Years after a drunken car crash that almost took his life, Tommy Carter has reinvented himself as a therapist/spiritual advisor who advocates a synthesis of world religions and positivity. He's parlayed this vocation into a successful book release that one day draws the attention of Angel Sanchez, a profoundly troubled man fixated on the "untimely" death of his mother. When Carter takes on Sanchez as a personal client in an effort to raise funds for his indebted brother Ben, things quickly take a turn for the worse. Angel needs much more than a simple life coach.
Latest Ranking on Cumulative Box Office Lists
|All Time Domestic Box Office (Rank 7,601-7,700)
|All Time Worldwide Box Office (Rank 10,101-10,200)
|All Time Domestic Highest Grossing Limited Release Movies (Rank 1,401-1,500)
|All Time Domestic Box Office for R Movies (Rank 2,501-2,600)
|All Time Worldwide Box Office for R Movies (Rank 2,901-3,000)
See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.
||February 28th, 2014 (Limited) by Codeblack Entertainment|
||June 24th, 2014 by Lionsgate Home Entertainment|
||R for violence including torture, and language.|
(Rating bulletin 2295, 10/23/2013)
||Create your own comparison chart…|
||Near Death Experience, Motivational Speaker, Young Child Dealing with the Death of a Parent, Writing and Writers, Kidnap, Revenge|
|Production Method:||Live Action|
|Creative Type:||Contemporary Fiction|
||Significant Productions, Juntobox Films|
March 19th, 2014
Despite expanding from 4 to 66 theaters, The Grand Budapest Hotel held on well enough to lead the per theater chart with ease. In fact, its average of $55,122 was the second best per theater average for the year, behind only its opening weekend. Bad Words came in second place with an average of $18,884 in six theaters. This is a good opening, but not one that suggests it could naturally expand wide. Fortunately, the film already has a wide release scheduled and as the ad campaign for the wide release ramps up, it should at least become a midlevel hit when compared to its production budget. Enemy was right behind with an estimated $18,000 in its lone theater. Le Week-End was the final film in the $10,000 club as it earned an average of $14,536 in three theaters during its opening weekend of release.
March 5th, 2014
There were three films in the $10,000 club this past weekend, two that were not a surprise, but one that was a huge surprise. Leading the way was The Lunchbox with an average of $14,847 in three theaters. This film earned 94% positive reviews. Likewise, Ernest & Celestine earned 100% positive reviews, so its start of $13,078 in one theater is also to be expected. In between those two films was The Bag Man, which earned an average of $14,616 in two theaters, but only managed 9% positive reviews.
February 28th, 2014
It is Oscar weekend, so it should come as no surprise there are not a lot of limited releases with the usual target audience. Art house aficionados will be paying more attention to the Awards than to new releases. Ernest & Celestine is the lone exception, which is the only Oscar-nominated film on this week's list and the best reviewed as well. Most of the rest of the movies are earning reviews that range from mixed to outright terrible. The Lunchbox could be the break-out hit of the weekend, if there is a break-out hit.
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
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