride Along with $41.5 million, although American Sniper really has bragging rights, with $89.3 million when it expanded wide last year. More importantly, Kung Fu Panda 3 opened with an estimated $57 million in China, a record for an animated film in the territory, and $75 million internationally. More...

Friday Estimates: Panda Tops Tepid Friday

January 30th, 2016

Kung Fu Panda 3

Kung Fu Panda 3 topped the chart on Friday with $10.5 million. There are not a lot of animated films that open this time of year, so it is hard to find a good comparison. If the film has the same internal multiplier as The LEGO Movie, then it will earn $42.4 million over the weekend, which would be a record opening for January. However, that movie was an original film, while this is the third film in its franchise. That will probably hurt it enough that $40 million is a more likely number. That's still a good opening, plus it is earning much more in China ($40.34 million after just two days of release) so there’s little reason to worry about its financial prospects.

More...

Weekend Predictions: Kung Fu vs. Sniper

January 28th, 2016

Kung Fu Panda 3

There are three, three and a half, wide releases coming out this week. (I've seen reports that Jane Got a Gun is opening in 600 to 1,200 theaters. Even the high end will likely keep it out of the top ten.) Of the three truly wide releases, only Kung Fu Panda 3 is expected to be a significant hit. In fact, it will likely earn more than the rest of the top five combined. On the other hand, The Finest Hours will likely bomb compared to its $85 million production budget, while Fifty Shades of Black will be a financial hit only because its production budget is very low. This means for Kung Fu Panda 3 the only real competition is from last year, when American Sniper earned $30.66 million. Kung Fu Panda 3 should top that by about $20 million. Additionally, no other film earned more than $10 million last year, while this year there could be five films in the top five reaching that mark. 2016 should bounce back in the year-over-year comparison after two soft weeks. More...

2016 Preview: January

January 1st, 2016

Kung Fu Panda 3

2016 will begin the same way 2015 ended, with Star Wars: The Force Awakens on top. In fact, three of the five films that have the best shot at box office success in January are The Force Awakens, The Hateful Eight, and The Revenant, all of which opened in December. There are two true January releases that could also do really well, for this time of year: Ride Along 2 and Kung Fu Panda 3. The rest of the releases are just hoping to become midlevel hits. Last January, American Sniper dominated earning more than $300 million. Its success could prevent 2016 from being ahead in the year-over-year comparison by the end of the month, but this year does have better depth. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/04/22 18 $45,255   119 $380   $45,255 1

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Belgium 2/24/2016 $15,759 10 10 10 $15,880 6/9/2016
France 1/27/2016 $632,836 301 301 602 $1,027,749 6/9/2016
Germany 12/31/2015 $46,482 78 78 129 $79,615 6/9/2016
Iraq 2/11/2016 $1,390 2 2 2 $1,390 12/31/2018
North America 1/29/2016 $835,572 1,210 1,210 2,255 $1,513,793 2/21/2018
Oman 2/4/2016 $4,607 5 5 5 $4,607 12/31/2018
Philippines 2/10/2016 $3,028 15 15 15 $3,028 12/31/2018
Portugal 10/14/2016 $8,786 15 15 28 $14,459 10/27/2016
Russia (CIS) 3/17/2016 $73,599 430 430 430 $108,868 12/31/2018
Singapore 2/18/2016 $2,170 3 3 4 $3,724 6/9/2016
Spain 5/6/2016 $70,765 113 113 181 $132,138 6/9/2016
Thailand 3/17/2016 $20,286 62 62 67 $29,241 6/9/2016
Ukraine 3/17/2016 $8,060 58 58 91 $11,822 12/31/2018
United Arab Emirates 2/4/2016 $23,540 17 17 17 $23,540 12/31/2018
United Kingdom 4/22/2016 $45,255 119 119 119 $45,255 6/9/2016
 
Rest of World $756,236
 
Worldwide Total$3,771,345 12/31/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Natalie Portman    Jane Hammond
Joel Edgerton    Dan Frost
Ewan McGregor    Colin McCann
Noah Emmerich    Bill Hammond

Supporting Cast

Rodrigo Santoro    Fitchum
Boyd Holbrook    Vic
Alex Manette    Buck
Todd Stashwick    O'Dowd
James Burnett    Cunny Charlie
Sam Quinn    Slow Jeremiah
River Shields    Kid
Chad Brummett    Theodore
Boots Southerland    Marshal
Cunny Charlie    James Burnett

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gavin O’Connor    Director
Gavin O’Connor    Screenwriter
Anthony Tambakis    Screenwriter
Joel Edgerton    Screenwriter
Brian Duffield    Screenwriter
Brian Duffield    Story by
Natalie Portman    Producer
Terry Douglas    Producer
Scott Steindorff    Producer
Mary Regency Boies    Producer
Scott LaStaiti    Producer
Aleen Keshishian    Producer
David Boies    Executive Producer
Bob Weinstein    Executive Producer
Harvey Weinstein    Executive Producer
Ryan Kavanaugh    Executive Producer
Tucker Tooley    Executive Producer
Dylan Russell    Executive Producer
Chris Coen    Executive Producer
Paris Latsis    Executive Producer
Jason Rose    Executive Producer
Ron Burkle    Co-Executive Producer
Jason Colbeck    Co-Executive Producer
Ross Marroso    Co-Executive Producer
Ben McConley    Co-Executive Producer
Jason Van Eman    Co-Executive Producer
Mandy Walker    Director of Photography
Tim Grimes    Production Designer
Jim Oberlander*    Production Designer
Alan Cody    Editor
Catherine George    Costume Designer
Terry Anderson    Costume Designer
Lisa Gerrard    Composer
Marcello De Francisci    Composer
Billy Hopkins    Casting Director
Jo Edna Boldin    Casting Director
Laray Mayfield    Casting Director
Marisa Polvino    Co-Producer
Kate Cohen    Co-Producer
Alton Walpole    Unit Production Manager
Al Goto    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.