Streets of Fire (1984)

Streets of Fire
Theatrical Performance
Domestic Box Office $5,600,000Details
Further financial details...

Metrics

Opening Weekend:$2,426,500 (43.3% of total gross)
Legs:2.31 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1,150 opening theaters/1,150 max. theaters, 2.3 weeks average run per theater
Infl. Adj. Dom. BO $17,966,659

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,401-6,500) 6,413 $5,600,000
All Time Worldwide Box Office (Rank 9,501-9,600) 9,583 $5,600,000

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play

Movie Details

Domestic Releases: June 1st, 1984 (Wide) by Universal
International Releases: August 9th, 1984 (Limited) (Australia)
Video Release: July 21st, 1998 by Universal Home Entertainment
MPAA Rating: PG
Running Time: 98 minutes
Comparisons: vs. Lone Wolf McQuade
Create your own comparison chart…
Keywords: Action Thriller, Kidnap, Rescue, Film Noir, Cult Movie, Rock 'n' Roll, Gangs
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 6,401-6,500) 6,413 $5,600,000
All Time Domestic Inflation Adjusted Box Office (Rank 5,101-5,200) 5,137 $17,966,659
All Time Domestic Non-Sequel Box Office (Rank 5,601-5,700) 5,630 $5,600,000
All Time Domestic Box Office for Original Screenplay Movies (Rank 3,201-3,300) 3,258 $5,600,000
All Time Domestic Box Office for Live Action Movies (Rank 5,701-5,800) 5,711 $5,600,000
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 3,301-3,400) 3,383 $5,600,000
All Time Domestic Box Office for Action Movies (Rank 801-900) 865 $5,600,000
All Time Domestic Box Office for PG Movies (Rank 1,101-1,200) 1,114 $5,600,000
All Time Domestic Box Office for Universal Movies (Rank 701-800) 706 $5,600,000

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 1, 1984 5 $2,426,500   1,150 $2,110   $2,426,500 1
Jun 8, 1984 9 $1,202,700 -50% 1,055 $1,140   $4,540,700 2
Jun 15, 1984 12 $632,150 -47% 470 $1,345   $5,595,150 3

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 1, 1984 5 $3,338,000   1,150 $2,903   $3,338,000 1
Jun 8, 1984 9 $1,625,000 -51% 1,055 $1,540   $4,963,000 2

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 8/9/1984 $0 0 1 1 $0
 
International Total$0

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 9,501-9,600) 9,583 $5,600,000
All Time Worldwide Non-Sequel Box Office (Rank 8,501-8,600) 8,515 $5,600,000
All Time Worldwide Box Office for Original Screenplay Movies (Rank 5,001-5,100) 5,061 $5,600,000
All Time Worldwide Box Office for Live Action Movies (Rank 8,201-8,300) 8,271 $5,600,000
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 5,001-5,100) 5,088 $5,600,000
All Time Worldwide Box Office for Action Movies (Rank 1,201-1,300) 1,275 $5,600,000
All Time Worldwide Box Office for PG Movies (Rank 1,201-1,300) 1,248 $5,600,000
All Time Worldwide Box Office for Universal Movies (Rank 701-800) 711 $5,600,000

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Mar 19, 2023154,777 4,777$114,266$114,2661,287

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Leading Cast

Michael Pare    Tom Cody
Diane Lane    Ellen Aim

Supporting Cast

Rick Moranis    Billy Fish, Ellen Aim's Manager
Amy Madigan    McCoy
Bill Paxton    Clyde the Bartender
Willem Dafoe    Raven Shaddock, Bombers Leader
Mykelti Williamson    B.J., The Sorels
Ed Begley, Jr.    Ben Gunn
Deborah Van Valkenburgh    Reva Cody
Rick Rossovich    Officer Cooley
Elizabeth Daily    Baby Doll

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Walter Hill    Director
Walter Hill    Screenwriter
Larry Gross    Screenwriter
Marilyn Vance    Costume Designer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 16th, 2017

May 16th, 2017

Logan

It is another terrible week on the home market. There are three first-run releases coming out this week, which isn’t a bad number. However, all three earned terrible reviews and bombed in theaters, so you should avoid all of them. There’s not a lot of limited releases, classics, or TV on DVD releases to make up the gap, so for the second week in a row, we have a Video on Demand release topping the list of best new releases. This week it is Logan, which is one of the best wide releases of the year. I would wait for the Blu-ray, on the other hand. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Cast & Crew
  7. Trailer

Metrics

Opening Weekend:$2,426,500 (43.3% of total gross)
Legs:2.31 (domestic box office/biggest weekend)
Domestic Share:100.0% (domestic box office/worldwide)
Theater counts:1,150 opening theaters/1,150 max. theaters, 2.3 weeks average run per theater
Infl. Adj. Dom. BO $17,966,659

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,401-6,500) 6,413 $5,600,000
All Time Worldwide Box Office (Rank 9,501-9,600) 9,583 $5,600,000

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play

Movie Details

Domestic Releases: June 1st, 1984 (Wide) by Universal
International Releases: August 9th, 1984 (Limited) (Australia)
Video Release: July 21st, 1998 by Universal Home Entertainment
MPAA Rating: PG
Running Time: 98 minutes
Comparisons: vs. Lone Wolf McQuade
Create your own comparison chart…
Keywords: Action Thriller, Kidnap, Rescue, Film Noir, Cult Movie, Rock 'n' Roll, Gangs
Source:Original Screenplay
Genre:Action
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Countries: United States
Languages: English

Leading Cast

Michael Pare    Tom Cody
Diane Lane    Ellen Aim

Supporting Cast

Rick Moranis    Billy Fish, Ellen Aim's Manager
Amy Madigan    McCoy
Bill Paxton    Clyde the Bartender
Willem Dafoe    Raven Shaddock, Bombers Leader
Mykelti Williamson    B.J., The Sorels
Ed Begley, Jr.    Ben Gunn
Deborah Van Valkenburgh    Reva Cody
Rick Rossovich    Officer Cooley
Elizabeth Daily    Baby Doll

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Walter Hill    Director
Walter Hill    Screenwriter
Larry Gross    Screenwriter
Marilyn Vance    Costume Designer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Home Market Releases for May 16th, 2017

May 16th, 2017

Logan

It is another terrible week on the home market. There are three first-run releases coming out this week, which isn’t a bad number. However, all three earned terrible reviews and bombed in theaters, so you should avoid all of them. There’s not a lot of limited releases, classics, or TV on DVD releases to make up the gap, so for the second week in a row, we have a Video on Demand release topping the list of best new releases. This week it is Logan, which is one of the best wide releases of the year. I would wait for the Blu-ray, on the other hand. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 6,401-6,500) 6,413 $5,600,000
All Time Domestic Inflation Adjusted Box Office (Rank 5,101-5,200) 5,137 $17,966,659
All Time Domestic Non-Sequel Box Office (Rank 5,601-5,700) 5,630 $5,600,000
All Time Domestic Box Office for Original Screenplay Movies (Rank 3,201-3,300) 3,258 $5,600,000
All Time Domestic Box Office for Live Action Movies (Rank 5,701-5,800) 5,711 $5,600,000
All Time Domestic Box Office for Contemporary Fiction Movies (Rank 3,301-3,400) 3,383 $5,600,000
All Time Domestic Box Office for Action Movies (Rank 801-900) 865 $5,600,000
All Time Domestic Box Office for PG Movies (Rank 1,101-1,200) 1,114 $5,600,000
All Time Domestic Box Office for Universal Movies (Rank 701-800) 706 $5,600,000

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 1, 1984 5 $2,426,500   1,150 $2,110   $2,426,500 1
Jun 8, 1984 9 $1,202,700 -50% 1,055 $1,140   $4,540,700 2
Jun 15, 1984 12 $632,150 -47% 470 $1,345   $5,595,150 3

Daily Box Office Performance

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jun 1, 1984 5 $3,338,000   1,150 $2,903   $3,338,000 1
Jun 8, 1984 9 $1,625,000 -51% 1,055 $1,540   $4,963,000 2

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 8/9/1984 $0 0 1 1 $0
 
International Total$0

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 9,501-9,600) 9,583 $5,600,000
All Time Worldwide Non-Sequel Box Office (Rank 8,501-8,600) 8,515 $5,600,000
All Time Worldwide Box Office for Original Screenplay Movies (Rank 5,001-5,100) 5,061 $5,600,000
All Time Worldwide Box Office for Live Action Movies (Rank 8,201-8,300) 8,271 $5,600,000
All Time Worldwide Box Office for Contemporary Fiction Movies (Rank 5,001-5,100) 5,088 $5,600,000
All Time Worldwide Box Office for Action Movies (Rank 1,201-1,300) 1,275 $5,600,000
All Time Worldwide Box Office for PG Movies (Rank 1,201-1,300) 1,248 $5,600,000
All Time Worldwide Box Office for Universal Movies (Rank 701-800) 711 $5,600,000

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Mar 19, 2023154,777 4,777$114,266$114,2661,287

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.