Follow us on

Italy Box Office for Saw - Legacy (2017)

← Go to main Jigsaw page

Jigsaw
Theatrical Performance (US$)
Italy Box Office $3,010,140Details
Worldwide Box Office $81,266,233Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Much has been said about John Kramer. The flesh is finite. His work, his legacy, is the gospel that wakes us from our stupor and gives our lives purpose as the clock continues to count down. I have followed his teachings and learned from his philosophy, and I have dedicated my life to dissecting, testing, and understanding that “vital piece”. Jigsaw becomes legion: a horde of disciples who understand a life is measured not in increments but by a single defining moment. How many of us truly know what we are capable of until we are given the ultimate choice: Live or Die? How many of us crave the clarity only the games can provide? How much of your own blood are you willing to spill, how many pounds of flesh are you willing to shed, to be free? This world is suffering. You are suffering. But you are not alone. Not anymore. Let the games begin.

Metrics

Movie Details

Production Budget:$10,000,000
Italy Releases: November 3rd, 2017 (Wide), released as Saw - Legacy
MPAA Rating: R for sequences of grisly bloody violence and torture, and for language.
(Rating bulletin 2466 (Cert #50946), 3/8/2017)
Running Time: 91 minutes
Franchise: Saw
Keywords: Family Affair, Torture Porn, Kidnap, Escape, Posthumous Adventure, Murder Mystery, Serial Killer, Delayed Sequel
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Twisted Pictures, Serendipity Prods, A Bigger Boat Productions
Production Countries: United States

Cast

Matt Passmore    Logan Nelson
Callum Keith Rennie    Detective Halloran
Cle Bennett    Detective Keith Hunt
Hannah Emily Anderson    Eleanor Bonneville
Laura Vandervoort    Anna
Tobin Bell    Jigsaw/John Kramer
Paul Braunstein    Ryan
Mandela Van Peebles    Mitch
Brittany Allen    Carly
Josiah Black    Edgar Munsen
Edward Ruttle    Matt
Michael Boisvert    Lee James
Sam Koules    Melissa
Troy Feldman    Officer Palermo
Shaquan Lewis    Officer Solomon
Esther Thibault    Asthmatic Woman
Lauren Beatty    Carly Look-a-Like
Nadine Roden    News Reporter #1
Adam Waxman    News Reporter #2
Arabella Oz    Lab Tech
Misha Rasaiah    Judy
Christine Simpson    Newscaster
Billy Parrott    Beat Cop
Sonia Dhillon Tully    Doctor
Keeya King    Rebecca
Ryan Manning    Young Ryan
Tina Jung    Expectant Mother
Brandon James Sim    Expectant Father
Darren Josephs    Burly Cop

Production and Technical Credits

Director    Michael Spierig
Director    Peter Spierig
Screenwriter    Josh Stolberg
Screenwriter    Peter Goldfinger
Producer    Mark Burg
Producer    Gregg Hoffman
Producer    Oren Koules
Executive Producer    Daniel Jason Heffner
Executive Producer    Peter Block
Executive Producer    Jason Constantine
Executive Producer    James Wan
Executive Producer    Leigh Whannell
Executive Producer    Stacey Testro
Production Designer    Anthony Cowley
Editor    Kevin Greutert
Composer    Charlie Clouser
Director of Photography    Ben Nott
Co-Producer    Kym Crepin
Associate Producer    Ketura Kestin
Production Manager    Kym Crepin
First Assistant Director    Simon Board
Second Assistant Director    Lawrence Ng
Post-Production Supervisor    Philip Stilman
Stunt Coordinator    Shelley Cook
Script Supervisor    Ryan Jakubek
Art Director    Greg Chown
First Assistant Art Director    Andrew Redekop
First Assistant Art Director    Richelle Wilks
Set Designer    Andrew Redekop
Set Designer    Richelle Wilks
Set Decorator    Michael Vanderteems
Set Decorator    Christina Kuhnigk
Sets Supervisor    Joan Boyko
Make up    Rose-Mary Holosko
Make up    Iantha Goldberg
Hairstylist    Allison Mondesir
Hairstylist    Patricia Medina
Hairstylist    Samantha Terry
Location Manager    Beverley Kolbe
Location Manager    Brad Alexander
Sound Mixer    Daryl Purdy
Special Effects Supervisor    Jeff Skochko
First Assistant Editor    Robert Doyle
First Assistant Editor    Casey McClelland
Supervising Sound Editor    Mark Gingras
Supervising Dialogue and ADR Editor    John Laing
Sound Effects Editor    Tom Bjelic
Dialogue Editor    Dermain Finlayson
Music Editor    Simon Miminis
Re-recording Mixer    Keith Elliot
Re-recording Mixer    Mark Zsifkovits
Visual Effects Supervisor    Jon Campfens
Visual Effects Producer    Pete Denomme
Visual Effects Executive Producer    Martin Lopez Funes

International Box Office: Thor Threepeats with $75.9 million and Overtakes The Dark World

November 15th, 2017

Thor: Ragnarok

For the third weekend in a row, Thor: Ragnarok dominated the international chart, earning $75.9 million in 56 markets for totals of $438.5 internationally and $650.6 million worldwide. The film fell 59% during its second weekend in China, but this is actually much better than average for the market. It added $21.71 million this past weekend, pushing its running tally to $95.51 million after just two weeks of release in that market. The film held up even better in the U.K., where it dipped just 33% to $4.05 million in 569 theaters for a three-week total of $34.07 million. Its next biggest international market was South Korea, where it has earned $31.07 million, including $3.53 million on 856 screens this past weekend. The film already has more worldwide than either of the previous Thor films earned in total. It has entered the top ten in the MCU and it is on pace to enter the top five on that chart before its done. More...

Weekend Wrap-Up: Thor Rocks On with $57.08 million, but Weekend Box Office still Suffers

November 14th, 2017

Thor: Ragnarok

Thor: Ragnarok led the weekend chart and actually beat our prediction by a small degree with $57.08 million. The two new releases, Daddy’s Home 2 and Murder on the Orient Express, also beat expectations. Unfortunately, that wasn’t enough to help the overall box office, as it fell 16% from last weekend to $151 million over the weekend. This is 4.9% lower than the same weekend last year. 2017 has fallen further behind 2016 at $8.98 billion to $9.46 billion. 2017 is 5.1% or $480 million behind last year’s pace and I’ll be happy if we can cut that deficit in half by the end of the year. More...

Weekend Predictions: Thor Looks to Dominate Newcomers

November 9th, 2017

Thor: Ragnarok

After last week’s debut, Thor: Ragnarok should have no trouble repeating in first place, but we do have two new releases that should be in a battle for second. Murder on the Orient Express had a strong opening in the U.K. and that bodes well for its opening this weekend. On the other hand, Daddy’s Home 2’s box office potential is moving in the other direction. As I started writing this, there were still no reviews on Rotten Tomatoes. This weekend last year, Doctor Strange led the way with $42.97 million. Thor: Ragnarok should top that by around $10 million. Likewise, this week’s new releases should top last year’s new releases. However, last year had a lot better depth. Last year, every film in the top ten earned more than $3 million. This year, I’m not sure the fifth place film will earn more than $3 million. I fear 2017 will lose yet again in the year-over-year comparison. More...

International Box Office: With $428.7 million, Ragnarok Races to Catch up to Thor

November 9th, 2017

Thor: Ragnarok

As expected, Thor: Ragnarok remained in first place on the international chart dominating the competition with $151.4 million in 55 markets during its second weekend of release for a two-week total of $306.0 million internationally and $428.7 million worldwide. After just two weeks of release, the film is within striking distance of the original Thor at the worldwide box office and by this time next week, it might surpass The Dark World. As for this past weekend’s highlights, the box office was led by China, where it earned first place with $53.42 million over the weekend for a total opening of $54.53 million. This is the biggest November opening in that market and the biggest total for a Thor film. It had to settle for second place in Mexico, but was still impressive with $7.34 million over the weekend for a total opening of $10.52 million. It also did well in Germany with $5.5 million over the weekend for a total opening of $8.9 million, which is 70% higher than Doctor Strange’s opening there last year. The best holdover came from South Korea, where it was down 47% to $6.39 million on 1,047 screens over the weekend for a two-week total of $25.88 million. The only market left to open in is Trinidad, but even with no major markets, the film will have no trouble getting to $500 million internationally and $800 million worldwide. More...

Contest: End of the World: Winning Announcement

November 8th, 2017

Thor: Ragnarok

The winners of our End of the World contest were determined and the entrants with the closest predictions for Jigsaw’s opening weekend were... More...

Weekend Wrap-Up: Thor Hammers Competition with $122.74 million

November 7th, 2017

Thor: Ragnarok

Thor: Ragnarok beat predictions by a substantial margin earning the fourth biggest opening weekend of the year. Its opening weekend haul of $122.74 million helped this weekend rise 135% compared to last weekend hitting $179 million. Unfortunately, while Thor: Ragnarok was a monster hit, the rest of the box office wasn’t able to make much of an impact, leaving the overall box office down 6.6% from this weekend last year. Year-to-date, 2017 has pulled in $8.77 billion, putting it behind 2016's pace at 4.9% or $450 million. More...

Friday Estimates: Thor Earns $46.82 million Opening Friday

November 4th, 2017

Thor: Ragnarok

It looks like Thor: Ragnarok will top predictions and our increased predictions based on its Thursday previews. The film earned $46.82 million on Friday, which is the fifth-biggest opening day in 2017. Additionally, while its reviews are off their peak, its Tomatometer Score is still 93% positive, and it earned an A from CinemaScore. Both of these results suggest long legs, meaning it should hit $115 million during its opening weekend, more or less. If it can reach that over the weekend, then it will only need average legs to get to $300 million domestically. Granted, Justice League does open in just two weeks and that will hurt this film’s legs, but this is still a start worth celebrating. More...

Weekend Predictions: Will Thor Rule, or is it the End of World for the Box Office?

November 2nd, 2017

Jigsaw

November begins with Thor: Ragnarok and A Bad Moms Christmas. Thor: Ragnarok is widely expected to be the sixth film of 2017 to open with $100 million. On the other hand, A Bad Moms Christmas opened yesterday and when I started writing this in the early hours of Thursday morning, there were still no reviews on Rotten Tomatoes. Oh boy. That’s not a good sign. Worse still, no other new release it going to come close to $10 million over the weekend. This weekend last year, there were three wide releases that earned more than $10 million, led by Doctor Strange with $85 million. Thor: Ragnarok will top that, but this year's depth is terrible compared to last year and we will very likely see yet another loss in the year-over-year comparison. More...

Contest: Seen It: Winning Announcement

November 1st, 2017

Jigsaw

The winners of our Seen It contest were determined and the entrants with the closest predictions for Jigsaw’s opening weekend were... More...

Weekend Wrap-Up: Box Office is Cut to Pieces, Earning Just $75 million

October 31st, 2017

Jigsaw

It was a terrible weekend at the box office with only two films cracking $10 million, Jigsaw and Tyler Perry’s Boo 2: A Madea Halloween. Geostorm earned third place with just $5.90 million. Overall, the box office fell 21% from last weekend to just $75 million. More importantly, this is 15% lower than the same weekend last year. Year-to-date, 2017 continues to struggle with a running tally of $8.57 billion. This is $470 million or $5.2% below last year’s pace, meaning we fell behind last year’s pace by a further 0.2 percentage points. The box office really needed to be eating into the deficit during the month of October, but that hasn’t been the case. More...

Friday Estimates: Jigsaw Cuts Its Way to the Top with $7.17 million

October 28th, 2017

Jigsaw

As predicted, Jigsaw led the way on Friday. However, it didn’t do as well as previews suggested, as it earned $7.17 million during its opening day. I don’t expect its legs to improve during the rest of the weekend, as its reviews are just 37% positive, and it earned a B from CinemaScore. It will still do better than our $14 million prediction, but not by as much as we thought it would yesterday. Look for $17 million over the weekend, which is the second weakest opening in the franchise and the weakest in terms of ticket sales. I really think Lionsgate will end this franchise, at least for a while. Perhaps, in ten years or so, we will get a remake. More...

Thursday Night Previews: Jigsaw Grabs a $1.6 million Piece of the Box Office

October 27th, 2017

Jigsaw

Jigsaw earned $1.6 million during its midnight previews last night. Happy Death Day earned an even $1 million during its previews on its way to a $26 million opening. However, there are many factors that will result in shorter legs. For instance, Happy Death Day earned better reviews, while Jigsaw is the latest installment in a long-running franchise. Finally, Happy Death Day’s target audience skewed female, while Jigsaw skews male and men are more likely to rush out to see a movie than women are. That said, this is a great start and the film should easily top our prediction with at least $20 million during its opening weekend. More...

Weekend Predictions: Can Jigsaw Still Fit at the Box Office?

October 26th, 2017

Jigsaw

There are three wide releases coming out this week, although only Jigsaw is expected to make any real impact at the box office. The other two, Suburbicon and Thank You for Your Service, are opening in barely more than 2,000 theaters and neither of them are expected to do well at the box office. Meanwhile, Tyler Perry’s Boo 2: A Madea Halloween, has an actual shot at repeating in first place, mostly because of the weak competition. This is terrible news for the overall box office, as it means we are going to have a hard time matching last year’s box office, even though last year there was only one wide release, Inferno. More...

Contest: Jump Scare: Winning Announcement

October 26th, 2017

Tyler Perry’s Boo 2! A Madea Halloween

The winners of our Jump Scare contest were determined and the entrants with the closest predictions for Tyler Perry’s Boo 2! A Madea Halloween’s opening weekend were... More...

Contest: Seen It

October 20th, 2017

Jigsaw

There are three wide releases coming out next weekend, but only one of them is definitely opening truly wide, Jigsaw. (The other two are both expected to open in 2,000 theaters, but both could also fail to reach that level and thus open semi-wide.) Because of this, Jigsaw is the only real choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening three-day weekend box office number for Jigsaw.

This is our final Halloween Trick or Treat contest. Each winner will get a Frankenprize that is either Halloween Treat, a Horror film plus another prize, or a Halloween Trick, a movie so bad it is scary it was made, plus another prize.

Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize, as described above. Whoever comes the closest to predicting the film’s opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven’t won, or haven’t won recently, and they will win the final win a Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don’t delay! More...

Jigsaw Trailer

October 9th, 2017

Horror movie opens October 27 ... Full Movie Details. More...

2017 Preview: October

October 1st, 2017

Blade Runner 2049

September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic. More...

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/11/03 2 $1,149,387   268 $4,289   $2,158,394 1
2017/11/10 9 $486,346 -58% 0     $3,010,140 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 11/3/2017 $710,389 205 205 406 $1,332,690 11/13/2017
Bulgaria 10/27/2017 $21,920 0 0 0 $72,836 11/13/2017
Czech Republic 10/27/2017 $135,378 98 98 187 $303,676 11/15/2017
France 11/3/2017 $1,900,000 0 0 0 $1,900,000 11/6/2017
Germany 10/27/2017 $1,452,485 355 376 731 $4,300,000 11/13/2017
Italy 11/3/2017 $1,149,387 268 268 268 $3,010,140 11/15/2017
Japan 11/10/2017 $533,000 120 120 120 $533,000 11/13/2017
Lithuania 10/27/2017 $41,569 79 79 121 $92,279 11/13/2017
Mexico 11/10/2017 $448,419 369 369 369 $502,000 11/15/2017
Netherlands 10/27/2017 $349,104 77 77 210 $940,438 11/13/2017
New Zealand 11/3/2017 $82,239 45 46 91 $175,820 11/13/2017
North America 10/27/2017 $16,640,452 2941 2941 8533 $35,666,233
Norway 11/10/2017 $99,000 0 0 0 $99,000 11/13/2017
Portugal 10/27/2017 $146,344 49 56 154 $483,425 11/16/2017
Russia (CIS) 10/27/2017 $2,278,147 1073 1073 2571 $4,500,000 11/13/2017
Slovakia 10/27/2017 $102,390 65 65 114 $205,658 11/15/2017
South Korea 10/27/2017 $0 0 175 283 $879,327 11/18/2017
Turkey 11/3/2017 $335,198 283 283 498 $692,519 11/13/2017
United Kingdom 10/27/2017 $2,426,595 462 462 1263 $6,100,000 11/13/2017
Venezuela 10/27/2017 $0 0 0 0 $2,100,000 11/6/2017
 
Rest of World $17,377,192
 
Worldwide Total$81,266,233 11/18/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.


ProductionNext