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Manifesto (2017)

Manifesto
Theatrical Performance
Domestic Box Office $24,816Details
International Box Office $876Details
Worldwide Box Office $25,692
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Manifesto features Cate Blanchett in 13 distinct, must-see vignettes that incorporate timeless manifestos from 20th century art movements. From anchorwoman to homeless man, from Pop Art to Dogma 95, a chameleonic Blanchett gives a tour-de-force performance as she transforms herself like never before. Rosefeldt weaves together history’s most impassioned artistic statements in this stunning and contemporary call to action. Manifesto draws on the writings of Futurists, Dadaists, Fluxus artists, Suprematists, Situationists and other artist groups, as well as the musings of individual artists, architects, dancers and filmmakers.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 12601-12700) 12,637 $24,816
All Time International Box Office (Rank 9401-9500) 9,422 $876
All Time Worldwide Box Office (Rank 15701-15800) 15,769 $25,692
All Time Domestic Highest Grossing Limited Release Movies (Rank 5301-5400) 5,318 $24,816

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: May 10th, 2017 (Limited) by FilmRise
International Releases: May 22nd, 2017 (Wide) (South Korea)
MPAA Rating: Not Rated
Running Time: 95 minutes
Comparisons: Create your own comparison chart…
Keywords: Homeless, Segments, Same Actor, Multiple Roles, Widow/Widower, Teachers, Puppeteers, Punk Rock, Choreography
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Australian Centre for the Moving Image Melbourne, Art Gallery of New South Wales Sydney, Nationalgalerie, The Sprengel Museum Hannover, The Burger Collection Hong Kong, The Ruhrtriennale
Production Countries: Germany

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2017 Theater Average Limited Release 33 $9,628 May 12, 2017 5

Cast

   Various Characters

Production and Technical Credits

Director   
Screenwriter    Julian Rosefeldt
Producer    Julian Rosefeldt
Director of Photography    Christoph Krauss
Production Designer    Erwin Prib
Costume Designer    Bina Daigeler
Sound Recordist    David Hilgers
Editor    Bobby Good
Composer    Nils Frahm
Composer    Ben Lukas Boysen
Post-Production Supervisor    Jan Schoningh
Supervising Sound Editor    Markus Stemler
Supervising Sound Editor    Fabian Schmidt
Re-recording Mixer    Tschangis Chahrokh
Executive Producer    Wassili Zygouris
Executive Producer    Marcos Kantis
Executive Producer    Martin Lehwald

Theater Averages: Audiences Didn’t Wait to See Paris

May 16th, 2017

Paris Can Wait

Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening. More...

Weekend Estimates: Second Place Snatched from King Arthur

May 14th, 2017

Snatched

King Arthur: Legend of the Sword has proved to be a costly bet gone wrong for Warner Bros. and Village Roadshow. The film had a long gestation period, and ended up costing $175 million to make. Once another $100 million or so of marketing is added in, that makes for a target of at least $550 million at the global box office before anyone starts recouping anything from the film. A domestic opening of $14.7 million, and $29.1 million overseas, makes that a laughably-distant prospect. Adding to the embarrassment, King Arthur will start out in third place, behind Mothers Day-play Snatched, and even that film isn’t doing particularly well, when all is said and done. More...

Limited and VOD Releases: Farewell to Loved Limited Releases

May 12th, 2017

Hounds of Love

It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/05/12 59 $9,628   1 $9,628   $11,824 5
2017/05/19 56 $7,312 -24% 1 $7,312   $24,816 12

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/05/05 79 $2,196   1 $2,196   $2,196 2
2017/05/12 58 $14,948 +581% 1 $14,948   $17,504 9

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.