This Ain't California (2013)

This Ain't California poster
Theatrical Performance
Domestic Box Office n/a
Further financial details...

Synopsis

In 90 minutes, we see the GDR more sharply, more clearly: the skater subculture shows that not all was grey-on-grey and drab clouds of Trabant fumes. This Wildfremd production (Ronald Vietz & Michael Schöbel) by director Martin Persiel takes original clips of the “wheel-board-riders” – straight out of the East German scene in the 80s – and mixes it with animations and reencounters with the protagonists today. It is not just a well thought out story on its own – this film also raises the aesthetic bar. “Skating as freedom” is one of the leitmotifs of this film. Skating “without pressure to be better than someone else,” as one of the main characters puts it, became the goal in hindsight, or, said downright harshly, “the desire for freedom turned lifestyle”. Unbelievable, if not for the simple fact that this Californian fun could find its expression in the GDR.

Metrics

Movie Details

Domestic Releases: April 12th, 2013 (Limited)
MPAA Rating: Not Rated
Running Time: 100 minutes
Comparisons: Create your own comparison chart…
Keywords: Skateboarding, Commies, Coming of Age
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Wildfremd Production
Production Countries: Germany
Languages: German

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Interviewee(s)

Christian Rothenhagen    Himself
Mirko Mielke    Himself
Renè Falk Thomasius   
Titus Dittmann    Himself
Patric Steffens    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Marten Persiel    Director
Ronald Vietz    Producer
Michael Schöbel    Producer
Dirk Reiher    Researcher
Felix Leiberg    Cinematographer
Marten Persiel    Story Creator
Ira Wedel    Story Creator
Maxine Goedicke    Editor
Bobby Good    Editor
Toni Froschhammer    Editor
Anne Zentgraf    Production Designer
Simone Eichhorn    Costume Designer
Kai Richter    Production Manager
Manuel Siebert    First Assistant Director
Sasa Zivkovic*    Animation
Jonas Riemer    Animation
Lars Damm    Composer
Ireneusz Szumlanski    Sound Designer
Elias Struck    Sound Designer

Limited Releases: Will New Limited Releases be a Disaster?

April 12th, 2013

There are nine limited releases on this week's list, including two opening in Canada. Of those, there are only a few with any buzz or strong reviews. To the Wonder is the most buzz-worthy, but the reviews will hurt it. It's a Disaster has good reviews and a great cast for a limited release, but its genre will hold it back. The Angel's Share likely won't have the best opening, but it should have the better legs than To the Wonder thanks to impressive reviews. More...


  1. Summary
  2. News
  3. Box Office
  4. Video Sales
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

In 90 minutes, we see the GDR more sharply, more clearly: the skater subculture shows that not all was grey-on-grey and drab clouds of Trabant fumes. This Wildfremd production (Ronald Vietz & Michael Schöbel) by director Martin Persiel takes original clips of the “wheel-board-riders” – straight out of the East German scene in the 80s – and mixes it with animations and reencounters with the protagonists today. It is not just a well thought out story on its own – this film also raises the aesthetic bar. “Skating as freedom” is one of the leitmotifs of this film. Skating “without pressure to be better than someone else,” as one of the main characters puts it, became the goal in hindsight, or, said downright harshly, “the desire for freedom turned lifestyle”. Unbelievable, if not for the simple fact that this Californian fun could find its expression in the GDR.

Metrics

Movie Details

Domestic Releases: April 12th, 2013 (Limited)
MPAA Rating: Not Rated
Running Time: 100 minutes
Comparisons: Create your own comparison chart…
Keywords: Skateboarding, Commies, Coming of Age
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Wildfremd Production
Production Countries: Germany
Languages: German

Interviewee(s)

Christian Rothenhagen    Himself
Mirko Mielke    Himself
Renè Falk Thomasius   
Titus Dittmann    Himself
Patric Steffens    Himself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Marten Persiel    Director
Ronald Vietz    Producer
Michael Schöbel    Producer
Dirk Reiher    Researcher
Felix Leiberg    Cinematographer
Marten Persiel    Story Creator
Ira Wedel    Story Creator
Maxine Goedicke    Editor
Bobby Good    Editor
Toni Froschhammer    Editor
Anne Zentgraf    Production Designer
Simone Eichhorn    Costume Designer
Kai Richter    Production Manager
Manuel Siebert    First Assistant Director
Sasa Zivkovic*    Animation
Jonas Riemer    Animation
Lars Damm    Composer
Ireneusz Szumlanski    Sound Designer
Elias Struck    Sound Designer

Limited Releases: Will New Limited Releases be a Disaster?

April 12th, 2013

There are nine limited releases on this week's list, including two opening in Canada. Of those, there are only a few with any buzz or strong reviews. To the Wonder is the most buzz-worthy, but the reviews will hurt it. It's a Disaster has good reviews and a great cast for a limited release, but its genre will hold it back. The Angel's Share likely won't have the best opening, but it should have the better legs than To the Wonder thanks to impressive reviews. More...

Weekend Box Office Performance

Daily Box Office Performance

Weekly Box Office Performance

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.