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Portugal Box Office for Trolls (2016)

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Trolls
Theatrical Performance (US$)
Portugal Box Office $1,212,131Details
Worldwide Box Office $344,444,507Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Polar opposites, Poppy and Branch, must embark on an adventure that takes them far beyond the only world they’ve ever known.

Metrics

Movie Details

Production Budget:$125,000,000
Portugal Releases: October 28th, 2016 (Wide)
Video Release: January 24th, 2017 by Fox Home Entertainment
MPAA Rating: PG for some mild rude humor.
(Rating bulletin 2439 (Cert #50621), 8/24/2016)
Running Time: 93 minutes
Keywords: Food, Rescue, Escape, Makeover
Source:Based on Toy
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production Companies: DreamWorks Animation, PDI, DreamWorks Pictures
Production Countries: United States

Cast

Anna Kendrick    Poppy
Justin Timberlake    Branch
Gwen Stefani    DJ Suki
James Corden    Biggie
Russell Brand    Creek
Zooey Deschanel    Bridget
Christopher Mintz-Plasse    King Gristle
Christine Baranski    Chef
John Cleese    King Gristle Sr.
Jeffrey Tambor    King Peppy
Ron Funches    Cooper
Aino Jawo    Satin
Caroline Hjelt    Chenille
Kunal Nayyar    Guy Diamond
Quvenzhané Wallis    Harper
Walt Dohrn    Smidge, Fuzzbert, Cloud Guy, Mr. Dinkles, Tunnel Troll, Wedgie Bergen #2
Rhys Darby    Bibbly
Ricky Dillon    Aspen Heitz
Meg DeAngelis    Moxie Dewdrop
Glozell Green    Grandma Rosiepuff
Kandee Johnson    Mandy Sparkledust
Grace Helbig    Cookie Sugarloaf
Curtis Stone    Bergen Guard - Todd
Mike Mitchell    Darius, Vinny the Phone, Capt. Starfunkle, Spider, Wedgie Bergen #1, Chad, Card
Iris Dohrn    Baby Poppy
Liam Henry    Young Branch
Nina Bakshi    Bini Troll, Nora Troll
Zoë Crawford    Mackenzie Troll
Riley Crawford    Sean Troll
Ollie Mitchell    Olley Troll
Emmett Mitchell    Anxious Troll Child, Keith
Phoebe Dohrn    Bergen Girl

Production and Technical Credits

Director    Mike Mitchell
Co-Director    Walt Dohrn
Producer    Gina Shay
Screenwriter    Glenn Berger
Screenwriter    Jonathan Aibel
Story by    Erica Rivinoja
Executive Producer    Dannie Festa
Co-Producer    Holly Edwards
Co-Producer    Jonathan Aibel
Co-Producer    Glenn Berger
Characters Based on the Good Luck Trolls created by    Thomas Dam
Executive Music Producer    Justin Timberlake
Composer    Christophe Beck
Editor    Nick Fletcher
Head of Story    Joel Crawford
Production Designer    Kendal Cronkhite-Shaindlin
Visual Effects Supervisor    Philippe Denis
Head of Character Animation    David Burgess
Head of Layout    Yong Duk Jhun
Art Director    Timothy Lamb
Digital Supervisor    Yancy Lindquist
Digital Supervisor    Mark Fattibene
Production Manager    Kelly Cooney
Production Manager    Jon Eric Schmidt
Production Manager    Virendra Chauhan
Animation Supervisor    Prashanth Cavale
Animation Supervisor    Mark Donald
Animation Supervisor    Antony Gray
Animation Supervisor    John Hill
Animation Supervisor    Jason Reisig
Animation Supervisor    Benjamin Willis
Supervising Technical Director    T.J. Jackson
Modeling Supervisor    Charles Castrillo Ellison
Modeling Supervisor    Josh West
Character Effects Supervisor    Damon Riesberg
Supervising Sound Editor    Ethan Van der Ryn
Supervising Sound Editor    Erik Aadahl
Sound Designer    Ethan Van der Ryn
Sound Designer    Erik Aadahl
Re-recording Mixer    Rick Kline
Re-recording Mixer    Myron Nettinga
Music Supervisor    Julia Michels
Music Supervisor    Julianne Jordan
Casting Director    Leslee Feldman
Casting Director    Christi Soper
Production Supervisor    Killian Gray
Story Artist    Sean Charmatz
Story Artist    Danny Langston
Story Artist    Clio Chiang
Story Artist    Januel Mercado
Story Artist    Bo Coburn
Story Artist    Claire Morrissey
Story Artist    Tim Heitz
Story Artist    Nelson Yokota
First Associate Editor    Rich B. Dietl
Associate Editor    Christine Lojko Haslett
First Assistant Editor    Nolan Southerland
Assistant Editor    Stephen Meek
Assistant Editor    W. Stuart Jones
Production Supervisor-Art Department    Ian Jude McIntosh
Character Designer    Craig Kellman
Character Designer    Timothy Lamb

2016 - Awards Season - And the Oscar Goes to... La La Land Moonlight!

February 26th, 2017

Moonlight

It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night. More...

2016 - Awards Season: Oscars - Nominations - Final Look

February 26th, 2017

La La Land

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. More...

Home Market Releases for February 07th, 2017

February 7th, 2017

Loving

The winter releases are starting to come out on the home market. Trolls is the biggest such release, but it isn’t the best. It isn’t bad either, but it’s for kids and not adult fans of animation. As for the best, there are a quartet of contenders for Pick of the Week; Loving, The Eagle Huntress, Little Sister, and Two Lovers and a Bear. All four are must haves, while Loving’s Blu-ray Combo Pack is the Pick of the Week. Meanwhile, Two Lovers and a Bear’s DVD is the Puck of the Week for Best Canadian Release. More...

2016 Awards Season: Oscar Nominations

January 24th, 2017

La La Land

The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record. More...

Home Market Releases for January 24th, 2017

January 23rd, 2017

The Handmaiden

It’s not a particularly good week for top-notch releases. There are only three contenders for Pick of the Week, one of which doesn’t come out till next week. I was able to review Pinocchio a week early. The others are a classic from the 1970s, The Man Who Fell To Earth on Blu-ray Combo Pack, and an import from South Korea, The Handmaiden on DVD. Even though The Handmaiden is only coming out on DVD, it is still the best and is this week’s Pick of the Week. More...

2016 - Awards Season: Golden Globes - Nominations

December 12th, 2016

La La Land

The Golden Globes nominations were announced and we are starting to see a few names pop up over and over again. La La Land led the way with seven nominations, but Moonlight was right behind with six and Manchester by the Sea earned five. You will be hearing those three names over and over and over again this Awards Season. More...

International Box Office: Fantastic Beasts have another Century Weekend with $132.0 million

November 30th, 2016

Fantastic Beasts and Where to Find Them

Fantastic Beasts and Where to Find Them remained in first place with $132.0 million in 67 markets for totals of $317.5 million internationally and $473.5 million worldwide. Its biggest debut came from China where it opened with $41.70 million, which is a little behind Doctor Strange’s opening earlier this month. On the other hand, the film is already $10 million ahead of what will be Doctor Strange’s lifetime total in the U.K. with $11.07 million in 666 theaters over the weekend for a two-week total of $37.52 million. More...

International Box Office: Fantastic has a Beast of an Opening with $143.3 million

November 24th, 2016

Fantastic Beasts and Where to Find Them

Fantastic Beasts and Where to Find Them opened in first place on the international chart with $143.3 million in 63 markets. The film had the biggest opening of the Harry Potter franchise in 16 of those 63 markets, but ironically not in the U.K., where it had its biggest opening. The film debuted in first place there with $18.90 million in 666 theaters. This is the third best in the franchise behind the two Deathly Hallows films. Some of the markets where Fantastic Beasts set the franchise record include South Korea, where it made $10.64 million on 1,431 screens over the weekend for a total opening of $14.15 million. It did the same in Russia with $10.29 million on 1,173 screens and in Brazil with $6.4 million. More...

Weekend Predictions: Moana Takes on Beast Over Thanksgiving Weekend

November 23rd, 2016

Moana

Thanksgiving weekend is one of the most lucrative weekends of the year and this time around we could have a relatively close battle between a new release, Moana, and last week’s number one film, Fantastic Beasts and Where to Find Them. At least that’s what analysts thought, before we saw the preview numbers. None of the rest of the new wide releases are expected to do much. Allied could become a midlevel hit, but I would be surprised if its budget was only midlevel. Bad Santa 2 is on its way to becoming another comedy sequel that bombs. If Rules Don’t Apply’s previews are any indication, it will become one of the worst box office performers of the year. This weekend last year, The Hunger Games: Mockingjay, Part 2 beat The Good Dinosaur rather easily. However, Fantastic Beasts started slower than Moana, so I think we will have a new winner this week. More...

Weekend Wrap-Up: Fantastic Beast Can’t Lift Box Office

November 22nd, 2016

Fantastic Beasts and Where to Find Them

As expected, Fantastic Beasts and Where to Find Them dominated the box office earning nearly as much as the rest of the films combined. However, it was unexpectedly weak earning just $74.40 million. In fact, every film we talked about on Thursday’s predictions underperformed and the overall box office was down to $158 million. Granted, “down” in this case is only off by 0.1%, but considering we were expecting significant growth, even a little drop is distressing. Worse still, the box office is off by 8.9% from this weekend last year. Again, we were expecting growth in the year-over-year comparison, so a drop this big really hurts. Year-to-date, 2016 has pulled in $9.49 billion, which is 5.9% or $540 million better than last year’s pace. That said, I wouldn’t panic, as Moana should help the box office bounce back this weekend. More...

Weekend Predictions: Will Fantastic Be Fantastic? Or will it merely be a Beast at the Box Office?

November 17th, 2016

Fantastic Beasts and Where to Find Them

At the beginning of the month, we thought there would be four wide releases / expansions this week. However, it turns out there will be just one, Fantastic Beasts and Where to Find Them. The lack of wide releases should help it at the box office and there is a small chance it could top $100 million over the next three days. While there are no other wide releases, there are a few films opening or expanding semi-wide. Of these, The Edge of Seventeen is the only one with a realistic shot at the top five. It is earning the best reviews of the week and did earn a lot of film festival buzz, so that should help. Billy Lynn’s Long Halftime Walk had an amazing opening in limited release last weekend, but it will likely struggle as it expands into just over 1,000 theaters this weekend. Finally there’s Bleed for This, which is expected to barely make the top ten. This weekend last year, the final installment of the Hunger Games franchise opened with just over $100 million. There’s a slim chance Fantastic Beasts will do the same. Even if it doesn’t, the depth this year is much better than last year and that should help 2016 win in the year-over-year comparison. More...

International Box Office: Doctor Strange Mightier than Thor earning $60.2 million

November 16th, 2016

Doctor Strange

Doctor Strange remained in first place with $60.2 million in 53 markets over the weekend for totals of $339.6 million internationally and $492.6 million worldwide. This puts the film ahead of the lifetime total of Thor and into 11th place in the MCU. It will be at least a couple of spots higher by this time next week. The film had a stronger than expected hold in China down $22.54 million over the weekend for a two-week total of $83.22 million. It also remained in first place in South Korea with $4.35 million on 951 screens over the weekend for a total of $36.22 million after three weeks of release. Up next for the film is Argentina on the 24th, while it doesn’t end its run until next year when it opens in Japan. More...

Weekend Wrap-Up: The Holiday Box Office Season has Arrived

November 15th, 2016

Arrival

The weekend box office was better than anticipated, thanks mostly to Remembrance Day. Doctor Strange fell less than 50%, which is stunning for a big blockbuster like this. Trolls held on even better and Arrival had a surprisingly strong opening weekend. Granted, the overall box office still dropped by 18% to $158 million, but some drop-off is unavoidable the weekend after a blockbuster release. This was 46% higher than the same weekend last year and that is a lot more important. Year-to-date, 2016 has earned $9.49 billion, putting it 5.7% or $510 million ahead of last year’s pace. More...

Weekend Estimates: Healthy Arrivals Help Veterans Day Box Office

November 13th, 2016

Doctor Strange

While Doctor Strange and Trolls aren’t really being threatened at the top of the chart this weekend, a few healthy new releases are giving Veterans Day weekend a timely boost at the box office. Arrival is the stand-out performer in wide release, with $24 million from 2,317 theaters and an average over $10,000. The sci-fi drama is a critical darling, but is having a harder time with general audiences who might be expecting something with a few more explosions and laser battles, and its CinemaScore is a B. Its potential long-term performance is a therefore a little hard to gauge at this point, but it would be very surprising for it not to pick up a few more theaters, and it might be decent counter-programming to the explosions and laser battles promised by several other films coming up in the next few weeks. More...

Weekend Predictions: Will Any New Release Arrive on Top?

November 10th, 2016

Arrival

There are a trio of new releases coming out this week, but none of them are expected to challenge for top spot. Arrival is earning stellar reviews, but it is also being released by Paramount and they’ve had a terrible year. Almost Christmas is a Christmas movie aimed at African-Americans. It should do well enough to become a financial success, but it won’t be a major player at the box office. Then there’s Shut In, which is barely opening wide and will very likely miss the top five. It might miss the Mendoza Line. This will leave Doctor Strange with an easy first place, while Trolls should remain in second. This weekend last year, the new releases were pitiful. The best earned less than $10 million. If 2016 doesn’t win in the year-over-year comparison, then we are in serious trouble. More...

International Box Office: Strange More Incredible Than The Hulk with $118.7 million

November 9th, 2016

Doctor Strange

Doctor Strange added $118.7 million in 54 markets for totals of $240.4 million internationally and $325.5 million worldwide. It has already overtaken The Incredible Hulk in the MCU and is rapidly closing in on Captain America: The First Avenger. This weekend, the film debuted in first place in China with $44.12 million, including some previews, as well as in Brazil with $7.9 million. The film also expanded wide in Russia earning $8.49 million over the weekend for a total of $15.63 million. On the downside, the film has already opened in all major markets, except for Japan, where it doesn’t open until January. With what it has pulled in so far, anything less than $600 million will be seen as troubling, while anything more than $750 million will be seen as a success. More...

Theater Averages: Loving Loves its Opening Average of $39,904

November 8th, 2016

Loving

Loving led the way on the theater average chart this weekend with an average of $39,904 in four theaters. This isn’t among the best of the year, but it does show the film has room to grow and that should help its Oscar buzz, which in turn will help its box office numbers. The overall number one film, Doctor Strange, was next with an average of $21,911. The only holdover in the $10,000 club was Moonlight, which earned an average of $14,883 in 83 theaters. It still has room to grow, but its chances of expanding truly wide are very limited at this point. The Eagle Huntress was next with an average of $13,144 in four theaters. The final film in the $10,000 club was Trolls at $11,473. More...

Weekend Wrap-Up: Nothing Strange about the Doctor’s $85.06 million Opening Weekend

November 7th, 2016

Doctor Strange

Doctor Strange’s opening weekend was off by 0.069% when compared to our prediction. I think that gives us reason to brag. Both Trolls and Hacksaw Ridge beat expectations by a relatively significant margin. Overall, the weekend box office rose 115% from last weekend to $191 million. That’s 18% more than the same weekend last year. Year-to-date, 2016’s lead over 2015 increased to 5.6% or $490 million at $9.28 billion to $8.79 billion. If 2016 can maintain this lead until Rogue One comes out, then 2016 will win in the end. More...

Weekend Estimates: Doctor Strange’s $85 Million Gives Industry a Much-Needed Boost

November 6th, 2016

Doctor Strange

After a couple of months of weak box office, and some very disappointing openings, Doctor Strange, Trolls and Hacksaw Ridge are each, in their own way, putting things back on track. Doctor Strange is grabbing the headlines of course, with an impressive $84,989,000 opening projected by Disney on Sunday morning. That’s almost identical to the opening weekend enjoyed by Thor: The Dark World on this weekend back in 2013, and comes without the benefit of being part of an established franchise (putting aside its place in the Marvel Cinematic Universe). More...

Contest: Arrive on Time

November 4th, 2016

Arrival

There are three widish releases next week, but none of them are opening at a saturation level theater count. In fact, none of them are coming close. Arrival will very likely be the biggest of the three new releases, but it will fall behind Doctor Strange’s sophomore stint. Its estimated theater count is so small it might even open below Trolls. Almost Christmas is looking to become a solid midlevel hit, while Shut In is just praying for a spot in the top five. Because Arrival is expected to do the best, it is the target film in this week’s Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Arrival.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize consisting of a previously reviewed full-season TV on DVD release, two previously reviewed movies, or three single-disc kids DVDs. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize, as described above.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

Weekend Predictions: Will Audiences Find Doctor Too Strange?

November 3rd, 2016

Doctor Strange

Doctor Strange is the latest installment in the Marvel Cinematic Universe and arguably the strangest one. It is widely expected to dominate the box office this weekend. Trolls is expected to open way back in second place, but still have a strong showing. The final wide release of the week is Hacksaw Ridge, which appears to be getting lost in the crowd. This weekend last year. Spectre and The Peanuts Movie had a one-two punch that earned a combined $115 million. I think Doctor Strange / Trolls will top that figure giving 2016 the win in the year-over-year comparison. More...

International Box Office: Nothing Strange About Doctor’s $86.0 million International Debut

November 3rd, 2016

Doctor Strange

Doctor Strange started its international run in first place with $86.0 million in 33 markets. This is 49% better than Ant-Man’s debuts in these markets. If the film does as well here, it would earn $85 million this coming weekend. The film’s biggest international market was South Korea, where it debuted with $12.95 million on 1,500 screens over the weekend for a total opening of $18.05 million. It dominated the weekend box office there. It earned an easy first place in the U.K. with $11.29 million in 602 theaters. The film also opened in first place in France ($5.7 million); Australia ($4.90 million); Germany ($4.8 million); and Mexico ($4.67 million). If the film does as well during the rest of its international run, it will earn just over $500 million internationally. However, since its reviews are better than Ant-Man’s reviews were, it could have even better legs. We will know more this time next week. More...

2016 Preview: November

November 1st, 2016

Doctor Strange

October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory. More...

International Box Office: Jack Reaches for the Top earning $31.5 million

October 27th, 2016

Jack Reacher: Never Go Back

Jack Reacher: Never Go Back opened in first place internationally with $31.5 million in 31 markets. Its biggest market was China, where it earned $5.56 million, including previews. The film’s second biggest market was in the U.K. where it earned $3.28 million in 519 theaters. This is lower than it opened here, given the relative size of the two markets, and much lower than the $5.75 million the first film opened with. Granted, that film opened in the U.K. right around Christmas, but overall Never Go Back is underperforming. This is really bad news for Paramount Pictures, as they’ve had a bad year with a number of high-profile, high-cost movies failing to break even and really can’t afford another misstep. More...

Trolls Trailer

August 3rd, 2016

Animated adventure from DreamWorks Animation, with the voices of Anna Kendrick and Justin Timberlake opens November 4 ... Full Movie Details. More...

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
2016/10/28 2 $194,885   85 $2,293   $194,885 3
2016/11/04 1 $209,017 +7% 72 $2,903   $552,261 10
2016/11/11 2 $160,050 -23% 78 $2,052   $747,449 17
2016/11/18 3 $152,179 -5% 74 $2,056   $902,866 24
2016/11/25 4 $75,073 -51% 64 $1,173   $998,226 31
2016/12/02 6 $74,028 -1% 51 $1,452   $1,091,820 38
2016/12/09 9 $38,495 -48% 45 $855   $1,126,548 45
2016/12/16 11 $12,570 -67% 34 $370   $1,133,162 52
2016/12/23 13 $4,247 -66% 15 $283   $1,153,581 59
2016/12/30 16 $5,192 +22% 11 $472   $1,180,270 66
2017/01/06 28 $907 -83% 8 $113   $1,186,925 73
2017/01/13 - $1,164 +28% 6 $194   $1,196,755 80
2017/01/20 - $465 -60% 4 $116   $1,198,230 87
2017/03/17 - $309   3 $103   $1,212,131 143

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Theaters
Maximum
Theaters
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/27/2016 $0 0 0 0 $1,400,000 11/14/2016
Australia 12/2/2016 $1,879,063 507 507 2916 $12,082,702 3/6/2017
Brazil 10/28/2016 $1,800,000 0 0 0 $1,800,000 11/7/2016
Bulgaria 10/28/2016 $106,482 0 0 0 $532,522 2/3/2017
China 10/28/2016 $4,820,000 30644 30644 38848 $7,860,000 11/26/2016
Czech Republic 10/28/2016 $24,638 29 123 690 $1,004,194 2/24/2017
Denmark 10/13/2016 $0 0 0 0 $2,200,000 10/24/2016
France 10/21/2016 $4,200,000 0 0 0 $18,300,000 12/12/2016
Germany 10/21/2016 $2,200,000 0 0 0 $8,500,000 12/9/2016
Italy 10/28/2016 $684,845 0 0 0 $4,576,450 12/14/2016
Lithuania 10/21/2016 $91,617 202 202 950 $414,246 1/13/2017
Mexico 11/4/2016 $2,681,022 0 0 0 $7,292,000 12/6/2016
Netherlands 10/12/2016 $325,199 131 132 1175 $3,856,556 1/12/2017
New Zealand 12/2/2016 $234,308 124 124 795 $1,620,755 3/20/2017
North America 11/4/2016 $46,581,142 4060 4066 25885 $153,694,574
Portugal 10/28/2016 $194,885 85 85 550 $1,212,131 3/22/2017
Russia (CIS) 10/28/2016 $3,976,254 1216 1216 5147 $12,700,000 12/12/2016
Slovakia 10/28/2016 $18,096 23 73 442 $580,239 2/24/2017
Slovenia 11/4/2016 $76,162 39 39 173 $268,360 2/6/2017
South Korea 2/8/2017 $0 0 622 1895 $4,518,276 3/28/2017
Spain 10/28/2016 $1,479,846 497 567 3786 $9,967,375 3/10/2017
Thailand 11/25/2016 $228,000 0 0 0 $228,000 11/28/2016
Turkey 11/4/2016 $230,482 206 226 989 $1,083,420 3/23/2017
United Kingdom 10/21/2016 $6,643,319 608 611 6211 $30,289,849 2/15/2017
 
Rest of World $58,462,858
 
Worldwide Total$344,444,507 3/28/2017

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.