The Nightingale (2019)

The Nightingale
Theatrical Performance
Domestic Box Office $400,741Details
International Box Office $618,025Details
Worldwide Box Office $1,018,766
Home Market Performance
Est. Domestic Blu-ray Sales $133,073 Details
Total Est. Domestic Video Sales $133,073
Further financial details...

Synopsis

1829 Tasmania. A young convict woman seeking revenge for the murder of her family, takes an Aboriginal male outcast with her through the interior and gets much more than she bargained for.

Metrics

Opening Weekend:$35,882 (9.0% of total gross)
Legs:6.90 (domestic box office/biggest weekend)
Domestic Share:39.3% (domestic box office/worldwide)
Theater counts:2 opening theaters/79 max. theaters, 3.4 weeks average run per theater
Infl. Adj. Dom. BO $471,614

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,301-10,400) 10,341 $400,741
All Time International Box Office (Rank 12,201-12,300) 12,257 $618,025
All Time Worldwide Box Office (Rank 15,301-15,400) 15,390 $1,018,766
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,734 $400,741
All Time Domestic Box Office for R Movies (Rank 3,701-3,800) 3,703 $400,741
All Time International Box Office for R Movies (Rank 2,501-2,600) 2,563 $618,025
All Time Worldwide Box Office for R Movies (Rank 3,801-3,900) 3,846 $1,018,766

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: August 2nd, 2019 (Limited) by IFC Films
International Releases: January 31st, 2019 (Wide) (Netherlands)
July 19th, 2019 (Wide) (New Zealand)
August 16th, 2019 (Wide) (Australia)
September 13th, 2019 (Wide) (Taiwan)
November 29th, 2019 (Wide) (United Kingdom)
... Show all releases
Video Release: February 4th, 2020 by Shout Factory
MPAA Rating: R for strong violent and disturbing content including rape, language throughout, and brief sexuality.
(Rating bulletin 2576 (Cert #52189), 5/1/2019)
Running Time: 138 minutes
Comparisons: vs. I Spit on Your Grave
Create your own comparison chart…
Keywords: Revenge, 1800s, Australia, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Australian Aboriginals
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Made Up Stories, Causeway Films, Screen Australia, Screen Tasmania, South Australian Film Corp.
Production Countries: Australia, Canada, United States
Languages: English, Gaelic

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Top 2019 Theater Average 63 $17,941 Aug 2, 2019 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 10,301-10,400) 10,341 $400,741
All Time Domestic Inflation Adjusted Box Office (Rank 10,001-10,100) 10,086 $471,614
All Time Domestic Non-Sequel Box Office (Rank 9,401-9,500) 9,424 $400,741
Top 2019 Movies at the Domestic Box Office (Rank 201-300) 264 $400,741
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,734 $400,741
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 3,001-3,100) 3,009 $471,614
Top 2019 Limited Release Movies at the Domestic Box Office (Rank 101-200) 118 $400,741
All Time Domestic Box Office for Original Screenplay Movies (Rank 5,301-5,400) 5,326 $400,741
All Time Domestic Box Office for Live Action Movies (Rank 9,201-9,300) 9,234 $400,741
All Time Domestic Box Office for Historical Fiction Movies (Rank 1,201-1,300) 1,239 $400,741
All Time Domestic Box Office for Drama Movies (Rank 2,801-2,900) 2,844 $400,741
All Time Domestic Box Office for R Movies (Rank 3,701-3,800) 3,703 $400,741
All Time Domestic Box Office for IFC Films Movies (Rank 101-200) 101 $400,741

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 2, 2019 40 $35,882   2 $17,941   $35,882 1
Aug 9, 2019 34 $58,066 +62% 27 $2,151   $106,025 2
Aug 16, 2019 41 $44,759 -23% 39 $1,148   $183,607 3
Aug 23, 2019 43 $38,022 -15% 51 $746   $248,655 4
Aug 30, 2019 45 $50,597 +33% 79 $640   $326,774 5
Sep 6, 2019 50 $19,880 -61% 47 $423   $380,423 6
Sep 13, 2019 77 $3,721 -81% 15 $248   $396,385 7
Sep 20, 2019 79 $2,240 -40% 10 $224   $400,360 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 2, 2019 - $14,739     2 $7,370   $14,739 1
Aug 3, 2019 - $13,732 -7%   2 $6,866   $28,471 2
Aug 4, 2019 - $7,411 -46%   2 $3,706   $35,882 3
Aug 5, 2019 - $2,912 -61%   2 $1,456   $38,794 4
Aug 6, 2019 - $3,033 +4%   2 $1,517   $41,827 5
Aug 7, 2019 - $3,193 +5%   2 $1,597   $45,020 6
Aug 8, 2019 - $2,939 -8%   2 $1,470   $47,959 7
Aug 9, 2019 - $19,490 +563% +32% 27 $722   $67,449 8
Aug 10, 2019 - $22,226 +14% +62% 27 $823   $89,675 9
Aug 11, 2019 - $16,350 -26% +121% 27 $606   $106,025 10
Aug 12, 2019 - $7,991 -51% +174% 27 $296   $114,016 11
Aug 13, 2019 - $8,139 +2% +168% 27 $301   $122,155 12
Aug 14, 2019 - $8,499 +4% +166% 27 $315   $131,659 13
Aug 15, 2019 - $7,189 -15% +145% 27 $266   $138,848 14
Aug 16, 2019 - $11,885 +65% -39% 39 $305   $150,733 15
Aug 17, 2019 - $19,137 +61% -14% 39 $491   $169,870 16
Aug 18, 2019 - $13,737 -28% -16% 39 $352   $183,607 17
Aug 19, 2019 - $6,865 -50% -14% 39 $176   $190,472 18
Aug 20, 2019 - $7,064 +3% -13% 39 $181   $197,536 19
Aug 21, 2019 - $6,416 -9% -25% 39 $165   $203,952 20
Aug 22, 2019 - $6,416 n/c -11% 39 $165   $210,368 21
Aug 23, 2019 - $11,314 +76% -5% 51 $222   $221,682 22
Aug 24, 2019 - $15,125 +34% -21% 51 $297   $236,807 23
Aug 25, 2019 - $11,583 -23% -16% 51 $227   $248,655 24
Aug 26, 2019 - $6,093 -47% -11% 51 $119   $255,029 25
Aug 27, 2019 - $6,859 +13% -3% 51 $134   $261,888 26
Aug 28, 2019 - $6,336 -8% -1% 51 $124   $268,224 27
Aug 29, 2019 - $7,953 +26% +24% 51 $156   $276,177 28
Aug 30, 2019 - $14,855 +87% +31% 79 $188   $291,032 29
Aug 31, 2019 - $18,170 +22% +20% 79 $230   $309,202 30
Sep 1, 2019 - $17,572 -3% +52% 79 $222   $326,774 31
Sep 2, 2019 - $12,681 -28% +108% 79 $161   $339,455 32
Sep 3, 2019 - $7,253 -43% +6% 79 $92   $346,708 33
Sep 4, 2019 - $6,833 -6% +8% 79 $86   $353,655 34
Sep 5, 2019 - $6,610 -3% -17% 79 $84   $360,265 35
Sep 6, 2019 - $6,282 -5% -58% 47 $134   $366,547 36
Sep 7, 2019 - $7,653 +22% -58% 47 $163   $374,200 37
Sep 8, 2019 - $5,945 -22% -66% 47 $126   $380,423 38
Sep 9, 2019 - $2,389 -60% -81% 47 $51   $382,812 39
Sep 10, 2019 - $3,219 +35% -56% 47 $68   $386,149 40
Sep 11, 2019 - $2,890 -10% -58% 47 $61   $389,039 41
Sep 12, 2019 - $3,625 +25% -45% 47 $77   $392,664 42
Sep 13, 2019 - $1,168 -68% -81% 15 $78   $393,832 43
Sep 14, 2019 - $1,650 +41% -78% 15 $110   $395,482 44
Sep 15, 2019 - $903 -45% -85% 15 $60   $396,385 45
Sep 16, 2019 - $529 -41% -78% 15 $35   $396,914 46
Sep 17, 2019 - $229 -57% -93% 15 $15   $397,174 47
Sep 18, 2019 - $543 +137% -81% 15 $36   $397,717 48
Sep 19, 2019 - $403 -26% -89% 15 $27   $398,120 49
Sep 20, 2019 - $1,099 +173% -6% 10 $110   $399,219 50
Sep 21, 2019 - $724 -34% -56% 10 $72   $399,943 51
Sep 22, 2019 - $417 -42% -54% 10 $42   $400,360 52
Sep 23, 2019 - $279 -33% -47% 10 $28   $400,639 53
Sep 24, 2019 - $102 -63% -55% 10 $10   $400,741 54

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 2, 2019 42 $47,959   2 $23,980   $47,959 1
Aug 9, 2019 37 $90,889 +90% 27 $3,366   $138,848 2
Aug 16, 2019 43 $71,520 -21% 39 $1,834   $210,368 3
Aug 23, 2019 43 $65,809 -8% 51 $1,290   $276,177 4
Aug 30, 2019 47 $84,088 +28% 79 $1,064   $360,265 5
Sep 6, 2019 47 $32,399 -61% 47 $689   $392,664 6
Sep 13, 2019 77 $5,456 -83% 15 $364   $398,120 7

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 8/16/2019 $1,702 1 33 189 $302,050 1/20/2020
Japan 3/20/2020 $9,264 26 26 26 $15,717 3/27/2020
Netherlands 1/31/2019 $0000$0
New Zealand 7/19/2019 $0 0 3 5 $19,829 10/19/2022
South Korea 12/30/2020 $42,250 307 329 874 $102,190 2/1/2021
Taiwan 9/13/2019 $12,800 10 10 17 $25,506 1/5/2020
United Kingdom 11/29/2019 $26,917 12 14 26 $44,142 12/13/2019
 
Rest of World $108,591
 
International Total$618,025 10/19/2022

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 12,201-12,300) 12,257 $618,025
All Time International Non-Sequel Box Office (Rank 11,101-11,200) 11,185 $618,025
All Time International Box Office for Original Screenplay Movies (Rank 6,801-6,900) 6,838 $618,025
All Time International Box Office for Live Action Movies (Rank 10,201-10,300) 10,239 $618,025
All Time International Box Office for Historical Fiction Movies (Rank 1,101-1,200) 1,108 $618,025
All Time International Box Office for Drama Movies (Rank 3,201-3,300) 3,275 $618,025
All Time International Box Office for R Movies (Rank 2,501-2,600) 2,563 $618,025
All Time International Box Office for IFC Films Movies (Rank 101-200) 157 $618,025

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 15,301-15,400) 15,390 $1,018,766
All Time Worldwide Non-Sequel Box Office (Rank 14,101-14,200) 14,107 $1,018,766
All Time Worldwide Box Office for Original Screenplay Movies (Rank 8,301-8,400) 8,395 $1,018,766
All Time Worldwide Box Office for Live Action Movies (Rank 13,101-13,200) 13,133 $1,018,766
All Time Worldwide Box Office for Historical Fiction Movies (Rank 1,501-1,600) 1,573 $1,018,766
All Time Worldwide Box Office for Drama Movies (Rank 4,101-4,200) 4,117 $1,018,766
All Time Worldwide Box Office for R Movies (Rank 3,801-3,900) 3,846 $1,018,766
All Time Worldwide Box Office for IFC Films Movies (Rank 101-200) 154 $1,018,766

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Aisling Franciosi    Clare

Supporting Cast

Sam Claflin    Hawkins
Baykali Ganambarr    Billy
Damon Herriman    Ruse
Harry Greenwood    Jago
Michael Sheasby    Aidan
Ewen Leslie    Goodwin
Charlie Shotwell    Eddie
Magnolia Maymuru    Lowanna
Charlie Brown    Uncle Charlie

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jennifer Kent    Director
Jennifer Kent    Screenwriter
Kristina Ceyton    Producer
Bruna Papandrea    Producer
Steve Hutensky    Producer
Jennifer Kent    Producer
Aaron L. Gilbert    Executive Producer
Andy Pollack    Executive Producer
Jason Cloth    Executive Producer
Brenda Gilbert    Executive Producer
Ben Browning    Executive Producer
Alison Cohen    Executive Producer
Jim Everett    Associate Producer
Amanda Crittenden    Line Producer
Radek Ladczuk    Director of Photography
Simon Njoo    Editor
Alex Holmes    Production Designer
Margot Wilson    Costume Designer
Robert Mackenzie    Sound Designer
Jed Kurzel    Composer
Marty Pepper    Visual Effects Supervisor
Nikki Barrett    Casting Director
Steven Thibault    Co-Executive Producer
Anjay Nagpal    Co-Executive Producer

Home Market Releases for February 4th, 2020

February 5th, 2020

That Time I Got Reincarnated as a Slime

It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well. More...

Theater Averages: Luce and Nightingale Sing a Sweet Song

August 8th, 2019

Luce

It was a busy weekend on the theater average chart with five films in the $10,000 club. Luce led the way with an average of $26,597 in five theaters. This bodes well for any future expansion. The Nightingale was next with an average of $20,041 in two theaters. Jay Myself arguably had a stronger opening, earning $18,909 in one theater over the weekend for a five-day debut of $27,571. Exit managed an average of $16,221 in two theaters, which is excellent for a foreign-language film and hopefully means more Asian movies will be released here. The final film in the $10,000 club was the overall box office champ, Hobbs and Shaw, with an average of $14,117. More...

Weekend Estimates: Hobbs and Shaw’s International Numbers Save Weekend Haul

August 4th, 2019

Fast and Furious Presents: Hobbs and Shaw

Fast and Furious Presents: Hobbs and Shaw missed even the low end of predictions with an estimated opening weekend of just $60.8 million. This is not a good start for a film that cost $200 million to make. Additionally, its reviews and its A minus from CinemaScore do not suggest long enough legs to make up for this opening. Fortunately, the film is doing a lot better internationally with an estimated opening of $120 million in 63 markets. Furthermore, this number doesn’t include China, because the film doesn’t open there until the end of the month. (It has also yet to open in France, Italy, and Japan, but it will earn more in China than those three markets combined.) The film is opening well behind The Fate of the Furious in most markets, including Russia where it managed $8.20 million on 1,766 screens, compared to $14.26 million on 1,470 screens for the previous film. It was even worse in the U.K. at $7.85 million in 610 theaters vs. $17.58 million on 572. Overall, the film is more in line with Fast Five than the other recent films in the franchise. This is still enough to earn a profit, especially if it does well in China, but the spin-off won’t replace the main films in the Fast and the Furious franchise like I thought it had a chance of doing. More...

Limited and VOD Releases: It’s a Good Night to see a Movie

August 2nd, 2019

The Nightingale

It is a slow week for limited releases with only six films on the main list. Fortunately, four of those six films are earning excellent reviews and a couple of them could do well at the box office. This includes both Luce and The Nightingale. Meanwhile, Love, Antosha could do well for a documentary. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

1829 Tasmania. A young convict woman seeking revenge for the murder of her family, takes an Aboriginal male outcast with her through the interior and gets much more than she bargained for.

Metrics

Opening Weekend:$35,882 (9.0% of total gross)
Legs:6.90 (domestic box office/biggest weekend)
Domestic Share:39.3% (domestic box office/worldwide)
Theater counts:2 opening theaters/79 max. theaters, 3.4 weeks average run per theater
Infl. Adj. Dom. BO $471,614

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,301-10,400) 10,341 $400,741
All Time International Box Office (Rank 12,201-12,300) 12,257 $618,025
All Time Worldwide Box Office (Rank 15,301-15,400) 15,390 $1,018,766
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,734 $400,741
All Time Domestic Box Office for R Movies (Rank 3,701-3,800) 3,703 $400,741
All Time International Box Office for R Movies (Rank 2,501-2,600) 2,563 $618,025
All Time Worldwide Box Office for R Movies (Rank 3,801-3,900) 3,846 $1,018,766

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: August 2nd, 2019 (Limited) by IFC Films
International Releases: January 31st, 2019 (Wide) (Netherlands)
July 19th, 2019 (Wide) (New Zealand)
August 16th, 2019 (Wide) (Australia)
September 13th, 2019 (Wide) (Taiwan)
November 29th, 2019 (Wide) (United Kingdom)
... Show all releases
Video Release: February 4th, 2020 by Shout Factory
MPAA Rating: R for strong violent and disturbing content including rape, language throughout, and brief sexuality.
(Rating bulletin 2576 (Cert #52189), 5/1/2019)
Running Time: 138 minutes
Comparisons: vs. I Spit on Your Grave
Create your own comparison chart…
Keywords: Revenge, 1800s, Australia, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Australian Aboriginals
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Historical Fiction
Production/Financing Companies: Made Up Stories, Causeway Films, Screen Australia, Screen Tasmania, South Australian Film Corp.
Production Countries: Australia, Canada, United States
Languages: English, Gaelic

Ranking on other Records and Milestones

RecordRankAmountChart
Date		Days In
Release
Top 2019 Theater Average 63 $17,941 Aug 2, 2019 3

Leading Cast

Aisling Franciosi    Clare

Supporting Cast

Sam Claflin    Hawkins
Baykali Ganambarr    Billy
Damon Herriman    Ruse
Harry Greenwood    Jago
Michael Sheasby    Aidan
Ewen Leslie    Goodwin
Charlie Shotwell    Eddie
Magnolia Maymuru    Lowanna
Charlie Brown    Uncle Charlie

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jennifer Kent    Director
Jennifer Kent    Screenwriter
Kristina Ceyton    Producer
Bruna Papandrea    Producer
Steve Hutensky    Producer
Jennifer Kent    Producer
Aaron L. Gilbert    Executive Producer
Andy Pollack    Executive Producer
Jason Cloth    Executive Producer
Brenda Gilbert    Executive Producer
Ben Browning    Executive Producer
Alison Cohen    Executive Producer
Jim Everett    Associate Producer
Amanda Crittenden    Line Producer
Radek Ladczuk    Director of Photography
Simon Njoo    Editor
Alex Holmes    Production Designer
Margot Wilson    Costume Designer
Robert Mackenzie    Sound Designer
Jed Kurzel    Composer
Marty Pepper    Visual Effects Supervisor
Nikki Barrett    Casting Director
Steven Thibault    Co-Executive Producer
Anjay Nagpal    Co-Executive Producer

Home Market Releases for February 4th, 2020

February 5th, 2020

That Time I Got Reincarnated as a Slime

It is a slow week for truly great releases. Both Doctor Sleep and The Nightingale are worth picking up, but not Pick of the Week contenders. Last Christmas is also worth picking up, but only if you like Romantic Comedies with magical realism. As for the Pick of the Week, I’m going with That Time I Got Reincarnated as a Slime: Season One, Part Two and if you really into Isekai Anime, grab Isekai Quartet: Season One as well. More...

Theater Averages: Luce and Nightingale Sing a Sweet Song

August 8th, 2019

Luce

It was a busy weekend on the theater average chart with five films in the $10,000 club. Luce led the way with an average of $26,597 in five theaters. This bodes well for any future expansion. The Nightingale was next with an average of $20,041 in two theaters. Jay Myself arguably had a stronger opening, earning $18,909 in one theater over the weekend for a five-day debut of $27,571. Exit managed an average of $16,221 in two theaters, which is excellent for a foreign-language film and hopefully means more Asian movies will be released here. The final film in the $10,000 club was the overall box office champ, Hobbs and Shaw, with an average of $14,117. More...

Weekend Estimates: Hobbs and Shaw’s International Numbers Save Weekend Haul

August 4th, 2019

Fast and Furious Presents: Hobbs and Shaw

Fast and Furious Presents: Hobbs and Shaw missed even the low end of predictions with an estimated opening weekend of just $60.8 million. This is not a good start for a film that cost $200 million to make. Additionally, its reviews and its A minus from CinemaScore do not suggest long enough legs to make up for this opening. Fortunately, the film is doing a lot better internationally with an estimated opening of $120 million in 63 markets. Furthermore, this number doesn’t include China, because the film doesn’t open there until the end of the month. (It has also yet to open in France, Italy, and Japan, but it will earn more in China than those three markets combined.) The film is opening well behind The Fate of the Furious in most markets, including Russia where it managed $8.20 million on 1,766 screens, compared to $14.26 million on 1,470 screens for the previous film. It was even worse in the U.K. at $7.85 million in 610 theaters vs. $17.58 million on 572. Overall, the film is more in line with Fast Five than the other recent films in the franchise. This is still enough to earn a profit, especially if it does well in China, but the spin-off won’t replace the main films in the Fast and the Furious franchise like I thought it had a chance of doing. More...

Limited and VOD Releases: It’s a Good Night to see a Movie

August 2nd, 2019

The Nightingale

It is a slow week for limited releases with only six films on the main list. Fortunately, four of those six films are earning excellent reviews and a couple of them could do well at the box office. This includes both Luce and The Nightingale. Meanwhile, Love, Antosha could do well for a documentary. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 10,301-10,400) 10,341 $400,741
All Time Domestic Inflation Adjusted Box Office (Rank 10,001-10,100) 10,086 $471,614
All Time Domestic Non-Sequel Box Office (Rank 9,401-9,500) 9,424 $400,741
Top 2019 Movies at the Domestic Box Office (Rank 201-300) 264 $400,741
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,701-2,800) 2,734 $400,741
All Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 3,001-3,100) 3,009 $471,614
Top 2019 Limited Release Movies at the Domestic Box Office (Rank 101-200) 118 $400,741
All Time Domestic Box Office for Original Screenplay Movies (Rank 5,301-5,400) 5,326 $400,741
All Time Domestic Box Office for Live Action Movies (Rank 9,201-9,300) 9,234 $400,741
All Time Domestic Box Office for Historical Fiction Movies (Rank 1,201-1,300) 1,239 $400,741
All Time Domestic Box Office for Drama Movies (Rank 2,801-2,900) 2,844 $400,741
All Time Domestic Box Office for R Movies (Rank 3,701-3,800) 3,703 $400,741
All Time Domestic Box Office for IFC Films Movies (Rank 101-200) 101 $400,741

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 2, 2019 40 $35,882   2 $17,941   $35,882 1
Aug 9, 2019 34 $58,066 +62% 27 $2,151   $106,025 2
Aug 16, 2019 41 $44,759 -23% 39 $1,148   $183,607 3
Aug 23, 2019 43 $38,022 -15% 51 $746   $248,655 4
Aug 30, 2019 45 $50,597 +33% 79 $640   $326,774 5
Sep 6, 2019 50 $19,880 -61% 47 $423   $380,423 6
Sep 13, 2019 77 $3,721 -81% 15 $248   $396,385 7
Sep 20, 2019 79 $2,240 -40% 10 $224   $400,360 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 2, 2019 - $14,739     2 $7,370   $14,739 1
Aug 3, 2019 - $13,732 -7%   2 $6,866   $28,471 2
Aug 4, 2019 - $7,411 -46%   2 $3,706   $35,882 3
Aug 5, 2019 - $2,912 -61%   2 $1,456   $38,794 4
Aug 6, 2019 - $3,033 +4%   2 $1,517   $41,827 5
Aug 7, 2019 - $3,193 +5%   2 $1,597   $45,020 6
Aug 8, 2019 - $2,939 -8%   2 $1,470   $47,959 7
Aug 9, 2019 - $19,490 +563% +32% 27 $722   $67,449 8
Aug 10, 2019 - $22,226 +14% +62% 27 $823   $89,675 9
Aug 11, 2019 - $16,350 -26% +121% 27 $606   $106,025 10
Aug 12, 2019 - $7,991 -51% +174% 27 $296   $114,016 11
Aug 13, 2019 - $8,139 +2% +168% 27 $301   $122,155 12
Aug 14, 2019 - $8,499 +4% +166% 27 $315   $131,659 13
Aug 15, 2019 - $7,189 -15% +145% 27 $266   $138,848 14
Aug 16, 2019 - $11,885 +65% -39% 39 $305   $150,733 15
Aug 17, 2019 - $19,137 +61% -14% 39 $491   $169,870 16
Aug 18, 2019 - $13,737 -28% -16% 39 $352   $183,607 17
Aug 19, 2019 - $6,865 -50% -14% 39 $176   $190,472 18
Aug 20, 2019 - $7,064 +3% -13% 39 $181   $197,536 19
Aug 21, 2019 - $6,416 -9% -25% 39 $165   $203,952 20
Aug 22, 2019 - $6,416 n/c -11% 39 $165   $210,368 21
Aug 23, 2019 - $11,314 +76% -5% 51 $222   $221,682 22
Aug 24, 2019 - $15,125 +34% -21% 51 $297   $236,807 23
Aug 25, 2019 - $11,583 -23% -16% 51 $227   $248,655 24
Aug 26, 2019 - $6,093 -47% -11% 51 $119   $255,029 25
Aug 27, 2019 - $6,859 +13% -3% 51 $134   $261,888 26
Aug 28, 2019 - $6,336 -8% -1% 51 $124   $268,224 27
Aug 29, 2019 - $7,953 +26% +24% 51 $156   $276,177 28
Aug 30, 2019 - $14,855 +87% +31% 79 $188   $291,032 29
Aug 31, 2019 - $18,170 +22% +20% 79 $230   $309,202 30
Sep 1, 2019 - $17,572 -3% +52% 79 $222   $326,774 31
Sep 2, 2019 - $12,681 -28% +108% 79 $161   $339,455 32
Sep 3, 2019 - $7,253 -43% +6% 79 $92   $346,708 33
Sep 4, 2019 - $6,833 -6% +8% 79 $86   $353,655 34
Sep 5, 2019 - $6,610 -3% -17% 79 $84   $360,265 35
Sep 6, 2019 - $6,282 -5% -58% 47 $134   $366,547 36
Sep 7, 2019 - $7,653 +22% -58% 47 $163   $374,200 37
Sep 8, 2019 - $5,945 -22% -66% 47 $126   $380,423 38
Sep 9, 2019 - $2,389 -60% -81% 47 $51   $382,812 39
Sep 10, 2019 - $3,219 +35% -56% 47 $68   $386,149 40
Sep 11, 2019 - $2,890 -10% -58% 47 $61   $389,039 41
Sep 12, 2019 - $3,625 +25% -45% 47 $77   $392,664 42
Sep 13, 2019 - $1,168 -68% -81% 15 $78   $393,832 43
Sep 14, 2019 - $1,650 +41% -78% 15 $110   $395,482 44
Sep 15, 2019 - $903 -45% -85% 15 $60   $396,385 45
Sep 16, 2019 - $529 -41% -78% 15 $35   $396,914 46
Sep 17, 2019 - $229 -57% -93% 15 $15   $397,174 47
Sep 18, 2019 - $543 +137% -81% 15 $36   $397,717 48
Sep 19, 2019 - $403 -26% -89% 15 $27   $398,120 49
Sep 20, 2019 - $1,099 +173% -6% 10 $110   $399,219 50
Sep 21, 2019 - $724 -34% -56% 10 $72   $399,943 51
Sep 22, 2019 - $417 -42% -54% 10 $42   $400,360 52
Sep 23, 2019 - $279 -33% -47% 10 $28   $400,639 53
Sep 24, 2019 - $102 -63% -55% 10 $10   $400,741 54

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 2, 2019 42 $47,959   2 $23,980   $47,959 1
Aug 9, 2019 37 $90,889 +90% 27 $3,366   $138,848 2
Aug 16, 2019 43 $71,520 -21% 39 $1,834   $210,368 3
Aug 23, 2019 43 $65,809 -8% 51 $1,290   $276,177 4
Aug 30, 2019 47 $84,088 +28% 79 $1,064   $360,265 5
Sep 6, 2019 47 $32,399 -61% 47 $689   $392,664 6
Sep 13, 2019 77 $5,456 -83% 15 $364   $398,120 7

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 8/16/2019 $1,702 1 33 189 $302,050 1/20/2020
Japan 3/20/2020 $9,264 26 26 26 $15,717 3/27/2020
Netherlands 1/31/2019 $0000$0
New Zealand 7/19/2019 $0 0 3 5 $19,829 10/19/2022
South Korea 12/30/2020 $42,250 307 329 874 $102,190 2/1/2021
Taiwan 9/13/2019 $12,800 10 10 17 $25,506 1/5/2020
United Kingdom 11/29/2019 $26,917 12 14 26 $44,142 12/13/2019
 
Rest of World $108,591
 
International Total$618,025 10/19/2022

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 12,201-12,300) 12,257 $618,025
All Time International Non-Sequel Box Office (Rank 11,101-11,200) 11,185 $618,025
All Time International Box Office for Original Screenplay Movies (Rank 6,801-6,900) 6,838 $618,025
All Time International Box Office for Live Action Movies (Rank 10,201-10,300) 10,239 $618,025
All Time International Box Office for Historical Fiction Movies (Rank 1,101-1,200) 1,108 $618,025
All Time International Box Office for Drama Movies (Rank 3,201-3,300) 3,275 $618,025
All Time International Box Office for R Movies (Rank 2,501-2,600) 2,563 $618,025
All Time International Box Office for IFC Films Movies (Rank 101-200) 157 $618,025

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 15,301-15,400) 15,390 $1,018,766
All Time Worldwide Non-Sequel Box Office (Rank 14,101-14,200) 14,107 $1,018,766
All Time Worldwide Box Office for Original Screenplay Movies (Rank 8,301-8,400) 8,395 $1,018,766
All Time Worldwide Box Office for Live Action Movies (Rank 13,101-13,200) 13,133 $1,018,766
All Time Worldwide Box Office for Historical Fiction Movies (Rank 1,501-1,600) 1,573 $1,018,766
All Time Worldwide Box Office for Drama Movies (Rank 4,101-4,200) 4,117 $1,018,766
All Time Worldwide Box Office for R Movies (Rank 3,801-3,900) 3,846 $1,018,766
All Time Worldwide Box Office for IFC Films Movies (Rank 101-200) 154 $1,018,766

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.