Austria Box Office for Samsara (2012)

← Go to main Samsara page

Samsara poster
Theatrical Performance (US$)
Austria Box Office $59,200Details
Worldwide Box Office $5,966,671Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Filmed over a period of five years in twenty-five countries on five continents, and shot on 70mm film, SAMSARA transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders. By dispensing with dialogue and descriptive text, SAMSARA subverts our expectations of a traditional documentary. It encourages our own interpretations, inspired by images and transcendent music that infuses the ancient with the modern. SAMSARA explores the wonders of our world, from the mundane to the miraculous, looking into the unfathomable reaches of man's spirituality and the human experience and illuminating the links between humanity and the rest of nature.

Metrics

Movie Details

Production Budget:$4,000,000
Austria Releases: September 7th, 2012 (Wide)
Video Release: January 8th, 2013 by Mpi Home Video
MPAA Rating: PG-13 for some disturbing and sexual images.
(Rating bulletin 2228, 6/20/2012)
Running Time: 99 minutes
Keywords: Limited Dialogue, Avant Garde, Dancing, Artists, Robot, Performing Arts, Food, Religious, Poverty, Prison, Artistic Documentary
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Magidson Films, Mark Magidson
Production Countries: United States
Languages: English

Featured Blu-ray / DVD Review: Cirque Du Soleil - Worlds Away

March 11th, 2013

I requested Cirque Du Soleil - Worlds Away for the same reason I requested Samsara. After reading numerous reviews, I had really no idea what the movie was about, which made it difficult to come up with keywords. Unfortunately with Samsara that didn't work out so well. I loved the movie, but there was no plot to describe. Is this movie going to be the same? More...

DVD and Blu-ray Releases for January 22nd, 2013

January 21st, 2013

There are not a lot of big releases on this week's list with End of Watch being the biggest. Conveniently, it is also the best and it is the Pick of the Week on either DVD or Blu-ray Combo Pack. More...

Featured Blu-ray / DVD Review: Samsara

January 19th, 2013

There are many reasons why I pick and choose the screeners I want to review. Sometimes it is a big film and I want to know what the buzz was about. Sometimes it is a smaller film that I think deserved more publicity. Sometimes it is because of the cast or the director. Sometimes, the reason is a little weirder. Part of my job is cataloging every movie based on their keywords. Its a daunting task and involves a lot of research, usually reading a number of reviews. When it came to Samsara, no matter how many reviews I read, I couldn't quite figure out what it was about. So when an offer to review it arrived, I said yes right away. I needed to see the film for myself. More...

DVD and Blu-ray Releases for January 8th, 2013

January 7th, 2013

After two weeks of almost nothing worth talking about on the home market, there's plenty to talk about this week. ... Actually, to be totally honest, it is another slow week, it's just not painfully slow. (Also, I'm unwilling to pad the list like I had to do the last couple weeks.) Worse still, because the holiday just ended, a lot of the screeners that were supposed to arrive have not, including a few Pick of the Week contenders. Compliance, Dredd, and Frankenweenie are all contenders that are currently late, and I really don't like choosing a late screener. In the end, it was literally a coin toss between Archer: Season Three on DVD or Blu-ray and Red Dwarf: X on DVD or Blu-ray. And the coin said... Red Dwarf: X. More...

Weekend Estimates: Possession Tops Very Quiet Weekend

September 9th, 2012

One statistic suffices to sum up this weekend at the box office: based on estimates received so far, the weekend ranks as the 5th-worst weekend for total box office receipts since January, 2000 (see full chart here). While that position will improve when we get complete numbers on Monday, there's a good chance this will end up as the worst weekend since 2001, even though ticket prices have risen substantially since then. The two marks that industry watchers should look out for are the $67.5 million weekend of September 5, 2003 and the $67.9 million weekend of September 5, 2008. Unsurprisingly, the top film at the box office this weekend is the same as last weekend: The Possession is set for about $9.5 million in its second outing. The Words is the top opener, with about $5 million in 2,801 theaters -- certainly a disappointment, although CBS Films is hoping for good legs thanks to its adult-skewing demographic. More...

Per Theater Chart: Samsara (Sleep)Walks to the Top

September 5th, 2012

Samsara expanded from two to nine theaters, but held on well enough to rise to top spot on the per theater chart with $12,597. Sleepwalk With Me expanded to 29 theaters and was very solid with an average of $11,127. More...

Weekend Estimates: Possession Leads Labor Day Weekend

September 2nd, 2012

Labor Day weekend is traditionally the slowest holiday weekend at the box office, so it comes as no surprise that the overall chart looks fairly weak. However, Possession is set to produce a very credible box office number, with Lionsgate estimating $17.725 million through Sunday and comfortably over $20 million for the full 4-day frame. That's hardly blockbuster level, but is considerably better than consensus predictions coming in to the weekend. Another opener, Lawless, is well behind, with Weinstein predicting $9.7 million for the Friday-Sunday portion of the weekend. Far, far behind that is this weekend's other new wide release, The Oogieloves in the BIG Balloon Adventure, which is headed for about $450,000 from 2,160 theaters and will end up in the record books for one of the poorest openings in history. More...

Per Theater Chart: Sleepwalk Runs to the Top

August 29th, 2012

Sleepwalk With Me found its way on top of the per theater chart with $68,801 in one theater. This is higher than the per theater average for the opening of The Avengers, which was the goal of the filmmakers after their fake fight with Joss Whedon. Samsara opened with an average of $38,111 in two theaters. The only other film in the $10,000 club was Space Station with $14,268 in one theater. More...

Weekend Estimates: Expendables Leads as Openers Falter

August 26th, 2012

The Summer box office season will come to an abrupt halt this weekend as returning films dominate the chart thanks to some decidedly lackluster openings. The top holdover, The Expendables 2, will win by default with a decent second weekend of $13.5 million, according to Lionsgate's Sunday morning estimate. That's down a fairly respectable 53% from its debut figure. The standout performer among returning films is political documentary 2016: Obama's America, which is projected to earn $6.2 million from 1,091 theaters -- the best per theater average in the top 10. That film will end up in 8th place, though, after an impressive 4th place on Friday, suggesting that it has a fairly narrow, if enthusiastic, fan base. More...

Limited Releases: In-Between Release Seasons

August 24th, 2012

Like I said last weekend, it is an awkward time to debut a film in limited release. It is too late for summer holidays, but too early for Awards Season. There are not nearly as many releases this week as there were last week, but at least there are a few earning overwhelmingly positive reviews. The one with the best chance of success is Sleepwalk With Me, but Samsara and Somewhere Between could be art house hits. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2012/09/07 14 $4,462   3 $1,487   $4,462 1
2012/09/14 14 $7,309 +64% 4 $1,827   $16,430 2
2012/09/21 16 $4,301 -41% 4 $1,075   $27,627 3
2012/09/28 17 $4,424 +3% 5 $885   $36,767 4
2012/10/05 16 $3,820 -14% 5 $764   $44,389 5
2012/10/12 16 $2,686 -30% 5 $537   $48,760 6
2012/10/26 13 $1,468   5 $294   $54,226 8
2012/11/09 11 $1,305   5 $261   $59,200 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 12/26/2012 $0 0 18 37 $746,415 8/31/2021
Austria 9/7/2012 $4,462 3 5 36 $59,200 12/12/2015
Czech Republic 10/25/2012 $6,735 19 19 28 $31,714 12/29/2018
Estonia 4/26/2013 $6,312 5 5 5 $6,312 12/14/2015
France 3/27/2013 $85,945 11 11 11 $85,945 12/14/2015
Germany 8/23/2012 $43,660 46 46 119 $127,094 12/11/2015
Hungary 12/20/2012 $462 10 10 10 $462 12/29/2018
Netherlands 12/19/2013 $13,234 15 15 15 $22,640 12/13/2015
North America 8/24/2012 $76,222 2 70 673 $2,672,413 3/18/2015
Poland 10/19/2012 $0 0 20 50 $189,062 12/29/2018
Slovakia 10/25/2012 $6,979 10 12 42 $43,609 12/12/2015
United Kingdom 8/31/2012 $72,060 27 27 109 $327,444 1/31/2024
 
Rest of World $1,654,361
 
Worldwide Total$5,966,671 1/31/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Production and Technical Credits

Ron Fricke    Director
Ron Fricke    Director of Photography
Mark Magidson    Producer
Ron Fricke    Editor
Mark Magidson    Editor
Michael Steams    Composer
Lisa Gerrard    Composer
Marcello De Francisci    Composer
Ron Fricke    Screenwriter
Mark Magidson    Screenwriter
Myles Connolly    Line Producer
John Chandler Earle    Associate Producer
John Chandler Earle    Additional Editing
Jon Johnson    Sound Effects Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.