Race (2016)

Race poster
Theatrical Performance
Domestic Box Office $19,115,191Details
International Box Office $4,630,581Details
Worldwide Box Office $23,745,772
Home Market Performance
Est. Domestic DVD Sales $2,418,316 Details
Est. Domestic Blu-ray Sales $1,016,393 Details
Total Est. Domestic Video Sales $3,434,709
Further financial details...

Synopsis

Based on the true story of Jesse Owens, the legendary athletic superstar whose quest to become the greatest track and field athlete in history thrusts him onto the world stage of the 1936 Olympics, where he faces off against Adolf Hitler’s vision of Aryan supremacy. A film about courage, determination, tolerance, and friendship, and a drama about one man’s fight to become an Olympic legend.

Metrics

Opening Weekend:$7,353,922 (38.5% of total gross)
Legs:2.60 (domestic box office/biggest weekend)
Domestic Share:80.5% (domestic box office/worldwide)
Production Budget:$5,000,000 (worldwide box office is 4.7 times production budget)
Theater counts:2,369 opening theaters/2,387 max. theaters, 3.2 weeks average run per theater
Infl. Adj. Dom. BO $23,822,161

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,901-4,000) 3,923 $19,115,191
All Time International Box Office (Rank 6,601-6,700) 6,654 $4,630,581
All Time Worldwide Box Office (Rank 4,901-5,000) 4,938 $23,745,772

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: February 19th, 2016 (Wide) by Focus Features
International Releases: February 25th, 2016 (Wide) (Croatia)
February 25th, 2016 (Wide) (Slovenia)
March 3rd, 2016 (Wide) (Iraq)
March 3rd, 2016 (Wide) (Kuwait)
March 3rd, 2016 (Wide) (Lebanon)
... Show all releases
Video Release: May 31st, 2016 by Universal Home Entertainment
MPAA Rating: PG-13 for thematic elements and language.
(Rating bulletin 2397 (Cert #49237), 10/28/2015)
Running Time: 134 minutes
Comparisons: vs. 42
Create your own comparison chart…
Keywords: Olympics, Set in Germany, 1930s, Nazis, Track and Field, World Record Attempt, African Americans, Bigotry, Inspirational Sports, Sports Drama, Biography
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Focus Features, The Jesse Owens Foundation, The Luminary Group, Solo Films, Trinica, Trinity Race
Production Countries: Canada, France, Germany
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 19, 2016 6 $7,353,922   2,369 $3,104   $7,353,922 1
Feb 26, 2016 9 $4,103,290 -44% 2,387 $1,719   $13,692,912 2
Mar 4, 2016 16 $1,511,530 -63% 1,286 $1,175   $16,511,093 3
Mar 11, 2016 18 $731,411 -52% 689 $1,062   $17,832,893 4
Mar 18, 2016 27 $360,198 -51% 401 $898   $18,514,653 5
Mar 25, 2016 29 $105,914 -71% 180 $588   $18,816,615 6
Apr 1, 2016 40 $68,845 -35% 104 $662   $18,965,365 7
Apr 8, 2016 42 $45,140 -34% 73 $618   $19,044,215 8
Apr 15, 2016 41 $39,144 -13% 90 $435   $19,097,994 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 18, 2016 P $205,000     0     $205,000  
Feb 19, 2016 6 $2,378,438     2,369 $1,004   $2,378,438 1
Feb 20, 2016 6 $3,084,812 +30%   2,369 $1,302   $5,463,250 2
Feb 21, 2016 6 $1,890,672 -39%   2,369 $798   $7,353,922 3
Feb 22, 2016 6 $500,574 -74%   2,369 $211   $7,854,496 4
Feb 23, 2016 5 $737,227 +47%   2,369 $311   $8,591,723 5
Feb 24, 2016 6 $515,186 -30%   2,369 $217   $9,106,909 6
Feb 25, 2016 6 $482,713 -6%   2,369 $204   $9,589,622 7
Feb 26, 2016 9 $1,221,105 +153% -49% 2,387 $512   $10,810,727 8
Feb 27, 2016 9 $1,911,559 +57% -38% 2,387 $801   $12,722,286 9
Feb 28, 2016 10 $970,626 -49% -49% 2,387 $407   $13,692,912 10
Feb 29, 2016 10 $306,976 -68% -39% 2,387 $129   $13,999,888 11
Mar 1, 2016 10 $406,519 +32% -45% 2,387 $170   $14,406,407 12
Mar 2, 2016 10 $310,374 -24% -40% 2,387 $130   $14,716,781 13
Mar 3, 2016 10 $282,782 -9% -41% 2,387 $118   $14,999,563 14
Mar 4, 2016 14 $455,074 +61% -63% 1,286 $354   $15,454,637 15
Mar 5, 2016 15 $663,029 +46% -65% 1,286 $516   $16,117,666 16
Mar 6, 2016 15 $393,427 -41% -59% 1,286 $306   $16,511,093 17
Mar 7, 2016 15 $129,801 -67% -58% 1,286 $101   $16,640,894 18
Mar 8, 2016 14 $176,414 +36% -57% 1,286 $137   $16,817,308 19
Mar 9, 2016 15 $141,468 -20% -54% 1,286 $110   $16,958,776 20
Mar 10, 2016 15 $142,706 +1% -50% 1,286 $111   $17,101,482 21
Mar 11, 2016 - $214,566 +50% -53% 689 $311   $17,316,048 22
Mar 12, 2016 - $326,329 +52% -51% 689 $474   $17,642,377 23
Mar 13, 2016 - $190,516 -42% -52% 689 $277   $17,832,893 24
Mar 14, 2016 - $75,085 -61% -42% 689 $109   $17,907,978 25
Mar 15, 2016 - $92,234 +23% -48% 689 $134   $18,000,212 26
Mar 16, 2016 - $78,920 -14% -44% 689 $115   $18,079,132 27
Mar 17, 2016 - $75,323 -5% -47% 689 $109   $18,154,455 28
Mar 18, 2016 - $104,617 +39% -51% 401 $261   $18,259,072 29
Mar 19, 2016 - $158,623 +52% -51% 401 $396   $18,417,695 30
Mar 20, 2016 - $96,958 -39% -49% 401 $242   $18,514,653 31
Mar 21, 2016 - $43,827 -55% -42% 401 $109   $18,558,480 32
Mar 22, 2016 - $53,209 +21% -42% 401 $133   $18,611,689 33
Mar 23, 2016 - $46,344 -13% -41% 401 $116   $18,658,033 34
Mar 24, 2016 - $52,668 +14% -30% 401 $131   $18,710,701 35
Mar 25, 2016 - $34,281 -35% -67% 180 $190   $18,744,982 36
Mar 26, 2016 - $42,079 +23% -73% 180 $234   $18,787,061 37
Mar 27, 2016 - $29,554 -30% -70% 180 $164   $18,816,615 38
Mar 28, 2016 - $20,739 -30% -53% 180 $115   $18,837,354 39
Mar 29, 2016 - $20,814 n/c -61% 180 $116   $18,858,168 40
Mar 30, 2016 - $18,367 -12% -60% 180 $102   $18,876,535 41
Mar 31, 2016 - $19,985 +9% -62% 180 $111   $18,896,520 42
Apr 1, 2016 - $24,465 +22% -29% 104 $235   $18,920,985 43
Apr 2, 2016 - $26,147 +7% -38% 104 $251   $18,947,132 44
Apr 3, 2016 - $18,233 -30% -38% 104 $175   $18,965,365 45
Apr 4, 2016 - $7,174 -61% -65% 104 $69   $18,972,539 46
Apr 5, 2016 - $9,392 +31% -55% 104 $90   $18,981,931 47
Apr 6, 2016 - $10,340 +10% -44% 104 $99   $18,992,271 48
Apr 7, 2016 - $6,804 -34% -66% 104 $65   $18,999,075 49
Apr 8, 2016 - $13,564 +99% -45% 73 $186   $19,012,639 50
Apr 9, 2016 - $21,088 +55% -19% 73 $289   $19,033,727 51
Apr 10, 2016 - $10,488 -50% -42% 73 $144   $19,044,215 52
Apr 11, 2016 - $3,322 -68% -54% 73 $46   $19,047,537 53
Apr 12, 2016 - $4,828 +45% -49% 73 $66   $19,052,365 54
Apr 13, 2016 - $3,427 -29% -67% 73 $47   $19,055,792 55
Apr 14, 2016 - $3,058 -11% -55% 73 $42   $19,058,850 56
Apr 15, 2016 - $13,826 +352% +2% 90 $154   $19,072,676 57
Apr 16, 2016 - $14,973 +8% -29% 90 $166   $19,087,649 58
Apr 17, 2016 - $10,345 -31% -1% 90 $115   $19,097,994 59
Apr 18, 2016 - $3,021 -71% -9% 90 $34   $19,101,015 60
Apr 19, 2016 - $6,635 +120% +37% 90 $74   $19,107,650 61
Apr 20, 2016 - $3,744 -44% +9% 90 $42   $19,111,394 62
Apr 21, 2016 - $3,797 +1% +24% 90 $42   $19,115,191 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 19, 2016 6 $9,589,622   2,369 $4,048   $9,589,622 1
Feb 26, 2016 10 $5,409,941 -44% 2,387 $2,266   $14,999,563 2
Mar 4, 2016 15 $2,101,919 -61% 1,286 $1,634   $17,101,482 3
Mar 11, 2016 19 $1,052,973 -50% 689 $1,528   $18,154,455 4
Mar 18, 2016 26 $556,246 -47% 401 $1,387   $18,710,701 5
Mar 25, 2016 26 $185,819 -67% 180 $1,032   $18,896,520 6
Apr 1, 2016 41 $102,555 -45% 104 $986   $18,999,075 7
Apr 8, 2016 44 $59,775 -42% 73 $819   $19,058,850 8
Apr 15, 2016 42 $56,341 -6% 90 $626   $19,115,191 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Brazil 6/24/2016 $5,922 0 0 0 $5,922 11/16/2018
Croatia 2/25/2016 $7,787 15 15 46 $24,111 12/31/2018
Estonia 3/11/2016 $7,244 7 7 7 $7,244 6/9/2016
France 7/29/2016 $471,861 0 0 0 $1,072,306 8/17/2018
Germany 7/29/2016 $64,560 0 0 0 $237,554 8/19/2018
Iraq 3/3/2016 $301 1 1 1 $301 12/31/2018
Italy 3/31/2016 $795,788 297 352 966 $1,902,473 11/11/2018
Japan 8/12/2016 $0 0 0 0 $151,495 8/20/2018
Kuwait 3/3/2016 $6,078 1 1 2 $12,060 12/31/2018
Lebanon 3/3/2016 $1,322 3 3 3 $1,322 12/31/2018
Netherlands 6/30/2016 $39,003 33 33 116 $130,235 11/19/2018
Oman 3/3/2016 $1,190 3 3 3 $1,190 12/31/2018
Portugal 8/5/2016 $9,809 9 9 28 $46,287 9/15/2016
Russia (CIS) 7/15/2016 $13,350 80 80 166 $39,222 12/31/2018
Singapore 3/3/2016 $9,631 9 9 14 $27,023 6/9/2016
Slovenia 2/25/2016 $1,478 3 3 9 $4,541 6/9/2016
South Africa 4/1/2016 $13,901 23 23 23 $13,901 6/9/2016
South Korea 5/27/2016 $4,967 0 0 0 $16,709 9/10/2018
Spain 4/15/2016 $240,535 152 152 433 $617,550 6/23/2016
Turkey 5/27/2016 $5,778 13 13 18 $13,468 2/26/2019
United Arab Emirates 3/3/2016 $26,199 15 15 20 $54,125 12/31/2018
United Kingdom 6/3/2016 $58,066 149 149 149 $251,542 9/8/2018
 
International Total$4,630,581 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 5, 2016837,192 37,192$676,894$676,8941
Jun 12, 2016278,438-77% 45,630$166,904$843,7982

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 5, 2016822,975 22,975$471,451$471,4511

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Stephan James    Jesse Owens

Supporting Cast

Jason Sudeikis    Larry Snyder
Jeremy Irons    Avery Brundage
William Hurt    Jeremiah Mahoney
Carice van Houten    Leni Riefenstahl
Eli Goree    Dave Albritton
Shanice Banton    Ruth Solomon
David Cross    Carl "Luz" Long
Jonathan Higgins    Dean Cromwell
Tony Curran    Lawson Robertson
Amanda Crew    Peggy
Barnaby Metschurat    Josef Goebbels
Chantel Riley    Quincella
Vlasta Vrana    St John
Shamier Anderson    Eulace Peacock
Jesse Bostick    Ken Seitz
Moe Jeudy-Lamour    Mel Walker
Gaetan Normandin    Frank Wykoff
Jacob Kerr    Foy Draper
Dondre Octave    Ralph Metcalfe
Jeremy Ferdman    Marty Glickman
Giacomo Gianniotti    Sam Stoller
Tim McInnerny    Charles Sherrill
Jonathan Aris    Alfred J. Lill
Nicholas Woodeson    Fred Rubien
Larry Day    Francis Schmidt (Football Coach)
Jon McLaren    Trent (Ohio Quarterback)
Michele Lonsdale Smith    Emma Owens
Andrew Moodie    Henry Owens (Father)
Adrian Zwicker    Adolf Hitler
Bruno Bruni    Hans Ertl
Marcus Bluhm    Wolfgang Furstner
Glynn Turman    Harry Davis
Manuel Sinor    Starter Franz Miller
Anthony Sherwood    Reverend Ernest Hall
Justus Carriere    Carl Diem
Karl Graboshas    Adolf Dassler
Daniel Harroch    Desk Clerk (Nebraska Hotel)
Matthew Keyes    Reporter
Stefan Mennekes    Reporter
Ricky Watson    Reporter
Frank Schorpion    Doorman
Milo Larratt    Kid (in Hotel Commodore Elevator)
Anian Zollner    Hans Vons Tschammer
Eric Davis    Official (Ferry Field)
Tim Post    Phil Diamond (Head Timer Ferry Field)
John MacLaren    Announcer (Ferry Field)
James R. Murray    Brownshirt
Matthias Gunther    Brownshirt
Stefan Langel    Brownshirt
Arthur Holden    Announcer (Radio & USC), Rudolf Dassler
Lucinda Davis    Beauty Parlor Boss
Jaa Smith-Johnson    Sylvester Owens (Brother)
Rodney Ramsey    Henry Jr. Owens (Brother)
Hank Palmer    Quincy Owens (Brother)
Jacquy Bidjeck    Laverne Owens (Sister)
Yvanna Leblanc    Gloria Owens (4 Years Old)
Kayla Stewart    Gloria Owens (2 1/2 Years Old)
Jeff Burrell    US Radio Announcer
Kimberly Youance    Local Girl #1
Andrea Carter    Local Girl #2
Michael Bornhutter    Jewish Man
Jana Reinhardt    Jewish Woman
Aiza Ntibarikure    Jazz Singer
Carlo Mestroni    Announcer (Boxing Match)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stephen Hopkins    Director
Anna Waterhouse    Screenwriter
Joe Shrapnel    Screenwriter
Jean-Charles Levy    Producer
Luc Dayan    Producer
Louis Philippe Rochon    Producer
Dominique Seguin    Producer
Kate Garwood    Producer
Stephen Hopkins    Producer
Karsten Brunig    Producer
Nicolas Manuel    Producer
Patrick Teng    Executive Producer
Paul Teng    Executive Producer
Jonathan Bronfman    Executive Producer
David Garrett    Executive Producer
Sarah MacDonald    Executive Producer
Al Munteanu    Executive Producer
Mark Slone    Executive Producer
Thierry Potok    Executive Producer
Peter Levy    Director of Photography
John Smith    Editor
David Brisbin    Production Designer
Rachel Portman    Composer
George Acogny    Executive Music Producer
Mario Davignon    Costume Designer
Rejean Goderre    Hairstylist
Nathalie Trepanier    Make up
Stephanie Gorin    Casting Director
Andrea Kenyon    Additional Casting-Co Casting
Randi Wells    Additional Casting-Co Casting
Suzanne M. Smith    Additional Casting-U.K. Casting
Eliot Mathews    First Assistant Director
Scott Kennedy    Line Producer
Martin Lipmann    Visual Effects Supervisor
Peter Moss    Additional Photography
Solly Azar    Associate Producer
Christophe Charlier    Associate Producer
Jean Eichenlaub    Associate Producer
Morgan Emmery    Associate Producer
Morgan Menahem    Associate Producer
Erik Daniel    Post-Production Supervisor
Pierre-Jules Audet    Sound Designer
Pierre-Jules Audet    Supervising Sound Editor
Pierre-Jules Audet    Sound Effects Editor
Mathieu Beaudin    Sound Effects Editor
Francois Senneville    Sound Effects Editor
Luc Raymond    Sound Effects Editor
Jean-François Suave    Sound Effects Editor
Jean-Philippe St Laurent    Sound Effects Editor
Michelle Cloutier    Dialogue Editor
Luc Boudrias    Re-recording Mixer
Pierre-Jules Audet    Re-recording Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 31st, 2016

May 29th, 2016

Veggies Tales

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Weekend Wrap-Up: Deadpool Remains Immortal pulling in $31.12 million

February 29th, 2016

Deadpool

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Thursday Night Previews: Gods off to a Mortal Start

February 26th, 2016

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Gods of Egypt had the best showing among new releases from its Thursday previews; however, best is being used as a relative term, as it only managed $800,000. By comparison, 13 Hours pulled in $900,000 earlier this year. If the film’s reviews hurt its word of mouth, and I can’t imagine they won’t, then we are looking at a domestic total of about $40 million on a $140 million production budget. In fact, it will likely make less during its opening weekend than the $15.3 million reportedly spend on TV ads leading up to its release. More...

Weekend Predictions: Gods of Egypt Eye Top Spot

February 26th, 2016

Gods of Egypt

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Contest: Race to the Top: Winning Announcement

February 25th, 2016

Race

The winners of our Race to the Top contest were determined and the entrants with the closest predictions for Race opening weekend were... More...

Weekend Wrap-Up: Deadpool Cruises to $56.47 million Win

February 23rd, 2016

Deadpool

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Weekend Estimates: Deadpool Continues to Dominate with $55 Million Weekend

February 21st, 2016

Deadpool

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Friday Estimates: Deadpool Rises to the Occasion

February 20th, 2016

Risen

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Thursday Night Previews: Bewitching Results

February 19th, 2016

The Witch

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Weekend Predictions: Deadpool Looks to Outrace the New Releases

February 19th, 2016

Race

The box office doesn't look good this week, not when compared to last weekend. Last weekend Deadpool broke many records, from biggest February weekend, to more obscure records like biggest R-rated super hero movie. Worse still, there are three wide releases this weekend, but combined they still won't match Deadpool's sophomore stint. They won't even come close. Race and Risen should be in a close race for third place, while The Witch will likely just finish in the top five. This weekend last year, Fifty Shades of Grey remained in first place, despite dropping 74% to $22.26 million. Deadpool should crush that number. However, last year, there were also 6 movies that earned $10 million or more. This year, there might be only be two $10 million movies. More...

Contest: You're Dead to Me: Winning Announcement

February 18th, 2016

Deadpool

The winners of our You're Dead to Me contest were determined and the entrants with the closest predictions for Deadpool opening weekend were... More...

Contest: Race to the Top

February 12th, 2016

Race

There are three wide releases next week. Of those three, I think it is safe to say The Witch has the weakest box office potential. However, there could be a close race between Race and Risen. Furthermore, both films lend themselves to contest names. (Race to the Top vs. Rise to the Top.) However, faith-based films tend to be too unpredictable, so we are going with Race as the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Race.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: February

February 1st, 2016

Deadpool

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  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Based on the true story of Jesse Owens, the legendary athletic superstar whose quest to become the greatest track and field athlete in history thrusts him onto the world stage of the 1936 Olympics, where he faces off against Adolf Hitler’s vision of Aryan supremacy. A film about courage, determination, tolerance, and friendship, and a drama about one man’s fight to become an Olympic legend.

Metrics

Opening Weekend:$7,353,922 (38.5% of total gross)
Legs:2.60 (domestic box office/biggest weekend)
Domestic Share:80.5% (domestic box office/worldwide)
Production Budget:$5,000,000 (worldwide box office is 4.7 times production budget)
Theater counts:2,369 opening theaters/2,387 max. theaters, 3.2 weeks average run per theater
Infl. Adj. Dom. BO $23,822,161

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 3,901-4,000) 3,923 $19,115,191
All Time International Box Office (Rank 6,601-6,700) 6,654 $4,630,581
All Time Worldwide Box Office (Rank 4,901-5,000) 4,938 $23,745,772

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play, Google Play
Vudu:Vudu
Netflix:Netflix

Movie Details

Domestic Releases: February 19th, 2016 (Wide) by Focus Features
International Releases: February 25th, 2016 (Wide) (Croatia)
February 25th, 2016 (Wide) (Slovenia)
March 3rd, 2016 (Wide) (Iraq)
March 3rd, 2016 (Wide) (Kuwait)
March 3rd, 2016 (Wide) (Lebanon)
... Show all releases
Video Release: May 31st, 2016 by Universal Home Entertainment
MPAA Rating: PG-13 for thematic elements and language.
(Rating bulletin 2397 (Cert #49237), 10/28/2015)
Running Time: 134 minutes
Comparisons: vs. 42
Create your own comparison chart…
Keywords: Olympics, Set in Germany, 1930s, Nazis, Track and Field, World Record Attempt, African Americans, Bigotry, Inspirational Sports, Sports Drama, Biography
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Focus Features, The Jesse Owens Foundation, The Luminary Group, Solo Films, Trinica, Trinity Race
Production Countries: Canada, France, Germany
Languages: English

Leading Cast

Stephan James    Jesse Owens

Supporting Cast

Jason Sudeikis    Larry Snyder
Jeremy Irons    Avery Brundage
William Hurt    Jeremiah Mahoney
Carice van Houten    Leni Riefenstahl
Eli Goree    Dave Albritton
Shanice Banton    Ruth Solomon
David Cross    Carl "Luz" Long
Jonathan Higgins    Dean Cromwell
Tony Curran    Lawson Robertson
Amanda Crew    Peggy
Barnaby Metschurat    Josef Goebbels
Chantel Riley    Quincella
Vlasta Vrana    St John
Shamier Anderson    Eulace Peacock
Jesse Bostick    Ken Seitz
Moe Jeudy-Lamour    Mel Walker
Gaetan Normandin    Frank Wykoff
Jacob Kerr    Foy Draper
Dondre Octave    Ralph Metcalfe
Jeremy Ferdman    Marty Glickman
Giacomo Gianniotti    Sam Stoller
Tim McInnerny    Charles Sherrill
Jonathan Aris    Alfred J. Lill
Nicholas Woodeson    Fred Rubien
Larry Day    Francis Schmidt (Football Coach)
Jon McLaren    Trent (Ohio Quarterback)
Michele Lonsdale Smith    Emma Owens
Andrew Moodie    Henry Owens (Father)
Adrian Zwicker    Adolf Hitler
Bruno Bruni    Hans Ertl
Marcus Bluhm    Wolfgang Furstner
Glynn Turman    Harry Davis
Manuel Sinor    Starter Franz Miller
Anthony Sherwood    Reverend Ernest Hall
Justus Carriere    Carl Diem
Karl Graboshas    Adolf Dassler
Daniel Harroch    Desk Clerk (Nebraska Hotel)
Matthew Keyes    Reporter
Stefan Mennekes    Reporter
Ricky Watson    Reporter
Frank Schorpion    Doorman
Milo Larratt    Kid (in Hotel Commodore Elevator)
Anian Zollner    Hans Vons Tschammer
Eric Davis    Official (Ferry Field)
Tim Post    Phil Diamond (Head Timer Ferry Field)
John MacLaren    Announcer (Ferry Field)
James R. Murray    Brownshirt
Matthias Gunther    Brownshirt
Stefan Langel    Brownshirt
Arthur Holden    Announcer (Radio & USC), Rudolf Dassler
Lucinda Davis    Beauty Parlor Boss
Jaa Smith-Johnson    Sylvester Owens (Brother)
Rodney Ramsey    Henry Jr. Owens (Brother)
Hank Palmer    Quincy Owens (Brother)
Jacquy Bidjeck    Laverne Owens (Sister)
Yvanna Leblanc    Gloria Owens (4 Years Old)
Kayla Stewart    Gloria Owens (2 1/2 Years Old)
Jeff Burrell    US Radio Announcer
Kimberly Youance    Local Girl #1
Andrea Carter    Local Girl #2
Michael Bornhutter    Jewish Man
Jana Reinhardt    Jewish Woman
Aiza Ntibarikure    Jazz Singer
Carlo Mestroni    Announcer (Boxing Match)

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Stephen Hopkins    Director
Anna Waterhouse    Screenwriter
Joe Shrapnel    Screenwriter
Jean-Charles Levy    Producer
Luc Dayan    Producer
Louis Philippe Rochon    Producer
Dominique Seguin    Producer
Kate Garwood    Producer
Stephen Hopkins    Producer
Karsten Brunig    Producer
Nicolas Manuel    Producer
Patrick Teng    Executive Producer
Paul Teng    Executive Producer
Jonathan Bronfman    Executive Producer
David Garrett    Executive Producer
Sarah MacDonald    Executive Producer
Al Munteanu    Executive Producer
Mark Slone    Executive Producer
Thierry Potok    Executive Producer
Peter Levy    Director of Photography
John Smith    Editor
David Brisbin    Production Designer
Rachel Portman    Composer
George Acogny    Executive Music Producer
Mario Davignon    Costume Designer
Rejean Goderre    Hairstylist
Nathalie Trepanier    Make up
Stephanie Gorin    Casting Director
Andrea Kenyon    Additional Casting-Co Casting
Randi Wells    Additional Casting-Co Casting
Suzanne M. Smith    Additional Casting-U.K. Casting
Eliot Mathews    First Assistant Director
Scott Kennedy    Line Producer
Martin Lipmann    Visual Effects Supervisor
Peter Moss    Additional Photography
Solly Azar    Associate Producer
Christophe Charlier    Associate Producer
Jean Eichenlaub    Associate Producer
Morgan Emmery    Associate Producer
Morgan Menahem    Associate Producer
Erik Daniel    Post-Production Supervisor
Pierre-Jules Audet    Sound Designer
Pierre-Jules Audet    Supervising Sound Editor
Pierre-Jules Audet    Sound Effects Editor
Mathieu Beaudin    Sound Effects Editor
Francois Senneville    Sound Effects Editor
Luc Raymond    Sound Effects Editor
Jean-François Suave    Sound Effects Editor
Jean-Philippe St Laurent    Sound Effects Editor
Michelle Cloutier    Dialogue Editor
Luc Boudrias    Re-recording Mixer
Pierre-Jules Audet    Re-recording Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 31st, 2016

May 29th, 2016

Veggies Tales

It's a big week for first-run releases with four such films coming out. However, none of them are top-notch releases. Race is the best, but even then it is only worth a rental. Sadly, none of the limited releases, TV on DVD releases, catalog releases, etc. are really big releases either. Hello, My Name is Doris is a great movie, but it is only coming out on Video on Demand this week. I'm going with Veggie Tales: And Now It's Time for Silly Songs with Larry: The Complete Collection on DVD as the Pick of the Week. It really is a slow week for new releases. More...

Weekend Wrap-Up: Deadpool Remains Immortal pulling in $31.12 million

February 29th, 2016

Deadpool

As anticipated, Deadpool easily won the weekend with $31.12 million. This was more than double its nearest competitor, Gods of Egypt, which earned $14.12 million. Unfortunately, those were the only two films that earned more than $10 million over the weekend. The overall box office was $112 million, which was 21% lower than last weekend. This was still 5.1% more than the same weekend last year, while 2016's year-to-date advantage crept up ever so slightly to 3.9% at $1.78 billion to $1.71 billion. Hopefully March can continue this pace. More...

Thursday Night Previews: Gods off to a Mortal Start

February 26th, 2016

Gods of Egypt

Gods of Egypt had the best showing among new releases from its Thursday previews; however, best is being used as a relative term, as it only managed $800,000. By comparison, 13 Hours pulled in $900,000 earlier this year. If the film’s reviews hurt its word of mouth, and I can’t imagine they won’t, then we are looking at a domestic total of about $40 million on a $140 million production budget. In fact, it will likely make less during its opening weekend than the $15.3 million reportedly spend on TV ads leading up to its release. More...

Weekend Predictions: Gods of Egypt Eye Top Spot

February 26th, 2016

Gods of Egypt

There are three wide releases looking to overtake Deadpool at the box office. I seriously doubt any of them will be able to do so. In fact, all three combined might not top Deadpool over the weekend. Gods of Egypt is by far the biggest costing $140 million, but it likely won't earn 10% of that over the weekend. Triple 9 is a rather generic action film that bombed in its debut in the U.K., which doesn't bode well for its run here. Finally, Eddie the Eagle is a feel-good inspirational sports movie based on a real life story. Unfortunately, the sport in question is ski-jumping, which isn't popular enough to expect the movie will find an audience in theaters. This weekend last year, Focus was the top film, but Deadpool will likely beat it by $10 million over the weekend. It should be a relatively good week for 2016. More...

Contest: Race to the Top: Winning Announcement

February 25th, 2016

Race

The winners of our Race to the Top contest were determined and the entrants with the closest predictions for Race opening weekend were... More...

Weekend Wrap-Up: Deadpool Cruises to $56.47 million Win

February 23rd, 2016

Deadpool

Deadpool held onto first place with $56.47 million over the weekend, while the best new release, Risen, was well back in third place with $11.80 million. It's not surprising the overall box office fell this weekend when compared to the last weekend. The overall box office fell 41% to $142 million, which is barely more than what Deadpool alone earned last weekend. This was still 19% more than this weekend last year, when Fifty Shades of Grey fell 74%. 2016's year-to-date lead roughly doubled to 3.5% at $1.63 billion to $1.57 billion. More...

Weekend Estimates: Deadpool Continues to Dominate with $55 Million Weekend

February 21st, 2016

Deadpool

After a $132 million opening, Deadpool wasn’t under much threat at the top of the chart this weekend, so a fairly sharp 58% decline to $55 million this weekend still leaves it dominant in movie theaters. That softness might be a slight concern going forwards, but for now Fox is reveling in having a February hit that has already grossed close to $500 million worldwide (Sunday’s official estimate is $491.9 million), and having Kung Fu Panda 3 hold on to second place with $12.5 million in its fourth weekend for a domestic total of $117 million. That left the three new wide releases fighting for places lower down the chart, although their performance was by no means all doom and gloom. More...

Friday Estimates: Deadpool Rises to the Occasion

February 20th, 2016

Risen

Deadpool landed on the low end of expectations on Friday with $16.23 million. This puts it on pace to reach $56 million over the weekend, which is way more than the three new wide releases will earn. It also keeps the film on pace for more than $300 million domestically. Had it cost the usual $150 million to $200 million for a comic book movie, it still would have broken even. More...

Thursday Night Previews: Bewitching Results

February 19th, 2016

The Witch

The Witch had the fastest start on Thursday, with $630,000 from preview shows. This is almost identical to what Krampus earned late last year and that film earned $16 million during its opening weekend. Granted, Krampus was the only wide release that weekend and didn’t have to deal with any film as big as Deadpool. That said, this is still a good result for the film and it suggests it will top predictions, especially if moviegoers like it as much as critics did. Additionally, A24 said the advertising budget was “nominal” and that it was focused on the planned VOD / home market release in three months. It could break even by this time next week. More...

Weekend Predictions: Deadpool Looks to Outrace the New Releases

February 19th, 2016

Race

The box office doesn't look good this week, not when compared to last weekend. Last weekend Deadpool broke many records, from biggest February weekend, to more obscure records like biggest R-rated super hero movie. Worse still, there are three wide releases this weekend, but combined they still won't match Deadpool's sophomore stint. They won't even come close. Race and Risen should be in a close race for third place, while The Witch will likely just finish in the top five. This weekend last year, Fifty Shades of Grey remained in first place, despite dropping 74% to $22.26 million. Deadpool should crush that number. However, last year, there were also 6 movies that earned $10 million or more. This year, there might be only be two $10 million movies. More...

Contest: You're Dead to Me: Winning Announcement

February 18th, 2016

Deadpool

The winners of our You're Dead to Me contest were determined and the entrants with the closest predictions for Deadpool opening weekend were... More...

Contest: Race to the Top

February 12th, 2016

Race

There are three wide releases next week. Of those three, I think it is safe to say The Witch has the weakest box office potential. However, there could be a close race between Race and Risen. Furthermore, both films lend themselves to contest names. (Race to the Top vs. Rise to the Top.) However, faith-based films tend to be too unpredictable, so we are going with Race as the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Race.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: February

February 1st, 2016

Deadpool

As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 19, 2016 6 $7,353,922   2,369 $3,104   $7,353,922 1
Feb 26, 2016 9 $4,103,290 -44% 2,387 $1,719   $13,692,912 2
Mar 4, 2016 16 $1,511,530 -63% 1,286 $1,175   $16,511,093 3
Mar 11, 2016 18 $731,411 -52% 689 $1,062   $17,832,893 4
Mar 18, 2016 27 $360,198 -51% 401 $898   $18,514,653 5
Mar 25, 2016 29 $105,914 -71% 180 $588   $18,816,615 6
Apr 1, 2016 40 $68,845 -35% 104 $662   $18,965,365 7
Apr 8, 2016 42 $45,140 -34% 73 $618   $19,044,215 8
Apr 15, 2016 41 $39,144 -13% 90 $435   $19,097,994 9

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Feb 18, 2016 P $205,000     0     $205,000  
Feb 19, 2016 6 $2,378,438     2,369 $1,004   $2,378,438 1
Feb 20, 2016 6 $3,084,812 +30%   2,369 $1,302   $5,463,250 2
Feb 21, 2016 6 $1,890,672 -39%   2,369 $798   $7,353,922 3
Feb 22, 2016 6 $500,574 -74%   2,369 $211   $7,854,496 4
Feb 23, 2016 5 $737,227 +47%   2,369 $311   $8,591,723 5
Feb 24, 2016 6 $515,186 -30%   2,369 $217   $9,106,909 6
Feb 25, 2016 6 $482,713 -6%   2,369 $204   $9,589,622 7
Feb 26, 2016 9 $1,221,105 +153% -49% 2,387 $512   $10,810,727 8
Feb 27, 2016 9 $1,911,559 +57% -38% 2,387 $801   $12,722,286 9
Feb 28, 2016 10 $970,626 -49% -49% 2,387 $407   $13,692,912 10
Feb 29, 2016 10 $306,976 -68% -39% 2,387 $129   $13,999,888 11
Mar 1, 2016 10 $406,519 +32% -45% 2,387 $170   $14,406,407 12
Mar 2, 2016 10 $310,374 -24% -40% 2,387 $130   $14,716,781 13
Mar 3, 2016 10 $282,782 -9% -41% 2,387 $118   $14,999,563 14
Mar 4, 2016 14 $455,074 +61% -63% 1,286 $354   $15,454,637 15
Mar 5, 2016 15 $663,029 +46% -65% 1,286 $516   $16,117,666 16
Mar 6, 2016 15 $393,427 -41% -59% 1,286 $306   $16,511,093 17
Mar 7, 2016 15 $129,801 -67% -58% 1,286 $101   $16,640,894 18
Mar 8, 2016 14 $176,414 +36% -57% 1,286 $137   $16,817,308 19
Mar 9, 2016 15 $141,468 -20% -54% 1,286 $110   $16,958,776 20
Mar 10, 2016 15 $142,706 +1% -50% 1,286 $111   $17,101,482 21
Mar 11, 2016 - $214,566 +50% -53% 689 $311   $17,316,048 22
Mar 12, 2016 - $326,329 +52% -51% 689 $474   $17,642,377 23
Mar 13, 2016 - $190,516 -42% -52% 689 $277   $17,832,893 24
Mar 14, 2016 - $75,085 -61% -42% 689 $109   $17,907,978 25
Mar 15, 2016 - $92,234 +23% -48% 689 $134   $18,000,212 26
Mar 16, 2016 - $78,920 -14% -44% 689 $115   $18,079,132 27
Mar 17, 2016 - $75,323 -5% -47% 689 $109   $18,154,455 28
Mar 18, 2016 - $104,617 +39% -51% 401 $261   $18,259,072 29
Mar 19, 2016 - $158,623 +52% -51% 401 $396   $18,417,695 30
Mar 20, 2016 - $96,958 -39% -49% 401 $242   $18,514,653 31
Mar 21, 2016 - $43,827 -55% -42% 401 $109   $18,558,480 32
Mar 22, 2016 - $53,209 +21% -42% 401 $133   $18,611,689 33
Mar 23, 2016 - $46,344 -13% -41% 401 $116   $18,658,033 34
Mar 24, 2016 - $52,668 +14% -30% 401 $131   $18,710,701 35
Mar 25, 2016 - $34,281 -35% -67% 180 $190   $18,744,982 36
Mar 26, 2016 - $42,079 +23% -73% 180 $234   $18,787,061 37
Mar 27, 2016 - $29,554 -30% -70% 180 $164   $18,816,615 38
Mar 28, 2016 - $20,739 -30% -53% 180 $115   $18,837,354 39
Mar 29, 2016 - $20,814 n/c -61% 180 $116   $18,858,168 40
Mar 30, 2016 - $18,367 -12% -60% 180 $102   $18,876,535 41
Mar 31, 2016 - $19,985 +9% -62% 180 $111   $18,896,520 42
Apr 1, 2016 - $24,465 +22% -29% 104 $235   $18,920,985 43
Apr 2, 2016 - $26,147 +7% -38% 104 $251   $18,947,132 44
Apr 3, 2016 - $18,233 -30% -38% 104 $175   $18,965,365 45
Apr 4, 2016 - $7,174 -61% -65% 104 $69   $18,972,539 46
Apr 5, 2016 - $9,392 +31% -55% 104 $90   $18,981,931 47
Apr 6, 2016 - $10,340 +10% -44% 104 $99   $18,992,271 48
Apr 7, 2016 - $6,804 -34% -66% 104 $65   $18,999,075 49
Apr 8, 2016 - $13,564 +99% -45% 73 $186   $19,012,639 50
Apr 9, 2016 - $21,088 +55% -19% 73 $289   $19,033,727 51
Apr 10, 2016 - $10,488 -50% -42% 73 $144   $19,044,215 52
Apr 11, 2016 - $3,322 -68% -54% 73 $46   $19,047,537 53
Apr 12, 2016 - $4,828 +45% -49% 73 $66   $19,052,365 54
Apr 13, 2016 - $3,427 -29% -67% 73 $47   $19,055,792 55
Apr 14, 2016 - $3,058 -11% -55% 73 $42   $19,058,850 56
Apr 15, 2016 - $13,826 +352% +2% 90 $154   $19,072,676 57
Apr 16, 2016 - $14,973 +8% -29% 90 $166   $19,087,649 58
Apr 17, 2016 - $10,345 -31% -1% 90 $115   $19,097,994 59
Apr 18, 2016 - $3,021 -71% -9% 90 $34   $19,101,015 60
Apr 19, 2016 - $6,635 +120% +37% 90 $74   $19,107,650 61
Apr 20, 2016 - $3,744 -44% +9% 90 $42   $19,111,394 62
Apr 21, 2016 - $3,797 +1% +24% 90 $42   $19,115,191 63

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Feb 19, 2016 6 $9,589,622   2,369 $4,048   $9,589,622 1
Feb 26, 2016 10 $5,409,941 -44% 2,387 $2,266   $14,999,563 2
Mar 4, 2016 15 $2,101,919 -61% 1,286 $1,634   $17,101,482 3
Mar 11, 2016 19 $1,052,973 -50% 689 $1,528   $18,154,455 4
Mar 18, 2016 26 $556,246 -47% 401 $1,387   $18,710,701 5
Mar 25, 2016 26 $185,819 -67% 180 $1,032   $18,896,520 6
Apr 1, 2016 41 $102,555 -45% 104 $986   $18,999,075 7
Apr 8, 2016 44 $59,775 -42% 73 $819   $19,058,850 8
Apr 15, 2016 42 $56,341 -6% 90 $626   $19,115,191 9

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Brazil 6/24/2016 $5,922 0 0 0 $5,922 11/16/2018
Croatia 2/25/2016 $7,787 15 15 46 $24,111 12/31/2018
Estonia 3/11/2016 $7,244 7 7 7 $7,244 6/9/2016
France 7/29/2016 $471,861 0 0 0 $1,072,306 8/17/2018
Germany 7/29/2016 $64,560 0 0 0 $237,554 8/19/2018
Iraq 3/3/2016 $301 1 1 1 $301 12/31/2018
Italy 3/31/2016 $795,788 297 352 966 $1,902,473 11/11/2018
Japan 8/12/2016 $0 0 0 0 $151,495 8/20/2018
Kuwait 3/3/2016 $6,078 1 1 2 $12,060 12/31/2018
Lebanon 3/3/2016 $1,322 3 3 3 $1,322 12/31/2018
Netherlands 6/30/2016 $39,003 33 33 116 $130,235 11/19/2018
Oman 3/3/2016 $1,190 3 3 3 $1,190 12/31/2018
Portugal 8/5/2016 $9,809 9 9 28 $46,287 9/15/2016
Russia (CIS) 7/15/2016 $13,350 80 80 166 $39,222 12/31/2018
Singapore 3/3/2016 $9,631 9 9 14 $27,023 6/9/2016
Slovenia 2/25/2016 $1,478 3 3 9 $4,541 6/9/2016
South Africa 4/1/2016 $13,901 23 23 23 $13,901 6/9/2016
South Korea 5/27/2016 $4,967 0 0 0 $16,709 9/10/2018
Spain 4/15/2016 $240,535 152 152 433 $617,550 6/23/2016
Turkey 5/27/2016 $5,778 13 13 18 $13,468 2/26/2019
United Arab Emirates 3/3/2016 $26,199 15 15 20 $54,125 12/31/2018
United Kingdom 6/3/2016 $58,066 149 149 149 $251,542 9/8/2018
 
International Total$4,630,581 2/26/2019

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 5, 2016837,192 37,192$676,894$676,8941
Jun 12, 2016278,438-77% 45,630$166,904$843,7982

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 5, 2016822,975 22,975$471,451$471,4511

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.