South Korea Box Office for Sully (2016)

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Sully
Theatrical Performance (US$)
South Korea Box Office $4,561,657Details
Worldwide Box Office $238,524,556Details
Home Market Performance
North America DVD Sales $15,895,230 Details
North America Blu-ray Sales $12,333,132 Details
Total North America Video Sales $28,228,362
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

On January 15, 2009, the world witnessed the “Miracle on the Hudson” when Captain “Sully” Sullenberger glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. However, even as Sully was being heralded by the public and the media for his unprecedented feat of aviation skill, an investigation was unfolding that threatened to destroy his reputation and his career.

Metrics

Movie Details

Production Budget:$60,000,000
South Korea Releases: September 12th, 2016 (Wide)
Video Release: December 6th, 2016 by Warner Home Video
MPAA Rating: PG-13 for some peril and brief strong language.
(Rating bulletin 2429 (Cert #50318), 6/15/2016)
Running Time: 96 minutes
Keywords: In a Plane, Disaster, 2000s, Set in New York City, Biography, IMAX: DMR, Biographical Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Warner Bros., Malpaso Productions, Flashlight Films, Village Roadshow Productions, The Kennedy/Marshall Company
Production Countries: United States
Languages: English

2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!

February 26th, 2017

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It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night. More...

2016 - Awards Season: Oscars - Nominations - Final Look

February 26th, 2017

La La Land

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. More...

2016 Awards Season: Oscar Nominations

January 24th, 2017

La La Land

The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record. More...

Home Market Releases for December 20th, 2016

December 19th, 2016

Sully

It’s the final Tuesday before Christmas and there are a few big releases that are trying to become last minute gifts. Sully is the best of the big releases, but according to Amazon.com, Dolly Parton's Christmas of Many Colors: Circle of Love is the best-selling new release of the week. I guess a very recent Christmas TV special makes sense near the top, but appearing at the very top it is surprising. As for the Pick of the Week, it is a coin-toss between Sully and Hitchcock/Truffaut on DVD or Blu-ray. Sully won the coin-toss. More...

2016 - Awards Season: SAG - Nominations

December 14th, 2016

Manchester by the Sea

The Screen Actors Guild were the third group to announce their nominations for this awards season. So far there have been three different films earning the most nominations. This could mean the Oscar race will be a lot closer than in past years. This time around Manchester by the Sea led the way with four nominations. More...

2016 - Awards Season: Golden Globes - Nominations

December 12th, 2016

La La Land

The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season. More...

Home Market Releases for December 6th, 2016

December 5th, 2016

Don’t Think Twice

There are a few releases on this week’s list that are worth picking up. The Secret Life of Pets is by far the biggest release of the week. That said, Don’t Think Twice is the best and the Blu-ray is our Pick of the Week. More...

Weekend Wrap-Up: Miss Peregrine finds a Home at the top with $28.87 million

October 4th, 2016

Miss Peregrine’s Home for Peculiar Children

The overall box office was about as strong as expected, as Miss Peregrine’s Home for Peculiar Children beat expectations by the same amount as Deepwater Horizon missed expectations. This helped the overall box office grow 10% from last weekend to $114 million. However, this is still 24% lower than this weekend last year. Year-to-date, 2016 still has a lead over 2015, but that lead has shrunk to 4.9% or $390 million at $8.50 billion to $8.10 billion. If 2016’s lead falls below $325 million, then we will need to panic. Remember, last year ended with Star Wars: The Force Awakens, which earned $650 million before the end of the year. Rogue One isn’t expected to earn half of that, so 2016 is going to need a $325 million lead or it will need better depth in order to come out ahead. I would prefer the former. More...

Thursday Night Previews: Peregrine Gets a Head Start on Maze Runner with $1.2 million - Update with Masterminds previews

September 30th, 2016

Miss Peregrine’s Home for Peculiar Children

Miss Peregrine’s Home for Peculiar Children earned $1.2 million during its Thursday previews, which is just ahead of the $1.1 million earned by The Maze Runner back in 2014. Unfortunately, there’s a question whether we should treat this as a young adult book adaptation, or whether we should treat it as a more gonzo Tim Burton offering. If we go that route, there are no really good comparisons. Dark Shadows earned $550,000, but that was just over four years ago when midnight screenings weren’t standard and far fewer people went overall. Regardless, this is a better start than expected and an opening weekend of $30 million is more likely than it was before. More...

Weekend Predictions: Will September end on a Disastrous Note?

September 29th, 2016

Deepwater Horizon

Three wide releases come out this week: Deepwater Horizon, Miss Peregrine’s Home for Peculiar Children, and Masterminds. Deepwater Horizon’s reviews are better than expected and that should help it at the box office. Miss Peregrine’s reviews are on the razor’s edge of the overall positive level. Meanwhile, there are not enough reviews to really judge Masterminds, but the early signs don’t look good. This weekend last year was the first weekend of October. The Martian nearly broke the record for biggest October weekend. There’s a chance all three wide releases this week won’t match The Martian’s opening weekend. Add in last year’s depth and there’s almost no chance 2016 will come out ahead on the year-over-year comparison. More...

International Box Office: Bridget Jones Celebrates Second Weekend on Top with $22.1 million

September 29th, 2016

Bridget Jones’s Baby

Bridget Jones’s Baby remained in first place with $22.1 million on 5,092 screens in 47 markets for totals of $67.42 million internationally and $84.01 million worldwide. At this pace, the film will have no trouble getting to $100 million internationally and perhaps $150 million worldwide. That's enough to pay for its $35 million production budget and perhaps all of its advertising budget as well. The film’s best new opening of the week was Italy, where it managed second place with $1.9 million on 421 screens. Its biggest market overall was the U.K. where it remained in first place with $8.39 million in 648 theaters for a two-week total of $27.59 million. It is now the biggest September release of all time in that market, topping Calendar Girls’ 13-year old record. More...

Weekend Wrap-Up: Magnificent Wins Weekend with $34.70 million, but Box Office Slump Continues

September 27th, 2016

The Magnificent Seven

Is it time to panic? Not yet, but we are definitely getting concerned. The overall box office was soft due to the weaker than expected openings of The Magnificent Seven and Storks. Neither bombed exactly, but they weren’t particular strong either. The overall box office rose 16% from last weekend, but was down 25% from this weekend last year. Ouch. You usually only see that large a change in the year-over-year comparison when there is a misalignment in holidays. Year-to-date, 2016’s lead over 2015 dropped to 6.3% or $490 million at $8.35 billion to $7.86 billion. More...

Weekend Estimates: Magnificent Seven Rides to $35 Million Opening

September 25th, 2016

Sully

The Magnificent Seven will almost exactly match Sully’s debut two weeks ago by posting a $35 million opening, according to Sony’s Sunday projection. To us, it looks as though the film will fall fractionally short of that number, but it should still have the sixth-best September opening of all time (not adjusted for inflation). Those two films alone have given the box office enough of a boost that the industry will wrap up the month in fairly healthy condition. More...

Friday Estimates: Magnificent was Merely Okay with $12.7 million

September 24th, 2016

Storks

The Friday box office was not particularly good, as The Magnificent Seven led the way with just $12.7 million. This isn’t terrible. In fact, it is nearly the record for biggest opening day in September for a non-sequel. (Sweet Home Alabama still holds that record.) However, this is far below the nearly $20 million a lot were expecting. There are some positive signs going forward. The film’s reviews are good and it did earn an A- from CinemaScore, so that should help its legs. Likewise, Denzel Washington’s films do tend to have long legs. A $35 million opening weekend is likely on the cards and that could be enough to get to the century mark domestically. I’m not saying $100 million is likely, but I also wouldn’t bet against it. More...

Thursday Night Previews: Magnificent Can’t Live Up to Name, but still Starts well with $1.75 million - Updated with Storks' Start

September 23rd, 2016

The Magnificent Seven

The Magnificent Seven earned $1.75 million during Thursday’s previews. This is not terrible; it is better than the $1.5 million The Equalizer made in 2014 and the $1.35 million Sully made two weeks ago. However, it is not as strong as most were expecting. Perhaps it will still match predictions, if the audience reaction is significantly better than its reviews. I wouldn’t bet on it. It will still likely earn first place, but now just under $40 million looks more likely than $50 million. More...

Weekend Predictions: Will the New Releases be Magnificent?

September 22nd, 2016

The Magnificent Seven

It is a perfect weekend at the box office, as there are only two wide releases and there are almost no crossover audiences between them. The Magnificent Seven is a remake of a remake and its solid, but not spectacular. Storks is a digitally animated kids movie that is earning mixed reviews, but that’s fine for a kids movie. Those two movies will likely earn more than the rest of the box office combined pulls in. This is both good news and bad news, as it is a combination of their strength and the rest of the box office’s weakness that is the cause. This weekend last year, Hotel Transylvania 2 debuted with $48 million, which is the record for a September weekend. I think The Magnificent Seven will top that, while Storks will double the second place film, The Intern. Unfortunately, last year there were three other films that earned more than $10 million, while this year there will be only one. 2016 is better on top, but 2015 had better depth. Perhaps 2016 will still come out ahead in the year-over-year comparison, but I don't think it will quite make it. More...

Weekend Estimates: Sully Beats Trio of New Releases

September 18th, 2016

Sully

As expected, this weekend’s three new wide releases couldn’t budge Sully from the top of the chart with the Tom Hanks/Clint Eastwood drama down a very respectable 37% in its second weekend to $22 million, for a total of $70.5 million to date. Two films, Blair Witch and Bridget Jones’s Baby both had aspirations to challenge Sully for the title, but had to settle for second and third place. More...

Friday Estimates: New Releases Get Snowed Under by Sully’s $6.57 million Haul

September 17th, 2016

Snowden

Friday was terrible for new releases and Sully will have no trouble repeating on top of the chart this weekend. The film earned $6.57 million on Friday, which is less than a 50% decline from its opening Friday. It might not quite get to $22 million as predicted, but even if it doesn’t, it should come close enough to be considered a victory. This is great news, because it is the only September release so far that has done well enough to call it a box office success. More...

Weekend Predictions: Baby vs. Witch

September 15th, 2016

Bridget Jones’s Baby

There are three wide releases this week, plus another that could sneak into the top ten. Two of the three new releases, Blair Witch and Bridget Jones’s Baby, are expected to do well. On the other hand, Snowden is only going to reach the top five due to the lack of competition. Meanwhile, Hillsong: Let Hope Rise is a faith-based concert film. It could reach the top five, or it could miss the Mendoza Line. There’s no way to predict its box office potential. Despite the number of new releases, Sully is expected to remain in top spot thanks to its reviews and target demographic. This weekend last year, Maze Runner: The Scorch Trials led the way with just over $30 million. It is likely no film will make that this year, while the depth is a mixed bag, so it looks like 2016 will lose in the year-over-year comparison. More...

Weekend Wrap-Up: Sully Saves the Box Office with $35.03 million

September 13th, 2016

Sully

Four films opened wide or semi-wide over the weekend, but only one of them, Sully, did well at the box office. It earned more than double its nearest competition, When the Bough Breaks, at $35.03 million to $14.20 million. The other two new releases bombed. Overall, the box office was flat, up 1.1% from last weekend to $101 million. This was also flat when compared to last year, down just 1.7%. Since this weekend was so close to last weekend, it should come as no surprise that the year-over-year comparison hardly moved. This time last week, 2016 was ahead of 2016 by just over 6.7%, while this week its lead is just under 6.8% at $8.10 billion to $7.58 billion. More...

Weekend Estimates: Sully Executes Safe Landing with $35.5 Million

September 11th, 2016

Sully

More...

Friday Estimates: Sully Breaks Bough

September 10th, 2016

When the Bough Breaks

Sully is the only new release not to disappoint this weekend, as it earned $12.21 million on Friday. This is well ahead of Tom Hanks’ recent trio of real-life movies. It tops Captain Philips’ opening day by nearly 50%, and that movie went on to earn more than $100 million domestically. Additionally, the film’s reviews improved and hit 84% positive. That’s on the low end of potential Awards Season buzz, but it isn’t impossible to get there. It also earned a solid A from CinemaScore, which suggests good word-of-mouth. As for its opening weekend chances, it is on pace for about $35 million over the weekend and I’m predicting $100 million domestically. There’s no way the studio isn’t happy with that. More...

Thursday Night Previews: Sully Takes Off with $1.35 million

September 9th, 2016

Sully

Sully was the only one of the four wide releases to have previews and the lack of competition paid off, as it opened with $1.35 million. This is more than twice as much as Tom Hanks’ previous fall release, Bridge of Spies, earned last year ($600,000). That film did earn better reviews than Sully earned, but with a Tomatometer Score of 82% positive, Sully isn’t going to suffer from bad word-of-mouth. More...

Weekend Predictions: The Real Work Begins

September 8th, 2016

Morgan

The weekend after the Labor Day long weekend is often the worst weekend of the year. However, this year there two films opening wide that have a real shot at $20 million or more. Sully is Oscar-bait, but it is opening a little too early for that role and its reviews are a little below where they need to be. When the Bough Breaks is a thriller aimed at African-Americans and this time of year has become the perfect time to release such a film. Those two films should earn $50 million combined. Unfortunately, there are two other films coming out this week. The Wild Life is a third-tier animated film, while The Disappointments Room isn’t even opening truly wide. There’s a chance neither of them will reach the top five. The Disappointments Room likely won’t reach the top ten. This weekend last year, the top two films were The Perfect Guy and The Visit, which combined earned just over $50 million at the box office. It should be a really close race in the year-over-year competition. More...

Contest: Doing Hard Labor: Winning Announcement

September 7th, 2016

Morgan

The winners of our Doing Hard Labor contest were determined and the entrants with the closest predictions for Morgan opening weekend were... More...

Contest: Don’t Sully Your Reputation

September 1st, 2016

Sully

There may be as many as four wide releases coming out next week; however, the weekend will be a two-horse race between Sully and When the Bough Breaks. Sully should have no trouble being the biggest hit overall, but When the Bough Breaks is a thriller and those films tend to open a lot faster, but collapse quickly. Because of that, it has a chance at earning first place during its opening weekend. In these cases, I flip a coin to decide which film should be the target film and Sully is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Sully.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: September

September 1st, 2016

The Magnificent Seven

August continued to pad 2016’s lead over 2015 in the year-over-year comparison. It managed this feat almost entirely due to Suicide Squad, which is on pace to hit $300 million. The next best film was Sausage Party, which might make $100 million, if it gets a push over the top. September won’t be as strong as that. This is no surprise, as the month is one of the biggest dumping grounds on the calendar. That said, studios have been working to make the end of the month a lot more productive and there are a few potential hits. The biggest of these is The Magnificent Seven, which is expected to crack $100 million, maybe even $150 million. Meanwhile, Sully and Storks both have a limited chance at $100 million. Last September, the biggest release of the month was Hotel Transylvania 2 with pulled in $169.70 million. I don’t think The Magnificent Seven will match that, so we might need a surprise $100 million hit for 2016 to come out on top. More...

Sully Trailer

July 18th, 2016

Real-life drama starring Tom Hanks, directed by Clint Eastwood, opens September 9 ... Full Movie Details.

On January 15, 2009, the world witnessed the “Miracle on the Hudson” when Captain “Sully” Sullenberger glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. However, even as Sully was being heralded by the public and the media for his unprecedented feat of aviation skill, an investigation was unfolding that threatened to destroy his reputation and his career. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/09/23 6 $331,956   343 $968   $349,524 2
2016/09/30 4 $1,485,003 +347% 573 $2,592   $2,240,011 3
2016/10/07 6 $749,141 -50% 460 $1,629   $4,003,530 4
2016/10/14 9 $164,279 -78% 234 $702   $4,453,128 5
2016/10/21 20 $28,542 -83% 58 $492   $4,536,556 6
2016/11/25 - $4,357   8 $545   $4,453,271 11
2016/12/02 - $5,869 +35% 8 $734   $4,459,140 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 12/2/2016 $425,503 159 159 502 $1,782,678 1/1/2019
Australia 9/9/2016 $1,990,427 362 362 1872 $9,668,286 11/10/2016
Brazil 12/16/2016 $594,000 0 121 229 $1,890,445 6/26/2018
Bulgaria 9/9/2016 $24,289 0 0 0 $86,460 2/26/2019
China 12/9/2016 $5,530,000 35784 35784 35784 $8,985,153 10/9/2018
Czech Republic 9/9/2016 $69,780 91 91 271 $359,297 12/31/2018
France 12/2/2016 $2,800,000 480 480 480 $8,250,742 6/26/2018
Germany 12/2/2016 $602,096 0 0 0 $1,191,915 8/19/2018
Italy 12/2/2016 $2,318,897 536 536 536 $7,302,875 1/19/2017
Japan 9/23/2016 $2,229,101 0 0 0 $12,031,043 8/20/2018
Lithuania 9/9/2016 $15,273 94 94 208 $69,305 10/13/2016
Mexico 12/2/2016 $1,004,706 0 0 0 $2,693,344 12/20/2016
Netherlands 9/9/2016 $320,136 90 90 488 $1,191,534 10/26/2016
New Zealand 9/9/2016 $233,514 93 99 561 $1,261,735 10/25/2016
North America 9/9/2016 $35,028,301 3,525 3,955 24,002 $125,070,033
Poland 12/2/2016 $153,029 0 0 0 $606,530 12/31/2018
Portugal 9/9/2016 $291,089 68 71 357 $1,008,063 11/17/2016
Russia (CIS) 9/9/2016 $970,704 750 750 1845 $2,448,889 12/31/2018
Slovakia 9/9/2016 $32,218 47 47 130 $149,202 10/27/2016
Slovenia 9/9/2016 $8,567 14 14 45 $41,416 11/7/2016
South Korea 9/12/2016 $0 0 573 1684 $4,561,657 2/10/2017
Spain 11/4/2016 $1,465,235 309 315 1432 $4,145,061 1/17/2017
Turkey 9/9/2016 $108,497 96 96 418 $799,696 2/26/2019
United Arab Emirates 9/8/2016 $0 0 0 0 $3,400,000 12/31/2018
United Kingdom 12/2/2016 $2,266,706 560 592 2132 $9,095,179 1/11/2017
 
Rest of World $30,434,018
 
Worldwide Total$238,524,556 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Tom Hanks    Captain Chesley "Sully" Sullenberger

Supporting Cast

Aaron Eckhart    Jeff Skiles
Laura Linney    Lorraine Sullenberger
Valerie Mahaffey    Diane Higgins
Delphi Harrington    Lucille Palmer
Mike O'Malley    Charles Porter
Jamey Sheridan    Ben Edwards
Anna Gunn    Elizabeth Davis
Holt McCallany    Mike Cleary
Ahmed Lucan    Egyptian Driver
Laura Lundy Wheale    Reporter #1
Onira Tares    Reporter #2
Gary Weeks    Reporter #3
Jeff Kober    LT Cook
Blake Jones    Sully (16 Years Old)
Molly Bernard    Alison
Chris Bauer    Larry Rooney
Jane Gabbert    Sheila Dail
Ann Cusack    Donna Dent
Molly Hagan    Doreen Welsh
Purva Bedi    Gursimran
Max Adler    Jimmy Stefanik
Sam Huntington    Jeff Kolodjay
Christopher Curry    Rob Kolodjay
Ashley Austin Morris    Emily (Gate Attendant)
Cooper Thornton    Jim Whitaker
Autumn Reeser    Passenger with Baby
Jeffrey Nordling    Barry Leonard
Patch Darragh    Patrick Harten
Rob Treveiler*    ATC Supervisor
Billy Richards    Male Pilot
Aida Manassy    French Woman
Pascal Yen-Pfister    French Man
Marcia DeBonis    Shae Childers
Noel Fisher    GIB — Andrew Carrigan
Adam Boyer    Johnny — Drunk Customer
Wilbur Fitzgerald    Drunk Customer #2
Michael Rapaport    Bartender — Pete
Jeremy Luke    Victor Gaggero
Bernardo Badillo    Robert Rodriguez
Jerry Ferrara    Michael Delaney
Victoria Kharchenko    Russian Woman
Graham Sibley    Carlo Alfonso
Grant Roberts    Franco Santini
Wayne Bastrup    Brian Kelly
Billy Smith    Dan Britt
Martin Barabas    Police Captain
E. Roger Mitchell    ATC #1
Robert Pralgo    St. Luke's Doctor
Clayton Landry Landey*    Arnie Gentile
Tracee Chimo    Evelyn May
Brett Rice    Carl Clarke
Captain Larry Guthrie*    Pilot Flight #1
Captain Lucy Young*    Co-Pilot Flight #1
Captain Lori Cline*    Pilot — Flight #3
First Officer Jon Witten*    Co-Pilot #3

Cameos

Katie Couric    Herself
Captain Vincent Peter Lombardi*    Himself
Randall Pinkston    Himself
Bobby Cuza    Himself
Kristine Johnson    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Clint Eastwood    Director
Clint Eastwood    Producer
Allyn Stewart    Producer
Frank Marshall    Producer
Tim Moore    Producer
Todd Komarnicki    Screenwriter
Chesley 'Sully' Sullenberger    Based on the book "Highest Duty" by
Jeffrey Zaslow    Based on the book "Highest Duty" by
Steven Mnuchin    Executive Producer
Kipp Nelson    Executive Producer
Bruce Berman    Executive Producer
Jessica Meier    Co-Producer
Kristina Rivera    Co-Producer
Tom Stern    Director of Photography
James J. Murakami    Production Designer
Blu Murray    Editor
Deborah Hopper    Costume Designer
Christian Jacob    Composer
The Tierney Sutton Band*    Composer
Geoffrey Miclat    Casting Director
Michael Owens    Visual Effects Supervisor
Tim Moore    Unit Production Manager
David M. Bernstein    First Assistant Director
Clark Credle    Second Assistant Director
Kevin Ishioka    Art Director
Gary Fettis    Set Decorator
Christine Kim    First Assistant Editor
Kevin R.W. Murray    Second Assistant Editor
Susan Malerstein-Watkins    Script Supervisor
Alan Robert Murray    Supervising Sound Editor
Bub Asman    Supervising Sound Editor
Jose Antonio Garcia    Sound Mixer
Jay Duerr    Music Editor
Mitchell Kenney    Costume Supervisor
Luisa Abel    Make up
Kimberly Felix-Burke    Make up
Patricia Dehaney    Hairstylist
Jose Zamora    Hairstylist
Holly Hagy    Production Supervisor
Patrick O. Mignano    Location Manager
Steven Riley    Special Effects Supervisor
Julien Pougnier    Lead Set Designer
Katy Wood    Supervising ADR/Dialogue Editor
Hugo Weng    Dialogue Editor
Jason King    Sound Effects Editor
Roland N. Thai    Sound Effects Editor
Tom Ozanich    Sound Designer
John Reitz    Re-recording Mixer
Tom Ozanich    Re-recording Mixer
Matthew Iadarola    Additional Sound Re-recording Mixer
James Ashwill    Foley Mixer
Richard Duarte    Foley Mixer
Jack Cucci    Foley Mixer
Blake Collins    Foley Mixer
Doug Coleman    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.