Ukraine Box Office for Smurfs: The Lost Village (2017)

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Smurfs: The Lost Village
Theatrical Performance (US$)
Ukraine Box Office $589,312Details
Worldwide Box Office $197,578,586Details
Home Market Performance
North America DVD Sales $5,889,209 Details
North America Blu-ray Sales $3,557,122 Details
Total North America Video Sales $9,446,331
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A mysterious map sets Smurfette and her best friends Brainy, Clumsy and Hefty on an exciting and thrilling race through the Forbidden Forest filled with magical creatures to find a mysterious lost village before the evil wizard Gargamel does. Embarking on a rollercoaster journey full of action and danger, the Smurfs are on a course that leads to the discovery of the biggest secret in Smurf history!

Metrics

Movie Details

Production Budget:$60,000,000
Ukraine Releases: March 30th, 2017 (Wide)
Video Release: June 20th, 2017 by Columbia Pictures Home Entertainment
MPAA Rating: PG for some mild action and rude humor
(Rating bulletin 2460 (Cert #50628), 1/25/2017)
Running Time: 90 minutes
Franchise: The Smurfs
Keywords: Reboot, 3-D, 3-D - Shot in 3-D, Road Trip, Animal Lead, Voiceover/Narration, Prologue, Non-Chronological, Underground, Rescue, Family Movie, Directing Yourself, Scene in End Credits, Family Adventure
Source:Based on Comic/Graphic Novel
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Kerner Entertainment Company, Columbia Pictures, LStar Capital, Wanda Media, Sony Pictures Animation
Production Countries: United States
Languages: English

Home Market Releases for July 11th, 2017

July 11th, 2017

Underground: Season Two

This week, the home market is led by The Fate of the Furious, which is the number one film both in terms of worldwide box office and alphabetically. It earned well over $1 billion worldwide, but it is losing the charm the franchise thrived on during the past few installments. As for the Pick of the Week, I’m going with Underground, Season Two, or the Two-Season box set. More...

Featured Blu-ray and DVD Review: Smurfs: The Lost Village

July 9th, 2017

Smurfs: The Lost Village

Smurfs: The Lost Village is the third theatrical release in the franchise, but it is a reboot dropping the live action elements the first two films had. Unfortunately, it had the worst box office performance in the franchise and even though it did better internationally, there likely won’t be another film in the franchise for quite a while. Is this unfortunate news? Did the franchise finally find its footing? Or was it clear it was never going to get better? More...

Home Market Releases for June 20th, 2017

June 20th, 2017

GLOW

Summer time is usually the worst time of year on the home market and that is certainly the case this week. The biggest release of the week is Life, which only made $30 million at the box office. As for the best new release on this week’s list... I’m going to have to go with GLOW: Season One, which hits Netflix on Friday. More...

International Box Office: Furious Fast Start Leads to a Quick Fall with $158.1 million

April 26th, 2017

The Fate of the Furious

The Fate of the Furious is living fast, but plummeting just as fast down 64% to $158.1 million on 19,757 screens in 65 territories for totals of $745.03 million internationally and $908.34 million worldwide. The film is now the biggest hit of 2017 on the international chart and is behind only Beauty and the Beast on the 2017 worldwide chart. The film’s biggest opening of the past weekend came in Poland where it earned $2.7 million on 187 screens, which is the best opening for the Fast and the Furious franchise in that market. Its biggest market overall continues to be China, where it added $55.28 million over the weekend for a two-week total of $321.65 million. The is the second biggest box office for a Hollywood release in China, behind only Furious 7, which earned $390.87 million there. More...

Weekend Wrap-Up: Furious Slows and New Releases Stall, Leaving Box Office short by $60 million

April 25th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated the weekend box office chart. It held up a little better than expected with $38.41 million over the weekend; however, this was still over 60% lower than its opening weekend and the overall weekend fell over $60 million or 36% from last weekend for a total of $107 million. A lot of the blame can be pushed onto the new releases, as none of them earned a spot in the top five. Born in China was the best of the new releases earning sixth place with $4.79 million. Year-over-year, 2017 was 16% lower than 2016, but fortunately, 2017 still has an impressive $200 million lead over 2016 at $3.53 billion to $3.33 billion. More...

Friday Estimates: Furious Falls 75%, Still Dominates Friday with $11.2 million

April 22nd, 2017

The Fate of the Furious

The Fate of the Furious dominated the box office chart on Friday with $11.2 million. This could be more than any other film will earn during the entire weekend. That’s the good news. The bad news is this still represents a decline of just over 75% from its opening Friday. This is not good by any stretch of the word, but it is also not unexpected. The film will rebound on Saturday, and earn about $35.5 million over the weekend, according to Universal, which is close to our prediction and will lift the film’s running tally to $160 million. This keeps The Fate of the Furious on pace for $200 million and the film should become the third film released in 2017 to get to that milestone. It might overtake Logan on the yearly chart, but Guardians of the Galaxy, Vol. 2 will probably get there first. More...

International Box Office: Furious Goes from Zero to $500 million in one Weekend

April 19th, 2017

The Fate of the Furious

The Fate of the Furious dominated in the international chart with $433.2 million in 63 markets. This is the biggest international weekend of all time, beating the previous record holder, Jurassic World, by over $100 million. Interestingly, both of these films were released by Universal. Furthermore, the film has already topped the international totals of all but the two more recent installments in the Fast and the Furious franchise. On the downside, the international opening weekend record isn’t the most prestigious record, because it depends a lot of how wide a release a film has. For instance, The Fate of the Furious opened in all but four markets this past weekend and of the remaining markets, only Japan is a significant market. The film has the number one overall international weekend, but only broke weekend records in 20 of the 63 individual markets and only one of those markets could be considered a major market. That one market was China. More...

Weekend Wrap-Up: Fate Falls to Great Expectations, Still Earns $98.79 million

April 18th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated the box office this weekend, earning nearly a 60% share of the total box office. It did miss predictions, however, with “just” $98.79 million. This is the curse of great expectations. Overall, the box office rose 40% from last weekend, reaching $167 million. However, this was 5.1% lower than the same weekend last year. Had The Fate of the Furious matched expectations, then 2017 would have had a 5% lead over last year. Year-to-date, 2017 has pulled in $3.37 billion and has a 7.2% lead over 2016. That will shrink as last year’s The Jungle Book’s legs will undoubtedly be better than The Fate of the Furious’s legs, but I don’t think 2017 will fall behind 2016 any time soon. More...

Weekend Estimates: Fate’s $100 Million Stateside Dwarfed by Huge International Haul

April 16th, 2017

The Fate of the Furious

The Fate of the Furious is, as expected, posting great opening numbers domestically, with Universal projecting a $100.2 million opening weekend, but the real news this weekend is the record breaking in international markets. Helped by a gigantic $190 million in China—the biggest-ever three-day weekend in that territory—Fate is headed for an overseas debut of $432.2 million, according to the studio. That’s easily the biggest international weekend of all time, beating Jurassic World’s $316.7 million. It’s also ahead of the inflation-adjusted international opening for Harry Potter and the Deathly Hallows, Part II, which earned $314 million on its first weekend internationally, roughly equivalent to $375 million today. More...

Friday Estimates: Fate Set for All-Time Worldwide Weekend Record

April 15th, 2017

The Fate of the Furious

As expected, The Fate of the Furious dominated at the domestic box office on Friday, earning $45.6 million. This is not the best opening-day record for the franchiseFurious 7 owns that with $67.41 million—and it is almost a third lower than the previous installment, but if it manages the same legs, it will earn just under $100 million over the weekend. Universal is estimating an opening weekend of $103.8 million. Granted, this film’s reviews are 15 points lower than Furious 7’s, and that should hurt its legs. On the other hand, both films earned a solid A from CinemaScore. In fact, every film in the franchise since Fast Five has earned an A from CinemaScore. Consistency. A drop like this is troubling, but it is more than made up for by the film’s international performance… More...

Weekend Predictions: Furious is Fated to Outrace the Competition

April 13th, 2017

The Fate of the Furious

The headline isn’t 100% accurate, because let’s face it, there is no competition this week. The Fate of the Furious is the only wide release of the week (Spark was dropped to select cities.) and it will beat the nearest competition likely by over $100 million. It will likely earn more than the rest of the box office combined will earn. There could be a close race for second place between The Boss Baby and Beauty and the Beast, but for the most part, there will be no mystery at the box office this weekend. As for this weekend last year, it was also really one-sided. The Jungle Book opened with $103.26 million, while Barbershop: The Next Cut was a distant second with $20.24 million. The Fate of the Furious will need to match this one-two punch, or at least come close, for 2017 to continue building on its lead over 2016. I’m cautiously optimistic. More...

International Box Office: Ghost Comes to Life with $41.3 million

April 13th, 2017

Ghost in the Shell

Ghost in the Shell rose to first place with $41.3 million in 57 markets for a two-week international total of $92.8 million. The film was aided by a first place debut in China. It earned $21.15 million over the weekend for a total opening of $21.49 million. It also opened in Japan with $3.2 million over the weekend. The film’s international running tally is nearly triple its domestic one and that spread will only grow. This will help the studio somewhat; however, it would need to make over $250 million internationally to have any real shot at breaking even.

More...

Contest: Smurf to the Smurf: Winning Announcement

April 13th, 2017

Smurfs: The Lost Village

The winners of our Smurf to the Smurf contest were determined and the entrants with the closest predictions for Smurfs: The Lost Village’s opening weekend were... More...

Weekend Wrap-Up: Baby and Beast Dominate Box Office with $26.36 million and $23.65 million

April 11th, 2017

The Boss Baby

It was a good weekend at the box office, considering the time of year, but this was almost entirely due to holdovers. The Boss Baby earned $26.36 million, which was within a rounding of our prediction, while Beauty and the Beast was relatively close behind. This meant the best new release, Smurfs: The Lost Village, only managed third place. Furthermore, it wasn’t even close to second place. Overall, the box office fell 30% from last weekend. More importantly, it was 14% higher than the same weekend last year. Year-to-date, 2017 has pulled in $3.15 billion becoming the fastest year to reach $3 billion. It is also 6.4% or $190 million ahead of last year’s pace. It is still early, but 2017 is starting to build up a lead that will act as a cushion when it inevitably hits a soft patch. More...

Weekend Estimates: Baby Continues to Boss at the Box Office

April 9th, 2017

The Boss Baby

The Boss Baby will score another win at the box office this weekend, with Fox predicting a total of $26.3 million for the weekend, down 48% from its debut, and $89.4 million to date. That’s a remarkably strong second weekend, considering that Beauty and the Beast will be down virtually the same proporation—45%—in its fourth weekend. Disney’s blockbuster will do $25 million for a cume of $432 million so far domestically. With $545.1 million internationally, the film now has $977.4 million worldwide, and will pass the billion dollar mark this week. More...

Friday Estimates: Baby Bosses Around the New Releases, Maintains First with $6.86 Million

April 8th, 2017

The Boss Baby

There was quite a race at the box office on Friday. The Boss Baby led the way with $6.86 million for the day, putting it just ahead of Beauty and the Beast, which made $6.85 million. This is a 56% decline from the film’s opening Friday, which is a little high for a family film. Granted, its reviews are not good, but it did get an A minus from CinemaScore. It should bounce back on Saturday, but a nearly 50% drop-off to just under $26 million is likely at this point. More...

Thursday Night Previews: Going has Stylish Start, while Smurfs is Going, Going, Gone

April 7th, 2017

Going in Style

There was an upset during Thursday’s previews, as Going in Style actually led the way with $600,000. However, demographics suggest it won’t remain in the lead for long. This is still not a great start, but it is nearly perfectly in line with expectations. The film’s reviews rose a little to 42% positive, but this still won’t help its legs. Look for an opening weekend of $10 million, more or less. More...

Weekend Predictions: Will it be Smurfs and the New Releases Get Lost in the Crowd?

April 6th, 2017

Smurfs: The Lost Village

It is the first weekend of April and there are two and a half films opening wide this week. The widest of these is Smurfs: The Lost Village, but direct competition is going to hurt it at the box office. Going in Style is aiming to be a sleeper hit, but its reviews will likely get in the way of that. Meanwhile, The Case for Christ is opening in barely more than 1,000 theaters and it is aiming for the churchgoing crowd and no one else. On the positive side, it is Easter next weekend, so it should have good legs. Unfortunately for the new releases, it looks like The Boss Baby will have a relatively easy time repeating in first place, while Beauty and the Beast will be close behind in second. This weekend last year, The Boss opened in first place with $23.59 million, while Batman v Superman: Dawn of Justice was right behind with $23.36 million. This week we should have at least two films top that, perhaps even three if Smurfs: The Lost Village is on the high end of expectations. 2017 should continue to add to its lead over 2016. More...

International Box Office: Beauty Nears $900 million With $66.5 million

April 5th, 2017

Beauty and the Beast

Beauty and the Beast completed the threepeat earning first place on the international chart with $66.5 million in 55 markets for totals of $480.8 million internationally and $874.1 million worldwide. The film had no major market openings this past weekend, but it did do really well in a number of mid-level markets. Malaysia was the best earning $2.4 million, which is the second best opening in that market this year. Kong: Skull Island earned $2.6 million during its debut there. The Netherlands managed $1.8 million over the weekend for a total opening of $2.3 million, which is the best opening of the year so far. Likewise, it had the best openings of 2017 in both New Zealand ($1.4 million over the weekend and $1.7 million including previews) and in Chile ($1.5 million / $1.6 million). It will soon become the first film of 2017 to reach $1 billion worldwide and the 14th film from Disney to reach that milestone. More...

Contest: Give Up the Ghost: Winning Announcement

April 5th, 2017

Ghost in the Shell

The winners of our Give Up the Ghost contest were determined and the entrants with the closest predictions for Ghost in the Shell’s opening weekend were... More...

Weekend Wrap-Up: Boss Blasts Off while Ghost Cracks

April 4th, 2017

The Boss Baby

The Boss Baby beat expectations and earned first place with $50.20 million over the weekend. The strong competition pushed Beauty and the Beast into second place, but it nearly hit $400 million and it is on pace for $500 million, so I wouldn’t feel too bad for the film. On the other hand, you can feel bad for Ghost in the Shell, because an opening of just $18.68 million on a $110 million production budget is a disaster. Overall, the box office rose 16% from last week reaching $169 million. Compared to last year, the box office rose 28%, which is very impressive. Year-to-date, 2017 has pulled in $2.98 billion, putting it 6.1% or $170 million ahead of 2016’s pace. We are far enough into the year that a lead this big is significant. That doesn’t mean 2017 is guaranteed to come out ahead, but this is certainly reason to be optimistic. More...

2017 Preview: April

April 1st, 2017

The Fate of the Furious

March was a month of extremes, led by two strong performances: Beauty and the Beast breaking records and Logan cracking $200 million with ease. There were also two other $100 million hits and another potential $100 million hit that we don’t have significant box office numbers for yet. This is fantastic. On the opposite end, there were three films on last month’s list that didn’t even open truly wide. This month won’t be as lucrative at the top, as The Fate of the Furious is the only film expected to top $100 million. Fortunately, it is expected to open with over $100 million. On the other extreme, there are many, many films on this list that I’m not sure will open wide. Fortunately, last April wasn’t any better. The Jungle Book made nearly $1 billion worldwide, but the other nine films combined made less than half of that. To emphasize: the other nine films that opened last April averaged less than $50 million worldwide each. If The Fate of the Furious can just come close to the previous installment of the franchise, then 2017 has a solid shot at topping 2016. More...

Contest: Smurf to the Smurf

March 31st, 2017

Smurfs: The Lost Village

There are three wide releases opening next weekend, but only Smurfs: The Lost Village has a shot at topping the chart. Going in Style would be happy with a total of $50 million domestically, while The Case for Christ might not even open truly wide. Because of this, Smurfs: The Lost Village is the best choice for the target film in this week’s box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Smurfs: The Lost Village.

April 1st is on Saturday, so we are starting our April Fools contests this week. Two of our winners will get movies from our prize pool, while one will be chosen at random to be the fool and receive an HD-DVD release.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win one of two previously reviewed movies, or be the winner of the Fool’s Prize. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also be a potential winner of two previously reviewed movies, or the winner of the Fool’s Prize. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win either the final of two previously reviewed movies, or be the winner of the Fool’s Prize.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/03/31 - $286,236   274 $1,045   $286,236 1
2017/04/07 - $137,976 -52% 259 $533   $451,475 2
2017/04/14 - $32,277 -77% 206 $157   $501,969 3
2017/04/21 - $29,472 -9% 119 $248   $571,915 4
2017/05/12 - $953   4 $238   $588,527 7
2017/05/19 - $678 -29% 3 $226   $589,312 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/6/2017 $1,152,104 299 299 888 $2,525,651 1/1/2019
Aruba 4/6/2017 $2,906 4 4 12 $31,722 1/1/2019
Australia 3/31/2017 $395,817 225 296 1818 $5,047,495 4/19/2018
Austria 4/7/2017 $227,886 150 154 1462 $1,537,644 8/2/2017
Bahrain 3/30/2017 $174,653 14 14 62 $625,965 1/1/2019
Belgium 3/29/2017 $346,103 137 137 1339 $2,589,352 8/1/2017
Bolivia 4/6/2017 $69,969 33 33 103 $253,865 1/1/2019
Brazil 4/6/2017 $2,113,327 855 855 3517 $6,672,422 7/25/2017
Bulgaria 3/31/2017 $141,777 71 73 459 $735,720 2/26/2019
Cambodia 4/6/2017 $22,355 49 49 83 $47,863 1/1/2019
Central America 4/6/2017 $401,568 241 241 579 $1,319,116 6/6/2017
Chile 4/6/2017 $305,427 106 106 340 $853,948 12/21/2018
China 4/21/2017 $11,260,000 46045 46045 78904 $25,215,780 6/20/2017
Colombia 4/6/2017 $233,548 269 269 759 $1,502,777 1/1/2019
Croatia 3/30/2017 $150,966 102 102 548 $452,291 1/1/2019
Curacao 4/6/2017 $2,241 4 4 17 $29,129 1/1/2019
Czech Republic 4/7/2017 $56,227 29 144 996 $2,066,818 1/1/2019
Denmark 3/30/2017 $251,307 114 126 836 $1,115,192 8/1/2017
Dominican Republic 4/6/2017 $26,578 33 33 120 $151,413 1/1/2019
East Africa 4/7/2017 $2,132 1 1 2 $6,249 4/19/2017
Ecuador 4/7/2017 $239,352 98 98 368 $796,234 1/1/2019
Egypt 3/30/2017 $24,756 11 12 74 $100,554 1/1/2019
Estonia 3/31/2017 $100,592 19 22 100 $237,155 6/27/2017
Finland 3/31/2017 $334,258 190 190 863 $1,050,357 7/5/2017
France 4/5/2017 $1,951,421 589 667 5574 $11,589,780 7/5/2017
Germany 4/6/2017 $1,387,010 1179 1179 9731 $9,814,621 8/1/2017
Ghana 4/7/2017 $824 3 3 14 $6,542 1/1/2019
Greece 3/30/2017 $417,647 155 155 872 $1,182,704 8/1/2017
Hong Kong 4/13/2017 $337,912 99 99 172 $738,572 6/27/2017
Hungary 3/30/2017 $95,529 61 63 376 $480,737 1/1/2019
Iceland 3/31/2017 $52,126 13 13 60 $158,153 1/1/2019
India 4/21/2017 $588,096 618 618 759 $1,041,599 6/6/2017
Indonesia 3/29/2017 $908,173 234 234 409 $1,318,060 1/1/2019
Iraq 3/30/2017 $22,849 9 9 29 $58,159 1/1/2019
Israel 3/30/2017 $354,697 69 70 559 $2,797,762 1/1/2019
Italy 4/6/2017 $872,918 533 603 1881 $3,081,000 8/2/2017
Jamaica 4/7/2017 $5,010 2 6 22 $64,994 1/1/2019
Jordan 3/30/2017 $40,758 13 13 57 $158,072 1/1/2019
Kenya 3/31/2017 $0 0 19 54 $52,134 1/1/2019
Kuwait 3/30/2017 $478,104 24 26 97 $1,646,320 1/1/2019
Latvia 3/31/2017 $95,969 18 18 88 $248,186 1/1/2019
Lebanon 3/30/2017 $121,340 24 25 117 $405,912 1/1/2019
Lithuania 3/24/2017 $17,141 11 196 852 $340,709 7/19/2017
Malaysia 4/6/2017 $422,259 156 198 712 $1,143,908 6/13/2017
Mexico 4/6/2017 $1,458,601 1569 1569 4313 $5,448,819 6/27/2017
Netherlands 4/5/2017 $261,475 141 146 1901 $3,723,301 8/2/2017
New Zealand 3/31/2017 $45,176 46 99 597 $820,683 7/5/2017
Nigeria 4/7/2017 $9,959 28 28 133 $64,340 1/1/2019
North America 4/7/2017 $13,210,449 3,610 3,610 18,099 $45,020,282 12/12/2018
Norway 3/31/2017 $388,218 202 202 712 $933,468 4/19/2018
Oman 3/30/2017 $74,292 20 20 62 $226,683 1/1/2019
Pakistan 4/7/2017 $13,855 30 30 43 $22,222 1/1/2019
Paraguay 4/6/2017 $14,885 21 21 52 $48,573 1/1/2019
Peru 4/6/2017 $805,754 199 199 661 $2,813,646 1/1/2019
Philippines 3/31/2017 $350,850 182 182 493 $853,724 12/20/2018
Poland 5/26/2017 $1,189,084 289 306 1649 $5,878,934 1/1/2019
Portugal 3/30/2017 $221,544 94 94 398 $1,112,079 6/27/2017
Qatar 3/30/2017 $218,039 22 22 77 $756,053 1/1/2019
Romania 3/31/2017 $237,033 110 110 536 $829,586 1/1/2019
Russia (CIS) 3/24/2017 $352,836 748 1273 4649 $4,133,030 1/1/2019
Serbia and Montenegro 3/30/2017 $57,291 40 46 323 $255,327 1/1/2019
Singapore 4/6/2017 $276,080 48 48 176 $717,077 6/20/2017
Slovakia 4/7/2017 $35,815 25 74 481 $696,389 7/25/2017
Slovenia 3/30/2017 $99,278 43 43 222 $338,548 8/1/2017
South Africa 3/31/2017 $330,938 125 125 512 $1,243,192 6/13/2017
South Korea 4/14/2017 $9,808 0 607 1351 $2,700,504 10/12/2018
Spain 3/31/2017 $2,131,705 529 529 3921 $7,699,869 8/1/2017
Suriname 4/6/2017 $1,631 2 2 13 $9,250 1/1/2019
Sweden 3/31/2017 $513,170 293 293 1198 $1,440,461 8/1/2017
Switzerland 4/6/2017 $0 0 123 766 $1,521,537 7/11/2017
Syria 3/30/2017 $11,271 3 3 9 $38,124 1/1/2019
Taiwan 4/7/2017 $116,273 90 90 163 $179,112 5/16/2017
Thailand 4/5/2017 $157,495 100 100 239 $575,329 5/9/2017
Trinidad 4/5/2017 $46,922 23 23 81 $189,933 1/1/2019
Turkey 4/7/2017 $693,651 341 341 1718 $2,882,836 2/26/2019
Ukraine 3/30/2017 $286,236 274 274 865 $589,312 1/1/2019
United Arab Emirates 3/30/2017 $961,946 99 99 296 $2,712,093 1/1/2019
United Kingdom 3/31/2017 $1,734,026 527 542 5389 $7,428,880 8/1/2017
Uruguay 4/6/2017 $41,483 27 27 144 $316,330 1/1/2019
Venezuela 4/7/2017 $124,296 83 83 481 $947,825 7/11/2017
Vietnam 4/28/2017 $413,659 140 140 311 $1,090,419 1/1/2019
 
Rest of World $28,180
 
Worldwide Total$197,578,586 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Demi Lovato    Smurfette
Joe Manganiello    Hefty Smurf
Jack McBrayer    Clumsy Smurf
Danny Pudi    Brainy Smurf

Supporting Cast

Rainn Wilson    Gargamel
Mandy Patinkin    Papa Smurf
Dee Bradley Baker    Monty
Frank Welker    Azrael
Michelle Rodriguez    SmurfStorm
Ellie Kemper    SmurfBlossom
Julia Roberts    SmurfWillow
Ariel Winter    SmurfLily
Meghan Trainor    SmurfMelody
Bret Marnell    Snappy Bug, Handy Smurf
Brandon Jeffords    Cauldron
Kelly Asbury    Nosey Smurf
Jake Johnson    Grouchy Smurf
Gabriel Iglesias    Jokey Smurf
Tituss Burgess    Vanity Smurf
Jeff Dunham    Farmer Smurf
Patrick Ballin    Patient Smurf, Frank the Caterpillar
Gordon Ramsay    Baker Smurf
Melissa Sturm    SmurfJade
Alan Mechem    Passerby Smurf
Danik Thomas    Karate Smurf
Eric Bauza    Additional Voice
Ashley Bell    Additional Voice
Bob Bergen    Additional Voice
Debi Derryberry    Additional Voice
Terri Douglas    Additional Voice
Jeff Fischer    Additional Voice
Jennifer Crystal Foley    Additional Voice
Jackie Gonneau    Additional Voice
Josh Keaton    Additional Voice
Marcella Lentz-Pope    Additional Voice
Yuri Lowenthal    Additional Voice
Scott Menville    Additional Voice
Max Mittelman    Additional Voice
Courtney Peldon    Additional Voice
Ashleigh Prather    Additional Voice
Lashana Rodriguez    Additional Voice
Anne Sackmann    Additional Voice
Tara Strong    Additional Voice
Brittanny Tuerpe    Additional Voice
Kari Wahlgren    Additional Voice
Lisa Wilhoit    Additional Voice
Matthew Wood    Additional Voice
Shelby Young    Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kelly Asbury    Director
Stacey Harman    Screenwriter
Pamela Ribon    Screenwriter
Jordan Kerner    Producer
Mary Ellen Bauder Andrews    Producer
Raja Gosnell    Executive Producer
Ben Waisbren    Executive Producer
Peyo    Character Creator
Mandy Kisthardt Tankenson    Co-Producer
Veronique Culliford    Co-Producer
Ben Haber    Co-Executive Producer
Christopher Lennertz    Composer
Bret Marnell    Editor
Noelle Triaureau    Production Designer
Mike Ford    Visual Effects Supervisor
Dean Gordon    Art Director
Marcelo Vignali    Art Director
Patrick Mate    Character Designer
Brandon Jeffords    Head of Story
David Morehead    Head of Layout
Alan Hawkins    Senior Animation Supervisor
Chad Ellis    Supervising Animator
Derek Esparza    Supervising Animator
Meena Ibrahim    Supervising Animator
Tim Kallok    Supervising Animator
Valerie Morrison    Supervising Animator
Burke Roane    Supervising Animator
Matt Shepherd    Supervising Animator
Lisa Jacqueline Bechard    Digital Producer
Theresa Bentz    Production Manager
Mario Capellari    Character CG Supervisor
Patrick Cohen    Character CG Supervisor
R. Stirling Duguid    Character CG Supervisor
Pablo Holcer    Character CG Supervisor
Joosten Kuypers    Character CG Supervisor
Michael Lasker    Character CG Supervisor
Orde Stevanoski    Character CG Supervisor
Mary Hidalgo    Casting Director
Garrick McLaughlin    Digital Production Manager
Alyse Joseph    Digital Production Manager
Bryan Andrews    Story Artist
Keith Baxter    Story Artist
Sharon Bridgeman    Story Artist
David Feiss    Story Artist
Steven Fonti    Story Artist
Justin Gordon-Montgomery    Story Artist
Patrick Harpin    Story Artist
Jennifer Kluska    Story Artist
Denise Koyama    Story Artist
Mike Kunkel    Story Artist
Casey Lowe    Story Artist
Paul McEvoy    Story Artist
Patrick Pakula    Story Artist
Dean Roberts    Story Artist
Paul Watling    Story Artist
Erik Wiese    Story Artist
H. Lee Peterson    Editor
Danik Thomas    Associate Editor
Patrick Ballin    First Assistant Editor
Tim Reese    Assistant Editor
William Eckroat    Character Effects Supervisor
Christopher Alex Logan    Character Effects Supervisor
Jessica Smialek    Post-Production Supervisor
Deb Adair    Re-recording Mixer
Dean A. Zupancic    Re-recording Mixer
Robert L. Sephton    Supervising Sound Editor
Robert L. Sephton    Sound Designer
Jussi Tegelman    Sound Designer
Charles Maynes    Sound Designer
Bernard Weiser    Supervising Dialogue Editor
Todd Bozung    Supervising Music Editor
Dane Leon    Music Editor
Christopher Brooks    Music Editor
Philip White    Additional Music
Jeff Vaughn    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.