Australia Box Office for Like Crazy (2016)

← Go to main La Pazza Gioia page

La Pazza Gioia
Theatrical Performance (US$)
Australia Box Office $49,682Details
Worldwide Box Office $11,327,136Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Beatrice is a motor-mouthed fantasist, a self-styled billionaire countess who likes to believe she’s on intimate terms with world leaders. Donatella is a tattooed introvert, a fragile young woman locked in her own mystery. They are both patients at the Villa Biondi, a progressive but secure psychiatric clinic.

Metrics

Movie Details

Australia Releases: November 24th, 2016 (Limited), released as Like Crazy
MPAA Rating: Not Rated
Running Time: 118 minutes
Keywords: Mental Illness, Mental Hospital, Escape, Fugitive / On the Run, Joyride, Suicide, Non-Chronological, Road Trip, Set in Tuscany, Set in Italy, Underwater
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: France, Italy
Languages: Italian

Theater Averages: Galaxy Grabs $33,704 on Theater Average Chart

May 10th, 2017

Guardians of the Galaxy Vol 2

Not only did Guardians of the Galaxy Vol 2 earn first place on the weekend box office chart, it was also the top film on the theater average chart earning an average of $33,704. This is the fourth best result of the year so far, second best for a wide release. (Beauty and the Beast is still the best of the year with an average of $41,508.) Second place went to the re-release of Stalker with $20,540 in its lone theater. The Lovers was the only other film in the $10,000 club with an average of $16,572 in four theaters. More...

Limited and VOD Releases: Lovers of Limited Releases

May 5th, 2017

Chuck

It is one of those weeks where it is hard to find a film with high box office potential. Last Men in Aleppo is the best movie, but as a documentary, it likely won’t expand significantly. Chuck has a great cast, but it’s reviews are merely good. Maybe The Lovers will do the best. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/11/25 27 $10,425   13 $802   $11,440 1
2016/12/02 - $5,341 -49% 15 $356   $22,639 2
2016/12/09 - $2,590 -52% 13 $199   $28,077 3
2016/12/16 - $856 -67% 10 $86   $29,764 4
2016/12/30 - $970   3 $323   $32,348 6
2017/01/06 - $906 -7% 2 $453   $34,412 7
2017/01/20 - $813   3 $271   $37,912 9
2017/02/10 - $1,177   2 $589   $40,700 12
2017/02/17 - $8,487 +621% 3 $2,829   $49,682 13

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/30/2016 $0 0 13 13 $52,470 11/30/2018
Australia 11/24/2016 $10,425 13 15 64 $49,682 2/21/2017
Brazil 9/2/2016 $16,991 0 0 0 $18,958 11/16/2018
Bulgaria 5/5/2017 $538 0 0 0 $18,027 7/10/2019
France 6/17/2016 $277,194 0 0 0 $877,947 8/17/2018
Italy 5/17/2016 $1,496,320 0 28 28 $6,810,010 8/30/2016
Netherlands 8/25/2016 $26,715 30 36 170 $194,727 10/4/2016
North America 5/5/2017 $5,799 2 13 54 $107,362 3/2/2023
Portugal 9/30/2016 $7,437 6 6 17 $20,839 10/27/2016
Slovakia 6/2/2017 $0 0 5 5 $2,511 6/15/2017
South Korea 6/1/2018 $29,348 0 0 0 $72,422 10/1/2018
Spain 3/17/2017 $125,789 54 97 393 $654,575 5/26/2017
 
Rest of World $2,447,606
 
Worldwide Total$11,327,136 3/2/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Paolo Virzi    Director
Francesca Archibugi    Screenwriter
Paolo Virzi    Screenwriter
Marco Belardi    Producer