Omohide poro poro (おもひでぽろぽろ) (1991)

Omohide poro poro poster
Theatrical Performance
Domestic Box Office $453,241Details
International Box Office $62,076Details
Worldwide Box Office $515,317
Home Market Performance
Est. Domestic Blu-ray Sales $1,372,229 Details
Total Est. Domestic Video Sales $1,372,229
Further financial details...

Synopsis

Taeko Okajima is a typical "office lady" in a big company in a big city. When she takes a sabbatical to the countryside in Yamagata Prefecture, the hometown of her brother-in-law, the journey recalled her memory of her 5th grade year. During her stay in Yamagata, she works hard and happily as a farmer and is surrounded by friendly relatives and villagers, bringing up more memories. Their hospitality makes her to reconsider her choice of life.

Metrics

Opening Weekend:$14,970 (3.3% of total gross)
Legs:6.02 (domestic box office/biggest weekend)
Domestic Share:88.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/44 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $565,325

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,101-10,200) 10,107 $453,241
All Time International Box Office (Rank 18,901-19,000) 18,965 $62,076
All Time Worldwide Box Office (Rank 17,701-17,800) 17,759 $515,317
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,501-2,600) 2,571 $453,241

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: January 1st, 2016 (Limited) by GKIDS, released as Only Yesterday
International Releases: July 20th, 1991 (Wide), released as Omohide poro poro (Japan)
May 6th, 2016 (Limited), released as Only Yesterday (Australia)
May 6th, 2016 (Limited), released as Only Yesterday (New Zealand)
June 3rd, 2016 (Limited), released as Only Yesterday (Re: 2016) (United Kingdom)
Video Release: July 5th, 2016 by Universal Home Entertainment, released as Only Yesterday
MPAA Rating: PG for thematic elements, some rude behavior and smoking.
(Rating bulletin 2397 (Cert #49958), 10/28/2015)
Running Time: 118 minutes
Comparisons: vs. Terminator 2: Judgment Day
Create your own comparison chart…
Keywords: Non-Chronological, Life in a Small Town, Corporate Life, Coming of Age, Anime
Source:Based on Comic/Graphic Novel
Genre:Drama
Production Method:Hand Animation
Creative Type:Contemporary Fiction
Production/Financing Companies: Studio Ghibli
Production Countries: Japan
Languages: Japanese

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2016 Theater Average 85 $14,970 Jan 1, 2016 3

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 1, 2016 51 $14,970   1 $14,970   $14,970 1
Jan 8, 2016 59 $8,004 -47% 1 $8,004   $32,879 2
Jan 22, 2016 69 $1,433   1 $1,433   $50,877 4
Jan 29, 2016 74 $1,701 +19% 1 $1,701   $56,303 5
Feb 26, 2016 46 $61,702   13 $4,746   $118,944 9
Mar 4, 2016 47 $46,573 -25% 26 $1,791   $194,402 10
Mar 11, 2016 44 $75,243 +62% 43 $1,750   $296,208 11
Mar 18, 2016 52 $40,442 -46% 41 $986   $370,192 12
Mar 25, 2016 59 $18,116 -55% 27 $671   $415,941 13

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 1, 2016 - $6,769     1 $6,769   $6,769 1
Jan 2, 2016 - $4,418 -35%   1 $4,418   $11,187 2
Jan 3, 2016 - $3,783 -14%   1 $3,783   $14,970 3
Jan 4, 2016 - $2,173 -43%   1 $2,173   $17,143 4
Jan 5, 2016 - $2,629 +21%   1 $2,629   $19,772 5
Jan 6, 2016 - $2,521 -4%   1 $2,521   $22,293 6
Jan 7, 2016 - $2,582 +2%   1 $2,582   $24,875 7
Jan 8, 2016 - $2,532 -2% -63% 1 $2,532   $27,407 8
Jan 9, 2016 - $2,445 -3% -45% 1 $2,445   $29,852 9
Jan 10, 2016 - $3,027 +24% -20% 1 $3,027   $32,879 10
Jan 11, 2016 - $1,214 -60% -44% 1 $1,214   $34,093 11
Jan 12, 2016 - $1,401 +15% -47% 1 $1,401   $35,494 12
Jan 13, 2016 - $1,785 +27% -29% 1 $1,785   $37,279 13
Jan 14, 2016 - $1,402 -21% -46% 1 $1,402   $38,681 14
Jan 15, 2016 - $1,277 -9% -50% 1 $1,277   $39,958 15
Jan 16, 2016 - $2,135 +67% -13% 1 $2,135   $42,093 16
Jan 17, 2016 - $2,034 -5% -33% 1 $2,034   $44,127 17
Jan 18, 2016 - $2,398 +18% +98% 1 $2,398   $46,525 18
Jan 19, 2016 - $608 -75% -57% 1 $608   $47,133 19
Jan 20, 2016 - $1,058 +74% -41% 1 $1,058   $48,191 20
Jan 21, 2016 - $1,253 +18% -11% 1 $1,253   $49,444 21
Jan 22, 2016 - $730 -42% -43% 1 $730   $50,174 22
Jan 23, 2016 - $156 -79% -93% 1 $156   $50,330 23
Jan 24, 2016 - $703 +351% -65% 1 $703   $51,033 24
Jan 25, 2016 - $440 -37% -82% 1 $440   $51,473 25
Jan 26, 2016 - $703 +60% +16% 1 $703   $52,176 26
Jan 27, 2016 - $1,075 +53% +2% 1 $1,075   $53,251 27
Jan 28, 2016 - $1,351 +26% +8% 1 $1,351   $54,602 28
Jan 29, 2016 - $362 -73% -50% 1 $362   $54,964 29
Jan 30, 2016 - $896 +148% +474% 1 $896   $55,860 30
Jan 31, 2016 - $444 -50% -37% 1 $444   $56,304 31
Feb 1, 2016 - $123 -72% -72% 1 $123   $56,427 32
Feb 2, 2016 - $169 +37% -76% 1 $169   $56,596 33
Feb 3, 2016 - $224 +33% -79% 1 $224   $56,820 34
Feb 4, 2016 - $224 n/c -83% 1 $224   $57,044 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 1, 2016 52 $24,875   1 $24,875   $24,875 1
Jan 8, 2016 58 $13,806 -44% 1 $13,806   $38,681 2
Jan 15, 2016 54 $10,763 -22% 1 $10,763   $49,444 3
Jan 22, 2016 65 $5,158 -52% 1 $5,158   $54,602 4
Jan 29, 2016 81 $2,642 -49% 1 $2,642   $57,244 5
Feb 26, 2016 48 $84,587   13 $6,507   $147,831 9
Mar 4, 2016 45 $73,134 -14% 28 $2,612   $220,965 10
Mar 11, 2016 47 $108,785 +49% 44 $2,472   $329,750 11
Mar 18, 2016 52 $68,075 -37% 44 $1,547   $397,825 12
Mar 25, 2016 58 $36,293 -47% 28 $1,296   $434,118 13
Apr 1, 2016 74 $9,598 -74% 13 $738   $443,716 14
Apr 8, 2016 71 $8,729 -9% 12 $727   $452,445 15
Apr 15, 2016 109 $796 -91% 2 $398   $453,241 16

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 5/6/2016 $33,141 28 28 37 $49,338 6/9/2016
Japan 7/20/1991 $0000$0
New Zealand 5/6/2016 $7,695 3 3 3 $7,695 6/9/2016
United Kingdom 6/3/2016 $5,043 12 12 12 $5,043 6/9/2016
 
International Total$62,076 6/9/2016

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 10, 20161115,814 15,814$317,699$317,6991
Apr 24, 2022192,847 74,030$56,855$1,368,475303

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Leading Cast

Daisy Ridley    Taeko Okajima

Supporting Cast

Allison Fernandez    Young Taeko Okajima
Hope Levy    Tsuneko
Stephanie Sheh    Aiko
Ava Acres    Toko
Jaden Betts    Suzuki
Gianella Thielmann    Hirota
Matthew Yang King    Taeko’s Father
Laura Bailey    Nanako
Mona Marshall    Grandmother

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Isao Takahata    Director
Isao Takahata    Screenwriter
Hotaru Okamoto    Based on the story 'Omoide Poro Poro' by
Yuko Tone    Based on the story 'Omoide Poro Poro' by
Toshio Suzuki    Producer
Geoffrey Wexler    Producer - English Language Version
Takeshi Seyama    Editor
Katz Hoshi    Composer
Hayao Miyazaki    Executive Producer
Mitsuo Iso    Animation

Home Market Releases for July 5th, 2016

July 4th, 2016

The Mermaid

It's a strange week on the home market, as there are no first-run releases and very few other releases to make up the difference. There are some contenders for Pick of the Week, but all of them are foreign-language films, which is again odd. In fact, two of them, Only Yesterday and The Boy and the World, are animated. However, in the end, I went with The Mermaid, which deserves to be seen by more and Blu-ray is a great way to see it. More...

Limited and VOD Releases: Yesterday is the Perfect Day to Watch a Limited Release

February 26th, 2016

Only Yesterday

It's Oscar weekend, so obviously there's not many new limited releases worth paying attention to. Crouching Tiger, Hidden Dragon: Sword of Destiny is the biggest, but Only Yesterday is the best. More...

Theater Averages: Revenant Remains Potent with Average of $111,957

January 5th, 2016

The Revenant

The Revenant remained on top of the theater average chart dipping just 6% to an average of $111,957 in four theaters. That's amazing and it bodes very well for its chances during its wide expansion this weekend. Furthermore, there are some major Awards Season events this week that could boost ticket sales even more. Anomalisa was well back in second place, but it still had an impressive opening with an average of $33,806 over the weekend and an average of $52,658 during its five-day opening. Star Wars: The Force Awakens was next with an average of $21,829. Chimes at Midnight earned $20,480 in one theater during its re-release, while Only Yesterday earned $14,970, also in one theater. The latter film is yet another success for GKIDS; this is the only studio that routinely has success with animated films in limited release. 45 Years remained in the $10,000 club with an average of $14,588 in six theaters. It doubled its theater count, but the average only fell 33% and that's a great sign for further expansion. Mr. Six is the fourth holdover in the $10,000 club earning an average of $10,406 in 28 theaters. More...

Weekend Estimates: Force aweakens with $88.3 million weekend

January 3rd, 2016

Star Wars: The Force Awakens This weekend sees the first signs of a slow-down at the box office for The Force Awakens, which will be down 41% from last weekend, according to Disney’s Sunday morning estimate. That’s the worst comparative performance in the top ten, and much weaker than Avatar’s 9% decline the same weekend in 2010. Such statistics are fairly academic when you already have $700 million in the bank domestically, though, and Star Wars’ momentum coming out of the holidays is such that it will register the biggest ever New Year’s weekend, and the biggest-ever 3rd weekend, overtaking Avatar’s $68.5 million. With $770.5 million overseas so far, its global total is now over $1.5 billion, putting it in the top six all time, and guaranteeing it will end in the top three, with only Titanic and Avatar left to shoot for. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Cast & Crew
  7. Trailer

Synopsis

Taeko Okajima is a typical "office lady" in a big company in a big city. When she takes a sabbatical to the countryside in Yamagata Prefecture, the hometown of her brother-in-law, the journey recalled her memory of her 5th grade year. During her stay in Yamagata, she works hard and happily as a farmer and is surrounded by friendly relatives and villagers, bringing up more memories. Their hospitality makes her to reconsider her choice of life.

Metrics

Opening Weekend:$14,970 (3.3% of total gross)
Legs:6.02 (domestic box office/biggest weekend)
Domestic Share:88.0% (domestic box office/worldwide)
Theater counts:1 opening theaters/44 max. theaters, 3.5 weeks average run per theater
Infl. Adj. Dom. BO $565,325

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 10,101-10,200) 10,107 $453,241
All Time International Box Office (Rank 18,901-19,000) 18,965 $62,076
All Time Worldwide Box Office (Rank 17,701-17,800) 17,759 $515,317
All Time Domestic Highest Grossing Limited Release Movies (Rank 2,501-2,600) 2,571 $453,241

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
Vudu:Vudu, Vudu

Movie Details

Domestic Releases: January 1st, 2016 (Limited) by GKIDS, released as Only Yesterday
International Releases: July 20th, 1991 (Wide), released as Omohide poro poro (Japan)
May 6th, 2016 (Limited), released as Only Yesterday (Australia)
May 6th, 2016 (Limited), released as Only Yesterday (New Zealand)
June 3rd, 2016 (Limited), released as Only Yesterday (Re: 2016) (United Kingdom)
Video Release: July 5th, 2016 by Universal Home Entertainment, released as Only Yesterday
MPAA Rating: PG for thematic elements, some rude behavior and smoking.
(Rating bulletin 2397 (Cert #49958), 10/28/2015)
Running Time: 118 minutes
Comparisons: vs. Terminator 2: Judgment Day
Create your own comparison chart…
Keywords: Non-Chronological, Life in a Small Town, Corporate Life, Coming of Age, Anime
Source:Based on Comic/Graphic Novel
Genre:Drama
Production Method:Hand Animation
Creative Type:Contemporary Fiction
Production/Financing Companies: Studio Ghibli
Production Countries: Japan
Languages: Japanese

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Top 2016 Theater Average 85 $14,970 Jan 1, 2016 3

Leading Cast

Daisy Ridley    Taeko Okajima

Supporting Cast

Allison Fernandez    Young Taeko Okajima
Hope Levy    Tsuneko
Stephanie Sheh    Aiko
Ava Acres    Toko
Jaden Betts    Suzuki
Gianella Thielmann    Hirota
Matthew Yang King    Taeko’s Father
Laura Bailey    Nanako
Mona Marshall    Grandmother

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Isao Takahata    Director
Isao Takahata    Screenwriter
Hotaru Okamoto    Based on the story 'Omoide Poro Poro' by
Yuko Tone    Based on the story 'Omoide Poro Poro' by
Toshio Suzuki    Producer
Geoffrey Wexler    Producer - English Language Version
Takeshi Seyama    Editor
Katz Hoshi    Composer
Hayao Miyazaki    Executive Producer
Mitsuo Iso    Animation

Home Market Releases for July 5th, 2016

July 4th, 2016

The Mermaid

It's a strange week on the home market, as there are no first-run releases and very few other releases to make up the difference. There are some contenders for Pick of the Week, but all of them are foreign-language films, which is again odd. In fact, two of them, Only Yesterday and The Boy and the World, are animated. However, in the end, I went with The Mermaid, which deserves to be seen by more and Blu-ray is a great way to see it. More...

Limited and VOD Releases: Yesterday is the Perfect Day to Watch a Limited Release

February 26th, 2016

Only Yesterday

It's Oscar weekend, so obviously there's not many new limited releases worth paying attention to. Crouching Tiger, Hidden Dragon: Sword of Destiny is the biggest, but Only Yesterday is the best. More...

Theater Averages: Revenant Remains Potent with Average of $111,957

January 5th, 2016

The Revenant

The Revenant remained on top of the theater average chart dipping just 6% to an average of $111,957 in four theaters. That's amazing and it bodes very well for its chances during its wide expansion this weekend. Furthermore, there are some major Awards Season events this week that could boost ticket sales even more. Anomalisa was well back in second place, but it still had an impressive opening with an average of $33,806 over the weekend and an average of $52,658 during its five-day opening. Star Wars: The Force Awakens was next with an average of $21,829. Chimes at Midnight earned $20,480 in one theater during its re-release, while Only Yesterday earned $14,970, also in one theater. The latter film is yet another success for GKIDS; this is the only studio that routinely has success with animated films in limited release. 45 Years remained in the $10,000 club with an average of $14,588 in six theaters. It doubled its theater count, but the average only fell 33% and that's a great sign for further expansion. Mr. Six is the fourth holdover in the $10,000 club earning an average of $10,406 in 28 theaters. More...

Weekend Estimates: Force aweakens with $88.3 million weekend

January 3rd, 2016

Star Wars: The Force Awakens This weekend sees the first signs of a slow-down at the box office for The Force Awakens, which will be down 41% from last weekend, according to Disney’s Sunday morning estimate. That’s the worst comparative performance in the top ten, and much weaker than Avatar’s 9% decline the same weekend in 2010. Such statistics are fairly academic when you already have $700 million in the bank domestically, though, and Star Wars’ momentum coming out of the holidays is such that it will register the biggest ever New Year’s weekend, and the biggest-ever 3rd weekend, overtaking Avatar’s $68.5 million. With $770.5 million overseas so far, its global total is now over $1.5 billion, putting it in the top six all time, and guaranteeing it will end in the top three, with only Titanic and Avatar left to shoot for. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 1, 2016 51 $14,970   1 $14,970   $14,970 1
Jan 8, 2016 59 $8,004 -47% 1 $8,004   $32,879 2
Jan 22, 2016 69 $1,433   1 $1,433   $50,877 4
Jan 29, 2016 74 $1,701 +19% 1 $1,701   $56,303 5
Feb 26, 2016 46 $61,702   13 $4,746   $118,944 9
Mar 4, 2016 47 $46,573 -25% 26 $1,791   $194,402 10
Mar 11, 2016 44 $75,243 +62% 43 $1,750   $296,208 11
Mar 18, 2016 52 $40,442 -46% 41 $986   $370,192 12
Mar 25, 2016 59 $18,116 -55% 27 $671   $415,941 13

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 1, 2016 - $6,769     1 $6,769   $6,769 1
Jan 2, 2016 - $4,418 -35%   1 $4,418   $11,187 2
Jan 3, 2016 - $3,783 -14%   1 $3,783   $14,970 3
Jan 4, 2016 - $2,173 -43%   1 $2,173   $17,143 4
Jan 5, 2016 - $2,629 +21%   1 $2,629   $19,772 5
Jan 6, 2016 - $2,521 -4%   1 $2,521   $22,293 6
Jan 7, 2016 - $2,582 +2%   1 $2,582   $24,875 7
Jan 8, 2016 - $2,532 -2% -63% 1 $2,532   $27,407 8
Jan 9, 2016 - $2,445 -3% -45% 1 $2,445   $29,852 9
Jan 10, 2016 - $3,027 +24% -20% 1 $3,027   $32,879 10
Jan 11, 2016 - $1,214 -60% -44% 1 $1,214   $34,093 11
Jan 12, 2016 - $1,401 +15% -47% 1 $1,401   $35,494 12
Jan 13, 2016 - $1,785 +27% -29% 1 $1,785   $37,279 13
Jan 14, 2016 - $1,402 -21% -46% 1 $1,402   $38,681 14
Jan 15, 2016 - $1,277 -9% -50% 1 $1,277   $39,958 15
Jan 16, 2016 - $2,135 +67% -13% 1 $2,135   $42,093 16
Jan 17, 2016 - $2,034 -5% -33% 1 $2,034   $44,127 17
Jan 18, 2016 - $2,398 +18% +98% 1 $2,398   $46,525 18
Jan 19, 2016 - $608 -75% -57% 1 $608   $47,133 19
Jan 20, 2016 - $1,058 +74% -41% 1 $1,058   $48,191 20
Jan 21, 2016 - $1,253 +18% -11% 1 $1,253   $49,444 21
Jan 22, 2016 - $730 -42% -43% 1 $730   $50,174 22
Jan 23, 2016 - $156 -79% -93% 1 $156   $50,330 23
Jan 24, 2016 - $703 +351% -65% 1 $703   $51,033 24
Jan 25, 2016 - $440 -37% -82% 1 $440   $51,473 25
Jan 26, 2016 - $703 +60% +16% 1 $703   $52,176 26
Jan 27, 2016 - $1,075 +53% +2% 1 $1,075   $53,251 27
Jan 28, 2016 - $1,351 +26% +8% 1 $1,351   $54,602 28
Jan 29, 2016 - $362 -73% -50% 1 $362   $54,964 29
Jan 30, 2016 - $896 +148% +474% 1 $896   $55,860 30
Jan 31, 2016 - $444 -50% -37% 1 $444   $56,304 31
Feb 1, 2016 - $123 -72% -72% 1 $123   $56,427 32
Feb 2, 2016 - $169 +37% -76% 1 $169   $56,596 33
Feb 3, 2016 - $224 +33% -79% 1 $224   $56,820 34
Feb 4, 2016 - $224 n/c -83% 1 $224   $57,044 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 1, 2016 52 $24,875   1 $24,875   $24,875 1
Jan 8, 2016 58 $13,806 -44% 1 $13,806   $38,681 2
Jan 15, 2016 54 $10,763 -22% 1 $10,763   $49,444 3
Jan 22, 2016 65 $5,158 -52% 1 $5,158   $54,602 4
Jan 29, 2016 81 $2,642 -49% 1 $2,642   $57,244 5
Feb 26, 2016 48 $84,587   13 $6,507   $147,831 9
Mar 4, 2016 45 $73,134 -14% 28 $2,612   $220,965 10
Mar 11, 2016 47 $108,785 +49% 44 $2,472   $329,750 11
Mar 18, 2016 52 $68,075 -37% 44 $1,547   $397,825 12
Mar 25, 2016 58 $36,293 -47% 28 $1,296   $434,118 13
Apr 1, 2016 74 $9,598 -74% 13 $738   $443,716 14
Apr 8, 2016 71 $8,729 -9% 12 $727   $452,445 15
Apr 15, 2016 109 $796 -91% 2 $398   $453,241 16

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 5/6/2016 $33,141 28 28 37 $49,338 6/9/2016
Japan 7/20/1991 $0000$0
New Zealand 5/6/2016 $7,695 3 3 3 $7,695 6/9/2016
United Kingdom 6/3/2016 $5,043 12 12 12 $5,043 6/9/2016
 
International Total$62,076 6/9/2016

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jul 10, 20161115,814 15,814$317,699$317,6991
Apr 24, 2022192,847 74,030$56,855$1,368,475303

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.