Australia Box Office for The Wedding Plan (2016)

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Laavor et hakir
Theatrical Performance (US$)
Australia Box Office $39,652Details
Worldwide Box Office $1,547,643Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

At 32, Michal is finally looking forward to the comfort and security of marriage, when she is blindsided by her fiancé’s decision to call off the wedding with only a month’s notice. Unwilling to return to lonely single life, Michal decides to put her trust in fate and continue with her wedding plans, believing Mr. Right will appear by her chosen date. Confident she will find a match made in heaven, she books a venue, sends out invitations and buys a wedding dress, as her skeptical mother and sister look on with trepidation. During Michal’s month-long search for a spouse, she enlists the help of two different matchmakers, goes on a series of disastrous blind dates and finds an unexpected connection with a charming but utterly unsuitable pop star—all while dismissing pleas by concerned friends and family members that she reconsider her risky plan. As the day of the ceremony grows closer and no suitor appears, Michal puts everything on the line to find happiness.

Metrics

Movie Details

Australia Releases: October 27th, 2017 (Wide), released as The Wedding Plan
Video Release: August 22nd, 2017 by Lionsgate Home Entertainment
MPAA Rating: PG for thematic elements.
(Rating bulletin 2461 (Cert #50879), 2/1/2017)
Running Time: 110 minutes
Keywords: Wedding Planning, Wedding Day, Jewish, Romance, Left at the Altar, Relationships Gone Wrong, Orthodox Religion, Religious
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Norma Productions
Production Countries: Israel
Languages: English

Home Market Releases for September 5th, 2017

September 5th, 2017

Rebecca

There are a few first-run releases coming out this week, but none of them did well enough in theaters and / or with critics to bother with above the fold, so to speak. There is one exception, The Big Sick, but it is only coming out on VOD this week. I’m hoping a Blu-ray screener is on its way. As for the Pick of the Week contenders, they are, in alphabetical order, Emmet Otter’s Jug-Band Christmas on DVD, Mr. Mom on Blu-ray, and Rebecca: Criterion Collection on Blu-ray. In the end, I went with the Alfred Hitchcock classic as the Pick of the Week. More...

Home Market Releases for August 22nd, 2017

August 23rd, 2017

Ash vs Evil Dead: Season Two

Guardians of the Galaxy Vol 2 comes out this week and it is such a big release that is scared away nearly all of the competition. Fortunately, it is also a great film and a serious contender for Pick of the Week. The main competition are Ash vs Evil Dead: Season 2 and Supergirl: Season 2. In the end. I went with Ash vs Evil Dead, but it was a close race. More...

Theater Averages: Beatriz Fills Up with Average of $28,392

June 13th, 2017

Beatriz-at-Dinner

Beatriz at Dinner led the way on the theater average chart with an average of $28,392 in five theaters. Last week’s winner, Wonder Woman, was pushed into second place with a still impressive average of $14,050. The final film in the $10,000 club was The Hero with an average of $11,329 in four theaters. More...

Theater Averages: Audiences Didn’t Wait to See Paris

May 16th, 2017

Paris Can Wait

Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening. More...

Limited and VOD Releases: Farewell to Loved Limited Releases

May 12th, 2017

Hounds of Love

It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/10/27 - $5,204   4 $1,301   $5,204 1
2017/11/03 - $5,767 +11% 2 $2,884   $13,736 2
2017/11/10 - $7,659 +33% 3 $2,553   $24,107 3
2017/11/17 - $6,211 -19% 4 $1,553   $34,325 4
2017/11/24 - $942 -85% 2 $471   $37,441 5
2018/04/20 - $1,004   1 $1,004   $39,652 26

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/15/2017 $15,843 0 0 0 $22,756 1/1/2019
Australia 10/27/2017 $5,204 4 4 16 $39,652 4/23/2018
Italy 6/8/2017 $37,415 0 0 0 $62,292 6/22/2017
North America 5/12/2017 $31,658 8 123 531 $1,412,404
United Kingdom 12/16/2016 $10,539 3 3 3 $10,539 12/22/2016
 
Worldwide Total$1,547,643 1/1/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Noa Koler    Michal

Supporting Cast

Amos Tamam    Shimi
Oz Zehavi    Yos
Jonathan Rozen    Deaf
Udi Persi    “Blind” date
Irit Sheleg    Michal’s Mother
Ronny Merhavi    Feggie
Oded Leopold   
Dafi Alpern   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Rama Burshtein    Director
Rama Burshtein    Screenwriter
Assaf Amir    Producer
Ori Aminov    Production Designer
Yael Hersonski    Editor
Roy Edri    Composer
Amit Yasour    Director of Photography
Michal Koren    Casting Director
Hava Levy Rozelsky    Costume Designer
Alex Claude    Sound Designer
Daniel Meir    Sound Designer
Moti Hefetz    Sound Recordist