Mile 22 (2018)

Mile 22
Theatrical Performance
Domestic Box Office $36,108,758Details
International Box Office $30,186,363Details
Worldwide Box Office $66,295,121
Home Market Performance
Est. Domestic DVD Sales $6,082,468 Details
Est. Domestic Blu-ray Sales $3,056,016 Details
Total Est. Domestic Video Sales $9,138,484
Further financial details...

Synopsis

James Silva is an operative of the CIA’s most highly-prized and least-understood unit. Aided by a top-secret tactical command team, Silva must retrieve and transport an asset who holds life-threatening information to Mile 22 for extraction before the enemy closes in.

Metrics

Opening Weekend:$13,710,825 (38.0% of total gross)
Legs:2.63 (domestic box office/biggest weekend)
Domestic Share:54.5% (domestic box office/worldwide)
Production Budget:$35,000,000 (worldwide box office is 1.9 times production budget)
Theater counts:3,520 opening theaters/3,520 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $42,728,028

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes, iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix, Netflix

Movie Details

Domestic Releases: August 17th, 2018 (Wide) by STX Entertainment
August 17th, 2018 (IMAX) by STX Entertainment
International Releases: August 17th, 2018 (Wide) (Greece)
August 17th, 2018 (Wide) (Israel)
August 22nd, 2018 (Wide), released as Mile22 (South Korea)
August 23rd, 2018 (Wide), released as 22 МИЛИ (Russia (CIS))
August 24th, 2018 (Wide) (Indonesia)
... Show all releases
Video Release: November 13th, 2018 by Universal Home Entertainment
MPAA Rating: R for strong violence and language throughout.
(Rating bulletin 2538 (Cert #51728), 8/1/2018)
Running Time: 90 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: C.I.A., Demoted, Set in Indonesia, Death of a Son or Daughter, Revenge, Crime Boss, Organized Crime, Bounty/Price on one's Head, Fugitive / On the Run, Corrupt Cops, Betrayal, IMAX: DMR, Action Thriller
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: STX Entertainment, Huayi Brothers Pictures Ltd, Hideaway Pictures, Closest to the Hole, Film 44
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Labor Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 275 $5,799,330 Aug 31, 2018 17

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 17, 2018 3 $13,710,825   3,520 $3,895   $13,710,825 1
Aug 24, 2018 5 $6,366,042 -54% 3,520 $1,809   $25,506,996 2
Aug 31, 2018 10 $3,765,869 -41% 2,950 $1,277   $31,952,203 3
Sep 7, 2018 13 $1,206,503 -68% 1,802 $670   $35,111,649 4
Sep 14, 2018 27 $240,173 -80% 413 $582   $35,863,663 5
Sep 21, 2018 40 $68,807 -71% 159 $433   $36,034,119 6
Sep 28, 2018 58 $32,521 -53% 77 $422   $36,096,517 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 17, 2018 3 $5,245,939     3,520 $1,490   $5,245,939 1
Aug 18, 2018 3 $4,927,369 -6%   3,520 $1,400   $10,173,308 2
Aug 19, 2018 3 $3,537,517 -28%   3,520 $1,005   $13,710,825 3
Aug 20, 2018 3 $1,396,145 -61%   3,520 $397   $15,106,970 4
Aug 21, 2018 3 $1,959,985 +40%   3,520 $557   $17,066,955 5
Aug 22, 2018 4 $1,073,846 -45%   3,520 $305   $18,140,801 6
Aug 23, 2018 3 $1,000,153 -7%   3,520 $284   $19,140,954 7
Aug 24, 2018 5 $1,720,276 +72% -67% 3,520 $489   $20,861,230 8
Aug 25, 2018 6 $2,664,867 +55% -46% 3,520 $757   $23,526,097 9
Aug 26, 2018 6 $1,980,899 -26% -44% 3,520 $563   $25,506,996 10
Aug 27, 2018 6 $576,897 -71% -59% 3,520 $164   $26,083,893 11
Aug 28, 2018 6 $924,759 +60% -53% 3,520 $263   $27,008,652 12
Aug 29, 2018 5 $683,948 -26% -36% 3,520 $194   $27,692,600 13
Aug 30, 2018 8 $493,734 -28% -51% 3,520 $140   $28,186,334 14
Aug 31, 2018 11 $892,858 +81% -48% 2,950 $303   $29,079,192 15
Sep 1, 2018 10 $1,349,587 +51% -49% 2,950 $457   $30,428,779 16
Sep 2, 2018 10 $1,523,424 +13% -23% 2,950 $516   $31,952,203 17
Sep 3, 2018 10 $1,048,079 -31% +82% 2,950 $355   $33,000,282 18
Sep 4, 2018 7 $448,902 -57% -51% 2,950 $152   $33,449,184 19
Sep 5, 2018 9 $267,042 -41% -61% 2,950 $91   $33,716,226 20
Sep 6, 2018 11 $188,920 -29% -62% 2,950 $64   $33,905,146 21
Sep 7, 2018 12 $336,289 +78% -62% 1,802 $187   $34,241,435 22
Sep 8, 2018 14 $558,848 +66% -59% 1,802 $310   $34,800,283 23
Sep 9, 2018 15 $311,366 -44% -80% 1,802 $173   $35,111,649 24
Sep 10, 2018 14 $122,678 -61% -88% 1,802 $68   $35,234,327 25
Sep 11, 2018 12 $177,188 +44% -61% 1,802 $98   $35,411,515 26
Sep 12, 2018 12 $117,248 -34% -56% 1,802 $65   $35,528,763 27
Sep 13, 2018 12 $94,727 -19% -50% 1,802 $53   $35,623,490 28
Sep 14, 2018 - $74,666 -21% -78% 413 $181   $35,698,156 29
Sep 15, 2018 - $104,809 +40% -81% 413 $254   $35,802,965 30
Sep 16, 2018 - $60,698 -42% -81% 413 $147   $35,863,663 31
Sep 17, 2018 - $22,206 -63% -82% 413 $54   $35,885,869 32
Sep 18, 2018 - $35,945 +62% -80% 413 $87   $35,921,814 33
Sep 19, 2018 - $24,250 -33% -79% 413 $59   $35,946,064 34
Sep 20, 2018 - $19,248 -21% -80% 413 $47   $35,965,312 35
Sep 21, 2018 - $19,998 +4% -73% 159 $126   $35,985,310 36
Sep 22, 2018 - $30,105 +51% -71% 159 $189   $36,015,415 37
Sep 23, 2018 - $18,704 -38% -69% 159 $118   $36,034,119 38
Sep 24, 2018 - $6,913 -63% -69% 159 $43   $36,041,032 39
Sep 25, 2018 - $8,833 +28% -75% 159 $56   $36,049,865 40
Sep 26, 2018 - $7,939 -10% -67% 159 $50   $36,057,804 41
Sep 27, 2018 - $6,192 -22% -68% 159 $39   $36,063,996 42
Sep 28, 2018 - $9,379 +51% -53% 77 $122   $36,073,375 43
Sep 29, 2018 - $14,896 +59% -51% 77 $193   $36,088,271 44
Sep 30, 2018 - $8,246 -45% -56% 77 $107   $36,096,517 45
Oct 1, 2018 - $2,441 -70% -65% 77 $32   $36,098,958 46
Oct 2, 2018 - $3,974 +63% -55% 77 $52   $36,102,932 47
Oct 3, 2018 - $3,042 -23% -62% 77 $40   $36,105,974 48
Oct 4, 2018 - $2,784 -8% -55% 77 $36   $36,108,758 49

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 17, 2018 3 $19,140,954   3,520 $5,438   $19,140,954 1
Aug 24, 2018 6 $9,045,380 -53% 3,520 $2,570   $28,186,334 2
Aug 31, 2018 10 $5,718,812 -37% 2,950 $1,939   $33,905,146 3
Sep 7, 2018 13 $1,718,344 -70% 1,802 $954   $35,623,490 4
Sep 14, 2018 28 $341,822 -80% 413 $828   $35,965,312 5
Sep 21, 2018 40 $98,684 -71% 159 $621   $36,063,996 6
Sep 28, 2018 58 $44,762 -55% 77 $581   $36,108,758 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/28/2018 $116,044 0 0 0 $203,974 1/1/2019
Australia 8/31/2018 $844,483 223 225 710 $1,792,494 10/11/2018
Brazil 9/21/2018 $248,230 0 0 0 $435,306 10/9/2018
Bulgaria 10/12/2018 $22,430 0 0 0 $80,061 2/26/2019
France 8/31/2018 $777,142 0 0 0 $1,587,388 9/20/2018
Germany 9/14/2018 $432,535 0 0 0 $508,718 9/20/2018
Greece 8/17/2018 $107,000 0 0 0 $107,000 8/20/2018
Indonesia 8/24/2018 $1,500,000 0 0 0 $1,500,000 12/20/2018
Israel 8/17/2018 $105,000 0 0 0 $105,000 12/20/2018
Italy 11/15/2018 $501,739 0 11 11 $1,056,677 12/16/2018
Lithuania 8/31/2018 $14,983 81 81 121 $34,324 9/25/2018
Mexico 8/31/2018 $1,208,005 0 0 0 $2,689,525 9/18/2018
Middle East Region 8/24/2018 $2,400,000 0 0 0 $2,400,000 8/27/2018
Netherlands 10/19/2018 $254,166 83 83 356 $999,177 12/23/2018
Portugal 9/7/2018 $83,990 44 45 124 $224,545 10/9/2018
Russia (CIS) 8/23/2018 $294,078 866 866 1,416 $561,156 1/1/2019
South Korea 8/22/2018 $315,966 203 203 398 $533,095 9/18/2018
Spain 9/28/2018 $339,480 263 263 594 $883,034 10/18/2018
Turkey 9/14/2018 $77,007 203 203 380 $132,032 2/26/2019
United Kingdom 9/19/2018 $1,039,969 376 376 735 $1,854,677 10/3/2018
 
Rest of World $12,498,180
 
International Total$30,186,363 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 18, 2018385,872 85,872$1,542,261$1,542,2611
Dec 23, 20182530,225 211,112$426,777$3,420,8426
Mar 15, 2020824,454 351,938$0$4,777,67970
Mar 22, 2020821,993-10% 373,931$109,965$4,887,64471
Mar 29, 2020818,184-17% 392,115$90,920$4,978,56472
Apr 5, 2020713,147-28% 405,262$65,735$5,044,29973
Apr 26, 20201916,025 421,287$80,125$5,124,42476
May 3, 20201422,736+42% 444,023$113,680$5,238,10477
May 10, 20201525,020+10% 469,043$125,100$5,363,20478

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 18, 2018357,860 57,860$1,155,470$1,155,4701

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Netflix Daily Charts

DateRankDays In
Top 10
Vierwership
Score
Nov 4, 202071 4
Nov 5, 202032 12
Nov 6, 202033 20
Nov 7, 202044 27
Nov 8, 202055 33
Nov 9, 202046 40
Nov 10, 202057 46
Nov 11, 202048 53
Nov 12, 202059 59
Nov 13, 2020810 62
Nov 14, 2020811 65

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Mark Wahlberg    James Silva
Lauren Cohan    Alice
Iko Uwais    Li Noor
Ronda Rousey    Sam Snow
John Malkovich    Bishop

Supporting Cast

Emily Skeggs   
Carlo Alban    Douglas
Sam Medina   
Poorna Jagannathan    Frank Peterson
Chae Rin Lee   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Peter Berg    Director
Graham Roland    Screenwriter
Lea Carpenter    Story by
Graham Roland    Story by
Peter Berg    Producer
Mark Wahlberg    Producer
Stephen Levinson    Producer
Graham Roland    Executive Producer
Jonathan Gray    Executive Producer
Stuart Besser    Executive Producer
Adam Fogelson    Executive Producer
David Bernon    Executive Producer
Robert Simonds    Executive Producer
Felice Bee    Executive Producer
Wang Zhonglei    Executive Producer
Wang Zhongjun    Executive Producer
Scott Carmel    Executive Producer
Sam Slater    Executive Producer
Derek Collison    Executive Producer
Randall Emmett    Executive Producer
Judd Payne    Executive Producer
Matthew Rhodes    Executive Producer
John Logan Pierson    Executive Producer
Donald Tang    Executive Producer
Jacques Jouffret    Director of Photography
Andrew Menzies    Production Designer
Colby Parker, Jr    Editor
Melissa Lawson Cheung    Editor
Virginia Johnson    Costume Designer
Jeff Russo    Composer
Sheila Jaffe    Casting Director
Jason Markey    Music Supervisor
Eric Heffron    Co-Producer
Clay Cullen    Stunt Coordinator
Alan Hook    Supervising Art Director
Alex McCarroll    Art Director
Natali Kendrick Pope*    Set Decorator
Tricia Ronten    Script Supervisor
Steve C. Aaron    Sound Mixer
Matt Kutcher    Special Effects Supervisor
Lisa Kutcher    Special Effects Coordinator
Eric Roberts    Special Effects Coordinator
Ian MacGregor    Location Manager
Maili Lafayette    Costume Supervisor
Jennifer Hodges    Hairstylist
Carey Jones    Special Make-up Effects
Derek Krout    Special Make-up Effects
Lou Kiss    Special Make-up Effects
Khahn Trance    Special Make-up Effects
Veronica Owens   
Regina Castruita    Special Make-up Effects
Randy Ball    Special Make-up Effects
Sharyn Shimada-Huggins    Production Supervisor
Daphne Lambrinou    Post-Production Supervisor
Teresa Kelly    Post-Production Supervisor
Conor Burke    First Assistant Editor
Brad Stencil    Assistant Editor
Richard Conkling    Assistant Editor
Joe Binford Jr    Assistant Editor
Aaron Brock    Assistant Editor
Dror Mohar    Supervising Sound Editor
Bruce Barris    Supervising Sound Editor
Dror Mohar    Sound Designer
Bill R. Dean    Sound Designer
Hector Gika    Sound Designer
Michael Hertlein    Dialogue Editor
Alexander Lott    Sound Effects Editor
Charles Maynes    Sound Effects Editor
Jamie Hardt    Sound Effects Editor
Bruce Tanis    Sound Effects Editor
Kristen Hunsicker    Set Designer
Marco Rubeo    Set Designer
Ben Schor    Supervising Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for November 13th, 2018

November 14th, 2018

Incredibles 2

There are not many big releases on this week’s list. The Meg is the biggest, but not the best. As for the best, I’m going with Pixar Short Film Collection: Volume Three on Blu-ray. More...

Weekend Wrap-Up: Crazy Rich Asians Continues Box Office Dominance with Nearly $25 million

August 28th, 2018

Crazy Rich Asians

Summer officially ends next weekend with Labor Day, but Crazy Rich Asians is keeping the summer going with a sophomore stint of $24.80 million over the weekend. This is nearly twice as much as the second place film, The Meg. Meanwhile, the only true wide release of the week, The Happytime Murders, missed low end expectations with $9.53 million. The overall box office is down 21% from last weekend to just $103 million. That’s a sharp decline, but not uncommon for this time of year. More importantly, it was 49% more than the same weekend last year. That’s not as impressive as it seems, as this weekend last year one of the worst weekends in the past decade. Year-to-date, 2018 extended its lead to 10.1% or $740 million at $8.05 billion to $7.19 billion. On the down side, it won’t be long before 2017 really starts to eat into that lead. More...

Weekend Wrap-Up: Crazy Rich Asians are $1 million Richer than Estimated

August 21st, 2018

Crazy Rich Asians

Crazy Rich Asians beat the weekend estimates by more than $1 million, which is great news for the film’s future, as it suggests even better word-of-mouth. The rest of the new releases were well back, but their weakness didn’t sink the weekend box office, as it pulled in $129 million. This was still down 12% from last weekend, but more importantly, this was a stunning 35% higher than the same weekend last year, which helped extend 2018’s lead over 2017. 2018’s lead is now 9.6% or $690 million at $7.88 billion to $7.19 billion. I suspect we have likely nearly reached the peak this lead will be throughout the rest of the year, but it would take a major collapse for 2018 to not finish with a healthy victory in the year-over-year comparison. More...

Weekend Estimates: Crazy Getting Richer over the Weekend

August 19th, 2018

Crazy Rich Asians

Crazy Rich Asians beat expectations and easily came out on top of the box office over the weekend. The film earned $25.24 million between Friday and Sunday, for a five-day opening of $34.00 million, which is amazing for a film that cost $30 million to make. It not only beat our original prediction, but its weekend estimates have grown since it debuted on Wednesday, which is a very good sign that the word-of-mouth is helping ticket sales. Its 92% positive reviews and its A-rating from CinemaScore back up that explanation. With this opening, the film would have to have terrible legs and completely bomb internationally to not break even. Having terrible legs seems unlikely, but we will know more about that next weekend. As for its international numbers, the film hasn’t opened in any major international markets, so it is too soon to tell. It does debut in Australia before the end of the month, so that will be the film’s first big test. More...

Friday Estimates: Asians’ Crazy Rich First Place Opening

August 18th, 2018

Crazy Rich Asians

Crazy Rich Asians led the way on Friday with an impressive $7.26 million. Since it opened on Wednesday, it should have better legs than most new releases earn. Likewise, its reviews and its A from CinemaScore will also help its legs, putting it on pace for between $22 million and $23 million over the three-day weekend. Over four days, the film should make about $31 million, which is more than it cost to make. Even taking into account the studio’s share of the box office, Warner Bros. will cover its production budget before the end of the month, just on the its domestic numbers. Unless it really struggles internationally, it will break even before it reaches the home market. This might be enough to get more movies with predominantly Asian-American casts made in Hollywood. More...

Thursday Night Previews: Mile 22’s $1 million Debut Dwarfed by Crazy Rich Asians

August 17th, 2018

Mile 22

Mile 22 opened with $1 million during its midnight previews. This is not that impressive and it means the film will very likely open on the extreme lower end of our predictions, with under $15 million. Terrible reviews won’t help its legs, although I assume the film’s CinemaScore will be relatively better, but I don’t expect it to stick around in theaters for that long. More...

Weekend Predictions: Will Crazy have a Rich Opening, or will Meg Swallow the New Releases?

August 16th, 2018

Crazy Rich Asians

Crazy Rich Asians leads a group of three films, both in terms of buzz and in terms of reviews. It also opened with $5.01 million on Wednesday, so its already looking like a box office success. On the other hand, Mile 22 has the worst reviews of the week and its buzz is only mediocre. That said, its buzz is still louder than Alpha’s buzz is. On the other hand, Alpha’s reviews are good enough that if it doesn’t struggle too much during its opening weekend, then its word-of-mouth should help its legs. This weekend last year, The Hitman’s Bodyguard opened with $21.38 million. That’s probably more than any film opening this weekend will make. On the other hand, the only other film to earn more than $10 million last year was Annabelle: Creation, while we should have four films do the same this year. The depth should help 2018 earn an easy win. More...

2018 Preview: August

August 1st, 2018

Christopher Robin

Overall, July was a a little weaker than expected. Ant-Man and the Wasp appears to be on pace for $200 million, while it is too soon to tell if Mission: Impossible—Fallout will also get there. That said, 2018 is still ahead of 2017 by $550 million, so the month of July was a success in that regard. As for August, there’s only one movie that is expected to earn $100 million, Christopher Robin, and maybe a few others that could hit $50 million. It’s a rather sad slate of movies. Fortunately, last August was even worse, so 2018 should at least maintain its lead. Maybe we can get lucky and come away with a $600 million lead by the end of the month. More...

Mile 22 Trailer

July 27th, 2018

Action movie starring Mark Wahlberg opens August 17 ... Full Movie Details.

James Silva is an operative of the CIA’s most highly-prized and least-understood unit. Aided by a top-secret tactical command team, Silva must retrieve and transport an asset who holds life-threatening information to Mile 22 for extraction before the enemy closes in. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

James Silva is an operative of the CIA’s most highly-prized and least-understood unit. Aided by a top-secret tactical command team, Silva must retrieve and transport an asset who holds life-threatening information to Mile 22 for extraction before the enemy closes in.

Metrics

Opening Weekend:$13,710,825 (38.0% of total gross)
Legs:2.63 (domestic box office/biggest weekend)
Domestic Share:54.5% (domestic box office/worldwide)
Production Budget:$35,000,000 (worldwide box office is 1.9 times production budget)
Theater counts:3,520 opening theaters/3,520 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $42,728,028

Latest Ranking on Cumulative Box Office Lists


Watch Now On

Amazon VOD:Amazon VOD, Amazon VOD
iTunes:iTunes, iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix, Netflix

Movie Details

Domestic Releases: August 17th, 2018 (Wide) by STX Entertainment
August 17th, 2018 (IMAX) by STX Entertainment
International Releases: August 17th, 2018 (Wide) (Greece)
August 17th, 2018 (Wide) (Israel)
August 22nd, 2018 (Wide), released as Mile22 (South Korea)
August 23rd, 2018 (Wide), released as 22 МИЛИ (Russia (CIS))
August 24th, 2018 (Wide) (Indonesia)
... Show all releases
Video Release: November 13th, 2018 by Universal Home Entertainment
MPAA Rating: R for strong violence and language throughout.
(Rating bulletin 2538 (Cert #51728), 8/1/2018)
Running Time: 90 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: C.I.A., Demoted, Set in Indonesia, Death of a Son or Daughter, Revenge, Crime Boss, Organized Crime, Bounty/Price on one's Head, Fugitive / On the Run, Corrupt Cops, Betrayal, IMAX: DMR, Action Thriller
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: STX Entertainment, Huayi Brothers Pictures Ltd, Hideaway Pictures, Closest to the Hole, Film 44
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Labor Day (All Movies, 4-Day, Fri-Mon, Inflation Adjusted) 275 $5,799,330 Aug 31, 2018 17

Lead Ensemble Members

Mark Wahlberg    James Silva
Lauren Cohan    Alice
Iko Uwais    Li Noor
Ronda Rousey    Sam Snow
John Malkovich    Bishop

Supporting Cast

Emily Skeggs   
Carlo Alban    Douglas
Sam Medina   
Poorna Jagannathan    Frank Peterson
Chae Rin Lee   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Peter Berg    Director
Graham Roland    Screenwriter
Lea Carpenter    Story by
Graham Roland    Story by
Peter Berg    Producer
Mark Wahlberg    Producer
Stephen Levinson    Producer
Graham Roland    Executive Producer
Jonathan Gray    Executive Producer
Stuart Besser    Executive Producer
Adam Fogelson    Executive Producer
David Bernon    Executive Producer
Robert Simonds    Executive Producer
Felice Bee    Executive Producer
Wang Zhonglei    Executive Producer
Wang Zhongjun    Executive Producer
Scott Carmel    Executive Producer
Sam Slater    Executive Producer
Derek Collison    Executive Producer
Randall Emmett    Executive Producer
Judd Payne    Executive Producer
Matthew Rhodes    Executive Producer
John Logan Pierson    Executive Producer
Donald Tang    Executive Producer
Jacques Jouffret    Director of Photography
Andrew Menzies    Production Designer
Colby Parker, Jr    Editor
Melissa Lawson Cheung    Editor
Virginia Johnson    Costume Designer
Jeff Russo    Composer
Sheila Jaffe    Casting Director
Jason Markey    Music Supervisor
Eric Heffron    Co-Producer
Clay Cullen    Stunt Coordinator
Alan Hook    Supervising Art Director
Alex McCarroll    Art Director
Natali Kendrick Pope*    Set Decorator
Tricia Ronten    Script Supervisor
Steve C. Aaron    Sound Mixer
Matt Kutcher    Special Effects Supervisor
Lisa Kutcher    Special Effects Coordinator
Eric Roberts    Special Effects Coordinator
Ian MacGregor    Location Manager
Maili Lafayette    Costume Supervisor
Jennifer Hodges    Hairstylist
Carey Jones    Special Make-up Effects
Derek Krout    Special Make-up Effects
Lou Kiss    Special Make-up Effects
Khahn Trance    Special Make-up Effects
Veronica Owens   
Regina Castruita    Special Make-up Effects
Randy Ball    Special Make-up Effects
Sharyn Shimada-Huggins    Production Supervisor
Daphne Lambrinou    Post-Production Supervisor
Teresa Kelly    Post-Production Supervisor
Conor Burke    First Assistant Editor
Brad Stencil    Assistant Editor
Richard Conkling    Assistant Editor
Joe Binford Jr    Assistant Editor
Aaron Brock    Assistant Editor
Dror Mohar    Supervising Sound Editor
Bruce Barris    Supervising Sound Editor
Dror Mohar    Sound Designer
Bill R. Dean    Sound Designer
Hector Gika    Sound Designer
Michael Hertlein    Dialogue Editor
Alexander Lott    Sound Effects Editor
Charles Maynes    Sound Effects Editor
Jamie Hardt    Sound Effects Editor
Bruce Tanis    Sound Effects Editor
Kristen Hunsicker    Set Designer
Marco Rubeo    Set Designer
Ben Schor    Supervising Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for November 13th, 2018

November 14th, 2018

Incredibles 2

There are not many big releases on this week’s list. The Meg is the biggest, but not the best. As for the best, I’m going with Pixar Short Film Collection: Volume Three on Blu-ray. More...

Weekend Wrap-Up: Crazy Rich Asians Continues Box Office Dominance with Nearly $25 million

August 28th, 2018

Crazy Rich Asians

Summer officially ends next weekend with Labor Day, but Crazy Rich Asians is keeping the summer going with a sophomore stint of $24.80 million over the weekend. This is nearly twice as much as the second place film, The Meg. Meanwhile, the only true wide release of the week, The Happytime Murders, missed low end expectations with $9.53 million. The overall box office is down 21% from last weekend to just $103 million. That’s a sharp decline, but not uncommon for this time of year. More importantly, it was 49% more than the same weekend last year. That’s not as impressive as it seems, as this weekend last year one of the worst weekends in the past decade. Year-to-date, 2018 extended its lead to 10.1% or $740 million at $8.05 billion to $7.19 billion. On the down side, it won’t be long before 2017 really starts to eat into that lead. More...

Weekend Wrap-Up: Crazy Rich Asians are $1 million Richer than Estimated

August 21st, 2018

Crazy Rich Asians

Crazy Rich Asians beat the weekend estimates by more than $1 million, which is great news for the film’s future, as it suggests even better word-of-mouth. The rest of the new releases were well back, but their weakness didn’t sink the weekend box office, as it pulled in $129 million. This was still down 12% from last weekend, but more importantly, this was a stunning 35% higher than the same weekend last year, which helped extend 2018’s lead over 2017. 2018’s lead is now 9.6% or $690 million at $7.88 billion to $7.19 billion. I suspect we have likely nearly reached the peak this lead will be throughout the rest of the year, but it would take a major collapse for 2018 to not finish with a healthy victory in the year-over-year comparison. More...

Weekend Estimates: Crazy Getting Richer over the Weekend

August 19th, 2018

Crazy Rich Asians

Crazy Rich Asians beat expectations and easily came out on top of the box office over the weekend. The film earned $25.24 million between Friday and Sunday, for a five-day opening of $34.00 million, which is amazing for a film that cost $30 million to make. It not only beat our original prediction, but its weekend estimates have grown since it debuted on Wednesday, which is a very good sign that the word-of-mouth is helping ticket sales. Its 92% positive reviews and its A-rating from CinemaScore back up that explanation. With this opening, the film would have to have terrible legs and completely bomb internationally to not break even. Having terrible legs seems unlikely, but we will know more about that next weekend. As for its international numbers, the film hasn’t opened in any major international markets, so it is too soon to tell. It does debut in Australia before the end of the month, so that will be the film’s first big test. More...

Friday Estimates: Asians’ Crazy Rich First Place Opening

August 18th, 2018

Crazy Rich Asians

Crazy Rich Asians led the way on Friday with an impressive $7.26 million. Since it opened on Wednesday, it should have better legs than most new releases earn. Likewise, its reviews and its A from CinemaScore will also help its legs, putting it on pace for between $22 million and $23 million over the three-day weekend. Over four days, the film should make about $31 million, which is more than it cost to make. Even taking into account the studio’s share of the box office, Warner Bros. will cover its production budget before the end of the month, just on the its domestic numbers. Unless it really struggles internationally, it will break even before it reaches the home market. This might be enough to get more movies with predominantly Asian-American casts made in Hollywood. More...

Thursday Night Previews: Mile 22’s $1 million Debut Dwarfed by Crazy Rich Asians

August 17th, 2018

Mile 22

Mile 22 opened with $1 million during its midnight previews. This is not that impressive and it means the film will very likely open on the extreme lower end of our predictions, with under $15 million. Terrible reviews won’t help its legs, although I assume the film’s CinemaScore will be relatively better, but I don’t expect it to stick around in theaters for that long. More...

Weekend Predictions: Will Crazy have a Rich Opening, or will Meg Swallow the New Releases?

August 16th, 2018

Crazy Rich Asians

Crazy Rich Asians leads a group of three films, both in terms of buzz and in terms of reviews. It also opened with $5.01 million on Wednesday, so its already looking like a box office success. On the other hand, Mile 22 has the worst reviews of the week and its buzz is only mediocre. That said, its buzz is still louder than Alpha’s buzz is. On the other hand, Alpha’s reviews are good enough that if it doesn’t struggle too much during its opening weekend, then its word-of-mouth should help its legs. This weekend last year, The Hitman’s Bodyguard opened with $21.38 million. That’s probably more than any film opening this weekend will make. On the other hand, the only other film to earn more than $10 million last year was Annabelle: Creation, while we should have four films do the same this year. The depth should help 2018 earn an easy win. More...

2018 Preview: August

August 1st, 2018

Christopher Robin

Overall, July was a a little weaker than expected. Ant-Man and the Wasp appears to be on pace for $200 million, while it is too soon to tell if Mission: Impossible—Fallout will also get there. That said, 2018 is still ahead of 2017 by $550 million, so the month of July was a success in that regard. As for August, there’s only one movie that is expected to earn $100 million, Christopher Robin, and maybe a few others that could hit $50 million. It’s a rather sad slate of movies. Fortunately, last August was even worse, so 2018 should at least maintain its lead. Maybe we can get lucky and come away with a $600 million lead by the end of the month. More...

Mile 22 Trailer

July 27th, 2018

Action movie starring Mark Wahlberg opens August 17 ... Full Movie Details.

James Silva is an operative of the CIA’s most highly-prized and least-understood unit. Aided by a top-secret tactical command team, Silva must retrieve and transport an asset who holds life-threatening information to Mile 22 for extraction before the enemy closes in. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 17, 2018 3 $13,710,825   3,520 $3,895   $13,710,825 1
Aug 24, 2018 5 $6,366,042 -54% 3,520 $1,809   $25,506,996 2
Aug 31, 2018 10 $3,765,869 -41% 2,950 $1,277   $31,952,203 3
Sep 7, 2018 13 $1,206,503 -68% 1,802 $670   $35,111,649 4
Sep 14, 2018 27 $240,173 -80% 413 $582   $35,863,663 5
Sep 21, 2018 40 $68,807 -71% 159 $433   $36,034,119 6
Sep 28, 2018 58 $32,521 -53% 77 $422   $36,096,517 7

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 17, 2018 3 $5,245,939     3,520 $1,490   $5,245,939 1
Aug 18, 2018 3 $4,927,369 -6%   3,520 $1,400   $10,173,308 2
Aug 19, 2018 3 $3,537,517 -28%   3,520 $1,005   $13,710,825 3
Aug 20, 2018 3 $1,396,145 -61%   3,520 $397   $15,106,970 4
Aug 21, 2018 3 $1,959,985 +40%   3,520 $557   $17,066,955 5
Aug 22, 2018 4 $1,073,846 -45%   3,520 $305   $18,140,801 6
Aug 23, 2018 3 $1,000,153 -7%   3,520 $284   $19,140,954 7
Aug 24, 2018 5 $1,720,276 +72% -67% 3,520 $489   $20,861,230 8
Aug 25, 2018 6 $2,664,867 +55% -46% 3,520 $757   $23,526,097 9
Aug 26, 2018 6 $1,980,899 -26% -44% 3,520 $563   $25,506,996 10
Aug 27, 2018 6 $576,897 -71% -59% 3,520 $164   $26,083,893 11
Aug 28, 2018 6 $924,759 +60% -53% 3,520 $263   $27,008,652 12
Aug 29, 2018 5 $683,948 -26% -36% 3,520 $194   $27,692,600 13
Aug 30, 2018 8 $493,734 -28% -51% 3,520 $140   $28,186,334 14
Aug 31, 2018 11 $892,858 +81% -48% 2,950 $303   $29,079,192 15
Sep 1, 2018 10 $1,349,587 +51% -49% 2,950 $457   $30,428,779 16
Sep 2, 2018 10 $1,523,424 +13% -23% 2,950 $516   $31,952,203 17
Sep 3, 2018 10 $1,048,079 -31% +82% 2,950 $355   $33,000,282 18
Sep 4, 2018 7 $448,902 -57% -51% 2,950 $152   $33,449,184 19
Sep 5, 2018 9 $267,042 -41% -61% 2,950 $91   $33,716,226 20
Sep 6, 2018 11 $188,920 -29% -62% 2,950 $64   $33,905,146 21
Sep 7, 2018 12 $336,289 +78% -62% 1,802 $187   $34,241,435 22
Sep 8, 2018 14 $558,848 +66% -59% 1,802 $310   $34,800,283 23
Sep 9, 2018 15 $311,366 -44% -80% 1,802 $173   $35,111,649 24
Sep 10, 2018 14 $122,678 -61% -88% 1,802 $68   $35,234,327 25
Sep 11, 2018 12 $177,188 +44% -61% 1,802 $98   $35,411,515 26
Sep 12, 2018 12 $117,248 -34% -56% 1,802 $65   $35,528,763 27
Sep 13, 2018 12 $94,727 -19% -50% 1,802 $53   $35,623,490 28
Sep 14, 2018 - $74,666 -21% -78% 413 $181   $35,698,156 29
Sep 15, 2018 - $104,809 +40% -81% 413 $254   $35,802,965 30
Sep 16, 2018 - $60,698 -42% -81% 413 $147   $35,863,663 31
Sep 17, 2018 - $22,206 -63% -82% 413 $54   $35,885,869 32
Sep 18, 2018 - $35,945 +62% -80% 413 $87   $35,921,814 33
Sep 19, 2018 - $24,250 -33% -79% 413 $59   $35,946,064 34
Sep 20, 2018 - $19,248 -21% -80% 413 $47   $35,965,312 35
Sep 21, 2018 - $19,998 +4% -73% 159 $126   $35,985,310 36
Sep 22, 2018 - $30,105 +51% -71% 159 $189   $36,015,415 37
Sep 23, 2018 - $18,704 -38% -69% 159 $118   $36,034,119 38
Sep 24, 2018 - $6,913 -63% -69% 159 $43   $36,041,032 39
Sep 25, 2018 - $8,833 +28% -75% 159 $56   $36,049,865 40
Sep 26, 2018 - $7,939 -10% -67% 159 $50   $36,057,804 41
Sep 27, 2018 - $6,192 -22% -68% 159 $39   $36,063,996 42
Sep 28, 2018 - $9,379 +51% -53% 77 $122   $36,073,375 43
Sep 29, 2018 - $14,896 +59% -51% 77 $193   $36,088,271 44
Sep 30, 2018 - $8,246 -45% -56% 77 $107   $36,096,517 45
Oct 1, 2018 - $2,441 -70% -65% 77 $32   $36,098,958 46
Oct 2, 2018 - $3,974 +63% -55% 77 $52   $36,102,932 47
Oct 3, 2018 - $3,042 -23% -62% 77 $40   $36,105,974 48
Oct 4, 2018 - $2,784 -8% -55% 77 $36   $36,108,758 49

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 17, 2018 3 $19,140,954   3,520 $5,438   $19,140,954 1
Aug 24, 2018 6 $9,045,380 -53% 3,520 $2,570   $28,186,334 2
Aug 31, 2018 10 $5,718,812 -37% 2,950 $1,939   $33,905,146 3
Sep 7, 2018 13 $1,718,344 -70% 1,802 $954   $35,623,490 4
Sep 14, 2018 28 $341,822 -80% 413 $828   $35,965,312 5
Sep 21, 2018 40 $98,684 -71% 159 $621   $36,063,996 6
Sep 28, 2018 58 $44,762 -55% 77 $581   $36,108,758 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/28/2018 $116,044 0 0 0 $203,974 1/1/2019
Australia 8/31/2018 $844,483 223 225 710 $1,792,494 10/11/2018
Brazil 9/21/2018 $248,230 0 0 0 $435,306 10/9/2018
Bulgaria 10/12/2018 $22,430 0 0 0 $80,061 2/26/2019
France 8/31/2018 $777,142 0 0 0 $1,587,388 9/20/2018
Germany 9/14/2018 $432,535 0 0 0 $508,718 9/20/2018
Greece 8/17/2018 $107,000 0 0 0 $107,000 8/20/2018
Indonesia 8/24/2018 $1,500,000 0 0 0 $1,500,000 12/20/2018
Israel 8/17/2018 $105,000 0 0 0 $105,000 12/20/2018
Italy 11/15/2018 $501,739 0 11 11 $1,056,677 12/16/2018
Lithuania 8/31/2018 $14,983 81 81 121 $34,324 9/25/2018
Mexico 8/31/2018 $1,208,005 0 0 0 $2,689,525 9/18/2018
Middle East Region 8/24/2018 $2,400,000 0 0 0 $2,400,000 8/27/2018
Netherlands 10/19/2018 $254,166 83 83 356 $999,177 12/23/2018
Portugal 9/7/2018 $83,990 44 45 124 $224,545 10/9/2018
Russia (CIS) 8/23/2018 $294,078 866 866 1,416 $561,156 1/1/2019
South Korea 8/22/2018 $315,966 203 203 398 $533,095 9/18/2018
Spain 9/28/2018 $339,480 263 263 594 $883,034 10/18/2018
Turkey 9/14/2018 $77,007 203 203 380 $132,032 2/26/2019
United Kingdom 9/19/2018 $1,039,969 376 376 735 $1,854,677 10/3/2018
 
Rest of World $12,498,180
 
International Total$30,186,363 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 18, 2018385,872 85,872$1,542,261$1,542,2611
Dec 23, 20182530,225 211,112$426,777$3,420,8426
Mar 15, 2020824,454 351,938$0$4,777,67970
Mar 22, 2020821,993-10% 373,931$109,965$4,887,64471
Mar 29, 2020818,184-17% 392,115$90,920$4,978,56472
Apr 5, 2020713,147-28% 405,262$65,735$5,044,29973
Apr 26, 20201916,025 421,287$80,125$5,124,42476
May 3, 20201422,736+42% 444,023$113,680$5,238,10477
May 10, 20201525,020+10% 469,043$125,100$5,363,20478

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 18, 2018357,860 57,860$1,155,470$1,155,4701

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Netflix Daily Charts

DateRankDays In
Top 10
Vierwership
Score
Nov 4, 202071 4
Nov 5, 202032 12
Nov 6, 202033 20
Nov 7, 202044 27
Nov 8, 202055 33
Nov 9, 202046 40
Nov 10, 202057 46
Nov 11, 202048 53
Nov 12, 202059 59
Nov 13, 2020810 62
Nov 14, 2020811 65

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.