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Lowriders (2017)

Lowriders
Theatrical Performance
Domestic Box Office $6,179,955Details
International Box Office $8,466Details
Worldwide Box Office $6,188,421
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

A young graffiti artist decides to use his talents to help his family’s legacy of prize-winning classic cars. But to go all the way, he has to choose whether to compete against his felon older brother, or to give his brother a hand and risk getting pulled into his brother’s gang.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 5,501-5,600) 5,528 $6,179,955
All Time International Box Office (Rank 9,001-9,100) 9,043 $8,466
All Time Worldwide Box Office (Rank 7,001-7,100) 7,015 $6,188,421
All Time Domestic Highest Grossing Limited Release Movies (Rank 401-500) 443 $6,179,955

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: May 12th, 2017 (Limited) by BH Tilt
International Releases: April 28th, 2017 (Wide) (United Kingdom)
MPAA Rating: PG-13 for language, some violence, sensuality, thematic elements and brief drug use.
(Rating bulletin 2462 (Cert #50457), 2/8/2017)
Running Time: 99 minutes
Comparisons: vs. La Mission
Create your own comparison chart…
Keywords: Hispanic, Los Angeles, Dysfunctional Family, Artists, Sibling Rivalry, Gangs, Graffitti Artists, Coming of Age
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Blumhouse, Brian Grazer Productions, Imagine Entertainment
Production Countries: United States

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2017 Theater Average Limited Release 58 $8,149 May 12, 2017 3

Cast

   Miguel
   Danny
   Francisco “Ghost” Alvarez
Melissa Benoist    Lorelai
   Chuy
Eva Longoria    Gloria
Cress Williams    Detective Stallworth
David Fernandez Jr.    MC
Dominic Pace    Cop
Bryan Rubio    Gordo

Production and Technical Credits

Director   
Screenwriter    Elgin James
Screenwriter    Cheo Hodari Coker
Producer    Brian Grazer
Producer    Jason Blum
Executive Producer    Mark Machado
Executive Producer    Couper Samuelson
Executive Producer    Jeanette Volturno-Brill
Executive Producer    Estevan Oriol
Executive Producer    Kim Roth
Director of Photography    Andres E. Sanchez
Production Designer    Melanie Jones
Editor    Billy Fox
Editor    Kiran Pallegadda
Costume Designer    Mirren Gordon-Crozier
Composer    Bryan Senti
Music Supervisor    John Bissell
Casting Director    Terri Taylor
Art Director    Hunter Brown
Sound Designer    Robert Janiger
Re-recording Mixer    Paul Hackner
Assistant Director    Rip Murray

Theater Averages: Beatriz Fills Up with Average of $28,392

June 13th, 2017

Beatriz-at-Dinner

Beatriz at Dinner led the way on the theater average chart with an average of $28,392 in five theaters. Last week’s winner, Wonder Woman, was pushed into second place with a still impressive average of $14,050. The final film in the $10,000 club was The Hero with an average of $11,329 in four theaters. More...

Theater Averages: Long, Strange, and Profitable

May 31st, 2017

Long Strange Trip

Long Strange Trip topped the theater chart with an average of $21,739 in two theaters over the weekend. (The film also had a special engagement on Thursday in 50 theaters.) This is more impressive, because of how long the movie is, which limited the number of screenings per day. The only other film to reach the $10,000 club was Pirates of the Caribbean: Dead Men Tell No Tales with an average of $14,729. However, Restless Creature: Wendy Whelan came very close with an average of $9,940 in two theaters, plus it was a Wednesday release. More...

Theater Averages: Abacus Counts its Blessing with $12,528

May 24th, 2017

Abacus: Small Enough to Jail

The only film in the $10,000 club was Abacus: Small Enough to Jail, which earned $12,528 in its lone theater during its opening weekend. The only other film that came close was Alien: Covenant, which earned an average of $9,615. More...

Theater Averages: Audiences Didn’t Wait to See Paris

May 16th, 2017

Paris Can Wait

Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening. More...

Weekend Wrap-Up: Guardians Matches Original’s Hold Earning $65.26 million

May 16th, 2017

Guardians of the Galaxy Vol 2

As expected, Guardians of the Galaxy Vol 2 crushed the competition this weekend earning more than Snatched and King Arthur: Legend of the Sword’s combined openings. However, it held on better than expected down 55% to $65.26 million. The overall box office still fell by 30% from last weekend to $136 million. This is 3.8% higher than the same weekend last year. Guardians of the Galaxy Vol 2 held on better than Captain America: Civil War did during its sophomore stint, but it was strong depth that helped 2017 win the year-over-year comparison. It didn’t win by much, so the overall lead still shrunk to 3.4% at $4.07 billion to $3.93 billion, but any lead is good news. More...

Weekend Estimates: Second Place Snatched from King Arthur

May 14th, 2017

Snatched

King Arthur: Legend of the Sword has proved to be a costly bet gone wrong for Warner Bros. and Village Roadshow. The film had a long gestation period, and ended up costing $175 million to make. Once another $100 million or so of marketing is added in, that makes for a target of at least $550 million at the global box office before anyone starts recouping anything from the film. A domestic opening of $14.7 million, and $29.1 million overseas, makes that a laughably-distant prospect. Adding to the embarrassment, King Arthur will start out in third place, behind Mothers Day-play Snatched, and even that film isn’t doing particularly well, when all is said and done. More...

Limited and VOD Releases: Farewell to Loved Limited Releases

May 12th, 2017

Hounds of Love

It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/05/12 8 $2,403,885   295 $8,149   $2,403,885 3
2017/05/19 11 $1,183,600 -51% 365 $3,243   $4,211,985 10
2017/05/26 14 $602,010 -49% 334 $1,802   $5,190,145 17
2017/06/02 24 $201,620 -67% 179 $1,126   $5,754,625 24
2017/06/09 25 $137,635 -32% 107 $1,286   $6,000,055 31
2017/06/16 26 $98,600 -28% 40 $2,465   $6,155,650 38

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/05/12 7 $907,175   295 $3,075   $907,175 1
2017/05/13 8 $792,010 -13% 295 $2,685   $1,699,185 2
2017/05/14 8 $704,700 -11% 295 $2,389   $2,403,885 3
2017/05/15 8 $178,705 -75% 295 $606   $2,582,590 4
2017/05/16 9 $200,865 +12% 295 $681   $2,783,455 5
2017/05/17 9 $130,670 -35% 295 $443   $2,914,125 6
2017/05/18 8 $114,260 -13% 295 $387   $3,028,385 7
2017/05/19 11 $321,425 +181% 365 $881   $3,349,810 8
2017/05/20 11 $444,855 +38% 365 $1,219   $3,794,665 9
2017/05/21 11 $417,320 -6% 365 $1,143   $4,211,985 10
2017/05/22 12 $102,050 -76% 365 $280   $4,314,035 11
2017/05/23 11 $128,605 +26% 365 $352   $4,442,640 12
2017/05/24 12 $76,910 -40% 365 $211   $4,519,550 13
2017/05/25 13 $68,585 -11% 365 $188   $4,588,135 14
2017/05/26 14 $147,385 +115% 334 $441   $4,735,520 15
2017/05/27 14 $211,070 +43% 334 $632   $4,946,590 16
2017/05/28 13 $243,555 +15% 334 $729   $5,190,145 17
2017/05/29 14 $188,620 -23% 334 $565   $5,378,765 18
2017/05/30 13 $79,555 -58% 334 $238   $5,458,320 19
2017/05/31 14 $55,280 -31% 334 $166   $5,513,600 20
2017/06/01 14 $39,405 -29% 334 $118   $5,553,005 21
2017/06/02 - $54,210 +38% 179 $303   $5,607,215 22
2017/06/03 - $78,945 +46% 179 $441   $5,686,160 23
2017/06/04 - $68,465 -13% 179 $382   $5,754,625 24
2017/06/05 - $29,980 -56% 179 $167   $5,784,605 25
2017/06/06 - $33,540 +12% 179 $187   $5,818,145 26
2017/06/07 - $24,795 -26% 179 $139   $5,842,940 27
2017/06/08 - $19,480 -21% 179 $109   $5,862,420 28
2017/06/09 - $38,780 +99% 107 $362   $5,901,200 29
2017/06/10 - $56,960 +47% 107 $532   $5,958,160 30
2017/06/11 - $41,895 -26% 107 $392   $6,000,055 31
2017/06/12 - $13,010 -69% 107 $122   $6,013,065 32
2017/06/13 - $19,895 +53% 107 $186   $6,032,960 33
2017/06/14 - $13,980 -30% 107 $131   $6,046,940 34
2017/06/15 - $10,110 -28% 107 $94   $6,057,050 35
2017/06/16 - $38,435 +280% 40 $961   $6,095,485 36
2017/06/17 - $32,005 -17% 40 $800   $6,127,490 37
2017/06/18 - $28,160 -12% 40 $704   $6,155,650 38
2017/06/19 - $9,230 -67% 40 $231   $6,164,880 39
2017/06/20 - $6,890 -25% 40 $172   $6,171,770 40
2017/06/21 - $4,325 -37% 40 $108   $6,176,095 41
2017/06/22 - $3,860 -11% 40 $97   $6,179,955 42

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/05/12 8 $3,028,385   295 $10,266   $3,028,385 7
2017/05/19 12 $1,559,750 -48% 365 $4,273   $4,588,135 14
2017/05/26 14 $964,870 -38% 334 $2,889   $5,553,005 21
2017/06/02 21 $309,415 -68% 179 $1,729   $5,862,420 28
2017/06/09 23 $194,630 -37% 107 $1,819   $6,057,050 35
2017/06/16 29 $122,905 -37% 40 $3,073   $6,179,955 42

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.