Paul Goodman was once so ubiquitous in the American zeitgeist that he merited a cameo in Woody Allen's Annie Hall. Author of legendary bestseller Growing Up Absurd (1960), Goodman was also a poet, 1940s out queer (and family man), pacifist, visionary, co-founder of Gestalt therapy--and a moral compass for many in the burgeoning counterculture of the '60s.
Paul Goodman Changed My Life is set in an era of high intellect when New York was peaking culturally and artistically; when ideas, and the people who propounded them, seemed to punch in at a higher weight class than they do now.
Using archival multimedia - selections from Goodman?s poetry; quotes from Susan Sontag, Martin Luther King, Jr. and Noam Chomsky; plentiful footage of Goodman himself; plus interviews with his family, peers and activists - director/producer Jonathan Lee and producer/editor Kimberly Reed (Prodigal Sons) have woven together a portrait of an intellectual heavyweight.
October 25th, 2011
Martha Marcy May Marlene was one of five films to top $10,000 on the per theater chart leading the way with $34,413. Combining the film's opening with its reviews and it suggests serious potential for expansion. Being Elmo: A Puppeteers Journey opened with $22,963 in its lone theater, which is surprisingly strong. The overall box office leader, Paranormal Activity 3, was next with $15,829. Last week's winner on the per theater chart, The Skin I Live In, remained strong with an average of $11,771 in 21 theaters. Further expansion is likely, as it is earning some measure of mainstream success, but its bizarre subject matter will prevent it from truly escaping the art house circuit. Margin Call was a surprise entrant in the $10,000 club, as it was playing in 56 theaters, which is a lot for a limited release. Its opening weekend average of $10,034 and excellent reviews suggests some potential to expand, while reaching $1 million should happen sometime during the upcoming weekend.
October 21st, 2011
This week more than a dozen limited releases are being released, which is far too many. This level of competition means even films with great reviews, high name recognition among the cast, and strong advance buzz could struggle to find an audience. There are a number of films that have at least two of those three key ingredients, including Martha Marcy May Marlene and Oranges and Sunshine. Hopefully these two, and a few others, will find a receptive audience in limited release.
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