Bulgaria Box Office for My Big Fat Greek Wedding 2 (2016)

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My Big Fat Greek Wedding 2 poster
Theatrical Performance (US$)
Bulgaria Box Office $104,998Details
Worldwide Box Office $92,096,558Details
Home Market Performance
North America DVD Sales $8,531,605 Details
North America Blu-ray Sales $5,553,528 Details
Total North America Video Sales $14,085,133
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A Portokalos family secret will bring the family back together for an even bigger and Greeker wedding.

Metrics

Movie Details

Production Budget:$18,000,000
Bulgaria Releases: April 1st, 2016 (Wide)
Video Release: June 7th, 2016 by Universal Home Entertainment
MPAA Rating: PG-13 for some suggestive material.
(Rating bulletin 2407 (Cert #50215), 1/13/2016)
Running Time: 94 minutes
Franchise: My Big Fat Greek Wedding
Keywords: Delayed Sequel, Relationships Gone Wrong, Romantic Comedy
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Universal Pictures, Gold Circle Entertainment, HBO Films, Playtone
Production Countries: United States
Languages: English

Home Market Releases for June 21st, 2016

June 20th, 2016

Fantastic Planet

There are two wide releases coming out this week, My Big Fat Greek Wedding 2 and The Divergent Series: Allegiant, although the latter is only coming out on Video on Demand. Neither of these are big releases and it only gets much worse from there. There wasn't a lot of competition for Pick of the Week, but I went with Fantastic Planet: Criterion Collection. It's a classic, but it is also a French Surrealist animated film, so that will limit its target audience. More...

Home Market Releases for June 7th, 2016

June 8th, 2016

Zootopia

The list of new home market releases isn't particularly long, but it includes Zootopia the best movie of the year, so it feels like an amazing week. It isn't the only contender for Pick of the Week this week, as Anomalisa, Star Trek II: The Wrath of Khan: Director's Cut, and others are also worth considering. The Martian: Extended Edition is also a must have, if you don't own it yet. More...

Weekend Wrap-Up: Bossing the Competition Around

April 12th, 2016

The Boss

The Boss was a little better than anticipated and that helped it overtake Batman v Superman: Dawn of Justice during its opening weekend. The fact that BvS couldn't get first place three weekends in a row despite the lack of top-tier competition is really bad news. It's not the only film struggling at the box office, as Hardcore Henry missed the Mendoza Line during its opening. The overall box office fell 20% from last weekend to $105 million. It was also down 20% from the same weekend last year. Year-to-date, 2016 has pulled in $2.99 billion, but its lead over 2015 has shrunk to 8.0% or $220 million. That's still a good figure, one that should grow next weekend when The Jungle Book opens. More...

Friday Estimates: The Boss Opens in First with $8.08 million, but is a Demotion Coming?

April 9th, 2016

The Boss

As anticipated, The Boss earned first place on Friday earning $8.08 million to push Batman v Superman: Dawn of Justice into second place, for now. That won’t last, probably. Bad reviews won't help its legs, but it is aiming at more mature women, which is a positive. Assuming those two things balance out, more or less, The Boss should earn $21 million to $22 million over the weekend. More...

Thursday Night Previews: The Boss, Henry Don't Have Hardcore Starts

April 8th, 2016

The Boss

The Boss pulled in $985,000 during its previews last night. This is below the $1.3 million earned by Tammy in 2014 and a little lower than the $1.08 million My Big Fat Greek Wedding 2 opened with a few weeks ago. The all three films earned similar reviews. This isn't terrible, but it does make matching our predictions harder. More...

Weekend Predictions: Getting Bossy

April 7th, 2016

The Boss

There's some good news and some bad news with regards to the two new releases coming out this week. On the positive side, the competition is a lot weaker than it should be. On the negative side, so are the reviews. The Boss's reviews are weaker than Tammy's are. Additionally, Hardcore Henry's reviews went from more than 80% positive to less than 50% positive and it looks like it will continue to drop. It is playing in a lot more theaters than anticipated, so that's good news. This weekend last year, Furious 7 led the way with nearly $60 million. That's not much less than the top five will earn this weekend. 2016 will lose in the year-over-year comparison. More...

Weekend Wrap-Up: Batman v Superman Pulls a Wolverine plummeting 69% to $51.35

April 5th, 2016

Batman v Superman: Dawn of Justice

As anticipated, Batman v Superman: Dawn of Justice earned first place over the weekend. Unfortunately, it had the worst sophomore stint decline of any major super hero movie, plummeting to just $51.34 million. God's Not Dead 2 only managed fourth place over the weekend with $7.62 million,which is a worse opening than the original managed. Overall, the box office fell 48% from last weekend, pulling in $132 million. The decline from last year was almost as big at 41%; however, there was a misalignment in the Easter holiday and Easter 2016 out-grossed Easter 2015 by 13%. I'm going to call that a victory. Year-to-date, 2016 still leads 2015 by a significant margin at $2.85 billion to $2.52 billion. More...

Weekend Predictions: Is the Box Office Dead?

April 1st, 2016

God's Not Dead 2

This is going to be a short prediction column, because a computer crash meant I had to redo the entire monthly preview in one day. Not been a fun day. Fortunately, there's only one new wide release, God's Not Dead 2, so there's not a lot to talk about. Batman v Superman: Dawn of Justice will remain in first place, but all eyes will be on its sophomore stint drop-off. This weekend last year, Furious 7 debuted with $147 million. There's no chance the total box office will top that this year, so 2016 will get pummeled in the year-over-year comparison. More...

Weekend Wrap-Up: Batman v Superman: Boom v Bust at $166.01 million

March 28th, 2016

Batman v Superman: Dawn of Justice

As expected, Batman v Superman: Dawn of Justice dominated the box office earning $166.01 million over the weekend. However, this is lower than anticipated and lower than Saturday's calculation or Sunday's estimates. (Our model turned out to be closer.) Most of the rest of the films in the top five had reason to be happy, as did the overall box office, which was an amazing $252 million. This is 92% higher than last weekend and 68% more than this weekend last year. This kind of year-over-year growth usually only happens when there's a misalignment in holidays, which is exactly what happened this weekend. Last year, Easter didn't happen until April 5th. Year-to-date, 2016 doubled its lead over 2015 at $2.63 billion to $2.27 billion. A $370 million, 16% lead is certainly impressive, but I suspect it will shrink dramatically next month. Hopefully it isn't completely gone by May. More...

Weekend Estimates: Batman v Superman hits March record $170 milion

March 27th, 2016

Batman v Superman: Dawn of Justice

Batman and Superman not only had to fight each other this weekend, but also mediocre reviews. They have come through in some style, however, posting a record for March of $170.1 million, according to Warner Bros.’ Sunday morning estimate. Our model has the film coming a little below that mark, at $165 million or so, which might mean it won’t quite top Harry Potter and the Deathly Hallows, Part II’s $169 million, which is currently the studio’s best ever weekend. But the fact that we’re comparing the movie to the Harry Potter franchise is nothing but good news for them. More...

Friday Estimates: Superman Smashes Records, but Critical Reaction may be its Kryptonite

March 26th, 2016

Batman v Superman: Dawn of Justice

As expected, Batman v Superman: Dawn of Justice dominated the Friday box office with $82.01 million. This is likely more than the rest of the films will earn during the entire weekend. It is also the record for the biggest single day in March, biggest pre-summer single day, and biggest Easter Friday box office. That’s where the good news ends. The film’s reviews remain just 30% positive, making it one of the worst recent tentpole releases. Worse still, its CinemaScore was just a B. That doesn't sound bad on the surface, but you have to remember that the CinemaScore is from people excited enough to see a movie on opening day. Anything less than a B+ usually results in weak legs. In comparison, Transformers: Revenge of the Fallen managed a B+ and had weak legs during the prime Summer season. Batman v Superman is on pace for a $172 million opening weekend, which won’t give it a good internal multiplier and there’s a chance it won’t earn $172 million during the rest of its domestic theatrical run. It will need a lively international run and a worldwide total of close to $1 billion to break even. More...

Thursday Night Previews: Batman gets off to a Super Start

March 25th, 2016

Batman v Superman: Dawn of Justice

Batman v Superman: Dawn of Justice started its box office run with $27.7 million from Thursday previews. This is more than twice what Deadpool earned during its previews earlier this year and it beats the previous pre-summer record of $15.8 million by Furious 7 last year. Unfortunately, there are a couple of reasons to not be too excited. Firstly, the Fanboy effect is really strong for this film. “Committed” would be a word I would use to described the hardcore fans of the DC Extended Universe. They will rush out to see the movie regardless of the quality. Secondly, this is a terrible movie. Its Tomatometer Score is just 30% positive, which is bad no matter how you look at it. Word-of-mouth could do some real damage before the weekend is over. More...

Weekend Predictions: Batman v Superman v Deadpool v Avengers

March 24th, 2016

Batman v Superman: Dawn of Justice

Batman v Superman: Dawn of Justice opens this weekend and should become the biggest film of the year. It has to become the biggest hit of the year. It is the first of ten upcoming films in the DC Extended Universe and it is rumored that Warner Bros. spent $400 million getting this movie to theaters. To be fair, $100 million of this could be described as pre-pre-production for the rest of the DCEU. The other wide release is My Big Fat Greek Wedding 2, which is a delayed sequel that I'm not sure many people are really excited to see. It likely didn't cost a lot, so it should break even sooner rather than later. This weekend last year, Home earned first place with $52.11 million. Batman v Superman: Dawn of Justice should earn more than that during its opening day. More...

2016 Preview: March

March 1st, 2016

Zootopia

It's March 1st, which is not only the beginning of the month, but also Super Tuesday. If you are not American and don't pay attention to American politics, Super Tuesday is sort of like the Oscar night of the primary season. I was going to write about my predictions, but it looks like the race is about to be over. On the Republicans side, if Trump gets more than 50% of the delegates, then he has won. It will be too late to stop him. If he gets less than 40%, then it becomes a real race again. If the polling is correct, then he will get closer to 50% than 40%. On the Democratic side, Sanders needs at least 45% of the delegates, or it is over for him. Anything less than that and Hillary Clinton will have too big a lead to overcome. If the South Carolina result is an indicator, Hillary Clinton could get two-thirds of the delegates awarded tonight.

As for the box office, February was amazing, thanks to Deadpool's record-breaking opening and better than expected legs. The month ended with 2016 being nearly 4% higher than 2015's pace. Additionally, there are some big releases coming out this month with both Zootopia and Batman v Superman: Dawn of Justice looking to get more than $200 million, while Allegiant should hit $100 million. Last March, there were also three films that earned more than $100 million, but only one $200 million hit, Cinderella. It should be a really close race between 2016 and 2015. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/04/01 4 $29,207   36 $811   $29,207 1
2016/04/08 4 $30,866 +6% 36 $857   $81,941 2
2016/04/15 7 $10,367 -66% 22 $471   $104,998 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/5/2016 $185,484 46 47 103 $310,941 5/31/2016
Australia 3/25/2016 $3,018,430 376 376 1882 $12,099,940 6/9/2016
Austria 3/24/2016 $53,463 59 65 224 $178,666 6/9/2016
Belgium 3/30/2016 $95,286 58 58 157 $256,312 6/9/2016
Bolivia 4/7/2016 $2,057 4 4 4 $2,057 12/31/2018
Brazil 3/31/2016 $822,354 420 433 999 $1,514,644 6/8/2016
Bulgaria 4/1/2016 $29,207 36 36 94 $104,998 12/31/2018
Central America 3/31/2016 $0 0 33 44 $214,963 4/19/2016
Chile 5/5/2016 $17,859 4 4 9 $30,351 12/31/2018
Colombia 3/31/2016 $98,697 96 96 122 $160,512 12/31/2018
Croatia 3/31/2016 $33,879 44 44 92 $87,180 12/31/2018
Czech Republic 4/7/2016 $23,535 71 71 103 $43,190 12/31/2018
Denmark 3/24/2016 $0 0 33 55 $105,108 6/9/2016
Ecuador 4/1/2016 $37,948 30 31 86 $100,874 12/31/2018
Finland 3/25/2016 $0 0 45 137 $191,459 6/9/2016
France 3/30/2016 $137,407 202 202 202 $137,407 6/9/2016
Germany 3/24/2016 $586,762 422 422 1265 $1,392,460 8/23/2016
Greece 4/7/2016 $254,305 115 115 260 $606,308 6/8/2016
Hungary 3/24/2016 $48,028 22 58 312 $460,505 12/31/2018
Iraq 3/24/2016 $2,543 2 2 4 $4,928 12/31/2018
Italy 3/24/2016 $701,620 345 347 865 $1,949,113 6/9/2016
Lebanon 3/24/2016 $18,695 7 7 17 $236,122 12/31/2018
Lithuania 3/25/2016 $0 0 21 21 $17,651 6/9/2016
Mexico 3/23/2016 $323,069 0 294 368 $826,677 7/27/2016
Netherlands 4/14/2016 $79,844 76 76 152 $180,451 6/9/2016
New Zealand 3/25/2016 $159,001 82 88 320 $473,548 6/9/2016
North America 3/25/2016 $17,861,950 3,133 3,179 16,199 $59,689,605
Norway 3/23/2016 $0 0 31 50 $138,056 6/9/2016
Oman 3/24/2016 $1,585 4 4 6 $13,517 12/31/2018
Panama 3/31/2016 $142,009 15 17 46 $298,284 12/31/2018
Peru 3/31/2016 $110,259 67 67 97 $231,888 12/31/2018
Poland 4/1/2016 $0 0 0 0 $396,140 12/31/2018
Portugal 3/31/2016 $70,821 56 56 133 $141,176 6/9/2016
Russia (CIS) 11/18/2016 $16,968 115 115 194 $34,901 11/15/2018
Serbia and Montenegro 3/31/2016 $14,460 26 26 69 $48,627 12/31/2018
Slovakia 4/7/2016 $35,596 44 44 125 $94,821 6/9/2016
Slovenia 3/31/2016 $13,959 22 22 64 $66,974 6/9/2016
South Africa 3/25/2016 $0 0 119 377 $689,451 6/9/2016
South Korea 3/30/2016 $124,651 313 313 327 $249,481 6/9/2016
Spain 3/23/2016 $420,272 250 252 861 $1,107,546 6/8/2016
Sweden 3/25/2016 $0 0 105 228 $552,508 6/9/2016
Switzerland 3/24/2016 $0 0 53 115 $378,220 6/9/2016
Thailand 3/31/2016 $21,370 43 43 51 $31,585 6/9/2016
Turkey 6/3/2016 $25,908 89 89 141 $63,371 2/26/2019
United Arab Emirates 3/24/2016 $176,485 17 17 49 $587,847 12/31/2018
United Kingdom 3/25/2016 $1,389,761 434 444 1751 $5,524,245 6/9/2016
Venezuela 4/1/2016 $19,573 44 44 89 $71,950 6/9/2016
 
Worldwide Total$92,096,558 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Nia Vardalos    Fotoula “Toula” Portokalos
John Corbett    Ian Miller
Lainie Kazan    Maria
Gia Carides    Nikki
Joey Fatone    Angelo
Louis Mandylor    Nick
Andrea Martin    Aunt Voula
Michael Constantine    Gus
Elena Kampouris    Paris
Bess Meisler    Mana-Yiayia
Bruce Gray    Rodney Miller

Supporting Cast

Alex Wolff    Bennett
Fiona Reid    Harriet Miller
Ian Gomez    Mike
Jayne Eastwood    Mrs. White
Mark Margolis    Panos
Rob Riggle    Northwestern Rep
Rita Wilson    Anna
John Stamos    George
Jeanie Calleja    Ilaria
Michael Sofos    Costa
Stavroula Logothettis    Athena
Leonidas Castrounis    Aristotle
Peter Tharos    Yianni
Harper Gunn    Paris
Hershel Blatt    Tommy
Tannis Burnett    Edie
Kathryn Greenwood    Marge
Teresa Pavlinek    Dominique
Aniela Kurylo    Physical Therapist
Sam Moses    Kaveh
Roger Wong    Pim
Alec Stockwell    Baird
Gerry Mendicino    Uncle Taki
Kathryn Haggis    Marianthi
Kolton Stewart    Clifford
Fr. Theodore Paraskevopoulos    Priest
Ethan Pugiotto    Theadore
Ashleigh Rains    Wedding Planner
Chrissy Paraskevopoulos    Jennie
Maria Vacratsis    Aunt Freida
Julia Gartha    Tiahn
Jeff White    Patrick
Constantine Vardalos    Chanter
Lauren Saarimaki    Elizabeth

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kirk Jones    Director
Nia Vardalos    Screenwriter
Rita Wilson    Producer
Tom Hanks    Producer
Gary Goetzman    Producer
Paul Brooks    Executive Producer
Scott Niemeyer    Executive Producer
Steven Shareshian    Executive Producer
Nia Vardalos    Executive Producer
Jim Denault    Director of Photography
Gregory Keen    Production Designer
Gersha Phillips    Costume Designer
Mark Czyzewski    Editor
David Coatsworth    Co-Producer
Christopher Lennertz    Composer
Deva Anderson    Music Supervisor
Jeanne McCarthy    Casting Director
Nicole Abellera    Casting Director
D.J. Carson    Unit Production Manager
David Coatsworth    Unit Production Manager
Bryan Knight    First Assistant Director
Patrick Murphy    Second Assistant Director
Sian McArthur    Associate Producer
Jonathan Shore    Associate Producer
Nori Chia    Associate Producer
Glen Gauthier    Sound Mixer
Brad Besser    First Assistant Editor
John Ross    Re-recording Mixer
Christian P. Minkler    Re-recording Mixer
Martyn Zub    Supervising Sound Editor
Michele Perrone    Supervising Dialogue Editor
Nigel Churcher    Art Director
Patricia Cuccia    Set Decorator
Marie Nardella    Make up
Paul Elliot    Hairstylist
Susan Marucci    Script Supervisor
Vivian Orgill    Make up
Sondra Treilhard    Hairstylist
Patricia Boulden    Costume Supervisor
Deborah Kavanagh    Assistant Editor
Thomas Sabinsky    Assistant Editor
Anna Mackenzie    Dialogue Editor
Julie Feiner    Dialogue Editor
Daniel S. Irwin    Dialogue Editor
Henry Auerbach    Dialogue Editor
Ann Scibelli    Sound Effects Editor
Ando Johnson    Sound Effects Editor
Albert Gasser    Sound Effects Editor
Shawn Kennelly    Foley Mixer
Rocco Larizza    Special Effects Coordinator
Brendan Taylor    Visual Effects Supervisor
Greg Behrens    Visual Effects Producer
Brett Keyes    Visual Effects Supervisor
Alex Knudsen    Visual Effects Producer
Todd Bozung    Music Editor
Thomas Milano    Music Editor
Martin Roller    Score Recordist
Jeff Vaughn    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.