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The Look of Love (2013)

The Look of Love
Theatrical Performance
Domestic Box Office $16,119Details
International Box Office $587,000Details
Worldwide Box Office $603,119
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer


“THE LOOK OF LOVE” is the true-life story of Paul Raymond, the man behind Soho’s norotious Raymond Revue Bar and Men Only magazine. Paul Raymond began his professional life with an end of the pier mind0reading act. He soon realized that the audience were more interested in watching his beautiful assistance, and that they liked it even more if she was topless. He quickly became one of Britain’s leading nude revue producers. In 1958 he opened his revue Bar in Soho, the heart of London’s West End. As it was a private club, the nudes were allowed to move. A huge success, it became the cornerstone of a Soho empire, prompting the Sunday Times in 1992 to crown him the richest man in Britain. The film focuses on Raymond’s relationships with the three most important women in his life: his wife Jean, his lover Fiona, and his daughter Debbie (Imogen Poots). It is a modern day King Midas story, with Raymond acquiring fabulous wealth, but at the cost of losing the people who are closest to him.


Latest Ranking on Cumulative Box Office Lists

All Time Domestic Box Office 13,078 $16,119
All Time International Box Office 6,177 $587,000
All Time Worldwide Box Office 10,858 $603,119
All Time Domestic Highest Grossing Limited Release Movies 5,701 $16,119

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.

Movie Details

Domestic Releases: July 5th, 2013 (Limited) by IFC Films
International Releases: April 26th, 2013 (Wide) (United Kingdom)
July 10th, 2014 (Wide) (Mexico)
MPAA Rating: Not Rated
Running Time: 97 minutes
Comparisons: Create your own comparison chart…
Keywords: Biography, Porn Business, Rags to Riches, Narcotics, Addiction, Dysfunctional Family
Source:Based on Real Life Events
Production Method:Live Action
Creative Type:Dramatization
Production Companies: StudioCanal, Film4, Anton Capital Entertainment, Lipsync Productions, Revolution Films, Baby Cow
Production Countries: United Kingdom

Ranking on other Records and Milestones

Days In
Biggest Domestic 4th Weekend 7,798 $1,842 Jul 26, 2013 24
Biggest 4th Weekend Limited Release 3,512 $1,842 Jul 26, 2013 24
Theater Average 4th Weekend Limited Release 3,876 $307 Jul 26, 2013 24
Biggest Domestic 2nd Weekend 9,590 $2,429 Jul 12, 2013 10
Biggest 2nd Weekend Limited Release 4,741 $2,429 Jul 12, 2013 10
Theater Average 2nd Weekend Limited Release 4,121 $1,215 Jul 12, 2013 10
Biggest Domestic Opening Weekend 10,463 $5,105 Jul 5, 2013 3
Biggest Opening Weekend Limited Release 5,490 $5,105 Jul 5, 2013 3
Theater Average Opening Weekend Limited Release 5,654 $1,702 Jul 5, 2013 3
Theater Average Limited Release 23,125 $1,702 Jul 5, 2013 3
Top 2013 Theater Average Limited Release 797 $1,702 Jul 5, 2013 3
Never Wide Domestic 6,882 $16,119 Jul 5, 2013 0
Never No. 1 Domestic 10,322 $16,119 Jul 5, 2013 0
Widest Expansion Limited Release 3,287 3 Jul 5, 2013 0


   Paul Raymond
   Jean Raymond
   Debbie Raymond
   Fiona Richmond
Chris Addison    Tony Power
James Lance    Carl Snitcher
Shirley Henderson    Rusty Humphries
David Williams    Vicar Edwyn Young
Matt Lucas    Divine
Simon Bird    Jonathan Hodge
Stephen Fry    Barrister
Dara O'Briain    Comedian
Kieran O'Brien    Jimmy Humphries
Miles Jupp    Interviewer
Peter Wight    Police Inspector
Matthew Beard    Howard Raymond

Production and Technical Credits

Producer    Melissa Parmenter
Screenwriter    Matt Greenhalgh
Executive Producer    Andrew Eaton
Executive Producer    Jenny Borgars
Executive Producer    Katherine Butler
Executive Producer    Norman Merry
Executive Producer    Danny Perkins
Executive Producer    Piers Wenger
Co-Producer    Josh Hyams
Co-Producer    Alice Dawson
Editor    Mags Arnold
Director of Photography    Hubert Taczanowski
Composer    Antony Genn
Composer    Martin Slattery
Production Designer    Jacqueline Abrahams
Costume Designer    Stephanie Collie
Casting Director    Jina Jay
Make up    Loz Schiavo
Hair Designer    Fiona Fellows
Supervising Sound Editor    Joakim Sundstrom
Recordist    Will Whale

Per Theater Chart: Way Way is Strong Strong

July 9th, 2013

The Way Way Back earned top spot on the per theater chart with an average of $29,094 in nineteen theaters. This suggests a lot of room to expand, while it should reach its first milestone shortly. The overall box office leader, Despicable Me 2 was next with an average of $20,895. Kevin Hart: Let Me Explain was a surprise entrant in the $10,000 club with an average of $11,450 in nearly 900 theaters. The final film in the $10,000 club was Museum Hours with an average of $10,427 in three theaters. More...

Limited Releases will have to go Way Back to Look for a Big Hit

July 5th, 2013

It's a pretty busy week for limited releases with several films having openings spread out from Wednesday through Friday. However, while it is a busy week, only two of them are earning overall good reviews. Big Star: Nothing Can Hurt Me is earning the best reviews, but as a documentary, its chances of expanding are limited. On the other hand, The Way Way Back is not only earning great reviews, but its cast is better than most wide releases could hope for. More...

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2013/07/05 41 $5,105   3 $1,702   $5,105 3
2013/07/12 56 $2,429 -52% 2 $1,215   $10,379 10
2013/07/26 76 $1,842   6 $307   $14,580 24

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2013/07/05 35 $7,950   3 $2,650   $7,950 7
2013/07/12 62 $4,277 -46% 2 $2,139   $12,227 14
2013/07/26 68 $3,381   6 $564   $16,119 28

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at