Manifesto (2017)

Manifesto
Theatrical Performance
Domestic Box Office $161,101Details
International Box Office $271,236Details
Worldwide Box Office $432,337
Further financial details...

Synopsis

Manifesto features Cate Blanchett in 13 distinct, must-see vignettes that incorporate timeless manifestos from 20th century art movements. From anchorwoman to homeless man, from Pop Art to Dogma 95, a chameleonic Blanchett gives a tour-de-force performance as she transforms herself like never before. Rosefeldt weaves together history’s most impassioned artistic statements in this stunning and contemporary call to action. Manifesto draws on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists and other artist groups, as well as the musings of individual artists, architects, dancers and filmmakers.

Metrics

Opening Weekend:$9,628 (6.0% of total gross)
Legs:11.94 (domestic box office/biggest weekend)
Domestic Share:37.3% (domestic box office/worldwide)
Theater counts:1 opening theaters/10 max. theaters, 6.1 weeks average run per theater
Infl. Adj. Dom. BO $193,598

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 11,801-11,900) 11,880 $161,101
All Time International Box Office (Rank 14,501-14,600) 14,588 $271,236
All Time Worldwide Box Office (Rank 18,401-18,500) 18,423 $432,337
All Time Domestic Highest Grossing Limited Release Movies (Rank 3,901-4,000) 3,953 $161,101

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: May 10th, 2017 (Limited) by FilmRise
International Releases: May 22nd, 2017 (Wide) (South Korea)
June 8th, 2017 (Wide) (Russia (CIS))
August 11th, 2017 (Wide) (Turkey)
November 10th, 2017 (Wide), released as Manifesto: Live from Tate Modern (United Kingdom)
January 5th, 2018 (Limited) (Portugal)
... Show all releases
MPAA Rating: Not Rated
Running Time: 95 minutes
Comparisons: Create your own comparison chart…
Keywords: Homeless, Segments, Same Actor, Multiple Roles, Widow/Widower, Teachers, Puppeteers, Punk Rock, Choreography
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Australian Centre for the Moving Image Melbourne, Art Gallery of New South Wales Sydney, Nationalgalerie, The Sprengel Museum Hannover, The Burger Collection Hong Kong, The Ruhrtriennale
Production Countries: Germany
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 11,801-11,900) 11,880 $161,101
All Time Domestic Inflation Adjusted Box Office (Rank 11,501-11,600) 11,525 $193,598
All Time Domestic Non-Sequel Box Office (Rank 10,901-11,000) 10,925 $161,101
Top 2017 Movies at the Domestic Box Office (Rank 301-400) 334 $161,101
All Time Domestic Highest Grossing Limited Release Movies (Rank 3,901-4,000) 3,953 $161,101
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 4,201-4,300) 4,201 $193,598
Top 2017 Limited Release Movies at the Domestic Box Office (Rank 101-200) 181 $161,101
All Time Domestic Box Office for Original Screenplay Movies (Rank 6,001-6,100) 6,007 $161,101
All Time Domestic Box Office for Live Action Movies (Rank 10,501-10,600) 10,513 $161,101
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 5,901-6,000) 5,952 $161,101
All Time Domestic Box Office for Drama Movies (Rank 3,301-3,400) 3,368 $161,101
All Time Domestic Box Office for Not Rated Movies (Rank 1,601-1,700) 1,684 $161,101
All Time Domestic Box Office for FilmRise Movies 9 $161,101

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 12, 2017 59 $9,628   1 $9,628   $11,824 1
May 19, 2017 - $7,312 -24% 1 $7,312   $24,816 2
May 26, 2017 54 $10,540 +44% 4 $2,635   $42,330 3
Jun 2, 2017 52 $9,061 -14% 8 $1,133   $63,617 4
Jun 9, 2017 56 $7,647 -16% 9 $850   $78,083 5
Jun 16, 2017 62 $6,394 -16% 5 $1,279   $91,778 6
Jun 23, 2017 49 $13,495 +111% 10 $1,350   $110,040 7
Jun 30, 2017 59 $6,485 -52% 6 $1,081   $123,854 8
Jul 7, 2017 66 $5,470 -16% 7 $781   $132,485 9
Jul 14, 2017 61 $4,439 -19% 3 $1,480   $143,656 10
Jul 21, 2017 77 $1,818 -59% 3 $606   $153,151 11
Jul 28, 2017 76 $1,539 -15% 2 $770   $157,280 12
Aug 11, 2017 88 $1,331   1 $1,331   $160,101 14
Aug 18, 2017 101 $272 -80% 1 $272   $161,101 15

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 5, 2017 79 $2,196   1 $2,196   $2,196 1
May 12, 2017 59 $14,948 +581% 1 $14,948   $17,504 2
May 19, 2017 56 $14,286 -4% 1 $14,286   $31,790 3
May 26, 2017 48 $22,766 +59% 4 $5,692   $54,556 4
Jun 2, 2017 54 $15,880 -30% 8 $1,985   $70,436 5
Jun 9, 2017 53 $14,948 -6% 9 $1,661   $85,384 6
Jun 16, 2017 62 $10,636 -29% 5 $2,127   $96,020 7
Jun 23, 2017 52 $20,824 +96% 10 $2,082   $117,369 8
Jun 30, 2017 64 $9,646 -54% 6 $1,608   $127,015 9
Jul 7, 2017 62 $12,202 +26% 7 $1,743   $139,217 10
Jul 14, 2017 53 $12,116 -1% 3 $4,039   $151,333 11
Jul 21, 2017 69 $4,408 -64% 3 $1,469   $155,741 12
Jul 28, 2017 78 $2,693 -39% 2 $1,347   $158,434 13
Aug 11, 2017 92 $2,059   1 $2,059   $160,829 15

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Bulgaria 9/28/2018 $440 0 0 0 $6,546 2/26/2019
Lithuania 3/2/2018 $0 0 1 1 $4,688 11/22/2018
Portugal 1/5/2018 $0 0 11 25 $15,527 4/23/2018
Russia (CIS) 6/8/2017 $36,147 94 94 162 $147,664 1/1/2019
South Korea 5/22/2017 $0 0 0 0 $877 6/5/2017
Turkey 8/11/2017 $13,225 18 18 50 $42,281 2/26/2019
United Kingdom 11/10/2017 $0 0 3 8 $53,653 2/14/2023
 
International Total$271,236 2/14/2023

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 14,501-14,600) 14,588 $271,236
All Time International Non-Sequel Box Office (Rank 13,401-13,500) 13,441 $271,236
All Time International Box Office for Original Screenplay Movies (Rank 8,201-8,300) 8,250 $271,236
All Time International Box Office for Live Action Movies (Rank 12,201-12,300) 12,259 $271,236
All Time International Box Office for Contemporary Fiction Movies (Rank 7,601-7,700) 7,654 $271,236
All Time International Box Office for Drama Movies (Rank 3,901-4,000) 3,968 $271,236
All Time International Box Office for Not Rated Movies (Rank 1,401-1,500) 1,423 $271,236
All Time International Box Office for FilmRise Movies 7 $271,236

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 18,401-18,500) 18,423 $432,337
All Time Worldwide Non-Sequel Box Office (Rank 17,001-17,100) 17,049 $432,337
All Time Worldwide Box Office for Original Screenplay Movies (Rank 10,101-10,200) 10,137 $432,337
All Time Worldwide Box Office for Live Action Movies (Rank 15,701-15,800) 15,713 $432,337
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 9,601-9,700) 9,648 $432,337
All Time Worldwide Box Office for Drama Movies (Rank 5,001-5,100) 5,052 $432,337
All Time Worldwide Box Office for Not Rated Movies (Rank 2,001-2,100) 2,020 $432,337
All Time Worldwide Box Office for FilmRise Movies 9 $432,337

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Cate Blanchett    Various Characters

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Julian Rosefeldt    Director
Julian Rosefeldt    Screenwriter
Julian Rosefeldt    Producer
Christoph Krauss    Director of Photography
Erwin Prib    Production Designer
Bina Daigeler    Costume Designer
David Hilgers    Sound Recordist
Bobby Good    Editor
Nils Frahm    Composer
Ben Lukas Boysen    Composer
Jan Schoningh    Post-Production Supervisor
Markus Stemler    Supervising Sound Editor
Fabian Schmidt    Supervising Sound Editor
Tschangis Chahrokh-Zadeh*    Re-recording Mixer
Wassili Zygouris    Executive Producer
Marcos Kantis    Executive Producer
Martin Lehwald    Executive Producer

Theater Averages: Audiences Didn’t Wait to See Paris

May 16th, 2017

Paris Can Wait

Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening. More...

Weekend Estimates: Second Place Snatched from King Arthur

May 14th, 2017

Snatched

King Arthur: Legend of the Sword has proved to be a costly bet gone wrong for Warner Bros. and Village Roadshow. The film had a long gestation period, and ended up costing $175 million to make. Once another $100 million or so of marketing is added in, that makes for a target of at least $550 million at the global box office before anyone starts recouping anything from the film. A domestic opening of $14.7 million, and $29.1 million overseas, makes that a laughably-distant prospect. Adding to the embarrassment, King Arthur will start out in third place, behind Mothers Day-play Snatched, and even that film isn’t doing particularly well, when all is said and done. More...

Limited and VOD Releases: Farewell to Loved Limited Releases

May 12th, 2017

Hounds of Love

It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Manifesto features Cate Blanchett in 13 distinct, must-see vignettes that incorporate timeless manifestos from 20th century art movements. From anchorwoman to homeless man, from Pop Art to Dogma 95, a chameleonic Blanchett gives a tour-de-force performance as she transforms herself like never before. Rosefeldt weaves together history’s most impassioned artistic statements in this stunning and contemporary call to action. Manifesto draws on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists and other artist groups, as well as the musings of individual artists, architects, dancers and filmmakers.

Metrics

Opening Weekend:$9,628 (6.0% of total gross)
Legs:11.94 (domestic box office/biggest weekend)
Domestic Share:37.3% (domestic box office/worldwide)
Theater counts:1 opening theaters/10 max. theaters, 6.1 weeks average run per theater
Infl. Adj. Dom. BO $193,598

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 11,801-11,900) 11,880 $161,101
All Time International Box Office (Rank 14,501-14,600) 14,588 $271,236
All Time Worldwide Box Office (Rank 18,401-18,500) 18,423 $432,337
All Time Domestic Highest Grossing Limited Release Movies (Rank 3,901-4,000) 3,953 $161,101

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: May 10th, 2017 (Limited) by FilmRise
International Releases: May 22nd, 2017 (Wide) (South Korea)
June 8th, 2017 (Wide) (Russia (CIS))
August 11th, 2017 (Wide) (Turkey)
November 10th, 2017 (Wide), released as Manifesto: Live from Tate Modern (United Kingdom)
January 5th, 2018 (Limited) (Portugal)
... Show all releases
MPAA Rating: Not Rated
Running Time: 95 minutes
Comparisons: Create your own comparison chart…
Keywords: Homeless, Segments, Same Actor, Multiple Roles, Widow/Widower, Teachers, Puppeteers, Punk Rock, Choreography
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Australian Centre for the Moving Image Melbourne, Art Gallery of New South Wales Sydney, Nationalgalerie, The Sprengel Museum Hannover, The Burger Collection Hong Kong, The Ruhrtriennale
Production Countries: Germany
Languages: English

Leading Cast

Cate Blanchett    Various Characters

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Julian Rosefeldt    Director
Julian Rosefeldt    Screenwriter
Julian Rosefeldt    Producer
Christoph Krauss    Director of Photography
Erwin Prib    Production Designer
Bina Daigeler    Costume Designer
David Hilgers    Sound Recordist
Bobby Good    Editor
Nils Frahm    Composer
Ben Lukas Boysen    Composer
Jan Schoningh    Post-Production Supervisor
Markus Stemler    Supervising Sound Editor
Fabian Schmidt    Supervising Sound Editor
Tschangis Chahrokh-Zadeh*    Re-recording Mixer
Wassili Zygouris    Executive Producer
Marcos Kantis    Executive Producer
Martin Lehwald    Executive Producer

Theater Averages: Audiences Didn’t Wait to See Paris

May 16th, 2017

Paris Can Wait

Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening. More...

Weekend Estimates: Second Place Snatched from King Arthur

May 14th, 2017

Snatched

King Arthur: Legend of the Sword has proved to be a costly bet gone wrong for Warner Bros. and Village Roadshow. The film had a long gestation period, and ended up costing $175 million to make. Once another $100 million or so of marketing is added in, that makes for a target of at least $550 million at the global box office before anyone starts recouping anything from the film. A domestic opening of $14.7 million, and $29.1 million overseas, makes that a laughably-distant prospect. Adding to the embarrassment, King Arthur will start out in third place, behind Mothers Day-play Snatched, and even that film isn’t doing particularly well, when all is said and done. More...

Limited and VOD Releases: Farewell to Loved Limited Releases

May 12th, 2017

Hounds of Love

It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 11,801-11,900) 11,880 $161,101
All Time Domestic Inflation Adjusted Box Office (Rank 11,501-11,600) 11,525 $193,598
All Time Domestic Non-Sequel Box Office (Rank 10,901-11,000) 10,925 $161,101
Top 2017 Movies at the Domestic Box Office (Rank 301-400) 334 $161,101
All Time Domestic Highest Grossing Limited Release Movies (Rank 3,901-4,000) 3,953 $161,101
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 4,201-4,300) 4,201 $193,598
Top 2017 Limited Release Movies at the Domestic Box Office (Rank 101-200) 181 $161,101
All Time Domestic Box Office for Original Screenplay Movies (Rank 6,001-6,100) 6,007 $161,101
All Time Domestic Box Office for Live Action Movies (Rank 10,501-10,600) 10,513 $161,101
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 5,901-6,000) 5,952 $161,101
All Time Domestic Box Office for Drama Movies (Rank 3,301-3,400) 3,368 $161,101
All Time Domestic Box Office for Not Rated Movies (Rank 1,601-1,700) 1,684 $161,101
All Time Domestic Box Office for FilmRise Movies 9 $161,101

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 12, 2017 59 $9,628   1 $9,628   $11,824 1
May 19, 2017 - $7,312 -24% 1 $7,312   $24,816 2
May 26, 2017 54 $10,540 +44% 4 $2,635   $42,330 3
Jun 2, 2017 52 $9,061 -14% 8 $1,133   $63,617 4
Jun 9, 2017 56 $7,647 -16% 9 $850   $78,083 5
Jun 16, 2017 62 $6,394 -16% 5 $1,279   $91,778 6
Jun 23, 2017 49 $13,495 +111% 10 $1,350   $110,040 7
Jun 30, 2017 59 $6,485 -52% 6 $1,081   $123,854 8
Jul 7, 2017 66 $5,470 -16% 7 $781   $132,485 9
Jul 14, 2017 61 $4,439 -19% 3 $1,480   $143,656 10
Jul 21, 2017 77 $1,818 -59% 3 $606   $153,151 11
Jul 28, 2017 76 $1,539 -15% 2 $770   $157,280 12
Aug 11, 2017 88 $1,331   1 $1,331   $160,101 14
Aug 18, 2017 101 $272 -80% 1 $272   $161,101 15

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 5, 2017 79 $2,196   1 $2,196   $2,196 1
May 12, 2017 59 $14,948 +581% 1 $14,948   $17,504 2
May 19, 2017 56 $14,286 -4% 1 $14,286   $31,790 3
May 26, 2017 48 $22,766 +59% 4 $5,692   $54,556 4
Jun 2, 2017 54 $15,880 -30% 8 $1,985   $70,436 5
Jun 9, 2017 53 $14,948 -6% 9 $1,661   $85,384 6
Jun 16, 2017 62 $10,636 -29% 5 $2,127   $96,020 7
Jun 23, 2017 52 $20,824 +96% 10 $2,082   $117,369 8
Jun 30, 2017 64 $9,646 -54% 6 $1,608   $127,015 9
Jul 7, 2017 62 $12,202 +26% 7 $1,743   $139,217 10
Jul 14, 2017 53 $12,116 -1% 3 $4,039   $151,333 11
Jul 21, 2017 69 $4,408 -64% 3 $1,469   $155,741 12
Jul 28, 2017 78 $2,693 -39% 2 $1,347   $158,434 13
Aug 11, 2017 92 $2,059   1 $2,059   $160,829 15

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Bulgaria 9/28/2018 $440 0 0 0 $6,546 2/26/2019
Lithuania 3/2/2018 $0 0 1 1 $4,688 11/22/2018
Portugal 1/5/2018 $0 0 11 25 $15,527 4/23/2018
Russia (CIS) 6/8/2017 $36,147 94 94 162 $147,664 1/1/2019
South Korea 5/22/2017 $0 0 0 0 $877 6/5/2017
Turkey 8/11/2017 $13,225 18 18 50 $42,281 2/26/2019
United Kingdom 11/10/2017 $0 0 3 8 $53,653 2/14/2023
 
International Total$271,236 2/14/2023

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 14,501-14,600) 14,588 $271,236
All Time International Non-Sequel Box Office (Rank 13,401-13,500) 13,441 $271,236
All Time International Box Office for Original Screenplay Movies (Rank 8,201-8,300) 8,250 $271,236
All Time International Box Office for Live Action Movies (Rank 12,201-12,300) 12,259 $271,236
All Time International Box Office for Contemporary Fiction Movies (Rank 7,601-7,700) 7,654 $271,236
All Time International Box Office for Drama Movies (Rank 3,901-4,000) 3,968 $271,236
All Time International Box Office for Not Rated Movies (Rank 1,401-1,500) 1,423 $271,236
All Time International Box Office for FilmRise Movies 7 $271,236

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 18,401-18,500) 18,423 $432,337
All Time Worldwide Non-Sequel Box Office (Rank 17,001-17,100) 17,049 $432,337
All Time Worldwide Box Office for Original Screenplay Movies (Rank 10,101-10,200) 10,137 $432,337
All Time Worldwide Box Office for Live Action Movies (Rank 15,701-15,800) 15,713 $432,337
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 9,601-9,700) 9,648 $432,337
All Time Worldwide Box Office for Drama Movies (Rank 5,001-5,100) 5,052 $432,337
All Time Worldwide Box Office for Not Rated Movies (Rank 2,001-2,100) 2,020 $432,337
All Time Worldwide Box Office for FilmRise Movies 9 $432,337

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.