Mexico Box Office for That Awkward Moment (2014)

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That Awkward Moment poster
Theatrical Performance (US$)
Mexico Box Office $577,364Details
Worldwide Box Office $53,068,955Details
Home Market Performance
North America DVD Sales $3,486,786 Details
North America Blu-ray Sales $1,328,057 Details
Total North America Video Sales $4,814,843
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Three best friends find themselves where we’ve all been—at that confusing moment in every dating relationship when you have to decide “So… where is this going?”

Metrics

Movie Details

Production Budget:$8,000,000
Mexico Releases: May 15th, 2014 (Wide)
Video Release: May 13th, 2014 by Sony Pictures Home Entertainment
MPAA Rating: R for sexual content and language throughout.
(Rating bulletin 2287, 8/28/2013)
Running Time: 94 minutes
Keywords: Romance, Relationships Gone Wrong, Relationship Advice
Source:Original Screenplay
Genre:Romantic Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: TreeHouse Pictures, Aversano Films, What If It Barks Films, Ninjas Runnin' Wild Productions, Virgin
Production Countries: United States
Languages: English

DVD and Blu-ray Releases for May 13th, 2014

May 13th, 2014

It's a weird week on the home market. There are more first-run releases on this week's list than last week, as well as some TV on DVD releases and others. That said, it still feels very shallow. Even coming up with a list of ten new releases will include some filler. According to Amazon.com, I, Frankenstein is the biggest selling new release of the week. However, Her is the best new release of the week and the Blu-ray Combo Pack is the Pick of the Week. More...

Weekend Wrap-Up: LEGO Earns Stacks Dollar Bills

February 11th, 2014

Lego poster

The LEGO Movie didn't break the record for Biggest February Weekend, but it came close. The Monuments Men performed better than expected, but was still a very distant second place. On the other hand, Vampire Academy bombed, fully and completely. Compared to last week, even without The LEGO Movie, this week is almost better. With The LEGO Movie, this week is 76% better at $151 million. Compared to last year, The LEGO Movie opened with more than the top five made in 2013. Overall, the year-over-year growth was 46%. This is just a fantastic result no matter how you look at it. Year-to-date, 2014 has pulled in $1.12 billion, putting it 12% ahead of 2013's pace. It is obviously still too early to declare 2014 the winner, but this is still a fantastic start. More...

Contest: Starved for Attention: Winning Announcement

February 5th, 2014

The winners of our Starved for Attention contest were determined and they are... More...

Weekend Wrap-Up: Ride Laps Competition

February 3rd, 2014

Ride Along poster

Super Bowl turned into a blow-out, but still earned a record television audience. This explains why the overall box office numbers were down compared to last weekend. That said, there were some films that did well, including Ride Along, which completed the threepeat and by this time next week with be at over $100 million. On the other hand, the new releases really struggled. That Awkward Moment only managed third place, while Labor Day barely avoided the Mendoza Line. Week-over-week, the overall box office fell 26% to $86 million. Compared to last year, the box office also fell, but by only 3%. That said, 2014 is still ahead of 2013 by 6% at $943 million to $887 million, so the market is still healthy. More...

Weekend Predictions: New Releases are Far from Super

January 30th, 2014

That Awkward Moment poster

It's the Super Bowl weekend, so needless to say, the new releases are looking rather weak. Why would any studio want to release a film against what is the largest single sporting event of the year? There are two wide releases coming out, but neither is expected to make much of an impact. That Awkward Moment is the bigger of the two wide releases, but its reviews are terrible. It should still earn first place, because there's no competition to speak of. Labor Day's reviews are slightly better and its target demographic has very little crossover appeal with the Super Bowl. Even so, most think it will miss the top five. This weekend last year, Warm Bodies earned first place with just over $20 million. If That Awkward Moment earns $20 million, I will be shocked. It might not earn too much more than half of that. More...

Contest: Starved of Attention

January 23rd, 2014

Next weekend is the last weekend of January / first weekend of February and there are two films that are opening wide: That Awkward Moment and Labor Day. Unfortunately, neither of them are expected to be big hits and it is possible neither of other will open with more than $10 million. That said, we still have to pick a target film for this week's box office prediction contest, and I'm not 100% sure Labor Day will open 100% wide, so let's go with That Awkward Moment as the target film for this week's box office prediction contest. In order to win, simply predict the opening weekend box office figure for That Awkward Moment. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win the a copy of The Starving Games on DVD. Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of The Starving Games on DVD. Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2014 Preview: January

January 1st, 2014

Jack Ryan poster

It's the first month of the new year, but the biggest hit might be a film released in December. Last month ended on a slow note with all five Christmas day releases failing to become hits, some more than others. (It's a little too soon to tell if The Wolf of Wall Street or The Secret Life of Walter Mitty will do well enough to break even any time soon, but neither is a serious hit.) There are still some December releases that will likely remain on the charts through the opening weekends of January, while there are some films that opened in limited release last month with a scheduled wide release this month. Of the purely January releases, I would guess Jack Ryan: Shadow Recruit will be the biggest hit. Even then, it won't live up to the previous films in the franchise, even if you don't take inflation into account. Most of the rest of the new releases will be happy if they can become midlevel hits. Last January was led by Mama, which earned more than $70 million. I think Shadow Recruit will top that figure at the box office, while there are a similar number of likely box office bombs opening this year as there were last year. 2014 could start out ahead of 2013's pace, but it likely won't be a huge difference either way. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2014/06/27 27 $1,548   7 $221   $546,405 7
2014/07/04 20 $26,711 +1,626% 29 $921   $577,364 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Colombia 7/25/2014 $181,824 73 73 73 $181,824 12/30/2018
Mexico 5/15/2014 $0 0 29 36 $577,364 12/15/2015
North America 1/31/2014 $8,742,109 2,809 2,809 9,893 $26,068,955
Russia (CIS) 2/7/2014 $0 0 318 774 $1,023,946 11/19/2018
Uruguay 7/3/2014 $19,357 5 5 11 $35,996 12/30/2018
 
Rest of World $25,180,870
 
Worldwide Total$53,068,955 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Zac Efron    Jason
Miles Teller    Daniel
Michael B. Jordan    Mikey

Supporting Cast

Imogen Poots    Ellie
Mackenzie Davis    Chelsea
Jessica Lucas    Vera
Addison Timlin    Alana
Josh Pais    Fred
John Rothman    Chelsea's Father
Tina Benko    Ellie's Mom
Alysia Reiner    Amanda
Kate Simses    Glasses
Evelina Turen    Sophie
Karen Ludwig    Mrs. Rose
Joseph Adams    Ellie's Dad
Lola Glaudini    (Female Boss) Sharon
Barbara Garrick    Chelsea's Mother
Raul Casso    Attractive Guy (Diego)
Tom Gormican    Waiter
Emily Meade    Christy
Yuval Boim    Israeli Guy
Dan Bittner    Preppy Guy
Reif Larson    Famous Author
Chris Grace    Deli Owner
Victor Slezak    Older Gentleman
Justin Nappi    Random Guy
Tom Riis Farrell    Male Executive
Julia Morrison    Beautiful Girl
Amanda A. Lederer    NYU Girl

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tom Gormican    Director
Tom Gormican    Screenwriter
Scott Aversano    Producer
Andrew O’Connor    Producer
Justin Nappi    Producer
Kevin Turen    Producer
Manu Gargi    Executive Producer
Zac Efron    Executive Producer
Jason Barrett    Executive Producer
Michael Simkin    Executive Producer
John Friedberg    Executive Producer
Peter Schlessel    Executive Producer
Lia Buman    Executive Producer
Ethan Tobman    Production Designer
Shawn Paper    Editor
David Torn    Composer
Brandon Trost    Director of Photography
Per Melita    Line Producer
Laura Katz    Music Supervisor
Anna Bingemann    Costume Designer
Ray Marshall    Co-Producer
Andrew Fierberg    Co-Producer
Susan Shopmaker    Casting Director
Jeanne McCarthy    Casting Director
Aissatou Parks    Costume Supervisor
Sharon Ilson    Make up
Joe Farulla    Make up
Rebecca Hickey    Make up
Amanda Ross    Make up
Erin Hicks    Hairstylist
Barbara Roman    Hairstylist
Jack Huston    Sound Mixer
Deirdre Brennan    Set Decorator
Tim Pedegana    Post-Production Supervisor
Peter Hayden    Assistant Editor
Lorena Talpan    Assistant Editor
Fulvio Valsangiacomo    Assistant Editor
Jesse Ehredt    Assistant Editor
Jonathan Wales    Sound Mixer
Spencer Schwieterman    Additional Sound Re-recording Mixer
Steven Iba    Supervising Sound Editor
Trevor Gates    Sound Designer
Angela Hemingway    Dialogue Editor
Chris Diebold    Sound Effects Editor
James Miller    Sound Effects Editor
Kailand Reilly    Sound Effects Editor
Ben Bradshaw    Foley Mixer
Chris Jenkins    Additional Sound Re-recording Mixer
Manny Siverio    Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.