Peeples (2013)

Peeples poster
Theatrical Performance
Domestic Box Office $9,177,065Details
International Box Office $130,101Details
Worldwide Box Office $9,307,166
Home Market Performance
Est. Domestic DVD Sales $2,887,465 Details
Est. Domestic Blu-ray Sales $543,648 Details
Total Est. Domestic Video Sales $3,431,113
Further financial details...

Synopsis

Sparks fly when Wade Walker crashes the preppy Peeples annual reunion in the Hamptons to ask for their precious daughter Grace's hand in marriage. Wade might be a fish-out-of-water among this seemingly perfect East Coast clan, but he’s not about to let himself flounder. Instead, in a wild weekend of fun, dysfunction and hilarious surprises, Wade is about to discover there’s room for all kinds of Peeples in this family, no matter their differences. Writer and first-time director Tina Gordon Chism joins forces with Tyler Perry to present a laugh-out-loud look at the family ties that freak us out . . . but bind us together with love.

Metrics

Opening Weekend:$4,611,534 (50.3% of total gross)
Legs:1.99 (domestic box office/biggest weekend)
Domestic Share:98.6% (domestic box office/worldwide)
Production Budget:$11,000,000 (worldwide box office is 0.8 times production budget)
Theater counts:2,041 opening theaters/2,041 max. theaters, 2.4 weeks average run per theater
Infl. Adj. Dom. BO $12,168,356

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 5,501-5,600) 5,515 $9,177,065
All Time International Box Office (Rank 16,601-16,700) 16,665 $130,101
All Time Worldwide Box Office (Rank 7,801-7,900) 7,858 $9,307,166

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Netflix:Netflix

Movie Details

Domestic Releases: May 10th, 2013 (Wide) by Lionsgate
Video Release: September 10th, 2013 by Lionsgate Home Entertainment, released as Tyler Perrys Presents Peeples
MPAA Rating: PG-13 for sexual content, drug material and language.
(Rating bulletin 2237, 8/22/2012)
Running Time: 95 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: African Americans, Family Reunion, Dysfunctional Family, Romance, In-Laws / Future In-Laws, Ensemble, Addiction, Rehab / Former Addict, Romantic Comedy
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate, 34th Street Films
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 10, 2013 4 $4,611,534   2,041 $2,259   $4,611,534 1
May 17, 2013 9 $2,159,980 -53% 2,041 $1,058   $7,867,757 2
May 24, 2013 16 $312,263 -86% 485 $644   $8,788,628 3
May 31, 2013 29 $67,799 -78% 121 $560   $9,040,663 4
Jun 7, 2013 37 $60,026 -11% 130 $462   $9,123,834 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 10, 2013 4 $1,193,566     2,041 $585   $1,193,566 1
May 11, 2013 6 $1,737,100 +46%   2,041 $851   $2,930,666 2
May 12, 2013 3 $1,680,868 -3%   2,041 $824   $4,611,534 3
May 13, 2013 6 $303,254 -82%   2,041 $149   $4,914,788 4
May 14, 2013 6 $346,818 +14%   2,041 $170   $5,261,606 5
May 15, 2013 6 $244,704 -29%   2,041 $120   $5,506,310 6
May 16, 2013 7 $201,467 -18%   2,041 $99   $5,707,777 7
May 17, 2013 7 $622,133 +209% -48% 2,041 $305   $6,329,910 8
May 18, 2013 8 $979,045 +57% -44% 2,041 $480   $7,308,955 9
May 19, 2013 9 $558,802 -43% -67% 2,041 $274   $7,867,757 10
May 20, 2013 9 $176,527 -68% -42% 2,041 $86   $8,044,284 11
May 21, 2013 9 $203,917 +16% -41% 2,041 $100   $8,248,201 12
May 22, 2013 9 $136,021 -33% -44% 2,041 $67   $8,384,222 13
May 23, 2013 10 $92,143 -32% -54% 2,041 $45   $8,476,365 14
May 24, 2013 - $82,109 -11% -87% 485 $169   $8,558,474 15
May 25, 2013 - $128,191 +56% -87% 485 $264   $8,686,665 16
May 26, 2013 - $101,963 -20% -82% 485 $210   $8,788,628 17
May 27, 2013 - $107,648 +6% -39% 485 $222   $8,896,276 18
May 28, 2013 - $29,394 -73% -86% 485 $61   $8,925,670 19
May 29, 2013 - $26,893 -9% -80% 485 $55   $8,952,563 20
May 30, 2013 - $20,301 -25% -78% 485 $42   $8,972,864 21
May 31, 2013 - $19,738 -3% -76% 121 $163   $8,992,602 22
Jun 1, 2013 - $30,384 +54% -76% 121 $251   $9,022,986 23
Jun 2, 2013 - $17,677 -42% -83% 121 $146   $9,040,663 24
Jun 3, 2013 - $5,158 -71% -95% 121 $43   $9,045,821 25
Jun 4, 2013 - $6,973 +35% -76% 121 $58   $9,052,794 26
Jun 5, 2013 - $6,120 -12% -77% 121 $51   $9,058,914 27
Jun 6, 2013 - $4,894 -20% -76% 121 $40   $9,063,808 28
Jun 7, 2013 - $16,711 +241% -15% 130 $129   $9,080,519 29
Jun 8, 2013 - $27,368 +64% -10% 130 $211   $9,107,887 30
Jun 9, 2013 - $15,947 -42% -10% 130 $123   $9,123,834 31
Jun 10, 2013 - $11,792 -26% +129% 130 $91   $9,135,626 32
Jun 11, 2013 - $14,231 +21% +104% 130 $109   $9,149,857 33
Jun 12, 2013 - $14,167 n/c +131% 130 $109   $9,164,024 34
Jun 13, 2013 - $13,041 -8% +166% 130 $100   $9,177,065 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 10, 2013 6 $5,707,777   2,041 $2,797   $5,707,777 1
May 17, 2013 10 $2,768,588 -51% 2,041 $1,356   $8,476,365 2
May 24, 2013 15 $496,499 -82% 485 $1,024   $8,972,864 3
May 31, 2013 30 $90,944 -82% 121 $752   $9,063,808 4
Jun 7, 2013 31 $113,257 +25% 130 $871   $9,177,065 5

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 15, 2013582,161 82,161$1,064,807$1,064,8071
Sep 22, 2013836,077-56% 118,238$467,558$1,532,3652

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 15, 20131010,165 10,165$152,376$152,3761
Sep 22, 2013204,312-58% 14,477$87,359$239,7352

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Craig Robinson    Wade Walker
Kerry Washington    Grace Peeples
David Alan Grier    Virgil Peeples
S. Epatha Merkerson    Daphne Peeples
Tyler James Williams    Simon Peeples
Kali Hawk    Gloria Peeples

Supporting Cast

Melvin Van Peebles    Grandpa Peeples
Diahann Carroll    Nana Peeplesn
Ana Gasteyer    Mayor Hodge
Kimrie Lewis-Davis    Meg
Malcolm Barrett    Chris Walker
Briana Marin    Sexy Mother
Angelee Arue    5-Year-Old-Girl
Tuffy Questell    Taxi Driver
Jerome Preston Bates    Skip
Jordan Hall    Cashier
Sylvia Kauders    Mrs. Davis
Wade Allain-Marcus    Bartender
Emilio Delgado    Chief
Christopher Gates    Priest
Catherine Pierce    Back Up Singer #1
Linda Thompson Williams    Back Up Singer #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tina Gordon Chism    Director
Tina Gordon Chism    Screenwriter
Tyler Perry    Producer
Ozzie Areu    Producer
Matt Moore    Producer
Paul Hall    Producer
Stephanie Allain    Producer
Michael Paseornek    Executive Producer
Preston Holmes    Executive Producer
Charles S. Dutton    Executive Producer
Sherry Marsh    Executive Producer
Alexander Gruszynski    Director of Photography
Rick Butler    Production Designer
David Moritz    Editor
Paul Simmons    Production Designer
Stephen Bray    Executive Music Producer
Joel C. High    Music Supervisor
Aaron Zigman    Music
H.H. Cooper    Co-Producer
Kim Taylor-Coleman    Casting
Blaise Corrigan    Stunt Coordinator
Leo Holder    Art Director
Janet G. Shaw    Set Decorator
Anita L. Gibson    Department Head Makeup
Takisha Sturdivant-Drew    Make-up and Hair Designer
Mike Wilhoit    Supervising Sound Editor
Joe Barnett    Re-recording Mixer
Christian P. Minkler    Re-recording Mixer
Jose Marra    Visual Effects Supervisor
Kay Rough    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

DVD and Blu-ray Releases for September 10th, 2013

September 10th, 2013

The home market is looking to be a whole lot brighter this week with Star Trek into Darkness leading the way. It's not the only first-run release to come out this week, but it is by far the biggest. On the other hand, there are tons of TV on DVD releases, tons and tons of them. This includes Homeland: Season Two, which is a contender for Pick of the Week. However, the screener is on its way, so I'm going to hold off on that declaration. Instead, that honor goes to Castle: Season Five. Meanwhile, War Witch's DVD release earns the Puck of the Week for the best Canadian release. More...

Weekend Wrap-Up: Star Trek Has A Dim Launch

May 21st, 2013

There was some bad news this weekend, mostly at the top. Star Trek into Darkness did open in first place with a very healthy 4-day total, but it opened below its predecessor and not a lot of people were predicting that. The overall box office fell 2.8% from last weekend to $154 million. On the other hand, this was 7.8% higher than the same weekend last year, which is great news, as 2013 has really struggled in the year-over-year comparison. It's going to take a lot more than one good weekend to turn things around. More...

Weekend Predictions: Will Star Trek Brighten Up the Box Office?

May 16th, 2013

The second big summer release comes out this week, Star Trek into Darkness. The film has already opened internationally and has proven to be a bigger hit than its predecessor was, which is good news for its opening weekend. Iron Man 3 will likely take a pretty big hit due to the direct competition, while The Great Gatsby is a bit of a wild card. This weekend last year there were three wide releases, but the best of them was Battleship, which only made $25.53 million during its opening weekend, while all three new releases made a total of $53 million. Star Trek into Darkness should easily make more than that combined. However, The Avengers still dominated the chart last year and it will be that film that will be the biggest challenge in the year-over-year competition. More...

Weekend Wrap-Up: Iron Man Great, but Gatsby is Arguably Greater

May 14th, 2013

Iron Man 3 remained on top of the chart, as expected, but the big news of the weekend was The Great Gatsby. The film opened with more than $50 million, which is twice as much as some analysts were expecting and about 50% more than the average. Does this mean 2013 ended its losing streak? Nope. Iron Man 3 missed expectations by a couple of million dollars, while Peeples bombed utterly. This left the overall box office down 27% from last weekend to $158 million. This is 7.5% lower than the same weekend last year. Hopefully Star Trek into Darkness will help end this losing streak next weekend. More...

Weekend Estimates: Gatsby an Honorable Second

May 12th, 2013

To no-one's great surprise, Iron Man 3 will top the box office chart again this weekend, with a very creditable projected $72.4 million, the 4th-biggest second weekend of all time. The more notable number this weekend, however, is the $51 million projected opening for The Great Gatsby. That's Baz Luhrman's best weekend by a huge margin -- in fact, only Moulin Rouge earned more than that in total domestically (and only by a small margin, with $57 million). It's also Leonardo DiCaprio's second-best weekend, behind Inception. In short, it's a great weekend for a movie that looked like a tough sell. More...

Weekend Predictions: How Great Will the New Releases Be?

May 9th, 2013

Summer got off to a fantastic start last weekend, but sadly it is not going to continue this weekend. Neither The Great Gatsby nor Peeples have blockbuster potential. In fact, the pair combined won't match Iron Man 3's sophomore stint. This is similar to what happened last year, as Dark Shadows got crushed by The Avengers, which broke yet another record. Iron Man 3 won't be able to do the same this year, but we could have better depth. I'm not saying 2013 will win the weekend, but it won't as bad as it has been either. More...

2013 Preview: May

May 1st, 2013

As April ends and summer begins, we see the 2013 box office on a losing streak. There is some good news, as May should be much, much, much better than April was. Much better. During the five weekends in May, there are nine films opening wide. Of those film, there are seven that at least have a shot at $100 million. And of those seven films, four at least have a shot at $200 million, two have a shot at $300 million, and we might even have a $400 million hit this month. Iron Man 3 should turn out to be the biggest hit of the month, while there are some who think Star Trek: Into Darkness could be a close competitor for that honor. There's also some bad news. The Avengers opened last May and earned more than $600 million. No film opening this month will come close to that figure. There's a chance the top two films opening this month won't match that combined. On the other hand, last year there was a huge drop-off from the biggest hit of the month to the second biggest hit of the month. There were so many high-profile failures last year, that 2013 might actually start winning some weekends in the year-over-year comparison. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Sparks fly when Wade Walker crashes the preppy Peeples annual reunion in the Hamptons to ask for their precious daughter Grace's hand in marriage. Wade might be a fish-out-of-water among this seemingly perfect East Coast clan, but he’s not about to let himself flounder. Instead, in a wild weekend of fun, dysfunction and hilarious surprises, Wade is about to discover there’s room for all kinds of Peeples in this family, no matter their differences. Writer and first-time director Tina Gordon Chism joins forces with Tyler Perry to present a laugh-out-loud look at the family ties that freak us out . . . but bind us together with love.

Metrics

Opening Weekend:$4,611,534 (50.3% of total gross)
Legs:1.99 (domestic box office/biggest weekend)
Domestic Share:98.6% (domestic box office/worldwide)
Production Budget:$11,000,000 (worldwide box office is 0.8 times production budget)
Theater counts:2,041 opening theaters/2,041 max. theaters, 2.4 weeks average run per theater
Infl. Adj. Dom. BO $12,168,356

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 5,501-5,600) 5,515 $9,177,065
All Time International Box Office (Rank 16,601-16,700) 16,665 $130,101
All Time Worldwide Box Office (Rank 7,801-7,900) 7,858 $9,307,166

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Netflix:Netflix

Movie Details

Domestic Releases: May 10th, 2013 (Wide) by Lionsgate
Video Release: September 10th, 2013 by Lionsgate Home Entertainment, released as Tyler Perrys Presents Peeples
MPAA Rating: PG-13 for sexual content, drug material and language.
(Rating bulletin 2237, 8/22/2012)
Running Time: 95 minutes
Comparisons: vs. En kongelig affære
Create your own comparison chart…
Keywords: African Americans, Family Reunion, Dysfunctional Family, Romance, In-Laws / Future In-Laws, Ensemble, Addiction, Rehab / Former Addict, Romantic Comedy
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Lionsgate, 34th Street Films
Production Countries: United States
Languages: English

Lead Ensemble Members

Craig Robinson    Wade Walker
Kerry Washington    Grace Peeples
David Alan Grier    Virgil Peeples
S. Epatha Merkerson    Daphne Peeples
Tyler James Williams    Simon Peeples
Kali Hawk    Gloria Peeples

Supporting Cast

Melvin Van Peebles    Grandpa Peeples
Diahann Carroll    Nana Peeplesn
Ana Gasteyer    Mayor Hodge
Kimrie Lewis-Davis    Meg
Malcolm Barrett    Chris Walker
Briana Marin    Sexy Mother
Angelee Arue    5-Year-Old-Girl
Tuffy Questell    Taxi Driver
Jerome Preston Bates    Skip
Jordan Hall    Cashier
Sylvia Kauders    Mrs. Davis
Wade Allain-Marcus    Bartender
Emilio Delgado    Chief
Christopher Gates    Priest
Catherine Pierce    Back Up Singer #1
Linda Thompson Williams    Back Up Singer #2

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tina Gordon Chism    Director
Tina Gordon Chism    Screenwriter
Tyler Perry    Producer
Ozzie Areu    Producer
Matt Moore    Producer
Paul Hall    Producer
Stephanie Allain    Producer
Michael Paseornek    Executive Producer
Preston Holmes    Executive Producer
Charles S. Dutton    Executive Producer
Sherry Marsh    Executive Producer
Alexander Gruszynski    Director of Photography
Rick Butler    Production Designer
David Moritz    Editor
Paul Simmons    Production Designer
Stephen Bray    Executive Music Producer
Joel C. High    Music Supervisor
Aaron Zigman    Music
H.H. Cooper    Co-Producer
Kim Taylor-Coleman    Casting
Blaise Corrigan    Stunt Coordinator
Leo Holder    Art Director
Janet G. Shaw    Set Decorator
Anita L. Gibson    Department Head Makeup
Takisha Sturdivant-Drew    Make-up and Hair Designer
Mike Wilhoit    Supervising Sound Editor
Joe Barnett    Re-recording Mixer
Christian P. Minkler    Re-recording Mixer
Jose Marra    Visual Effects Supervisor
Kay Rough    Visual Effects Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

DVD and Blu-ray Releases for September 10th, 2013

September 10th, 2013

The home market is looking to be a whole lot brighter this week with Star Trek into Darkness leading the way. It's not the only first-run release to come out this week, but it is by far the biggest. On the other hand, there are tons of TV on DVD releases, tons and tons of them. This includes Homeland: Season Two, which is a contender for Pick of the Week. However, the screener is on its way, so I'm going to hold off on that declaration. Instead, that honor goes to Castle: Season Five. Meanwhile, War Witch's DVD release earns the Puck of the Week for the best Canadian release. More...

Weekend Wrap-Up: Star Trek Has A Dim Launch

May 21st, 2013

There was some bad news this weekend, mostly at the top. Star Trek into Darkness did open in first place with a very healthy 4-day total, but it opened below its predecessor and not a lot of people were predicting that. The overall box office fell 2.8% from last weekend to $154 million. On the other hand, this was 7.8% higher than the same weekend last year, which is great news, as 2013 has really struggled in the year-over-year comparison. It's going to take a lot more than one good weekend to turn things around. More...

Weekend Predictions: Will Star Trek Brighten Up the Box Office?

May 16th, 2013

The second big summer release comes out this week, Star Trek into Darkness. The film has already opened internationally and has proven to be a bigger hit than its predecessor was, which is good news for its opening weekend. Iron Man 3 will likely take a pretty big hit due to the direct competition, while The Great Gatsby is a bit of a wild card. This weekend last year there were three wide releases, but the best of them was Battleship, which only made $25.53 million during its opening weekend, while all three new releases made a total of $53 million. Star Trek into Darkness should easily make more than that combined. However, The Avengers still dominated the chart last year and it will be that film that will be the biggest challenge in the year-over-year competition. More...

Weekend Wrap-Up: Iron Man Great, but Gatsby is Arguably Greater

May 14th, 2013

Iron Man 3 remained on top of the chart, as expected, but the big news of the weekend was The Great Gatsby. The film opened with more than $50 million, which is twice as much as some analysts were expecting and about 50% more than the average. Does this mean 2013 ended its losing streak? Nope. Iron Man 3 missed expectations by a couple of million dollars, while Peeples bombed utterly. This left the overall box office down 27% from last weekend to $158 million. This is 7.5% lower than the same weekend last year. Hopefully Star Trek into Darkness will help end this losing streak next weekend. More...

Weekend Estimates: Gatsby an Honorable Second

May 12th, 2013

To no-one's great surprise, Iron Man 3 will top the box office chart again this weekend, with a very creditable projected $72.4 million, the 4th-biggest second weekend of all time. The more notable number this weekend, however, is the $51 million projected opening for The Great Gatsby. That's Baz Luhrman's best weekend by a huge margin -- in fact, only Moulin Rouge earned more than that in total domestically (and only by a small margin, with $57 million). It's also Leonardo DiCaprio's second-best weekend, behind Inception. In short, it's a great weekend for a movie that looked like a tough sell. More...

Weekend Predictions: How Great Will the New Releases Be?

May 9th, 2013

Summer got off to a fantastic start last weekend, but sadly it is not going to continue this weekend. Neither The Great Gatsby nor Peeples have blockbuster potential. In fact, the pair combined won't match Iron Man 3's sophomore stint. This is similar to what happened last year, as Dark Shadows got crushed by The Avengers, which broke yet another record. Iron Man 3 won't be able to do the same this year, but we could have better depth. I'm not saying 2013 will win the weekend, but it won't as bad as it has been either. More...

2013 Preview: May

May 1st, 2013

As April ends and summer begins, we see the 2013 box office on a losing streak. There is some good news, as May should be much, much, much better than April was. Much better. During the five weekends in May, there are nine films opening wide. Of those film, there are seven that at least have a shot at $100 million. And of those seven films, four at least have a shot at $200 million, two have a shot at $300 million, and we might even have a $400 million hit this month. Iron Man 3 should turn out to be the biggest hit of the month, while there are some who think Star Trek: Into Darkness could be a close competitor for that honor. There's also some bad news. The Avengers opened last May and earned more than $600 million. No film opening this month will come close to that figure. There's a chance the top two films opening this month won't match that combined. On the other hand, last year there was a huge drop-off from the biggest hit of the month to the second biggest hit of the month. There were so many high-profile failures last year, that 2013 might actually start winning some weekends in the year-over-year comparison. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 10, 2013 4 $4,611,534   2,041 $2,259   $4,611,534 1
May 17, 2013 9 $2,159,980 -53% 2,041 $1,058   $7,867,757 2
May 24, 2013 16 $312,263 -86% 485 $644   $8,788,628 3
May 31, 2013 29 $67,799 -78% 121 $560   $9,040,663 4
Jun 7, 2013 37 $60,026 -11% 130 $462   $9,123,834 5

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
May 10, 2013 4 $1,193,566     2,041 $585   $1,193,566 1
May 11, 2013 6 $1,737,100 +46%   2,041 $851   $2,930,666 2
May 12, 2013 3 $1,680,868 -3%   2,041 $824   $4,611,534 3
May 13, 2013 6 $303,254 -82%   2,041 $149   $4,914,788 4
May 14, 2013 6 $346,818 +14%   2,041 $170   $5,261,606 5
May 15, 2013 6 $244,704 -29%   2,041 $120   $5,506,310 6
May 16, 2013 7 $201,467 -18%   2,041 $99   $5,707,777 7
May 17, 2013 7 $622,133 +209% -48% 2,041 $305   $6,329,910 8
May 18, 2013 8 $979,045 +57% -44% 2,041 $480   $7,308,955 9
May 19, 2013 9 $558,802 -43% -67% 2,041 $274   $7,867,757 10
May 20, 2013 9 $176,527 -68% -42% 2,041 $86   $8,044,284 11
May 21, 2013 9 $203,917 +16% -41% 2,041 $100   $8,248,201 12
May 22, 2013 9 $136,021 -33% -44% 2,041 $67   $8,384,222 13
May 23, 2013 10 $92,143 -32% -54% 2,041 $45   $8,476,365 14
May 24, 2013 - $82,109 -11% -87% 485 $169   $8,558,474 15
May 25, 2013 - $128,191 +56% -87% 485 $264   $8,686,665 16
May 26, 2013 - $101,963 -20% -82% 485 $210   $8,788,628 17
May 27, 2013 - $107,648 +6% -39% 485 $222   $8,896,276 18
May 28, 2013 - $29,394 -73% -86% 485 $61   $8,925,670 19
May 29, 2013 - $26,893 -9% -80% 485 $55   $8,952,563 20
May 30, 2013 - $20,301 -25% -78% 485 $42   $8,972,864 21
May 31, 2013 - $19,738 -3% -76% 121 $163   $8,992,602 22
Jun 1, 2013 - $30,384 +54% -76% 121 $251   $9,022,986 23
Jun 2, 2013 - $17,677 -42% -83% 121 $146   $9,040,663 24
Jun 3, 2013 - $5,158 -71% -95% 121 $43   $9,045,821 25
Jun 4, 2013 - $6,973 +35% -76% 121 $58   $9,052,794 26
Jun 5, 2013 - $6,120 -12% -77% 121 $51   $9,058,914 27
Jun 6, 2013 - $4,894 -20% -76% 121 $40   $9,063,808 28
Jun 7, 2013 - $16,711 +241% -15% 130 $129   $9,080,519 29
Jun 8, 2013 - $27,368 +64% -10% 130 $211   $9,107,887 30
Jun 9, 2013 - $15,947 -42% -10% 130 $123   $9,123,834 31
Jun 10, 2013 - $11,792 -26% +129% 130 $91   $9,135,626 32
Jun 11, 2013 - $14,231 +21% +104% 130 $109   $9,149,857 33
Jun 12, 2013 - $14,167 n/c +131% 130 $109   $9,164,024 34
Jun 13, 2013 - $13,041 -8% +166% 130 $100   $9,177,065 35

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
May 10, 2013 6 $5,707,777   2,041 $2,797   $5,707,777 1
May 17, 2013 10 $2,768,588 -51% 2,041 $1,356   $8,476,365 2
May 24, 2013 15 $496,499 -82% 485 $1,024   $8,972,864 3
May 31, 2013 30 $90,944 -82% 121 $752   $9,063,808 4
Jun 7, 2013 31 $113,257 +25% 130 $871   $9,177,065 5

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 15, 2013582,161 82,161$1,064,807$1,064,8071
Sep 22, 2013836,077-56% 118,238$467,558$1,532,3652

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Sep 15, 20131010,165 10,165$152,376$152,3761
Sep 22, 2013204,312-58% 14,477$87,359$239,7352

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.