Sarah Polley is both filmmaker and detective as she investigates the secrets kept by a family of storytellers. She interviews and interrogates a cast of characters of varying reliability, eliciting candid, yet mostly contradictory, answers to the same questions. As each relates their version of the family mythology, present-day recollections shift into nostalgia-tinged glimpses of their mother, who departed too soon, leaving a trail of unanswered questions. Polley unravels the paradoxes to reveal the essence of family: always complicated, warmly messy and fiercely loving. Stories We Tell explores the elusive nature of truth and memory, but at its core is a deeply personal film about how our narratives shape and define us as individuals and families, all interconnecting to paint a profound, funny and poignant picture of the larger human story.
||October 12th, 2012 (Limited) by Mongrel Media (Canada)
May 10th, 2013 (Limited) by Roadside Attractions
||September 3rd, 2013 by Lionsgate Home Entertainment|
||PG-13 for thematic elements involving sexuality, brief strong language and smoking.|
(Rating bulletin 2256, 1/23/2013)
||Infidelity, Young Child Dealing with the Death of a Parent, Death of a Spouse, Dysfunctional Family, Faulty Memory, Screenplay Written By the Star, Directing Yourself|
|Source:||Based on Real Life Events|
|Production Method:||Live Action|
||National Film Board of Canada|
WGAs handed out their awards on Saturday and depending on who you talk to, there were a couple of major upsets. There was certainly at least one upset, but the other awards are less surprising.
The Directors Guild of America finished its theatrical nominations yesterday with the Documentary category. I'm of two minds with the list of nominees. On the one hand, I feel like I should be surprised, because a number of documentaries thought to be Oscar favorites were left off the list. On the other hand, they've been left off the list a number of times. I think it is time to rethink who is and is not an Oscar favorite.
WGAs announced their nominations this weekend and there were a couple of surprises to talk about. The top of that list is 12 Years a Slave, which was deemed ineligible because it wasn't written under WGA jurisdiction. This makes using the WGAs as an Oscar guide less reliable. On the other hand, several Oscar favorites showed up as well, including American Hustle, Nebraska, and others that have picked up major nominations this year.
Part III of the Holiday Gift Guide is a little late due to reasons you probably don't want to hear the details about. (I believe I've developed a food allergy to something in Eggnog.) The third installment of our holiday gift guide includes independent films, classics, foreign films, etc. The fastest way to find gifts is to go to the Independent Spirit Awards nominations and find any film that is on that list that is already out on DVD / Blu-ray (Frances Ha, Mud, etc.). Unfortunately, most of the films competing for Awards Season glory are still in theaters and not available as gifts. But there are still many films worth picking up, starting with...
It's a really slow week on the home market. There's only one first-run release of note, Now You See Me, while the best-selling TV on DVD release is from the CW, The Vampire Diaries: The Complete Fourth Season. That doesn't mean there are no new releases worth picking up. In fact, there are a couple of contenders for Pick of the Week. Blancanieves is one such contender, but while the DVD or Blu-ray is worth picking up, I think the target audience is a little too limited for Pick of the Week. Instead, that honor goes to From Up on Poppy Hill on Blu-ray Combo Pack.
Much Ado About Nothing lived up to the hype earning first place on the per theater chart with an average of $34,388 in five theaters. This is enough to suggest significant expansion, but I think it is too "art house" to expand even semi-wide. Dirty Wars opened in second place with an average of $15,876 in four theaters. This is an excellent start for a documentary. The overall box office leader, The Purge, earned third place with an average of $13,430. The final film in the $10,000 club was Before Midnight with an average of $10,123 in 52 theaters during its third weekend of release.
Iron Man 3 again earned first place on the Per Theater Chart, but this time it was closer with an average of $17,053. The second best film on the per theater chart was the second best film on the overall chart, The Great Gatsby, which earned an average of $14,168. The best limited release was Stories We Tell with an average of $13,527 in two theaters. It had previously opened in Canada, where it made $360,000. One Track Heart: The Story of Krishna Das earned $11,515 in one theater.
To no-one's great surprise, Iron Man 3 will top the box office chart again this weekend, with a very creditable projected $72.4 million, the 4th-biggest second weekend of all time. The more notable number this weekend, however, is the $51 million projected opening for The Great Gatsby. That's Baz Luhrman's best weekend by a huge margin -- in fact, only Moulin Rouge earned more than that in total domestically (and only by a small margin, with $57 million). It's also Leonardo DiCaprio's second-best weekend, behind Inception. In short, it's a great weekend for a movie that looked like a tough sell.
Most summers there is at least one limited release that manages to find enough success to expand truly wide. There are quite a few new limited releases this week, but most of them are earning weak reviews and will likely fail to find an audience in limited release. There are three films that are earning 80% positive reviews or better: Sightseers, Stories We Tell, and Venus and Serena. Unfortunately, the last two are documentaries and the first one is a Black Comedy, so it is unlikely we will have a true break-out hit this week.
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