In the first film, legendary thieves Alejandro Toledo and Emilio Sánchez, took down an infomercial guru who was taking
advantage of Latino immigrants. Following that successful heist, the modern day Robin Hoods left their lives of crime for a more civilian life. Sanchez joined the FBI and Toledo is a businessman. LADRONES sees Toledo return to his do-gooder robbing roots, and although Sanchez can’t quite commit to helping out, he introduces Toledo to the hilariously skilled Santiago Guzmán to help him with the mission of a lifetime. Their goal? The two must work
to reclaim land stolen from a hard working community by a ruthless family of crooks led by a beautiful but lethal diva. A
ction and comedy ensues as Toledo and Guzman recruit their new team of “Robin Hoods” to perform the biggest heist of their careers and save the future of an entire town.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 6,501-6,600)
|All Time International Box Office (Rank 6,601-6,700)
|All Time Worldwide Box Office (Rank 8,101-8,200)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 801-900)
|All Time Domestic Box Office for Comedy Movies (Rank 1,501-1,600)
|All Time International Box Office for Comedy Movies (Rank 1,301-1,400)
|All Time Worldwide Box Office for Comedy Movies (Rank 1,901-2,000)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
||October 9th, 2015 (Limited) by Lionsgate|
||November 13th, 2015 (Wide) (Mexico)
||February 2nd, 2016 by Lionsgate Home Entertainment|
||PG-13 for some violence, language and suggestive material.|
(Rating bulletin 2380, 7/1/2015)
||Ladron que roba a ladron|
||vs. El Cantante|
Create your own comparison chart…
||Delayed Sequel, Out of Retirement, Robin Hood Bandits, Heist, Crime Caper|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
||Lantica Pictures, Panamax Films, Pantelion Films|
November 10th, 2015
It was a busy week on the per theater chart with seven films in the $10,000 club. Spotlight led the way with an average of $59,002 in five theaters. This is the fourth best opening weekend average of 2015, just ahead of While We're Young and just behind Ex Machina. Brooklyn was next with an average of $37,456, also in five theaters. It opened on Wednesday, so its weekend average was a little lower than it otherwise would have been. The overall number one film, Spectre, was third with an average of $17,919. In Jackson Heights was on the opposite end of the scale playing in just one theater. It did well with an opening of $15,150. Trumbo was very close behind with an average of $14,835 in five theaters. Its reviews suggest it won't expand significantly, but this is a great start. The second wide release of the week was The Peanuts Movie, which opened with an average of $11,345. The final film in the $10,000 club was Peggy Guggenheim - Art Addict, which earned an average of $11,129 in two theaters.
October 21st, 2015
Room was in a close race for top spot on the per theater with last week's winner, but it came out on top with an average of $29,575 in four theaters. Steve Jobs was right behind with an average of $25,212 in 60. This film is going to expand wide this weekend and could lead the weekend. The Assassin earned an average of $11,973 in four theaters, which is strong for a foreign-language film. Meanwhile, Truth was right behind with an average of $11,039 in six.
October 13th, 2015
Steve Jobs was expected to be a hit in limited release, but not this big of a hit. The film scored more than $500,000 in just four theaters for an average of $130,381, which is the best per theater average for a film released in 2015. In fact, it is nearly double the previous best, Sicario. The second best average of the week was $16,543, which was earned by Goodbye Mr. Loser in 22 theaters.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
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