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The Last Five Years (2015)

The Last Five Years poster
Theatrical Performance
Domestic Box Office $147,299Details
Home Market Performance
Est. Domestic DVD Sales $390,917 Details
Est. Domestic Blu-ray Sales $165,955 Details
Total Est. Domestic Video Sales $556,872
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer


A musical chronicling a love affair and marriage taking place over a five year period. Jordan is a young, talented up and coming novelist who falls in love with Cathy Hiatt, a struggling actress. Their story is told almost entirely through song. All of Cathy’s songs begin at the end of their marriage and move backwards in time to the beginning of their love affair, while Jamie’s songs start at the beginning of their affair and move forward to the end of their marriage. They meet in the center when Jamie proposes.


Latest Ranking on Cumulative Box Office Lists

All Time Domestic Box Office (Rank 10,401-10,500) 10,454 $147,299
All Time Worldwide Box Office (Rank 13,701-13,800) 13,764 $147,299
All Time Domestic Highest Grossing Limited Release Movies (Rank 3,501-3,600) 3,509 $147,299

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.

Movie Details

Production Budget:$2,000,000
Domestic Releases: February 13th, 2015 (Limited) by RADiUS-TWC
Video Release: May 5th, 2015 by Anchor Bay Home Entertainment
MPAA Rating: PG-13 for sexual material, brief strong language and a drug image.
(Rating bulletin 2356, 1/15/2015)
Running Time: 94 minutes
Comparisons: vs. La La Land
Create your own comparison chart…
Keywords: Early / Simultaneous Video on Demand release, Jewish, Writing and Writers, Aspiring Actress / Actor, Interfaith Romance, Non-Chronological
Source:Based on Musical or Opera
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Radius TWC, Sh-K-Boom Entertainment, Lucky Monkey, The Exchange
Production Countries: United States

Ranking on other Records and Milestones

Days In
Top 2015 Theater Average 69 $17,158 Feb 13, 2015 3


   Cathy Hiatt
   Jamie Wellerstein
Sam Gilroy    Tattooed Actor
Marceline Hugot    Ms. Whitfield
Natalie Knepp    Alise Michaels
Nic Novicki    Karl the Gay Midget
Rafael Sardina    Richard
Sherie Rene Scott    Auditioner #1
Kurt Deutsch    Auditioner #2
Alan Simpson    Casting Assistant

Production and Technical Credits

Screenwriter    Richard LaGravenese
Producer    Lauren Versel
Producer    Kurt Deutsch
Producer    Janet Brenner
Producer    Richard LaGravenese
Music and Lyrics By    Jason Robert Brown
Co-Producer    Steve Norman
Co-Producer    Joel Blanco
Executive Producer    Laura Ivey
Executive Producer    Alan Simpson
Executive Producer    Brian O’Shea
Executive Producer    Donald Simpson
Executive Producer    Robert Immerman
Executive Producer    Paul Silver
Executive Producer    Sherie Rene Scott
Executive Producer    Ruth Mutch
Executive Producer    Craig Balsam
Executive Producer    Jen Namoff
Executive Producer    Geoffrey Soffer
Director of Photography    Steven Meizler
Production Designer    Michael Fitzgerald
Editor    Sabine Hoffman
Costume Designer    Ciera Wells
Supervising Music Producer    Lawrence Manchester
Casting Director    Bernie Telsey
Casting Director    Tiffany Little Canfield

Per Theater Chart: Shadow Steals Spotlight in Its Debut

February 18th, 2015

What We Do in the Shadows poster

What We Do in the Shadows dominated the per theater chart earning an average of $41,778 in two theaters. This is high enough to suggest the film will be able to expand significantly. Additionally, its reviews are stunning, so its chances at box office success are even better. However, the comedy stylings of Jemaine Clement and Taika Waititi are not really mainstream and that might hurt its chances. The second place film on the per theater chart was the overall number one film, Fifty Shades of Grey, which earned an average of $23,360. The Last 5 Years was next with an average of $17,158 in three theaters. Gett: The Trial of Viviane Amsalem opened with an average of $12,105 in two theaters. Meanwhile, the second wide release of the week, Kingsman: The Secret Service, was the final film in the $10,000 club with an average of $11,300. More...

Limited Releases: Out of the Shadows

February 13th, 2015

What We Do in the Shadows poster

After two weeks of doing highlights for limited release, I'm thinking of sticking with the format. If the film can't get at least five reviews on Rotten Tomatoes, it likely won't find an audience in theaters. I was thinking of only talking about films with overwhelmingly positive reviews, but some weeks that would be none. This week, there are only two. What We Do in the Shadows (Reviews) and Gett: The Trial of Viviane Amsalem (Reviews). The latter has better reviews, but the former has more popular appeal. More...

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/02/13 44 $51,475   3 $17,158   $51,475 1
2015/02/20 51 $38,677 -25% 36 $1,074   $99,028 2
2015/02/27 65 $20,211 -48% 25 $808   $147,299 3

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2015/02/13 - $12,900   6 $2,150   $12,900 1

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2015/02/13 51 $60,351   3 $20,117   $60,351 1
2015/02/20 53 $57,383 -5% 36 $1,594   $117,734 2
2015/02/27 70 $27,693 -52% 25 $1,108   $145,427 3

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
5/10/2015198,037 8,037$78,279$78,2791

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Home Media Magazine.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at