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Resident Evil: Retribution (2012)

Resident Evil: Retribution poster
Theatrical Performance
Domestic Box Office $42,345,531Details
International Box Office $196,595,466
Worldwide Box Office $238,940,997
Home Market Performance
Domestic DVD Sales $15,400,109 Details
Domestic Blu-ray Sales $6,200,021 Details
Total Domestic Video Sales $21,600,130
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Video Sales
  5. Full Financials
  6. Cast & Crew
  7. Trailer


The Umbrella Corporation's deadly T-virus continues to ravage the Earth, transforming the global population into legions of the flesh eating Undead. The human race's last and only hope, Alice, awakens in the heart of Umbrella's most clandestine operations facility and unveils more of her mysterious past as she delves further into the complex. Without a safe haven, Alice continues to hunt those responsible for the outbreak; a chase that takes her from Tokyo to New York, Washington, D.C. and Moscow, culminating in a mind-blowing revelation that will force her to rethink everything that she once thought to be true. Aided by newfound allies and familiar friends, Alice must fight to survive long enough to escape a hostile world on the brink of oblivion. The countdown has begun.


Rotten Tomatoes
Critics RottenAudience Spilled
30% - Rotten
52% - Spilled

Movie Details

Production Budget:$65,000,000
Domestic Releases: September 14th, 2012 (Wide) by Sony Pictures
Video Release: December 21st, 2012 by Sony Pictures Home Entertainment
MPAA Rating: R for sequences of strong violence throughout.
(Rating bulletin 2236, 8/15/2012)
Running Time: 95 minutes
Franchise: Resident Evil
Comparisons: vs. The Matrix
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Keywords: IMAX: DMR, Cloning, Sequels With Returning Stars, Epidemic, 3-D, Post Apocalypse, Corporate Malfeasance, Zombies
Source:Based on Game
Production Method:Live Action
Creative Type:Science Fiction
Production Companies: Screen Gems, Constantin Film, Davis Films, Impact Pictures
Production Countries: United States


Michelle Rodriguez    Rain Ocampo
Kevin Durand    Barry
Sienna Guillory    Jill
Shawn Roberts    Albert
Aryana Engineer    Becky
Colin Salmon    James "One" Shade
Johann Urb    Leon
Boris Kodjoe    Luther West
Li Bingbing    Ada Wong

Production and Technical Credits

Screenwriter    Paul W.S. Anderson
Producer    Paul W.S. Anderson
Producer    Jeremy Bolt
Producer    Robert Kulzer
Producer    Don Carmody
Producer    Samuel Hadida
Executive Producer    Martin Moszkowicz
Co-Producer    Victor Hadida
Cinematographer    Glen MacPherson
Editor    Niven Howie
Composer    tomanddandy
Production Designer    Kevin Phipps
Art Director    Dan Yarhi
Set Designer    Dennis Davenport
Costume Designer    Wendy Partridge
Sound Mixer    John J. Thomson
Special Make-up Effects    Paul Jones
Visual Effects Supervisor    Dennis Berardi
Associate Producer    Hiroyuki Kobayashi
First Assistant Director    Jamie Christopher
Casting Director    Deirdre Bowen

International Box Office: Croods Overpower Oz

March 28th, 2013

The Croods debuted in first place on the international chart with $63.09 million on 11,709 screens in 46 markets, while its global opening was $106.73 million. The film led the way in Russia with $7.82 million on 2,166 screens over the weekend for a total opening of $12.65 million, including previews. It made $8.18 million on 521 screens in the U.K., also including previews, which was enough for an easy first place finish. Another first place victory came in Mexico, where it made $4.51 million on 1,990 screens over the weekend for a total opening of $8.80 million. It also debuted on top of the chart in Germany with $3.63 million on 728 screens over the weekend for a total opening of $4.21 million, while it had nearly identical results in Brazil with $3.35 million on 728 screens over the weekend for a total opening of $4.13 million. The film earned more number one debuts in Italy ($3.90 million on 711) and in Spain ($3.33 million on 763). More...

DVD Sales: New Releases Take a Holiday

January 29th, 2013

New releases were even weaker than expected and none of them reached the top 30 of the DVD sales chart. The top five were identical to last week with Ted earning top spot for the third weekend in a row. It sold an additional 714,000 units generating $12.44 million in sales giving it totals of 3.42 million units / $57.68 million after three weeks of releases. More...

DVD Sales: Ted Takes Down the Competition

January 23rd, 2013

While there were a number of new releases to reach the to 30 of the DVD sales chart this week, Ted was able to remain in first place. It sold an additional 1.04 million units while generating $18.59 million, lifting its totals to 2.71 million units / $45.24 million after two weeks of release. More...

DVD and Blu-ray Releases for December 18th, 2012

December 16th, 2012

It's the last week before Christmas, which means it is the last chance for last minute gifts. There are a number of first-run releases coming out this week, some of which are not coming out till Friday, or even next Monday. There are also quite a few limited releases and TV on DVD releases hitting the home market this week. However, none of these were big hits and very few earned strong praise from critics. That doesn't mean there are none that are worth picking up. In fact, we have a trio of contenders for Pick of the Week. Shameless: The Complete Second Season on DVD or Blu-ray; Pitch Perfect on DVD or Blu-ray Combo Pack; and Arbitrage on DVD or Blu-ray. It was a close call, but in the end I went with Arbitrage. Also coming out this week is Rush: 2012 - CD and Blu-ray in a Deluxe Edition or Super Deluxe Edition, which is a clear winner of Puck of the Week. More...

International Box Office: Two Tops Taken

October 18th, 2012

After just two weeks of release, Taken 2 has already earned more internationally than the original did in total. Over the weekend, the sequel pulled in $45.09 million on 6,889 screens in 63 markets for a two-week total of $134.76 million, while its worldwide total rose to $220.89 million. The film had to settle for second place in Germany with $3.55 million on 437 screens over the weekend for a total opening of $3.88 million. It only managed fourth place in Italy with $1.26 million on 265. Its best market of the weekend was the U.K. with $6.01 million on 510 screens over the weekend for a total of $23.29 million after two. The film has very few markets left to open in, but it has already made enough to cover its production budget and likely a good chunk of its P&A budget. It will reach profitability before it reaches the home market. More...

International Box Office: Taken Over the Top

October 11th, 2012

Taken 2 was just as strong internationally as it was domestically earning first place with $55.23 million on 6,319 screens in 50 markets for a total of $66.79 million. The film had a trio of first place openings in major markets, starting with the U.K. with $11.85 million on 506 screens. It also opened in first place in France with $8.29 million on 561 screens and in Australia with $7.92 million on 246. On the other hand, the film had to settle for second place in Mexico with $2.54 million on 930 screens, in Russia with $2.00 million on 750, and in Spain with $1.24 million on 320. More...

International Box Office: Looper Leads, But Not as Lively

October 4th, 2012

Well... we found out why the Chinese box office numbers were extra late this week. There was an accounting error in Looper's previously reported numbers and it took time to sort things out. Instead of making $23 million to $25 million, it made about $6 million. That's actually still really good and better than it performed here, relative to the size of the two markets, but it wasn't a monster hit. The wide gap in the initial reported number and the final figure is an embarrassment, but hopefully it will spur China to build the infrastructure needed to collect box office data faster and more accurately. China might be the most important international market, but studios can't invest money into making movies aimed more at a Chinese market if they can't trust the box office numbers they get. The other numbers we had were accurate leading to a total weekend haul of $22.85 million on 2,506 million in 17 markets. It wasn't a hit in all of them, as it only managed third place in Brazil with $955,000 on 332 screens. The film is just starting its international run, so it is hard to predict where it will end up, but so far most signs are very positive. More...

International Box Office: Looper Leaps to the Top

October 4th, 2012

It looks like International numbers will be late this week, for reasons I hinted at earlier. Looper won the weekend race, but about two thirds of its opening weekend haul came from China which is notoriously slow for getting final box office numbers. (The same used to be true of Russia, but they've gotten a lot better.) Overall it is estimated the film made $36 million, including China, with first place openings in Russia ($5.09 million on 1,010 screens) and the U.K. ($3.92 million on 449). Resident Evil: Retribution was knocked to second place after two weeks on top, but held strong with $21.1 million over the weekend for running tally of $136.9 million after three. Finally, Ice Age: Continental Drift became the highest grossing animated film at the international box office and is on pace to become the first animated film to cross $700 million. More information will come when the weekend final numbers are out. More...

International Box Office: Evil Triumphs

September 26th, 2012

Resident Evil: Retribution remained in first place on the international chart with $29.83 million on 7,250 screens in 73 markets for a total of $103 million internationally. It is already the second best in the franchise internationally and while it might not become the number one film, it has made enough to ensure another installment. The film opened in first place in Germany with $3.40 million on 475 screens over the weekend for a total of $3.74 million, while it also topped the chart in Mexico with $3.55 million on 1,218. Its best market of the weekend was Japan, where it added $6.35 million on 775 screens over the weekend for a total of $28.23 million after just two weeks of release. More...

Weekend Wrap-Up: End Starts on Top

September 24th, 2012

It was another terrible week at the box office with only one of the four wide releases matching pre-weekend predictions. End of Watch was able to come out on top and it was only the second time an Open Road release was able to do that. The rest of the films ranged from a little disappointing to, 'Please don't make me talk about this; it's depressing.' The overall box office rose by 5.1% from last week to $90, but that's a staggering 23% lower than the same weekend last year. Yes, year-to-date, 2012 is still ahead of 2011, but its lead continues to shrink reaching just 2.5% at $7.92 billion to $7.73 billion. Ticket sales are just 1.3% higher than last year's pace and the upcoming releases don't seem particularly strong, so by the end of October, we could officially be in trouble. More...

Weekend Predictions: Will the New Releases Be in Trouble?

September 20th, 2012

This weekend there are four wide releases, which is too many. The odds are at least one, more likely two films will miss reaching their full potential. That's under normal circumstances. The box office is clearly sub-normal at the moment. The widest release of the week is Trouble with the Curve, but its Tomatometer Score has fallen from close to 90% to barely more than 60%. At this pace, by the time the weekend starts, it will be below the overall positive level. House at the End of the Street has good buzz, but still no reviews, and that is troubling. Dredd's reviews are shockingly good, but the film has had trouble escaping the remake stink. Finally, End of Watch is also earning great reviews, but its studio has a really bad track record at the box office. By comparison, last year there were four wide releases, none of which earned more than $20 million; however, three of them did earn more than $10 million and the fourth came close, while The Lion King won the weekend with more than $20 million. I think it will be another loss for 2012 in the year-over-year comparison. It likely won't be close. More...

International Box Office: Evil Finds a Home Worldwide

September 19th, 2012

Resident Evil: Retribution debuted in top spot on the international chart with $49.61 million on 6,154 screens in 65 markets. The film opened in first place in a trio of major markets with Japan pulling in $8.63 million on 774 screens over the weekend for a total opening of $11.17 million. Russia was close behind with $8.37 million on 1,100 screens. It was was able to grab first place in Brazil with $3.15 million on 391. On the other hand, the film had to settle for second place in South Korea with $1.99 million on 368 screens over the weekend and a total opening of $2.44 million. It debuted in third place in Australia with $1.50 million on 175. More...

IMAX: Resident Good on IMAX

September 19th, 2012

Resident Evil: Retribution opened with $6.1 million on IMAX worldwide, including $3 million domestically. This is a good result, but not a great result. As for a great result, it was announced that The Dark Knight Rises surpassed $100 million worldwide on IMAX screens. Up next for the super large format is Frankenweenie on the first weekend in October. It's stop-motion animation, so I don't think it will be a monster hit, but it should do rather well. More...

Weekend Wrap-Up: Box Office of the Living Dead

September 17th, 2012

2012 started off so well that I keep thinking the box office will return to those glory days, or at the very least it will stop sucking. That didn't happen this weekend. Granted, the box office grew 28% from last weekend to $86 million. However, this is 15% lower than the same weekend last year and it is still one of the worst weekends of all time. Year-to-date, 2012 still leads 2011, but that lead has shrunk to just 3.0% at $7.80 billion to $7.58 billion. If things don't turn around very soon, 2012 will lose its lead in terms of tickets sold (currently just 1.8%) and its overall lead shortly after that. Since fewer people are watching movies in theaters, it means fewer people are seeing trailers, posters, etc. for upcoming films. Fewer people seeing trailers for upcoming films does often times result in fewer people seeing these upcoming movies. We need a true blockbuster to break out of this cycle. More...

Weekend Estimates: Resident Evil Conquers Nemo

September 16th, 2012

Resident Evil: Retribution will post a solid opening weekend to top this weekend's box office, according to studio estimates released on Sunday morning. With $21.1 million projected by Sony, it will be the fourth consecutive film in the franchise to open between $20 million and $27 million -- an impressive level of consistency. In second place, Finding Nemo 3D is expected to post about $17.5 million, which is a significant disappointment compared to the $30 million debut enjoyed by The Lion King this weekend last year. But the real plaudits this weekend will go to a film playing in just five theaters. More...

Weekend Predictions: Will the Box Office Come Back to Life?

September 13th, 2012

Last weekend was a disaster. It was a disaster the likes we haven't seen in more than a decade, much, much longer if you take into account inflation. This weekend should be a lot stronger, as we have two significant wide releases, Finding Nemo and Resident Evil: Retribution, as well as a semi-wide release, Last Ounce of Courage. Both of the wide releases should top $20 million over the weekend, while there's a chance they could both top $30 million. Last year there were four wide releases that managed a combined $50 million or so. This year, the two wide releases could top that, but it will be close if they do. However, the holdovers are so much weaker than the top two wide releases that 2012 will end up losing again. More...

2012 Preview: September

September 1st, 2012

August is over and let's just be glad we never have to talk about that month again. It is too early to tell how a couple of the wide releases from the month will do, but of the other fourteen we have solid numbers for, none of them were a pleasant surprise. There were a few that were mildly disappointing, but likely still profitable. There were also a few that were "What were they thinking?" level of box office bomb. This September, there about a dozen films opening wide, depending on your definition of wide. (Plus, For A Good Time, Call might expand wide on the 14th, while The Master is opening in limited release on the 14th, but might expand wide before the end of the month. "Might" is the key here. I don't think either will get it done.) None of the dozen films are likely to get to $100 million. In fact, there's a good chance no film opening this month will get to $75 million in total. The biggest film of the month could be Finding Nemo, which is getting a 3D Re-release. As long as the movie going public hasn't tired of 3D re-releases, it should be a hit, but there are signs that the trend might be ending soon. There are a few others that should become midlevel hits, but most will struggle to find an audience. Last September was not terrible with one $100 million film and a few other midlevel hits. For 2012 to come out ahead, it will have to rely on depth, and I'm more than a little worried in that regard. More...

Compare this performance with other movies…

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2012/09/14 1 $8,363,335   3,012 $2,777   $8,363,335 1
2012/09/15 1 $7,634,314 -9% 3,012 $2,535   $15,997,649 2
2012/09/16 1 $5,054,578 -34% 3,012 $1,678   $21,052,227 3
2012/09/17 1 $1,682,409 -67% 3,012 $559   $22,734,636 4
2012/09/18 1 $1,869,698 +11% 3,012 $621   $24,604,334 5
2012/09/19 1 $1,126,991 -40% 3,012 $374   $25,731,325 6
2012/09/20 1 $1,036,402 -8% 3,012 $344   $26,767,727 7
2012/09/21 6 $1,959,218 +89% 3,016 $650   $28,726,945 8
2012/09/22 5 $2,894,049 +48% 3,016 $960   $31,620,994 9
2012/09/23 5 $1,848,536 -36% 3,016 $613   $33,469,530 10
2012/09/24 5 $542,746 -71% 3,016 $180   $34,012,276 11
2012/09/25 5 $698,831 +29% 3,016 $232   $34,711,107 12
2012/09/26 6 $524,968 -25% 3,016 $174   $35,236,075 13
2012/09/27 5 $468,858 -11% 3,016 $155   $35,704,933 14
2012/09/28 9 $820,627 +75% 2,381 $345   $36,525,560 15
2012/09/29 8 $1,324,914 +61% 2,381 $556   $37,850,474 16
2012/09/30 8 $840,815 -37% 2,381 $353   $38,691,289 17
2012/10/01 7 $282,506 -66% 2,381 $119   $38,973,795 18
2012/10/02 7 $350,477 +24% 2,381 $147   $39,324,272 19
2012/10/03 7 $266,325 -24% 2,381 $112   $39,590,597 20
2012/10/04 7 $260,133 -2% 2,381 $109   $39,850,730 21
2012/10/05 12 $315,717 +21% 1,361 $232   $40,166,447 22
2012/10/06 12 $493,681 +56% 1,361 $363   $40,660,128 23
2012/10/07 12 $348,668 -29% 1,361 $256   $41,008,796 24
2012/10/08 12 $165,373 -53% 1,361 $122   $41,174,169 25
2012/10/09 12 $125,557 -24% 1,361 $92   $41,299,726 26
2012/10/10 12 $109,040 -13% 1,361 $80   $41,408,766 27
2012/10/11 12 $103,360 -5% 1,361 $76   $41,512,126 28
2012/10/12 - $71,830 -31% 349 $206   $41,583,956 29
2012/10/13 - $102,699 +43% 349 $294   $41,686,655 30
2012/10/14 - $65,756 -36% 349 $188   $41,752,411 31
2012/10/19 - $28,573   158 $181   $41,881,596 36
2012/10/20 - $46,921 +64% 158 $297   $41,928,517 37
2012/10/21 - $25,781 -45% 158 $163   $41,954,298 38
2012/10/26 - $36,295   198 $183   $42,033,926 43
2012/10/27 - $51,374 +42% 198 $259   $42,085,300 44
2012/10/28 - $34,378 -33% 198 $174   $42,119,678 45
2012/11/02 - $22,108   131 $169   $42,195,439 50
2012/11/03 - $37,053 +68% 131 $283   $42,232,492 51
2012/11/04 - $25,383 -31% 131 $194   $42,257,875 52
2012/11/09 - $13,152   91 $145   $42,305,322 57
2012/11/10 - $22,751 +73% 91 $250   $42,328,073 58
2012/11/11 - $17,458 -23% 91 $192   $42,345,531 59

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2012/09/14 1 $21,052,227   3,012 $6,989   $21,052,227 3
2012/09/21 5 $6,701,803 -68% 3,016 $2,222   $33,469,530 10
2012/09/28 8 $2,986,356 -55% 2,381 $1,254   $38,691,289 17
2012/10/05 12 $1,158,066 -61% 1,361 $851   $41,008,796 24
2012/10/12 20 $240,285 -79% 349 $688   $41,752,411 31
2012/10/19 33 $101,275 -58% 158 $641   $41,954,298 38
2012/10/26 31 $122,047 +21% 198 $616   $42,119,678 45
2012/11/02 36 $84,544 -31% 131 $645   $42,257,875 52
2012/11/09 41 $53,361 -37% 91 $586   $42,345,531 59

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2012/09/14 1 $26,767,727   3,012 $8,887   $26,767,727 7
2012/09/21 5 $8,937,206 -67% 3,016 $2,963   $35,704,933 14
2012/09/28 8 $4,145,797 -54% 2,381 $1,741   $39,850,730 21
2012/10/05 12 $1,661,396 -60% 1,361 $1,221   $41,512,126 28
2012/10/12 20 $340,897 -79% 349 $977   $41,853,023 35
2012/10/19 29 $144,608 -58% 158 $915   $41,997,631 42
2012/10/26 31 $175,700 +22% 198 $887   $42,173,331 49
2012/11/02 37 $118,839 -32% 131 $907   $42,292,170 56
2012/11/09 46 $53,361 -55% 91 $586   $42,345,531 63

Weekly US DVD Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
12/23/20122596,166 96,166$1,727,141$1,727,1411
12/30/20126211,759+120% 307,925$3,803,192$5,530,3332
1/6/20136172,139-19% 480,064$3,091,616$8,621,9493
1/13/20131368,722-60% 548,786$1,234,247$9,856,1974
1/20/20131735,806-48% 584,592$643,076$10,499,2725
1/27/20132130,184-16% 614,776$519,768$11,019,0416
2/3/20132223,943-21% 638,719$373,032$11,392,0737
2/17/20131947,349 706,431$714,970$12,469,3009
3/3/20132425,466 747,103$381,735$13,078,97411

Weekly US Blu-ray Sales

DateRankUnits this Week% ChangeTotal UnitsSpending this WeekTotal SpendingWeeks in Release
12/23/201213101,854 101,854$2,162,354$2,162,3541
12/30/2012985,088-16% 186,942$1,806,423$3,968,7772
1/6/2013659,118-31% 246,060$1,255,075$5,223,8523
1/13/20131619,012-68% 265,072$423,403$5,647,2554
1/20/20131514,614-23% 279,686$365,207$6,012,4625
1/27/2013179,397-36% 289,083$187,559$6,200,0216

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at

Resident Evil: Retribution HD Trailer