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Til Death Do Us Part (2017)

Til Death Do Us Part
Theatrical Performance
Domestic Box Office $3,248,097Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Michael and Madison Roland, had planned to spend the rest of their lives together, until one day Michael’s controlling ways turned their perfect marriage, into an abusive roller coaster no woman could survive. With the help of her best friend, Madison decides to get away. After adopting a new identity, she meets Alex Stone and learns to love again. All is well, until Michael discovers Madison’s whereabouts, and recreates the nightmare she once lived all over again.

Metrics

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,401-6,500) 6,470 $3,248,097
All Time Worldwide Box Office (Rank 8,401-8,500) 8,417 $3,248,097
All Time Domestic Highest Grossing Limited Release Movies (Rank 701-800) 771 $3,248,097

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Movie Details

Domestic Releases: September 29th, 2017 (Limited) by Novus Content
MPAA Rating: PG-13 for thematic elements involving domestic abuse, violence, some sexuality and language.
(Rating bulletin 2488 (Cert #51188), 8/9/2017)
Running Time: 101 minutes
Comparisons: vs. When the Bough Breaks
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Keywords: Psychological Thriller, Relationships Gone Wrong, Domestic Abuse, African-American, Romance
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Contemporary Fiction
Production Companies: Novus Content, Footage Films , 51 Millimeter
Production Countries: United States

Production and Technical Credits

Director   
Screenwriter    Christopher B. Stokes
Screenwriter    Marques Houston
Producer    Marques Houston
Producer    Jerome Jones
Producer    Jarell Houston
Producer    Shondrella Avery
Producer    Taye Diggs
Story by    Christopher B. Stokes
Executive Producer    Rob Johnson
Executive Producer    Patrick Johnson Sr.
Executive Producer    Patrick Johnson Jr.
Executive Producer    Christopher B. Stokes
Director of Photography    Joel Layogan
Casting Director    Natasha Ward
Production Designer    Chrissy Stokes
Editor    Harvey White
Composer    Immanuel Rich
Costume Designer    Adrene Ashford

Theater Averages: Human Flows to the Top with $15,226

October 18th, 2017

Human Flow

Human Flow earned first place on the theater average chart with an average of $15,226 in three theaters. The only other film in the $10,000 club was last week’s winner, The Florida Project, with an average of $11,156 in 33 theaters. More...

Theater Averages: Something Good Comes out of Florida

October 11th, 2017

The Florida Project

The Florida Project dominated the theater average chart earning over $150,000 in four theaters for an average of $39,208. This is easily the best new release of the week. More...

Theater Averages: Victoria and Abdul’s Reign Continues with $14,184

October 4th, 2017

Victoria and Abdul

Victoria and Abdul did something very few films manage to do, it repeated on top of the theater average chart. This past weekend, the film earned just over $1 million in 77 theaters for an average of $14,184. The only other film in the $10,000 club was Pearl Jam: Let’s Play Two, which earned an average of $10,635 in five theaters. More...

Weekend Wrap-Up: Kingsman Wins Three-Way Race with $16.94 million

October 3rd, 2017

American Made

The top three films on the weekend box office chart landed in the same order as predicted; however, it was a much closer race than most thought it would be. Kingsman: The Golden Circle ended up on top with $16.94 million, just ahead of It with $16.90 million. The best new release of the week was American Made with $16.78 million. The other new releases struggled, to be kind, with Flatliners earning a distant fifth place and Til Death Do Us Part opening in ninth place. Overall, the box office fell 23% from last weekend to just $90 million. It was also 21% lower than the same weekend last year, thus ending 2017’s mini-winning streak. Year-to-date, 2017 has earned $8.06 billion, putting it 4.8% or $410 million behind last year’s pace. More...

Weekend Estimates: Threeway Tie at the Top

October 1st, 2017

American Made

Warner Bros. is claiming a weekend win at the box office for It as of this morning, but whichever way you slice it, we have a threeway tie at the top of the chart, based on Sunday morning estimates. In fact, we might have a rare weekend where three different movies will top the daily chart. American Made took a lead on Friday with a $6.17 million opening day, It won on Saturday with around $7.9 million, and the eventual result for the weekend will depend on whether Kingsman: The Golden Circle wins on Sunday, and by how much. As of this morning, Kingsman is projected to make $17 million, American Made $17.02 million, and It (a slightly optimistic, for my money) $17.3 million. We’ll know the real winner on Monday morning, and It probably has a slight edge. More...

Friday Estimates: American Makes it an Exciting Race with $6.1 million

September 30th, 2017

American Made

American Made topped the box office chart on Friday with $6.1 million. This is a little better than predicted and certainly better than previews were suggesting it would make. Its 85% positive reviews should result in long legs. On the other hand, its B plus from CinemaScore is the definition of average. It could grab first place with just over $16 million, but it is not the only film on pace to earn that much this weekend. More...

Weekend Predictions: How Will September End? With A Whimper.

September 28th, 2017

American Made

It looks like September will end with a whimper, as there are three wide releases, none of which are expected to be midlevel hits. American Made should have no trouble being the biggest of the three new releases, but it has a less than 50/50 chance of earning first place. Flatliners’ buzz started out quiet and it failed to grow by any significant margin. It looks like it will open below $10 million. Finally there’s Til Death Do Us Part, which may or may not manage a spot in the top ten. 2017’s mini-winning streak looks to be over, as this weekend last year had two films earning more than $20 million, Miss Peregrine’s Home for Peculiar Children and Deepwater Horizon. This year, there will likely be none. More...

Domestic Cumulative Box Office Records


Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/09/29 9 $1,527,289   562 $2,718   $1,527,289 1
2017/10/06 12 $762,672 -50% 550 $1,387   $2,671,694 2
2017/10/13 20 $282,408 -63% 310 $911   $3,222,376 3

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2017/09/29 9 $492,644   562 $877   $492,644 1
2017/09/30 9 $680,483 +38% 562 $1,211   $1,173,127 2
2017/10/01 11 $354,162 -48% 562 $630   $1,527,289 3
2017/10/02 11 $96,576 -73% 562 $172   $1,623,865 4
2017/10/03 11 $128,460 +33% 562 $229   $1,752,325 5
2017/10/04 13 $80,723 -37% 562 $144   $1,833,048 6
2017/10/05 11 $75,974 -6% 562 $135   $1,909,022 7
2017/10/06 12 $201,895 +166% 550 $367   $2,110,917 8
2017/10/07 12 $349,473 +73% 550 $635   $2,460,390 9
2017/10/08 12 $211,304 -40% 550 $384   $2,671,694 10
2017/10/09 13 $98,188 -54% 550 $179   $2,769,882 11
2017/10/10 13 $80,999 -18% 550 $147   $2,850,881 12
2017/10/11 15 $51,324 -37% 550 $93   $2,902,205 13
2017/10/12 15 $37,763 -26% 550 $69   $2,939,968 14
2017/10/13 - $80,361 +113% 310 $259   $3,020,329 15
2017/10/14 - $130,629 +63% 310 $421   $3,150,958 16
2017/10/15 - $71,418 -45% 310 $230   $3,222,376 17
2017/10/16 - $25,721 -64% 310 $83   $3,248,097 18

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
2017/09/29 10 $1,909,022   562 $3,397   $1,909,022 1
2017/10/06 12 $1,030,946 -46% 550 $1,874   $2,939,968 2

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.